John Patrick Murphy Work: 1155 Union Circle #311367 Denton, Texas 76203-5017 T (940) 565-4344 Curriculum Vitae B [email protected]

Education 1994 Ph.D., Ethnomusicology, Columbia University, Dissertation: Performing a Moral Vision: An Ethnography of Cavalo-Marinho, A Brazilian Musical Drama. 1988 M.A., Ethnomusicology, Columbia University, Thesis: The Charanga in New York, 1987-88: History, Musical Style, and Performance Context. 1986 M.M., Music Theory, University of North Texas, Problem in lieu of thesis: A Computer-Assisted Instruction Lesson in Recognition of Soprano-Bass Counterpoint (paper and BASIC program). 1984 B.M., Jazz Studies, University of North Texas, Performance emphasis. 1979–1980 Humanistic studies major, Johns Hopkins University, with saxophone study at Peabody Conservatory. Administrative work 2008–Present Chair, Division of Jazz Studies. 2012-2013 Interim Director of Graduate Studies, College of Music, while continuing chair service and full-time teaching. 2006–2008 Chair, Division of Music History, Theory, and Ethnomusicology. Faculty work 2007 Professor, University of North Texas. 2004 Associate Professor with tenure, University of North Texas. 2001 Associate Professor, University of North Texas. 2000 Professor, Western Illinois University. 1998 Associate Professor with tenure, Western Illinois University. 1995 Associate Professor, Western Illinois University. 1992 Professor, Western Illinois University. Books 2008 Cavalo-marinho pernambucano, Translated by André Curiati de Paulo Bueno, Belo Hori- zonte, Minas Gerais, Brazil: Editora UFMG [University Press of the Federal University of Minas Gerais], Review: Per Musi, journal published by Federal University of Minas Gerais, www.musica.ufmg.br/permusi/port/numeros/23/num23_cap_20.pdf. 2006 Music in Brazil: Experiencing Music, Expressing Culture, Oxford University Press, part of Global Music Series, Reviews: Suzel Ana Reily in Ethnomusicology 51/3 (2007): 486-492; Rogério Budasz in Music and Letters (88/7, Nov. 2007): 709-711; Peter Ermey in Journal of Folklore Research (Nov. 28, 2007), www.indiana.edu/ jofr/review.php?id=424; Leandro Martinelli posted at Overmundo, a Brazilian culture blog; Times Literary Supplement (Oct. 27, 2006); Gazeta Mercantil (major São Paulo newspaper, Feb. 9, 2007); Continente Multicultural (nationally-distributed Brazilian culture magazine, Feb. 2007); My website to supplement the book: jazz.unt.edu/murphy/brazil. Book chapters 2018 Chapter on Samba for Oxford University Press world music textbook, Chapter is complete and awaiting editorial response. 2018 Finding and evaluating music scores in a master’s level course in research methods for jazz studies, In Ritter, Marian, Beth Christensen, and Erin Conor, eds. Information Literacy in Music: An Instructor’s Companion. Middleton, WI: A-R Editions, 2018. 2009 Beyond the Improvisation Class: Learning to Improvise in a University Jazz Studies Pro- gram, in Musical Improvisation: Art, Education, Society, edited by Gabriel Solis and Bruno Nettl, University of Illinois Press, Originally presented at the New Directions in Improvisation: An Interdisciplinary and Intercultural Conference, University of Illinois at Urbana-Champaign, April 2004. 2002 Viral Creativity: A Memetic Treatment of the Music of André Abujamra and Karnak, in From Tejano to Tango: Essays on Latin American Popular Music, edited by Walter A. Clark, Routledge. 2001 Self-Discovery in Brazilian Popular Music: Mestre Ambrósio, in Brazilian Popular Music and Globalization, edited by Charles Perrone and Christopher Dunn, University Press of Florida, 2001, reprinted Routledge 2002. 1991 The Charanga in New York and the Persistence of the Típico Style, in Essays on Cuban Music: North American and Cuban Perspectives, edited by Peter Manuel, University Press of America. Articles 2012 Articles on the Brazilian rabeca and rabeca-maker Manoel Severino Martins (Mané Pitunga) in New Grove Dictionary of Musical Instruments. 2010 Rethinking Race and Ethnicity in Brazilian Music and Jazz, Proceedings of the conference Rethinking Race and Ethnicity in Brazilian Music (c1600-Present), Diagonal, cilam.ucr.edu/diagonal/issues/2010/. 2000 A Web-Assisted Approach to the Music Listening Class, College Music Society web site, www.music.org/), abstract in College Music Symposium 40 (2000):167. 2000 Lessons Learned from Humanities Assessment in Music, College Teaching 48/3: 102. 1997 The Rabeca and its Music, Old and New, in Pernambuco, Brazil, Latin American Music Review 18/2: 145-70. 1990 Jazz Improvisation: The Joy of Influence, The Black Perspective in Music, 18: 7-19. LPs 1985 Lab ’84, One O’Clock Lab Band, played tenor saxophone, includes two of my compositions. 1983 Heads Up, Daagnim Records 10, Dave Love, tpt, flg; John Murphy, ts; Arthur Lipner, vib; Drew Phelps, b; Walt Brewer, d; Dennis Gonzales, perc. Rec. Nov. 12-13, 1983, reviewed by Peter Leitch, Cadence 10/8(August 1984): 60. CDs 1994 The Third Degree, Western Illinois University Jazz Studio Orchestra, Seabreeze Vista SBV-4511, Tenor saxophone soloist on The Third Degree, Nasty Dance, with guest artist John Fedchock. 2015 Otherwise, Armored Records ARCD8054, Music by Kevin Brunkhorst. CD recorded August 2015 with Kevin Brunkhorst, guitar; John Murphy, tenor saxophone; Fred Hamilton, bass; Ed Soph, drums. Reviews 2010 A Country Critique of Brazilian Modernity, Review of River of Tears: Country mu- sic, Memory, and Modernity in Brazil by Alexander Dent, A Contracorriente 8/1: 416-422, www.ncsu.edu/project/acontracorriente. 2009 Review of Focus: Music of Northeast Brazil by Larry Crook, Yearbook for Traditional Music 41: 237-239. 2008 Review of Lee Konitz: Conversations on the Improviser’s Art. By Andy Hamilton (Ann Arbor: University of Michigan Press, 2007), Bulletin of the Society for American Music 34/3: 63-64. 2000 Review of Exploring the World of Music (12-part video series; Dorothea Hast, director of content and writer, Martin Toub, director; Annenberg/CPB Project 1998), in Ethnomusicology (44/1:180-2). 1998 Review of The Discoteca Collection Missão de Pesquisas Folclóricas (Rykodisc RCD-10403) and L.H. Corrêa de Azevedo: Music of Ceará and Minas Gerais (Rykodisc RCD-10404), Yearbook for Traditional Music 30: 195-6. 1996 Review of Crossroads: Southern Routes, Music of the American South. Smithso- nian/Folkways Enhanced CD SF 40080, Yearbook for Traditional Music 28: 239-40. 1997 Review of ¡Salsa! Havana Heat: Bronx Beat by Hernando Calvo Ospina (London, 1995), New West Indian Guide (71/3&4): 334-35. 1995 Review of The Duke Ellington Reader, edited by Mark Tucker (New York: Oxford University Press, 1993), Journal of Musicological Research 15: 129-33. 1992 Review of Capoeira/Samba/Candomblé (Berlin, 1990) CD, Yearbook for Traditional Music 22:178-9. 1990 Review of Salsa: The Rhythm of Latin Music, by Charley Gerard (Crown Point, IN: White Clis Media, 1989), Ethnomusicology 34/2: 315-16. Papers & presentations 2018 Studying Jazz Across Cultures (in preparation), 1er. Congreso de Educación en el Jazz JAZZUV, Universidad Veracruzana, México, Oct. 22-25, 2018. 2016 Accommodating the Needs of Students on the Autism Spectrum in University Music Pro- grams, Society for Ethnomusicology annual meeting, Washington, D.C.. 2016 My Experience with Music-Induced Hearing Loss, Health in Music Education conference at UNT. 2016 Expressive Microtiming in Irish Traditional Accordion Playing, Society for Ethnomusicology Southwest chapter meeting, UNT. 2010 Who Cares if You (Can’t) Listen? Noise-induced hearing loss as a research problem and occupational hazard in ethnomusicology, Co-presented with Kris Chesky. Society for Ethnomu- sicology annual meeting, Los Angeles, 2010, My portion is published in UNT’s open access archive: digital.library.unt.edu/ark:/67531/metadc67645/. 2010 Rethinking Race and Ethnicity in Brazilian Music and Jazz, paper presented at Encounters 2010 conference, University of California Riverside. 2007 A Yoke on Your Neck and a Knife at Your Throat: Stories from Cavalo-Marinho, public lecture with video presentation, La Peña gallery, Austin TX. 2007 The Music and Life of Ronald Shannon Jackson and Ethnomusicological Fieldwork in Recife, Brazil, guest lectures, University of Texas at Austin. 2002 Um Nordeste Alternativo: A Nova Cena do Recife, An Alternative Northeast: The Recife New Music Scene, presented in Portuguese at Associação Brasileira de Etnomusicologia conference, Recife, Brazil. 2002 The African Big Band Aesthetic of Sam Rivers, paper presented at Society for Ethnomusicology annual meeting, Estes Park, CO. 2002 Learning American History Through Jazz History, and Vice Versa, Teachers as Scholars seminar for public school teachers, supported by a grant from the Woodrow Wilson Foundation, October 2 and 17, 2002, at UNT, and Oct. 9 and 23, 2003, Ft. Worth Health Sciences Center. 2002 Self-Discovery and Regional Identity in Brazilian Popular Music: Mestre Ambrósio and the Recife Scene, at Brazil Week 2002, University of Texas at Austin Institute of Latin American Studies. 2001 Regional Identity, Cultural Politics, and the Circulation of Musical Ideas: Alternative Pop- ular Music in Northeast Brazil, Society for Ethnomusicology annual meeting, Detroit, MI. 2001 Common Practice Improvisation: Its importance in the undergraduate curriculum and suggestions for teaching it, Great Lakes Chapter meeting of the College Music Society. 2000 The Presence of the Rabeca in Northeast Brazilian Music, Staging Identities conference at the University of Florida, with the participation of Luiz Alves Ferreira (Luiz Paixão), rabequeiro from Pernambuco, Brazil. 1997 Self-Discovery in Brazilian Popular Music, Society for Ethnomusicology annual meeting, Pitts- burgh, 1997, and Brazilian Studies Association BRASA IV congress, Washington, D.C.. 1992 Performance and Proletarization in Northeast Brazil, Midwest Association for Latin American Studies/Illinois Council for Latin American Studies annual meeting, SIU/Edwardsville. 1991 Faith, Force, and Foolishness: An interpretation of cavalomarinho, a traditional Brazilian musical drama, annual meeting, Society for Ethnomusicology, Chicago. 1991 O que é que o cavalo-marinho comunica?” (What does cavalo-marinho communicate?), in Portuguese, Instituto dos Estudos Brasileiros, Universidade de São Paulo. 1989 Performance as Social Criticism: Bumba-Meu-Boi, a Brazilian dramatic dance, Columbia University Institute of Latin American and Iberian Studies. Courses UNT Undergraduate jazz history (majors and non-majors), aural skills, jazz lecture series; graduate jazz history, jazz analysis, historiography, and research methods; Jazz Repertory Ensemble; ethnomusicological transcription and analysis, Latin American music, world music survey. Doctoral dissertation advisor: Aaron West, study of smooth jazz, Ph.D. in musicology, completed; Mark Breckenridge, study of Willis Conover, Ph.D. in musicology, completed; David Morgenroth, study of jazz pianists as collaborators with vocalists, DMA in Performance, completed; committee member: J. Cole Ritchie, study of Uri Caine’s translations of music by Mahler, Ph.D. in musicology, completed WIU World music survey, first- and second-year music theory, jazz history, jazz improvisation, graduate ethnomusicology seminar, graduate research methods, music appreciation, American popular music, jazz big band and small group, cultural diversity in the U.S. Test banks 2010 Test bank for Jazz: Essential Listening by Scott DeVeaux and Gary Giddins (Norton), Newly written for this edition, not adapted from the earlier test bank. 2009 Test bank for Jazz by Scott DeVeaux and Gary Giddins (Norton), Writing many hundreds of questions for these test banks required a high degree of critical involvement with the text, as much or more than one would have while writing a review, and extended to a large amount of commentary to the editors about texts as I wrote questions. In the case of the this edition of Jazz, this began with the use of the pre-publication manuscript with my MUJS 4470 class at UNT. Videos 2001 Thirteen short videos and an essay in Portuguese on the Brazilian musical drama cavalo- marinho included in the multimedia portion of the enhanced CD Pernambuco em Con- certo, produced by Africa Produções, Recife, Brazil. 2001 O Forró Pé-de-Serra do Arlindo dos Oito Baixos, 28-minute video on the Brazilian accordion virtuoso Arlindo dos Oito Baixos, produced and independently released in Recife, Brazil. Translation 2016 From Portuguese to English. Subtitles for the documentary Mestre Biu directed by Gual- berto Ferrari. 2004 From Portuguese to English. Travassos, Elizabeth. “Brazil’s Indigenous peoples (to ca. 1990): The Xavante, Kamayurá, and Suyá”, In Music in Latin America and the Caribbean: An encyclopedic history, Vol. 1, ed. Malena Kuss. Austin: University of Texas Press, pp. 49–75. Websites 2006–Present jazz.unt.edu/murphy/brazil, Site in support of my book Music in Brazil. Includes open access publications, images, audio, and video from my research. 2003–Present jazz.unt.edu, Site is frequently updated with news about current and former students and informa- tion about all aspects of the program.. 1007–2002 ethnomusicology.org, Served as SEM web editor from 1997–2002. Site retains much of my work, including basic design of front page and text design of "society for ethnomusicology". Selected Performances 2018 Concerts with UNT faculty colleagues, (ongoing). 2018 Freelance work in Dallas and Ft. Worth, jazz, rock, commercial music, (ongoing). 2012–Present Playing Irish traditional music on B/C button accordion as a new area of research in ethnomusicology, leader of twice monthly Irish traditional music session in Denton. 2013 Concerts and masterclasses with UNT students, in Medellín and Manizales, Colombia. 2013 Concerts and workshops with jazz students, at the Federal University of Pernambuco, Brazil. 2012 Concerts in São Paulo, Brazil, with the Ft. Worth Jazz Orchestra. 2011 Concert with former student Amando Núñez Portillo, at the Universidad Autónoma de Chi- huahua, México. 2010 Concerts with UNT students, East China Normal University, Shanghai. 2009 Concert and jazz club performances, Guangzhou and Shanghai, China. 2008 Performances and masterclasses in Lima, Cusco, and Arequipa, Peru, sponsored by U.S. Dept. of State as part of Jazz Appreciation Month. 2004 Performances with Alternative Jazz Sextet, led by Dave Zoller, in Dallas and Ft. Worth and at Denton Arts & Jazz Festival, Ft. Worth Jazz on the Boulevard Festival, Dallas Museum of Art. 2004–2010 Substitute and then regular member, Naked Lunch, A Steely Dan Tribute band. Professional Activities Evaluator Outside evaluator for promotion and tenure cases Reviewer Pre-publication reviewer of book manuscripts and proposals Reviewer Pre-publication reviewer of journal articles Professional societies SEM Society for Ethnomusicology: Web Editor, 1997–2002; member of editorial board for From the Field Series in collaboration with Smithsonian magazine, 2014; member of Editorial Advisory Committee, 1997–2002; member of Publications Advisory Committee, 1997–2004; member of Seeger Prize committee, 2005; Peer Reviewer, Book Reviewer, Conference Session Chair, Committee Service, Organizer Of Chapter Meeting CMS College Music Society AF of M American Federation of Musicians, Local 72-147 JEN Jazz Education Network Grant panels 2011 Pew Fellowships in the Arts. 1998, 2003, National Endowment for the Humanities. 2016 UNT Committees 2017 Autism Awareness Committee. 2015 College of Music Dean search committee. 2015 UNT 125th Anniversary Planning Committee. 2015 Chair, faculty searches for One O’Clock Lab Band Director, Jazz Piano, Trumpet. 2015 UNT Library Committee. 2014 Texas Academy of Math and Science Dean search committee. 2011 Chair, Jazz Improvisation tenure-track position search committee. 2011 Chair, Jazz Piano lecturer search committee. 2010 Chair, Director of Vocal Jazz search committee. 2010 Director of Global Learning and Experience search committee. 2010 College of Music Music Theory Task Force, Graduate Placement Exam Revision Task Force. 2010 College of Music Strategic Planning Committee. 2009 Chair, Jazz Arranging and Composition search committee. 2008 Chair, One O’Clock Lab Band Director and Vocal Jazz Director search committees. 2007 Chair, Music in General Studies search committee. 2007–2012 Chair, College of Music Council of Division Chairs, Deans, and Directors. 2006–Present College of Music Graduate Council. 2013–Present College of Music Graduate Performance Degrees Committee. 2006 Chair, Musicology search committee. 2005 Faculty Senate, Library Committee. 2004 Faculty Senate, Library Committee, Responsibility-Centered Management Committee. 2002–2003 Strategic Planning Committee. 2003–2005 College of Music Faculty Advisory Committee. 2001 Ethnomusicology Search Committee. 2001 Music Education Search Committee. 2001 Jazz Piano Search Committee. Grants and academic honors 2006–2008 Faculty Research Grant, University of North Texas, The Music and Life of Ronald Shannon Jackson, 2006-8, $5,000. 2000–2001 National Endowment for the Humanities Fellowship for field research in Brazil, Topic: The Interplay of Local and Global Musics in Northeast Brazil: An Ethnographic Approach. $30,000. 1998–1999 Outstanding Teacher in the College of Fine Arts and Communication, Western Illinois Uni- versity, 1998-1999. 1996 Western Illinois University Foundation, small travel grant for ethnomusicological field research in Brazil. 1996 WIU Faculty Excellence Award for Teaching in 1994–95. 1991–1992 Whiting Fellowship in the Humanities, Mrs. Giles Whiting Foundation, through Columbia University Graduate School of Arts & Sciences, for dissertation writing, approx. $15,000. 1990–1991 Fulbright-Hays Doctoral Dissertation Research Abroad Fellowship, U.S. Department of Education, for fieldwork in Recife and São Paulo, Brazil, approx. $15,000. 1989 Columbia University Institute of Iberian and Latin American Studies Grant, for the study of Portuguese at Federal University of Pernambuco (Recife, Brazil). 1986–1988 Graduate Faculties Alumni Fellowship, Columbia University. 1985–1986 Outstanding Graduate Student in Music Award, University of North Texas. Other scholarly experiences 2015 Leader of trip by UNT Jazz Quintet to Keep An Eye International Jazz Competition, Ams- terdam Conservatory. 2013 Leader of trip with five UNT jazz studies students, to several cities in Colombia for workshops and concerts, June. 2010 Leader of UNT study abroad, East China Normal University, Shanghai, May–June. 2009 Audited CHIN 1010, Chinese language class at UNT. 2009 Workshops and concerts with jazz students at Xinghai Conservatory, Guangzhou, China. 2009 Member of UNT delegation to multiple Chinese universities, June. 2000–2001 Collaborating with students and faculty in a new one-year program in ethnomusicology at the Federal University of Pernambuco, Brazil, organized by Prof. Carlos Sandroni, Advised two student research projects.. 1996 Music in Latin American Society: Past and Present, NEH Seminar, University of Texas at Austin, directed by Gerard Béhague, June-August. 1996 Ethnomusicological fieldwork, Brazil, May. 1995–1997 Assistant Editor, Ethnomusicology Online, a peer-reviewed online ethnomusicology journal. 1995 Infusing Asian Studies into the Undergraduate Curriculum workshop, University of Hawai’i/East-West Center, Honolulu, July-August. 1988 Preliminary dissertation research, Rio de Janeiro and São Paulo, Brazil, May-June. Languages Fluent Brazilian Portuguese Intermediate Spanish Technology BASIC Studied computer science at UNT during M.M. in Music Theory: BASIC and Pascal programming, one course in natural language processing using LISP with Prof. Gene Lewis, wrote master’s project program in BASIC Video Studied documentary video with Prof. John Baily at Columbia University Web, Perl Early adopter of web in 1994 at Western Illinois University. Created class websites. Served as SEM web editor. Large amount of coding directly in HTML. Self-taught user of Perl and Javascript to create online quizzes (in the pre-Blackboard era); published article online at CMS site to share results of this project Recording Studied digital recording and MIDI sequencing with Prof. James Caldwell at WIU Web Webmaster for UNT Jazz Studies. Began in hand-coded HTML; used Tinderbox for a short time; then switched to Drupal as one of (if the not the) first UNT faculty users of Drupal, which has since become widely used at UNT Web Created College of Music Online Store using Drupal and Ubercart Linux Self-taught user of Linux. Taught one semester of undergraduate jazz history using Linux command-line tools exclusively LATEX Self-taught user of LATEXfor document creation Lilypond Self-taught user of Lilypond for music notation Various Intermediate skill in digital audio recording and editing, image editing, video editing, Finale music notation