Williamson, Kevin (B. 1965) by Craig Kaczorowski
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First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Mainstream Rock Tracks
1i1C-7L710 EiZN AG.F SITES + SOUNDS (Continued front page 80) Ten it comes time to pen songs, Nine Days' ed laughing. I realized that as much as she aggra- times you can spend months fine -tuning a song. I vocalist /guitarist John Hampson follows vates me, I absolutely love her when she smiles. will never say that I crafted this pop gem. What and Nokia Ventures among its finan- the adage "Write what you know," because, "I came up with a chorus to a song, and when I really happened was, I don't know where it came cial backers, is hoping to put its serv- he says, "when you're done with a song, it's the only started singing it, it was bouncing around in my from, but everything was about a true feeling." ice to work in everything from Inter- way you feel personally like you did it right." This honesty also permeates the group's debut net music appliances and online radio Hampson's personal attachment to Nine Days' don't know where 550 Music /Epic album, "The Madding Crowd," a to Internet retailers and Web portals. it came from, but single "Absolutely (Story Of A Girl)," No. 17 on everythinT, was reference to Thomas Hardy's book "Far From The It already has its own streaming this issue's Modern Rock Tracks chart, stemmed about a true Madding Crowd." Hampson says, "I read it when service known as RadioMongo, from a pre -show realization about his girlfriend. feeling' I was about 20, a time in my life that I was look- which will be featured in the free- He says, "I was playing a gig and got there -John Hampson, Nine Days ing for something important. -
Key Player Remains out of Game
-FEATURES- -SPORTS- The groundhog did not see Bo Larragan and the Red his shadow. What does Foxes had a rough time this mean for us? pg. 5 controlling Loyola's Jason Rowe, pg. 16 the student newspaper of diarist College VOLUME #52 ISSUE #10 Welcome Back!! FEBRUARY 4,1999 Key player remains out of game byJEFFDAHNCKE John Ritschdorff and others re- StaffWriter viewed Eligibility questions surround Cielebak's ing one of their best players status. have brought the Marist mens Cielebak was basketball season to a screech ruled offi ing halt. cially ineli On Jan. 15, Manst learned that gible to play, the NCAA was investigating their report was sent to Cinl-ploD/JocSu) i> Toihasz Cielebak, a junior for International flags in the Rotunda represent countries where students are studying ward from Poland, for his in the NCAA volvement in basketball over- and .the NCAA must.-.. Flags represent growing In a statement released by the school after learning of the in "I just feel like we interest in studying abroad vestigation, athletic director Tim Murray briefly described the are operating with by CHRIS GROG AN now Surprisingly, Sydney. Aus tcrnational Education office situation. News Fditnr tralia is also a populai destina encourages students who "There have been some ques one hand behind II you are like many heie at tion foi Marist students want to study in foreign lands tions raised about Tomasz's par-, our back." Marist who pass thiough the According to Whalen, Marist do lor the entire school ycai ticipation in the European club Rotunda at least once a day. -
Philippines's Constitution of 1987
PDF generated: 26 Aug 2021, 16:44 constituteproject.org Philippines's Constitution of 1987 This complete constitution has been generated from excerpts of texts from the repository of the Comparative Constitutions Project, and distributed on constituteproject.org. constituteproject.org PDF generated: 26 Aug 2021, 16:44 Table of contents Preamble . 3 ARTICLE I: NATIONAL TERRITORY . 3 ARTICLE II: DECLARATION OF PRINCIPLES AND STATE POLICIES PRINCIPLES . 3 ARTICLE III: BILL OF RIGHTS . 6 ARTICLE IV: CITIZENSHIP . 9 ARTICLE V: SUFFRAGE . 10 ARTICLE VI: LEGISLATIVE DEPARTMENT . 10 ARTICLE VII: EXECUTIVE DEPARTMENT . 17 ARTICLE VIII: JUDICIAL DEPARTMENT . 22 ARTICLE IX: CONSTITUTIONAL COMMISSIONS . 26 A. COMMON PROVISIONS . 26 B. THE CIVIL SERVICE COMMISSION . 28 C. THE COMMISSION ON ELECTIONS . 29 D. THE COMMISSION ON AUDIT . 32 ARTICLE X: LOCAL GOVERNMENT . 33 ARTICLE XI: ACCOUNTABILITY OF PUBLIC OFFICERS . 37 ARTICLE XII: NATIONAL ECONOMY AND PATRIMONY . 41 ARTICLE XIII: SOCIAL JUSTICE AND HUMAN RIGHTS . 45 ARTICLE XIV: EDUCATION, SCIENCE AND TECHNOLOGY, ARTS, CULTURE, AND SPORTS . 49 ARTICLE XV: THE FAMILY . 53 ARTICLE XVI: GENERAL PROVISIONS . 54 ARTICLE XVII: AMENDMENTS OR REVISIONS . 56 ARTICLE XVIII: TRANSITORY PROVISIONS . 57 Philippines 1987 Page 2 constituteproject.org PDF generated: 26 Aug 2021, 16:44 • Source of constitutional authority • General guarantee of equality Preamble • God or other deities • Motives for writing constitution • Preamble We, the sovereign Filipino people, imploring the aid of Almighty God, in order to build a just and humane society and establish a Government that shall embody our ideals and aspirations, promote the common good, conserve and develop our patrimony, and secure to ourselves and our posterity the blessings of independence and democracy under the rule of law and a regime of truth, justice, freedom, love, equality, and peace, do ordain and promulgate this Constitution. -
Imdb's Ios and ANDROID APPS HAVE NOW BEEN DOWNLOADED MORE THAN 50 MILLION TIMES
IMDb’S iOS AND ANDROID APPS HAVE NOW BEEN DOWNLOADED MORE THAN 50 MILLION TIMES Just-Launched Redesign of IMDb’s Movies & TV App for iPad Includes Discovery Features, Personalized Recommendations and Watchlist Enhancements IMDb’s Portfolio of Leading Mobile Entertainment Apps Achieved Significant Milestones and Garnered Media Acclaim in 2012 SEATTLE, WA. – December 20, 2012—IMDb, the world’s most popular and authoritative source for movie, TV and celebrity content, today announced that its award-winning Movies & TV apps for iOS and Android have each been downloaded more than 25 million times for a total of more than 50 million combined user downloads. Over the last 5 months, IMDb’s mobile-optimized website and apps have received an average of more than 175 million visits per month. Additionally, IMDb just launched a redesigned version of its acclaimed iPad app featuring highly anticipated discovery features, personalized recommendations and Watchlist enhancements. To learn more and download IMDb’s free apps, go to: http://www.imdb.com/apps/ “2012 has been a significant year for innovation and usage of IMDb’s leading mobile apps for iOS, Android and Kindle Fire,” said Col Needham, IMDb’s founder and CEO. “Our mission is to continually surprise and delight our customers with new features that will revolutionize the movie-watching experience such as ‘X-Ray for Movies,’ which we launched in September 2012 exclusively on the new Kindle Fire HD devices. We look forward to raising the bar on behalf of our customers in 2013.” IMDb’s iPad App Redesign Beginning today, an update (available through the iTunes App Store) to IMDb’s popular iPad app includes a complete redesign focused on discovery features, personalized recommendations and Watchlist enhancements. -
STALKERS and Their Victims
STALKERS and their victims Paul E. Mullen Michele Pathé and Rosemary Purcell The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge CB2 2RU, UK http://www.cup.cam.ac.uk 40 West 24th Street, New York, NY 10011–4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeface Minion 10.5/14pt System QuarkXPress™ [] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Mullen, Paul E. Stalkers and their victims/Paul E. Mullen, Michele Pathé, and Rosemary Purcell. p. cm. ISBN 0 521 66950 2 (pbk.) 1. Stalking. 2. Stalkers. 3. Women – Crimes against – Prevention. I. Pathé, Michele, 1959– II. Purcell, Rosemary, 1969– III. Title. HV6594.M85 2000 362.88 – dc21 99-044607 ISBN 0 521 66950 2 paperback Every effort has been made in preparing this book to provide accurate and up-to-date information which is in accord with accepted standards and practice at the time of publication. Nevertheless, the authors, editors and publisher can make no warranties that the information contained herein is totally free from error, not least because clinical standards are constantly changing through research and regu- lation. The authors, editors and publisher therefore disclaim all liability for direct or consequential damages resulting from the use of material contained in this book. -
Une Tragédie Gore / Scream 2 De Wes Craven]
Document generated on 09/29/2021 11:05 p.m. 24 images Une tragédie gore Scream 2 de Wes Craven Marcel Jean Number 91, Spring 1998 URI: https://id.erudit.org/iderudit/23647ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Jean, M. (1998). Review of [Une tragédie gore / Scream 2 de Wes Craven]. 24 images, (91), 52–52. Tous droits réservés © 24 images, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Scream 2 de wes crave n tation finale se déroule sur la scène). Craven poursuit enfin son travail sur la représenta tion à travers quelques scènes où il isole l'image du son (recours au téléphone, à la caméra vidéo, puis aux espaces insonorisés d'un studio d'enregistrement). De tout cet étalage, deux éléments ressortent. D'abord la fonction cathattique du cinéma d'horreur, qui est en quelque sorte mise de l'avant par le cinéaste qui se plaît à confronter le spectateur à sa propre Sarah Michelle Gellar. Un film annonçant la fin du gore. jouissance face à l'expérience de la peur. -
Sign of the Librarian in the Cinema of Horror: an Exploration of Filmic Function Antoinette G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sign of the Librarian in the Cinema of Horror: An Exploration of Filmic Function Antoinette G. Graham Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION SIGN OF THE LIBRARIAN IN THE CINEMA OF HORROR: AN EXPLORATION OF FILMIC FUNCTION By ANTOINETTE G. GRAHAM A Dissertation submitted to the School of Library and Information Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2010 Copyright © 2010 Antoinette G. Graham All Rights Reserved The members of the committee approve the dissertation of Antoinette G. Graham defended on October 5, 2010. _____________________________ Gary Burnett Professor Directing Dissertation _____________________________ Valliere Richard Auzenne University Representative _____________________________ Lisa Tripp Committee Member _____________________________ Eliza T. Dresang Committee Member Approved: _____________________________________ Larry Dennis, Dean College of Communication & Information _____________________________________ Corinne Jörgensen, Director School of Library & Information Studies The Graduate School has verified and approved the above-named committee members. ii TABLE OF CONTENTS Abstract ................................................................................................................ -
Stalking Victims 9
© Jones and Bartlett Publishers, LLC. NOT FOR SALE OR DISTRIBUTION CHAPTER Stalking Victims 9 by Cheryl Regehr 44 LEARNING OBJECTIVES 44 KEY TERMS • Discuss the nature of stalking behaviors Celebrity Stalking • Identify legal responses to stalking Credible Threat • Identify a typology of stalkers Cyberstalking • Discuss effects of stalking on victims de Clérambault’s Syndrome • Discuss risk assessment of offenders Erotomania • Discuss treatment for offenders Obsessional Harassment Peace Bond Protection Order Introduction Psychiatric Gating Stalking is defined as a pattern of conduct in which one person Restraining Order inflicts on another repeated, unwanted intrusions and communi- Sexually Violent Predator cations to the extent that the victim fears for his or her own safety Stalking (Pathé & Mullen, 1997). In and of themselves, the behaviors that are experienced by the victim as stalking can seem benign to the outside observer. Someone leaves repeated phone messages, sends gifts, shows up in places where the victim habitually goes, all of which in isolation do not appear to be threatening (Purcell, Pathé, & Mullen, 2004). Yet it is the context of the relationship that sets the stage for what the victim experiences as intimidation. That is, the stalker is pursuing a relationship that the victim does not desire, often because either the victim is a former partner of the stalker, the victim is a famous person who has no relationship with the stalker, or the victim is a professional who has no interest in a personal relationship with the victim. What differentiates these behaviors from normal interpersonal interactions and characterizes them as stalking is that they are (1) intentional; (2) repeated; and (3) result in fear (Spitzberg & Cupach, 2007). -
A Field Research Site for Emerging Contaminants in Iowa
Journal of the Iowa Academy of Science: JIAS Volume 113 Number 1-2 Article 3 2006 Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa Douglas J. Schnoebelen U.S. Geological Survey Dana W. Kolpin U.S. Geological Survey Larry B. Barber U.S. Geological Survey Edward T. Furlong U.S. Geological Survey Michael M. Meyer U.S. Geological Survey Let us know how access to this document benefits ouy See next page for additional authors Copyright © Copyright 2007 by the Iowa Academy of Science, Inc. Follow this and additional works at: https://scholarworks.uni.edu/jias Part of the Anthropology Commons, Life Sciences Commons, Physical Sciences and Mathematics Commons, and the Science and Mathematics Education Commons Recommended Citation Schnoebelen, Douglas J.; Kolpin, Dana W.; Barber, Larry B.; Furlong, Edward T.; Meyer, Michael M.; and Skopec, Mary (2006) "Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa," Journal of the Iowa Academy of Science: JIAS, 113(1-2), 1-9. Available at: https://scholarworks.uni.edu/jias/vol113/iss1/3 This Research is brought to you for free and open access by the Iowa Academy of Science at UNI ScholarWorks. It has been accepted for inclusion in Journal of the Iowa Academy of Science: JIAS by an authorized editor of UNI ScholarWorks. For more information, please contact [email protected]. Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa Authors Douglas J. Schnoebelen, Dana W. Kolpin, Larry B. Barber, Edward T. Furlong, Michael M. Meyer, and Mary Skopec This research is available in Journal of the Iowa Academy of Science: JIAS: https://scholarworks.uni.edu/jias/vol113/ iss1/3 Jour. -
Cinematic Emotion in Horror Films and Thrillers Routledge Advances in Film Studies
Cinematic Emotion in Horror Films and Thrillers Routledge Advances in Film Studies 1. Nation and Identity in the New German Cinema Homeless at Home Inga Scharf 2. Lesbianism, Cinema, Space The Sexual Life of Apartments Lee Wallace 3. Post-War Italian Cinema Daniela Treveri Gennari 4. Latsploitation, Exploitation Cinema, and Latin America Edited by Victoria Ruétalo and Dolores Tierney 5. Cinematic Emotion in Horror Films and Thrillers The Aesthetic Paradox of Pleasurable Fear Julian Hanich Cinematic Emotion in Horror Films and Thrillers The Aesthetic Paradox of Pleasurable Fear Julian Hanich New York London First published 2010 by Routledge 270 Madison Avenue, New York, NY 10016 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2010. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. © 2010 Taylor & Francis All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereaf- ter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trade- marks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Hanich, Julian, 1975– Cinematic emotion in horror films and thrillers : the aesthetic paradox of pleasurable fear / by Julian Hanich. -
B Movies and Beyond: the Crippled Masters 2 (1980, Shia Yue)
2/9/2011 B Movies and Beyond: The Crippled Ma… Share Report Abuse Next Blog» Create Blog Sign In MONDAY, JANUARY 24, 2011 ABOUT ME The Crippled Masters 2 (1980, Shia Yue) STARMUMMY My name is Starmummy. I am not from Earth. I do live here though. I like to review movies, particularly ones that will offend the average person. I review whatever movie I feel like reviewing whenever I want. I will gladly take suggestions and free stuff. VIEW MY COMPLETE PROFILE SITES YOU SHOULD CHECK OUT 3B Theater Micro-brewed Reviews Attack from Planet B B Movie Central B Movie Film Vault Bad Movie Realm Political correctness is a touchy subject in today's world. It seems BadMovies.org the only time you see anything politically incorrect nowadays is either deliberately offensive or an homage to the innocent days when the Basement of Ghoulish Decadence world just "didn't know any better". Sometimes when you are BugEyedMovies.com watching an older film, you have to take that into consideration. Cani Arrabbiati (Italian Genre Other times though, a film will just be so inexcusably/unbelievably Cinema) politically incorrect that you can't believe your eyes. This isn't always Classic-Horror.com a bad thing either, as this film proves. Darksider's Realm Dire Wit Films As the oh so politically incorrect title states, The Crippled Masters 2 DVD Holocaust (aka Two Crippled Heroes) centers around two martial arts experts Eccentric Cinema who also happen to be handicapped. The first (Frankie Shum) has Full Moon Reviews one (malformed) arm and the other (Jackie Conn) has diminutive legs Giallo Fever that don't work.