Color Mixing Drawing Exploration Color Mixing Exploration Drawing

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Place student art here, must have permission Color Mixing Drawing Exploration Color Mixing Exploration Drawing In this lesson, we will explore what happens when we add white and black to our primary and mixed colors. You will need: Crayons or colored pencils Primary colors: red, yellow, blue black and white Paper Any kind of light color paper, scrap paper, notebook paper, or an envelope ColorLight andMixing Shadow Exploration Drawing Drawing We will start drawing with primary colors: red, yellow and blue. ColorNo Shadows Mixing ExplorationWithout Light Drawing Then we will mix two colors at a time to make orange, green and purple. ColorMonet Mixing Haystacks Exploration Drawing Now we will add white to our colors and see how they change. What do you notice? Yes! The white made the colors lighter. We call these light colors pastels. ColorShadows Mixing Outside Exploration Your Window Drawing Now let’s see what the black crayon can do. Black is a strong, dark color. When white is added, it becomes gray. ColorShadows Mixing In Your Exploration Home Drawing Continue to make shapes and lines with your colors. See how many different colors can you mix with your white, black, red, yellow and blue crayons! Explore pressing hard and light with your crayons. Try to cover the page. My drawing has circles, leaf shapes, straight lines, and curvy lines. What kinds of lines and shapes will you make with your colors? ColorMake YourMixing Own Exploration Shadows Drawing More things to try After you experiment mixing color on white paper, you can try mixing colors on different color papers or backgrounds. Do your colors look the same as when you mixed them on white stationary or notebook paper? How are they different? You can also experiment mixing other color crayons together that you have in your home. ColorWhat IsMixing A Silhouette? Exploration Drawing You can make a list of the new colors you find. You can write down ‘recipes’ or ‘formulas’ to remember how you mixed certain colors. In that way you can mix them again! You can also try to mix colors that you find in your home – like the color of your t-shirt, your pants, or the colors of some of your favorite toys. ColorMake YourMixing Own Exploration Shadows Drawing Reflection What colors did you mix with your crayons? How did you mix them? How did you make them light or dark? McArthur Binion, Four Movements of Sunlight: Three, 2014. Ink, laser print collage, oil paint stick and Staonal crayon on panel, 36” x 36.” Kavi Gupta Gallery. Color Mixing Exploration Drawing Inspiration McArthur Binion uses wax crayons to create abstract drawings. Look closely at this drawing. What colors do you see? How do you think the artist mixed those colors? If you like, you can use your crayons to mix the colors you see in this drawing. McArthur Binion, Untitled, 1977. Colored crayon or For more examples of pencil and graphite pencil on off-white wove paper. Binion’s artwork, visit: Detroit Institute of Arts. McArthur Binion.

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Color Gamut of Halftone Reproduction*
Color Gamut of Halftone Reproduction* Stefan Gustavson†‡ Department of Electrical Engineering, Linkøping University, S-581 83 Linkøping, Sweden Abstract tern then gets attenuated once more by the pattern of ink that resides on the surface, and the finally reflected light Color mixing by a halftoning process, as used for color is the result of these three effects combined: transmis- reproduction in graphic arts and most forms of digital sion through the ink film, diffused reflection from the hardcopy, is neither additive nor subtractive. Halftone substrate, and transmission through the ink film again. color reproduction with a given set of primary colors is The left-hand side of Fig. 2 shows an exploded view of heavily influenced not only by the colorimetric proper- the ink layer and the substrate, with the diffused reflected ties of the full-tone primaries, but also by effects such pattern shown on the substrate. The final viewed image as optical and physical dot gain and the halftone geom- is a view from the top of these two layers, as shown to etry. We demonstrate that such effects not only distort the right in Fig. 2. The dots do not really increase in the transfer characteristics of the process, but also have size, but they have a shadow around the edge that makes an impact on the size of the color gamut. In particular, a them appear larger, and the image is darker than what large dot gain, which is commonly regarded as an un- would have been the case without optical dot gain. wanted distortion, expands the color gamut quite con- siderably.
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Color Mixing Ratios
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Color Mixing Challenge
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Computational RYB Color Model and Its Applications
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Subtractive Color Mixture Computation
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Color Mixing…
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8.9 Mixing Colours.Pdf
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Color Mixing
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