From the Guttermost to the Uttermost
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
My God's Not Dead, He's Surely Alive He's Living on the Inside Roaring
My God’s not dead, He’s surely ALIVE He’s living on the inside ROARING like a lion 1994 Twenty Years of the House of Prayer 2014 - God’s not Dead Syria Jesus abandoned the changes that have The news this month We have included a taken place in Ireland has been dominated piece from a blog we in recent years and how by the wars in Palestine came across from a our society is becoming and Israel and in Syria monastery in County more Godless than ever and Iraq. We have been Meath. The prior was before. E horrified by images from told of an auction taking Twenty Years Syria of Christians, men, place near the monastery Our theme of twenty women and children, which included some years of the House of D being beheaded and religious artefacts. On Prayer also continues crucified because they going to investigate, he with two articles. One refuse to abandon was horrified to find that reflects on the early days I their faith and convert there was a tabernacle here in the House and to Islam. Harrowing with two Hosts still another talks about the images have been inside! music and how the Music T beamed across the world God’s Not Dead Ministry has evolved of children, beheaded, A couple of articles this over the years in to what maimed and their heads month are on the theme is now SonLight. O put on sticks for all to of ‘God’s Not Dead.’ Ballad of a Viral Video see. This is nothing We recently watched a A servant recounts short of barbaric!! It film of this title here at her thoughts on the R greatly upset me to see the House of Prayer and viral video of Fr. -
(Leviticus 10:6): on Mourning and Refraining from Mourning in the Bible
1 “Do not bare your heads and do not rend your clothes” (Leviticus 10:6): On Mourning and Refraining from Mourning in the Bible Yael Shemesh, Bar Ilan University Many agree today that objective research devoid of a personal dimension is a chimera. As noted by Fewell (1987:77), the very choice of a research topic is influenced by subjective factors. Until October 2008, mourning in the Bible and the ways in which people deal with bereavement had never been one of my particular fields of interest and my various plans for scholarly research did not include that topic. Then, on October 4, 2008, the Sabbath of Penitence (the Sabbath before the Day of Atonement), my beloved father succumbed to cancer. When we returned home after the funeral, close family friends brought us the first meal that we mourners ate in our new status, in accordance with Jewish custom, as my mother, my three brothers, my father’s sisters, and I began “sitting shivah”—observing the week of mourning and receiving the comforters who visited my parent’s house. The shivah for my father’s death was abbreviated to only three full days, rather than the customary week, also in keeping with custom, because Yom Kippur, which fell only four days after my father’s death, truncated the initial period of mourning. Before my bereavement I had always imagined that sitting shivah and conversing with those who came to console me, when I was so deep in my grief, would be more than I could bear emotionally and thought that I would prefer for people to leave me alone, alone with my pain. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Church of Saint Edward the Confessor
Pastor: Church of MSGR. PAUL P. ENKE Saint Edward the Confessor Deacon: REV. MR. JOHN BARBOUR 785 NEWARK-GRANVILLE ROAD • GRANVILLE, OHIO 43023 PastorAL MINISTEr/r.C.I.A. WWW.SAINTEDWARDS.ORG PArISH School of rELIgion: 740-587-4160 MIKE MILLISOR [email protected] SARAH SWEEN [email protected] PArISH Office: 740-587-3254 [email protected] Office ManagEr: CHEryL BOGGESS, CPA [email protected] Office Staff: BARBARA HINTERSCHIED [email protected] ANNE ARNOLD [email protected] Youth MINISTEr: MarIssa EVERHart, 740-587-3254 [email protected] Preschool DIrector: ADRIENNE EVANS, 740-587-3275 [email protected] Maintenance: DIANE KINNEY, KEVIN KINNEY FLOYD LAHMON DIrector of Music: PAUL RADKOWSKI, 740-587-3254 [email protected] Baptismal CLASS: (Contact PArISH Office) PatrICIA BELHORN, 740-587-3254 MArrIAgE Preparation INventorY PrOgrAM DCN. JOHN AND CINDY BARBOUR, 740-587-3254 respect LIFE Committee: JOHN KOENIG, 740-587-0720 [email protected] PArISH Council: JOHN MartIN, 614-403-0567 Dominican Sisters of Peace [email protected] visits to SHUT-ins: CONFESSIONS: DIANE KINNEY, 740-587-4121 MASS SCHEDULE SUNDAY MASS SCHEDULE: SATURDAY: 4:00-4:30 P.M. Eucharistic ADOration: SATURDAY: 5:00 P.M. BULLETIN DEADLINE: KIM CHUPKA, 740-587-7067 SUNDAY: 8:15 A.M. Monday NOON [email protected] 10:45 A.M. PARISH OFFICE: KNIghts of Columbus: HOLY DAY MASS SCHEDULE: 740-587-3254 MIKE MaurER, 740-348-6377 [email protected] TBA IN BULLETIN FAX: WEEKDAY MASS SCHEDULE: Prayer CHAIN 740-587-0149 E-MAIL: CIndy KEndrICK, 740-366-2871 MONDAY-FRIDAY: [email protected] 9:00 A.M. -
William Schwenck Gilbert - Poems
Classic Poetry Series William Schwenck Gilbert - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive William Schwenck Gilbert(1836 - 1911) William Schwenck Gilbert, born in London in 1836, was the son of a retired naval surgeon. Except for a kidnapping by Italian brigands in Italy at age two, and a ransomed release, he appears to have had a very normal upbringing. Beyond ordinary schooling, he took training as an artillery officer and was tutored in military science with hopes of participating in the Crimean War. Unfortunately for him, but not for us, he did not graduate until after the War was over. Gilbert subsequently joined the militia and was a member for 20 years. After finishing his military training Gilbert worked in a government bureau job which he hated. Upon receiving a nice inheritance from an aunt, Gilbert indulged his fancy and became a barrister. Called to the bar at age 28, Gilbert's law career, with no "rich attorney's elderly, ugly daughter" to help him escape mediocrity, lasted just a few years. Before leaving his law practice, however, he married the daughter of an army officer. Gilbert had shown a proclivity for caustic wit and sarcasm from an early age and it was this talent that put him on the path to greatness. Beginning in 1861, Gilbert contributed dramatic criticism and humorous verse (unsigned) to the popular British magazine FUN. Some of his work was accompanied by cartoons and sketches which were signed "Bab." Many of the characters in the G&S operas were modelled after some of Gilbert's "Bab" characters. -
G:\Collection of Psalms and Hymns
Modernized text Collection of Psalms and Hymns (1743)1 [2nd edn. of 1741] [Baker list, #44] Editorial Introduction: The second edition of CPH (1741) was a major revision of the work. John removed sixty of the psalms and hymns in the first edition to make room for thirty-seven new psalms. Almost all of these new psalms are found in Charles Wesley’s manuscript collections, confirming his authorship. As an indication of Charles’s larger role in this edition, his name was added to the title page. These new psalms are indicated by red font in the Table of Contents below, including two that had been published previously in other collections (shown in blue font). Editions: John Wesley. Collection of Psalms and Hymns. London: Strahan, 1741. John & Charles Wesley. Collection of Psalms and Hymns. 2nd edn., enlarged. London: Strahan, 1743. 3rd London: Strahan, 1744. 4th Bristol: Farley, 1748. 5th London: Cock, 1751. 6th London, 1756. 5th Bristol: Grabham, 1760. 6th Bristol: Pine, 1762. 7th Bristol: Pine, 1765. 8th Bristol: Pine, 1771. 8th Bristol: Pine, 1773. 9th London: Hawes, 1776. 10th London: Hawes, 1779. 11th London: New Chapel, 1789. Note: John Wesley’s personal copy of the 5th edn. (1751), bearing the inscription “J.W. 1756”, is part of the remnants of his personal library at Wesley’s House, London (shelfmark K27). In this copy there are a few manuscript corrections of Charles’s original wording, which are noted in footnotes below. These suggestions were never incorporated into later printed editions of CPH (1741). 1This document was produced by the Duke Center for Studies in the Wesleyan Tradition under editorial direction of Randy L. -
THE HISTORICAL CHARACTER O F the FOURTH GOSPEL the HISTORICAL CHARACTER
THE HISTORICAL CHARACTER o f THE FOURTH GOSPEL THE HISTORICAL CHARACTER o f THE FOURTH GOSPEL Joseph Carter Swaim B.A.,S.T.B.,S.T.M. Candidate for the degree of Doctor of Philosophy in Theology UNIVERSITY OP EDINBURGH 1931 To ¥. F. K. in profoundest admiration THE HISTORICAL CHARACTER of THE FOURTH G0SEEL Preface. ...............••*••«•• i« Outline and Table of Contents. ......•••••• ii» Chapter One. ................•••.* !• Introductory: The Problism Chapter Two. ..................... 35. Some Characteristics of the Fourth Gospel Chapter Three. .................... 63. The Fourth Gospel and the Worldlin Which it was Written Chapter Four ..................... 99. The Leading Ideas of the Gospel Chapter Five .................... .126. The Fourth Evangelist's Method Chapter Six. ........ ............ .153. The Fourth Evangelist's Method (Continued) Chapter Seven. ... .......... ....... 182. A Spiritual Gospel Chapter Eight. ................... .211. The Fourth Evangelist f s Philosophy of History Bibliography .................... .237. Preface. The problem of the historical character of the Fourth Gospel is one of the most fascinating problems of ITew Testament studyf it arises frfcra the fact that in certain important respects the Fourth Evangelist ! s account of the life and teachings of Je sus of Nazareth differs from the Synoptic account. It is -not that the Johannine and Synoptic versions dif fer essentially in their conception of what Jesus was. The first word of the earliest Gospel is, "The beginning of the gospel of Jesus Christ, the Son of God" (Mark l:l), and the last word of the latest Gospel is, "these [i.e., cr^^^to* J are written, that ye may believe that Jesus is the Christ, the Son of God..." (John 20:31). -
The Mass Entrance Hymn – Omitted in Advent When the Great Litany Is Recited Or Sung - the Introit May Be Recited - During a Solemn Eucharist the Altar May Be Censed
1 The Mass Entrance Hymn – Omitted in Advent when the Great Litany is recited or sung - The Introit may be recited - During a Solemn Eucharist the Altar may be censed Celebrant The Lord be with you People And with thy spirit Celebrant Let us pray Almighty God, unto whom all hearts are open, all desires known, and from whom no secrets are hid; Cleanse the thoughts of our hearts by the inspiration of thy Holy Spirit, that we may perfectly love thee, and worthily magnify thy Holy Name; through Christ our Lord. Amen The Introit may be recited The priest then may say the Decalogue or the Summary of the Law: The Decalogue God spake these words, and said: I am the Lord thy God; thou shalt have none other gods but me. Lord, have mercy upon us and incline our hearts to keep this law. Thou shalt not make to thyself any graven image, nor the likeness of anything that is in heaven above, or in the earth beneath, or in the water under the earth; thou shalt not bow down to them, nor worship them. Lord, have mercy upon us and incline our hearts to keep this law. Thou shalt not take the Name of the Lord thy God in vain. Lord, have mercy upon us and incline our hearts to keep this law. Remember that thou keep holy the Sabbath-day. 2 Lord, have mercy upon us and incline our hearts to keep this law. Honour thy father and thy mother. Lord, have mercy upon us and incline our hearts to keep this law. -
"Delightfully Disgusting, Yet Repulsive"
HALF- MIND HYMNAL A SONGBOOK FOR HASH HOUSE HARRIERS "Delightfully disgusting, yet repulsive" Compiled by Flying Booger Edited and updated By Dazed & Confused For the Beijing Hash House Harriers 1 The Half-Mind Hymnal is a songbook for Hash House Harriers. As such, it is guaranteed to offend – consider yourself warned. The Half-Mind Hymnal is arranged in the following categories: DOWN- DOWN DITTIES & HASH RITUALS Songs, chants, etc, to liven up the circle and down-downs HASH ANTHEMS Songs celebrating specific Hash House Harrier kennels SONGS ABOUT HASHING & HASHERS Songs about hashing & hashers, what else? OUR ANIMAL FRIENDS "I put my finger in the woodpecker's hole . ." THE SPOKEN WORD Poems, toasts, recitals, etc SWEET LOVIN' "I'll show you mine if you'll show me yours . ." HASH CALISTHENICS Songs to get the pack movin' & shoutin' FAMOUS HARRIETTES Shocking, just shocking . the degradation of wymyn at its worst! FAMOUS HARRIERS "With a yard-and-a-half of foreskin hangin' down below his knees . ." IN VINO VERITAS Celebrating drink & drinking (hic!) HASH HOLIDAYS Seasonal ditties & carols HASH STANDARDS Ah, there's nothing like the classics! JUST PLAIN SICK! "Who can take a fetus . ." SMOKING WIENER'S COCKY HASH SONGS This guy's so prolific he gets his own section YANKEE AIR PIRATES Random songs 2 DOWN- DOWN DITTIES & HASH RITUALS A,B,C,D,E,F,G Air Force Song Amazing Beer An Dem Bier Army Song Aunt I High Autohash Song Battle Hymn of the Hasher Beery Bunch Birthday Songs Blessing of "G" Blessing of the Hares -
Nosferatu. Revista De Cine (Donostia Kultura)
Nosferatu. Revista de cine (Donostia Kultura) Título: Filmografias Autor/es: Potes, Alicia Citar como: Potes, A. (1996). Filmografias. Nosferatu. Revista de cine. (20):82-103. Documento descargado de: http://hdl.handle.net/10251/40965 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: La burla del diablo r- l 1 J Filmografías Alicia Potes 1984: Star Trek 111 - En bus (Night Song) (John Crom Judith Anderson ca de Spock (Star Trek 111: well). (1898-1 992) The Search f or Spock) (Leo 1948: El proceso Paradine nard Nimoy). (The Paradine Case) (Alfred 1930: Madame of the Jury 1986: Impure Thoughts (na Hitchcock). Moonrise (Frank (e). rradora) (Michael A. Simp Borzage). Jennie (Portrait of 1933: Blood Money (Rowland son). Jennie) (William Dieterle). Brown). 1949: El gran pecador (The 1940: Forty Little Mothers Great Sinner) (Robert Siod (Busby Berkeley). Rebeca mak). That Midnight Kiss (Rebecca) (Alfred Hitchcock). (Norman Taurog). El Danu 1941 : Lady Scarface (Frank Ethel Barrymore bio rojo (The Red Danube) Woodruff) . F r ee a nd Easy (1879-1959) (George Sidney). -
The Fourth of March Brian Doyle
number forty-eight HARVARD REVIEW published by HOUGHTON LIBRARY harvard university HARVARD REVIEW publisher: Tom Hyry, Florence Fearrington Librarian of Houghton Library publisher emeritus: Michael Shinagel founding editor: Stratis Haviaras editor: Christina Thompson poetry editor: Major Jackson fiction editor: Suzanne Berne visual arts editor: Judith Larsen digital editor: Laura Healy managing editor: Chloe Garcia Roberts design: Alex Camlin contributing editors: André Aciman • John Ashbery • Robert Atwan • Mary Jo Bang • Karen Bender • Michael Collier • Robert Coover • Lydia Davis • Denise Duhamel • David Ferry • Stephen Greenblatt • Alice Hoffman • Miranda July • Ilya Kaminsky • Yusef Komunyakaa • Campbell McGrath • Heather McHugh • Rose Moss • Geoffrey Movius • Paul Muldoon • Les Murray • Dennis O’Driscoll • Peter Orner • Carl Phillips • Stanley Plumly • Theresa Rebeck • Donald Revell • Peter Sacks • Robert Antony Siegel • Robert Scanlan • Charles Simic • Cole Swensen • Chase Twichell • Dubravka Ugresic • Katherine Vaz • Kevin Young senior readers: M. R. Branwen, Deborah Pursch interns: Christopher Alessandrini • Silvia Golumbeanu • Virginia Marshall • Victoria Zhuang readers: Nathan Bernhard • Laila Carter • Ophelia John • Tess Cushing • Allie Freiwald • Annie Harvieux • Joan Li • Joanna Liu • Jennifer Nickerson • Kelsey O’Connor • Rachel Poser • Rachel Silverstein • Sebastian Sarti • Annie Wei • Natalia Wojcik harvard review (issn 1077-2901) is published twice a year by Houghton Library domestic subscriptions: individuals: $20 (one year); $50 (three years), $80 (five years) institutions: $30 (one year) overseas subscriptions: individuals: $32 (one year) institutions: $40 (one year) enquiries to: Harvard Review, Lamont Library, Harvard University, Cambridge, MA 02138 phone: (617) 495-9775 fax: (617) 496-3692 email: [email protected] online at harvardreview.org paper submissions should be accompanied by sase. online submissions should be submitted at harvardreview.submittable.com. -
Archdiocese of St. Louis Office of Sacred Worship Lectio Divina Bible the Book of Isaiah
Archdiocese of St. Louis Office of Sacred Worship Lectio Divina Bible The Book of Isaiah The principal divisions of the Book of Isaiah are the following: I. Isaiah 1–39 II. Indictment of Israel and Judah (1:1–5:30) III. The Book of Emmanuel (6:1–12:6) IV. Oracles against the Foreign Nations (13:1–23:18) V. Apocalypse of Isaiah (24:1–27:13) VI. The Lord Alone, Israel’s and Judah’s Salvation (28:1–33:24) VII. The Lord, Zion’s Avenger (34:1–35:10) VIII. Historical Appendix (36:1–39:8) IX. Isaiah 40–55 X. The Lord’s Glory in Israel’s Liberation (40:1–48:22) XI. Expiation of Sin, Spiritual Liberation of Israel (49:1–55:13) XII. Isaiah 56–66 * * * Lectio Divina Read the following passage four times. The first reading, simple read the scripture and pause for a minute. Listen to the passage with the ear of the heart. Don’t get distracted by intellectual types of questions about the passage. Just listen to what the passage is saying to you, right now. The second reading, look for a key word or phrase that draws your attention. Notice if any phrase, sentence or word stands out and gently begin to repeat it to yourself, allowing it to touch you deeply. No elaboration. In a group setting, you can share that word/phrase or simply pass. The third reading, pause for 2-3 minutes reflecting on “Where does the content of this reading touch my life today?” Notice what thoughts, feelings, and reflections arise within you.