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Hard Custom, Hard Dance : Social Organisation, (Un)
PETRA M. AUTIO HARD CUSTOM, HARD DANCE SOCIAL ORGANISATION, (UN)DIFFERENTIATION AND NOTIONS OF POWER IN A TABITEUEAN COMMUNITY, SOUTHERN KIRIBATI Academic Dissertation to be publicly discussed, by due permission of the Faculty of Social Sciences at the University of Helsinki, in Auditorium XII of the Main Building, April 17th, 2010, at 10 a.m. PETRA M. AUTIO HARD CUSTOM, HARD DANCE SOCIAL ORGANISATION, (UN)DIFFERENTIATION AND NOTIONS OF POWER IN A TABITEUEAN COMMUNITY, SOUTHERN KIRIBATI Research Series in Anthropology University of Helsinki Academic Dissertation Research Series in Anthropology University of Helsinki, Finland Distributed by Helsinki University Press P.O. Box 4 (Vuorikatu 3 A) 00014 University of Helsinki Finland fax +358-9-7010 2374 http://www.yliopistopaino.fi ISSN 1458-3186 ISBN 978-952-10-6150-9 (paperback) ISBN 978-952-10-6151-6 (PDF) Helsinki University Print Helsinki 2010 To my daughter Oili Raakel Maria CONTENTS List of illustrations vii Notes on names, citations and typographical conventions viii Acknowledgements ix 1. INTRODUCTION 1 Social Differentiation, Undifferentiation and Power in Southern Kiribati 3 Kiribati Introduced 11 The Kiribati Custom 15 Tabiteuea and Its Northern District 17 Tabiteuean Custom and Its Hardness 19 Kiribati Studied 21 Fieldwork and Research Questions 27 The Approach and Course of Chapters 29 2. THE ANCESTOR WITHOUT DESCENDANTS: DIFFERENTIATION AND NOTIONS OF POWER IN TABITEUEA 33 Chiefs Are Forbidden? Myth, history, concept 33 Story of the Story 36 The Story of Kourabi (Karakin Kourabi) 42 Lines of power: The Karongoa clan 46 The apical ancestor: Tematawarebwe the first-born 50 Children of many fathers 52 The twofold ancestor: Akau the younger brother 53 Karongoa clan and power 56 Dualities and Transformation of Power 58 Power in the (Un)making 62 Making men, making chiefs 64 Making women 68 Binding but Not Unbinding: Remaining tabu 76 Power in his things 77 Power in the bones 80 Summary: Differentiation and its cut-off point 83 3. -
THE ISLANDS of TAHITI the Big Influencers in the South Pacific Ocean: French Polynesia
Special Report This supplement is printed and This report was produced distributed by the Los Angeles Times in partnership with Media Group. It does not involve the editorial staff of Los Angeles Times. One World Media. 2019 TAHITI COME DISCOVER THE TREASURES: Tahiti is one of the most coveted leisure destinations in the world! Find the Mana: in search of the Polynesian Soul also for business THE ISLANDS OF TAHITI The big influencers in the South Pacific Ocean: French Polynesia ocated in the center of the “Another very real asset is our people”, Southern Pacific Ocean, Tahiti adds President Fritch, “The liveliness of our is the largest island of the people and our deep cultural roots make Windward group of French this country one of a kind, with men and Polynesia. Featuring world women eager to be producers, or partners, renowned black sand beaches or workers”. and clear blue seas, it has long been the One of the most difficult challenges Lcultural, economic and political center of the the country faces today has to do with country, as well as a hotspot for international modernization. In a global economy where tourism. technology plays an important role, many Having previously been a French colony, developing countries are struggling to keep today French Polynesia is considered France’s up with the pace. “Digital networks have only Country Abroad, entitling the territory become as important to countries as are to have more independence, with their own roads, ports and airports”, says President President and complete control over their Fritch, “This is why we are improving our economy and currency, the CPF Franc. -
Polynesian Dance in the Hawaiian Tourist Industry In
POLYNESIAN DANCE IN THE HAWAIIAN TOURIST INDUSTRY IN WAIKIKI, 1981 A Plan B Paper Submitted to the Graduate Division of the University of Hawai'i in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Pacific Islands Studies May 1986 by Ricalda Renee Uchiyama Project Committee: Barbara B. Smith, Chairman Judy Van Zile Deborah Waite HEMO TO: Dr. Kiste FROM: Barbara Smith 17/W Attached is FORH VI for Ricalda Renee Uchiyama. The signatures indicate approval of her PLAN B paper. (If, in fact, she still has another requirement(s) for the degree, the date on the title page of this paper could be changed if she doesn't 'make it' for May degree award. I have a few sheets of the bond paper on which the deposit copy is xeroxed.) Table of Contents Chapter I: Introduction ••.••.•. .. 1 1.1 Purposes and Methods .. .. ... 2 1.2 Guide to Presentation •• 4 Note to Chapter I 6 Chapter II: The Organization of a polynesian Show ••• .... · .. 7 2.1 Shows Included in This Study. • • 7 2.1.1 "A" Kalo's South Sea Review •••• 7 2.1.2 "B" Kamoiwa • 7 2.1.3 "e" Kodak Hula Show · · · · · · 8 2.1.4 "D" Palani's Polynesian Extravaganza . · · ·· · · 9 2.1.5 "E" The Royal Hawaiian Lu'au. · 9 2.1.6 lip II Tavana's Polynesian Spectacular . · · · ·· · 9 2.1.7 "G" Tihati's South Sea Spectacular •• •• •. 10 2.1.8 "H" The Young People's Hula Show. ........... 10 2.2 High-Budget, Low-Budget, and Mixed Mixed-Budget Shows •••••••• • 11 2.2.1 High-Budget Shows •• 11 2.2.2 Low-Budget Shows •• • 12 2.2.3 Mixed-Budget Shows • • 13 2.3 Selection and Training of Dancers . -
The Metabolic Demands of Culturally-Specific
THE METABOLIC DEMANDS OF CULTURALLY-SPECIFIC POLYNESIAN DANCES by Wei Zhu A thesis submitted in partial FulFillment oF the requirements For the degree of Master oF Science in Health and Human Development MONTANA STATE UNIVERSITY Bozeman, Montana November 2016 ©COPYRIGHT by Wei Zhu 2016 All Rights Reserved ii TABLE OF CONTENTS 1. INTRODUCTION ......................................................................................................... 1 Historical Background ............................................................................................... 1 Statement oF Purpose ............................................................................................... 3 SigniFicance oF Study ................................................................................................. 3 Hypotheses ............................................................................................................... 4 Limitations ................................................................................................................ 5 Delimitations ............................................................................................................. 5 2. REVIEW OF THE LITERATURE ..................................................................................... 6 Introduction .............................................................................................................. 6 Health Status in NHOPI ............................................................................................. 6 PA – A Strategy -
Moorea,Day 2
一言言作 叉 aノ1・ta IA ORAINA(YO-RAH-NAH)=HELLO MOOREA,DAY 2 FRIDAY, SOCIETY ISLANDS, FRENCH POLYNESIA jANUARY 29, 2016 ALLABOARD 4:30PM M/S PAUL GAUGUIN ARRIVAL PAPEETE フ:30PM Sensualanddynamic・lncrediblyrapidhipmovements,amoreorbarkskirtnashingaround a dancer's legsin a blur of speed, the sound ofdrums dominating dancers and audience alike.Then slower, wilh a ukulele bringing a melody and voices singing while ripplingj supple hands tella story. Fragrant flowers,adoming the long black hairof the vahine, geometric and stylizedtattoos tra(:ingthe muscles of the warrior-liketane. These are the sights andsounds that have made ・Ori Tahiti or Tahitian dance famous throughout the world. 仙edan(e forms of the difFerent Polynesian lslands may well be as old as the Polynesians themselves, Polynesians whom many archeologists pla(e among the French Polynesian island archipelagoes around the time of Christ,and on the island of Tahiti itselfsome l,200 years ago, Be(ause the Polynesian cultures have always been oral ones, with primarily ephemeral art forms, and because thispassing of knowledge was badly shattered by the arrivalof Europeans and the European diseases that laid waste to the population, wedo not know for sure. We do know that these dances shocked, delighted,and awed the first Europeans to arrivein the mid,1700s.They certainlyappalled the missionaries who arrived in l797,and as these missionaries gained power and innuence, the dan(es were outlawed, and went underground for well over a century・ Although much was(ertainly lost during this period, dance was saved from oblivion by those who dan(ed in secret,and by those from islands farther from the center of European innuence.lnthe1950s,a renaissance of Tahitian dance began, led by Madeleine Moua, who restored to 'OriTahitiitsdignityandprideofplaceatthecenterofTahitianculture. -
Underground Pacific Island Handbook
Next: Contents Underground Pacific Island Handbook unknown ● Contents ● List of Tables ● List of Figures ● ROUTES AND PASSAGE TIMES ● WINDS, WAVES, AND WEATHER ❍ CURRENTS ● NAVIGATION IN CORAL WATERS ❍ Approaches ❍ Running The Passes ❍ Estimating Slack Water ❍ Navigating by Eye ❍ MARKERS AND BUOYS ■ Uniform Lateral System ■ Special Topmarks for Prench Polynesia ■ Ranges and Entrance Beacons ■ United States System ❍ REFERENCES AND CHART LISTS ■ Books ■ Charts and Official Publications ■ Pilots and Sailing Directions ● FORMALITIES ❍ Basic Entry Procedures ❍ Leaving ❍ Special Requirements for Different Areas ■ French Polynesia ■ The Cook Islands ■ The Hawaiian Islands ■ Pitcairn Island ■ Easter Island ● FISH POISONING (CIGUATERA) ❍ Symptoms ❍ Treatment ❍ Prevention ❍ Other Fish Poisoning ● ILES MARQUISES ❍ Weather ❍ Currents ❍ Clearance and Travel Notes ❍ NUKU HIVA ■ Baie de Anaho ■ Baie Taioa ■ Baie de Taiohae ■ Baie de Controleut ❍ UA HUKA ■ Baie de Vaipaee ■ Baie-D'Hane ■ Baie Hanvei ❍ UA POU ■ Baie d'Hakahau ■ Baie d'Hakahetau ■ Baie Aneo ■ Baie Vaiehu ■ Baie Hakamaii ❍ HIVA OA ■ Baies Atuona and Taahuku ■ Baie Hanamenu ❍ TADUATA ■ Baie Vaitahu ❍ FATU-HIVA ■ Baie des Vietpes (Haha Vave) ■ Baie d'Omoa ❍ MOTANE ■ Northern Islets ● ARCHIPEL DES TUAMOTU ❍ Restricted Areas ❍ Routes Through the Archipelago ❍ ATOLL MANIHI ❍ ATOLL AHE ■ Passe Reianui ■ ILES DU ROI GEORGES ❍ TAKAROA ❍ TAKAPOTO ❍ TIKEI ❍ MATAIVA ❍ TIKEHAU ❍ ILE MAKATEA ❍ RANGIROA ■ GROUPE DES ILES PALLISER ❍ ARUTUA ❍ KAUKURA ❍ APATAKI ❍ ARATIKA ❍ TOAU ❍ FAKARAVA ❍ FAAITE ❍ KAUEIII -
The Social Meanings of Hula
The social meanings of hula Hawaiian traditions and politicized identities in Hilo Eilin Holtan Torgersen Thesis submitted in partial fulfilment of the M.A. degree Department of Social Anthropology, University of Bergen June 2010 Front cover photograph: “Hula - Na 'Olelo O Ka Pu'uwai, Hula - The Language Of The Heart: Champion dancer Haunani Paredes moves to the chant Kui Wailua , from the legend of Pele, the Fire Goddess, and Pele's sister, Hi'iaka” (Braun 2008), used with the permission of the photographer. © Randy Jay Braun, http://www.randyjaybraun.com/woh.html. 2 Hula is the language of the heart, therefore the heartbeat of the Hawaiian people - King David Kal ākaua 3 Contents Acknowledgements ....................................................................................................................6 Chapter One: Introduction Introduction.................................................................................................................................8 Central themes and problems......................................................................................................9 Resistance, identity and the continuity of cultural forms..............................................10 Knowledge, blood and Hawaiian identity.....................................................................13 Existing research on hula dance................................................................................................14 Methodology.............................................................................................................................16 -
BORA BORA Bora Borabora 156 © Lonelyplanetpublications (Guesthouses), Often Situated Onsomeofthebestreal Estate, Inwhichtorest Yourhead
© Lonely Planet Publications 156 www.lonelyplanet.com BORA BORA •• History 157 HISTORY deterring visitors because of overdevelop- In ancient times, the island was known as ment, while at the same time its major Vava’u, perhaps supporting the theory that it drawcard – marine life – is seriously under Bora Bora was colonised by inhabitants from the Ton- threat. Let’s hope the juggling act can be gan island of the same name. ‘Bora Bora’ managed, because this is a truly beautiful roughly translates as ‘first-born’, indicating part of the world. that this may have been the most impor- tant island after Ra’iatea. According to local ORIENTATION Bora Bora will seduce you into buying the Cadillac of paradises, the one loaded with all myth, the legendary Hiro, the first king of Bora Bora was created by volcanic activity the luxury trappings you know you don’t need but just can’t live without. Legendary not Ra’iatea, sent his son Ohatatama to rule Bora around three or four million years ago. The only for its lush beauty but also its hedonistic decadence, this island is a fairy-tale creation Bora. rim of the ancient volcano can be easily of jagged volcanic peaks juxtaposed against crystal-clear aqua lagoons. One of the world’s Due to the shortage of level ground on traced; the sea has broken into the crater to Bora Bora, land pressures created an unusu- form Povai Bay at the southern tip of the is- most famous dream destinations, Bora Bora lures honeymooners, heiresses and movie stars ally defensive population of fierce warriors. -
Hawai'i: Cosmopolitan Culture at the Crossroads of the Pacific Richards
Hawai'i: Cosmopolitan Culture at the Crossroads of the Pacific RichardS. Kennedy W"ith Lynn Martin The Hawaiian Islands are at the same time rupted these direct relationships but this one of the most isolated spots on the globe understanding has been kept alive in some and one of the most cosmopolitan. Travel of the cultural traditions of the Hawaiian guides and most authoritative studies of people. In music and dance, the presenta Hawai'i often gloss over these critical con tion of the lei and the reverence felt for the tours of the state's landscape. While isola gift of a quilt, we can still discover a respect tion is becoming a less useful term to distin for the land and aloha for one's neighbor. guish cultural characteristics in this global Both values remain as vital expressions of village of satellite relays and facsimile com the uniqueness of the state of Hawai'i. munications, the geographic position of Hawai'i in the Pacific basin has shaped the history of the islands from their discovery Proverbial sayings, 'olelo no 'eau, learned and first settlement over 1, 500 years ago up orally and passed down from generation to to the present day. In the past hundred and generation, are important in traditional Ha fifty years, however, the strategic location of waiian culture. By far the largest number of the islands has made Hawai'i a crossroads these sayings describe aloha 'Ziina, love or through which the people of the world have respect for the land. A similar concern for passed. -
Les Mares À Kopara
l€SMRMS Pièges à phosphates R desKOPnRR atolls par Francis ROUGERIE Qui n'apas été étonné de trouver IWm SUT certains atolls des lacs entourés d'un terreau riche et rougeatre où poussent des joncs? Voici l'explication de ce miracle de la riche terre organique dans un univers de calcai- re et d'eau salée. OPARA est un mot Paumotu qui ICignifie bien miìì-, mou, facile à manger )). De fait, en période de di- sette, le kopara était di- rectement consommé, comme il l'est par les poissons qui réussissent à pénétrer dans ces mares peu salées. Com- me l'a montré le Profes- seur J. Trichet (Universi- té d'Orléans), le kopara est un aliment très éner- gétique, riche en glu- - cides, lipides et acides et profonde. Elles sont dégradées aminés. kopara est constitué par les bactéries méthanogènes et dune association de plusieurs sulfatoréductrices. qui donnent types de micro organismes : l'odeur caractéristique dœuf pour- En surface, les cinq premiers ri (présence dH2S). millimètres sont occupés par Aucune algue supérieure ne peut différentes cyanophycées, orga- pousser dans ces mares où les cya- nismes à mi chemin entre les nophycées sont bien mieux adap- algues et les bactéries qui utili- tées aux baisses du niveau d'eau, sent la lumière comme source aux variations de salinité, de tem- dénergie. Dans le kopara, cer- pérature.. .. taines sont oranges, d'autres En fait, les cyanophycées sont brunes, d'autres vertes, elles partout, dès que des débris coral- noircissent lorsqu'elles se trou- liens sont arrachés et échoués, vent asséchées. leur surface est colonisée et de- Juste au dessous, une couche vient noire. -
Tahiti Holiday Update
Tahiti Tahiti Ia Ora Beach Resort’s luxury revamp The 12 luxury overwater bungalows have reopened at Tahiti Ia Ora Beach Resort after a multi-million dollar revamp. The makeover is described by the renowned Sofitel group as a “refined and understated sense of modern luxury, with a signature touch of French decadence”. Guests can enjoy the champagne provided on arrival while admiring tropical fish through their glass panel of the bungalow’s floor. Each bungalow is equipped with a king-size bed, a sofa bed and can accommodate two adults and one child under 12 years of age. Most importantly, each one features a private terrace to take in the breathtaking Tahiti sunsets. General Manager Mr Didier Lamoot says the bungalows will “appeal to travellers seeking authentic Tahitian luxury experiences”. Located on the west coast of Tahiti Island, Tahiti Ia Ora Beach Resort by Sofitel, sits on the edge of the only white sand beach on the island with views to Moorea Island. Discover Peak Tahiti Tahiti Nui Helicopters (THN) is offering a scenic tour with a birds eye view of some of Tahiti’s most dramatic landscapes including its highest peak, The Orohena Mountains. The ‘Very Heart’ tour takes guests over the blue lagoon of Punaauia to the entrance of the Punaruu Valley. Here it flies over the famous orange trees plateau and the island’s own caldera, a large cauldron- like hollow that formed following a volcanic eruption. At Papenoo, the largest valley on the island guests will view the Maroto relay where the rivers and vertiginous waterfalls are a sight to be seen. -
EXCURSIONS TAHITI, SOCIETY ISLANDS on Board M/S PANORAMA II from Papeete Port to Papeete Port, Tahiti
PRIVATE SHIP PREBOOKED SHORE EXCURSIONS TAHITI, SOCIETY ISLANDS On board M/S PANORAMA II From Papeete Port to Papeete Port, Tahiti Day 1 | Papeete port, Tahiti, Society Islands Day 2 | Bora Bora, Society Islands OVERNIGHT Day 3 | Bora Bora – Huahine, Society Islands OVERNIGHT Day 4 | Huahine, Society Islands, OVERIGHT Day 5 | Taha, Society Islands, OVERNIGHT Day 6 | Raiatea, Tuamotu Islands, Society Day 7 | Moorea, - Papeete port, Tahiti, Society Islands, OVERNIGHT Day 8 | Papeete port, Tahiti, Society Islands Variety Cruises Variety Cruises House – 214 Syngrou Avenue - 17672 Athens Greece - Tel: +30 210 6919191 Fax: +30 210 6998484 Email: [email protected] www.Varietycruises.com Day 2 and d3|Bora Bora, Society Islands BORA BORA Mountain 4WD Safari HALF DAY MORNING TOUR– Duration: 3H30 Price per person 105 Euros Get in a 4WD vehicle to discover the wild interior of BoraBora, its WW2 remaining cannons and bunkers not forgetting the spectacular panoramic views over the lagoon’s blue shadings. Discover the rich historic past and archaeological treasures of Bora Bora, unknown sites reachable via private roads only, such as the private marae Hau Puni surrounded by an arboretum and medicinal plants. A unique tour to learn more about Bora Bora unknown cultural sites and history aboard a very comfortable 4WD. Marae Hau Puni: made of several platforms, this huge property is surrounded by an arboretum and medicinal plants. Ancient objects were found on site during the restoration. Cannons and bunkers dating from World War II located on the top of a hill, guns are facing Bora Bora's unique pass. This is also a great viewpoint on Vaitape pier and Bora Bora's lagoon.