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Online Speech
PLUS: Exposing colleges’ secret VIP admissions plugging in online to speech Courts struggle to define students’ First Amendment rights off campus INSIDE: Students launch Iraq’s first sustainable, independent campus paper REPORT RT @SPLC.org Fall 2011 VOL. XXXII, NO. 3 STAFF Read the latest News Flashes The Student Press Law Center Report (ISSN Brian Schraum, McCormick 0160-3825), published three times each year Foundation Publications Fellow, online at www.splc.org by the Student Press Law Center, summarizes received his master’s degree in current cases and controversies involving the journalism from the University of A senior at St. Augustine College in North rights of the student press. The SPLC Report is Missouri, where he studied media researched, written and produced by journalism Carolina was not allowed to participate in law and policy. He graduated from interns and SPLC staff. Washington State University in 2007. Schraum May’s graduation ceremony because of a The Student Press Law Center Report, Vol. XXXII, comment he posted on the school’s Face- previously interned for the First Amendment No. 3, Fall 2011, is published by the Student Center in Nashville and for newspapers in book page. In a free speech lawsuit, he seeks Press Law Center Inc., 1101 Wilson Boulevard, Washington and Missouri. He also initiated ef- more than $10,000 and a full-scale gradu- Suite 1100, Arlington, VA 22209-2275, (703) forts to enact student press rights legislation in ation ceremony. 807-1904. Copyright © 2011 Student Press Law Washington and was a high school, community Center. All rights reserved. Yearly subscriptions college and university student journalist. -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Une Tragédie Gore / Scream 2 De Wes Craven]
Document generated on 09/29/2021 11:05 p.m. 24 images Une tragédie gore Scream 2 de Wes Craven Marcel Jean Number 91, Spring 1998 URI: https://id.erudit.org/iderudit/23647ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Jean, M. (1998). Review of [Une tragédie gore / Scream 2 de Wes Craven]. 24 images, (91), 52–52. Tous droits réservés © 24 images, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Scream 2 de wes crave n tation finale se déroule sur la scène). Craven poursuit enfin son travail sur la représenta tion à travers quelques scènes où il isole l'image du son (recours au téléphone, à la caméra vidéo, puis aux espaces insonorisés d'un studio d'enregistrement). De tout cet étalage, deux éléments ressortent. D'abord la fonction cathattique du cinéma d'horreur, qui est en quelque sorte mise de l'avant par le cinéaste qui se plaît à confronter le spectateur à sa propre Sarah Michelle Gellar. Un film annonçant la fin du gore. jouissance face à l'expérience de la peur. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
A Field Research Site for Emerging Contaminants in Iowa
Journal of the Iowa Academy of Science: JIAS Volume 113 Number 1-2 Article 3 2006 Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa Douglas J. Schnoebelen U.S. Geological Survey Dana W. Kolpin U.S. Geological Survey Larry B. Barber U.S. Geological Survey Edward T. Furlong U.S. Geological Survey Michael M. Meyer U.S. Geological Survey Let us know how access to this document benefits ouy See next page for additional authors Copyright © Copyright 2007 by the Iowa Academy of Science, Inc. Follow this and additional works at: https://scholarworks.uni.edu/jias Part of the Anthropology Commons, Life Sciences Commons, Physical Sciences and Mathematics Commons, and the Science and Mathematics Education Commons Recommended Citation Schnoebelen, Douglas J.; Kolpin, Dana W.; Barber, Larry B.; Furlong, Edward T.; Meyer, Michael M.; and Skopec, Mary (2006) "Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa," Journal of the Iowa Academy of Science: JIAS, 113(1-2), 1-9. Available at: https://scholarworks.uni.edu/jias/vol113/iss1/3 This Research is brought to you for free and open access by the Iowa Academy of Science at UNI ScholarWorks. It has been accepted for inclusion in Journal of the Iowa Academy of Science: JIAS by an authorized editor of UNI ScholarWorks. For more information, please contact [email protected]. Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa Authors Douglas J. Schnoebelen, Dana W. Kolpin, Larry B. Barber, Edward T. Furlong, Michael M. Meyer, and Mary Skopec This research is available in Journal of the Iowa Academy of Science: JIAS: https://scholarworks.uni.edu/jias/vol113/ iss1/3 Jour. -
Cinematic Emotion in Horror Films and Thrillers Routledge Advances in Film Studies
Cinematic Emotion in Horror Films and Thrillers Routledge Advances in Film Studies 1. Nation and Identity in the New German Cinema Homeless at Home Inga Scharf 2. Lesbianism, Cinema, Space The Sexual Life of Apartments Lee Wallace 3. Post-War Italian Cinema Daniela Treveri Gennari 4. Latsploitation, Exploitation Cinema, and Latin America Edited by Victoria Ruétalo and Dolores Tierney 5. Cinematic Emotion in Horror Films and Thrillers The Aesthetic Paradox of Pleasurable Fear Julian Hanich Cinematic Emotion in Horror Films and Thrillers The Aesthetic Paradox of Pleasurable Fear Julian Hanich New York London First published 2010 by Routledge 270 Madison Avenue, New York, NY 10016 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2010. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. © 2010 Taylor & Francis All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereaf- ter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trade- marks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Hanich, Julian, 1975– Cinematic emotion in horror films and thrillers : the aesthetic paradox of pleasurable fear / by Julian Hanich. -
B Movies and Beyond: the Crippled Masters 2 (1980, Shia Yue)
2/9/2011 B Movies and Beyond: The Crippled Ma… Share Report Abuse Next Blog» Create Blog Sign In MONDAY, JANUARY 24, 2011 ABOUT ME The Crippled Masters 2 (1980, Shia Yue) STARMUMMY My name is Starmummy. I am not from Earth. I do live here though. I like to review movies, particularly ones that will offend the average person. I review whatever movie I feel like reviewing whenever I want. I will gladly take suggestions and free stuff. VIEW MY COMPLETE PROFILE SITES YOU SHOULD CHECK OUT 3B Theater Micro-brewed Reviews Attack from Planet B B Movie Central B Movie Film Vault Bad Movie Realm Political correctness is a touchy subject in today's world. It seems BadMovies.org the only time you see anything politically incorrect nowadays is either deliberately offensive or an homage to the innocent days when the Basement of Ghoulish Decadence world just "didn't know any better". Sometimes when you are BugEyedMovies.com watching an older film, you have to take that into consideration. Cani Arrabbiati (Italian Genre Other times though, a film will just be so inexcusably/unbelievably Cinema) politically incorrect that you can't believe your eyes. This isn't always Classic-Horror.com a bad thing either, as this film proves. Darksider's Realm Dire Wit Films As the oh so politically incorrect title states, The Crippled Masters 2 DVD Holocaust (aka Two Crippled Heroes) centers around two martial arts experts Eccentric Cinema who also happen to be handicapped. The first (Frankie Shum) has Full Moon Reviews one (malformed) arm and the other (Jackie Conn) has diminutive legs Giallo Fever that don't work. -
Appleton, Wisconsin March 2011 Vol. XVI Issue VII Inside Problem of Theft Persists This Issue: Places Where Students Should Awareness Is Key Always Be Wary
the appleton north NOCTILUCA Appleton, Wisconsin March 2011 Vol. XVI Issue VII Inside Problem of theft persists this issue: places where students should Awareness is key always be wary. Fortunately, to keeping items Sergeant Allaback reports no cases of stolen items coming safe at school from a regular hallway lock- By Megan Van Boxtel er. and Jackie Reynders In addition, he advises all students who do have an item Although students some- stolen from them to report it times forget the risks of theft immediately. Sergeant Alla- can happen within the confines back will then be able to inves- of a place typically associated tigate the situation as soon as with safety, Appleton North is possible. He maintains that the not immune. Photo by Jensen Enz more “timely the better.” Phy. Ed teacher Mr. Maves Leaving belongings unattended in either the hall- Protecting personal be- Wisconsin bill agrees that theft is “an increas- ways or locker rooms is a recipe for disaster. longings from thievery is es- causes mixed ing problem,” stating that he pecially important, Allaback feelings sees about 15 real thefts oc- chance of recovering a stolen about his exchange program. says. If any item is not a ne- cur throughout the course of item is, unfortunately, very Fortunately, after reporting cessity to have during school pg. 3 a school year in the locker slim. Police Liaison Officer the theft to Sergeant Allaback, hours, there’s no need to bring room and about six to seven Sergeant Allaback asserts that Ellies’ wallet showed up — it. If students do need to bring locks taken on a weekly basis. -
Scream If You Like His Movies Kevin Williamson’S Strange Ride
spring 2012 EastThe Magazine of easT Carolina UniversiTy erber g scream if you . s like his movies Kevin Williamson’s strange ride Copyright 2011 by Max by 2011 Copyright from Dawson’s Creek to hollywood vieWfinDer spring 2012 EastThe Magazine of easT Carolina UniversiTy Construction worker Willie Joyner Jr. is part of the renovation of Tyler residence Hall, one of the older dorms on College Hill. Opened as a men’s residence in 1969, it was switched to all women in FEATUrEs 1972 and remained so for 20 30 years. it was named for sCreaM if YOU liKe his MOVIES Arthur Lynwood Tyler, a 2 0 His TV series became former university trustee. By David Menconi Dawson’s Creek Photograph by Forrest Croce iconic, then Kevin Williamson ’87 became king of the scary movie genre and now his scripts about teenage vampires fill primetime TV. He’s had hits and some misses, so now he’s hoping to find an elusive balance in his creative and personal lives. “I’m not good at highs and lows,” he says. hearT Throb 3 0 Professor Sam Sears, a leading 30 authorityBy Spaine onStephens the psychology of living with what are called implantable cardioverter defibrillators (ICDs), helps patients adjust to living with the constant worry that the device will deliver a 700-volt punch. “It’s a modern-day paradox of safety and fear,” he says. “I see more courage on a daily basis than anyone.” genTle gianT 3 6 For 24 years, Dean of Students James TuckerBy Steve laid Tuttle down ’09 the law on campus, from the time of the Big Yellow House Incident through the protests over the 36 Vietnam War. -
J-Horror and the Ring Cycle
Media students/03/c 3/2/06 8:16 am Page 94 CASECASE STUDY:STUDY: J-HORROR J-HORROR AND AND THE THE RING RINGCYCLECYCLE 1 2 3 4 5 6 7 • Horror cycles • Industry exploitation and circulation 8 • The beginnings of the Ring cycle • Fandom and the global concept of genre 9 • Replenishing the repertoire through repetition and • Summary: generic elements and classification 10 difference • References and further reading 11 • Building on the cycle 12 13 14 Horror cycles references to Carol Clover’s work in Chapter 3). The 15 ‘knowingness’ about horror, and cinema generally, 16 Chapter 3 emphasises the fluidity of genre as a in these films was often developed as comedy (e.g. in 17 concept, the constantly changing repertoires of Scream 2 (1998), the classroom discussion about film 18 elements and the possibility of different forms of sequels). The success of the cycle was exploited 19 ‘classification’ by producers, critics and audiences. further with a ‘spoof’ of the ‘spoof’ in the Scary Movie 20 Horror is a genre with some special characteristics series. 21 in cinema: At the end of the decade, a rather different kind of 22 consistently popular since the 1930s in Hollywood • film, a ‘ghost story with a twist’, The Sixth Sense (1999), 23 and earlier in some other national cinemas was a massive worldwide hit. It was followed by the 24 attracting predominantly youth audiences • Spanish film The Others (2001) and several other ghost 25 until the late 1960s, not given the status of a major • stories, some of which looked back to gothic traditions 26 studio release (the isolated country house shrouded in fog in The 27 ‘open’ to the influence of changes in society – in • Others), while others were more contemporary in 28 both ‘metaphorical’ (i.e. -
David Arquette Will Return to Pursue Ghostface As Dewey Riley in the Relaunch of Scream for Spyglass Media Group
DAVID ARQUETTE WILL RETURN TO PURSUE GHOSTFACE AS DEWEY RILEY IN THE RELAUNCH OF SCREAM FOR SPYGLASS MEDIA GROUP James Vanderbilt and Guy Busick to Co-write the Screenplay With Project X Entertainment Producing, Creator Kevin Williamson Serving as Executive Producer and the Filmmaking Collective Radio Silence at the Helm LOS ANGELES (May 18, 2020)— David Arquette will reprise his role as Dewey Riley in pursuit of Ghostface in the relaunch of “Scream,” it was announced today by Peter Oillataguerre, President of Production for Spyglass Media Group, LLC (“Spyglass”). Plot details are under wraps but the film will be an original story co-written by James Vanderbilt (“Murder Mystery,” “Zodiac,” “The Amazing Spider-Man”) and Guy Busick (“Ready or Not,” “Castle Rock,”) with Project X Entertainment’s Vanderbilt, Paul Neinstein and William Sherak producing for Spyglass. Creator Kevin Williamson will serve as executive producer. Matt Bettinelli- Olpin and Tyler Gillett of the filmmaking group Radio Silence (“Ready or Not,” “V/H/S”) will direct and the third member of the Radio Silence trio, Chad Villella, will executive produce alongside Williamson. Principal photography will begin later this year in Wilmington, North Carolina when safety protocols are in place. Arquette said, “I am thrilled to be playing Dewey again and to reunite with my ‘Scream’ family, old and new. ‘Scream’ has been such a big part of my life, and for both the fans and myself, I look forward to honoring Wes Craven’s legacy.” Though Arquette is the first member of the film’s ensemble to be officially announced, conversations are underway with other legacy cast.