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TMS_4-4WestCover.qxp 09/06/06 00:25 Page 1 CLASSICAL › JAZZ › CONCERTS › CDs, DVDs SCENA.ORG Summer 2006 • Vol. 4.4 $4.95 GryphonTrio ISSUE 13 JAZZ FESTIVAL PICKS summer PHILIPPE JAROUSSKY 2qqFESTIVALS ACROSS CANADA 0 4 0 0 6 5 3 8 5 0 4 6 4 4 9 tms_4-4_ads 6/8/06 9:41 PM Page 2 Q UEEN ELISABETH COMPETITION 9 00 2 > 6 BRUSSELES / BELGIUM 00 2 COMPOSITION 2006 Works for Piano and Orchestra Symphonic or Ensemble Age Limit: 40 years Deadline: November 10 2006 First prize: 10.000 euros PIANO 2007 Age Limit: 27 years Royal Conservatory 06 > 19 / 05: First Round & Semi-Final 22 > 25 / 05: Master Classes Palais des Beaux-Arts 28 / 05 > 02 / 06: Final SINGING 2008 Age Limit: 30 years Royal Conservatory 08 > 14 / 05: First Round & Semi-Final 16 > 18 / 05: Master Classes Palais des Beaux-Arts 21 > 24 / 05: Final COMPOSITION 2008 Works for Piano and Orchestra Symphonic or Ensemble Age Limit: 40 years Deadline: November 10 2008 First prize: 10.000 euros VIOLIN 2009 Age Limit: 27 years Royal Conservatory 03 > 16 / 05: First Round & Semi-Final Palais des Beaux-Arts 25 > 30 / 05: Final WWW.CMIREB.BE QUEEN ELIZABETH INTERNATIONAL MUSIC COMPETITION OF BELGIUM INFO : RUE AUX LAINES 20, B-1000 BRUSSELS (BELGIUM) TEL : +32 2 213 40 50 - FAX : +32 2 514 32 97 - [email protected] tms_4-4_ads 2006-06-08 12:29 Page 3 A multi instrumentalist, composer and professional musician since 25 years, Robert Len has played with numerous local and international well known artists like Oliver Jones and Colin James. He has recently joined the Hello Music team and the dis- tribution of his new album is guaranteed by Distribution Select. Robert Len captivated his audience last year by offering a high quality performance during which we could listen to some of his new album’s musical pieces. Concerts are in preparation with GIP Canada for the second half of this year and Robert should sur- prise us again with the unique and enchanting universes he cre- ates, using a wide range of musical instruments from around the world some of which require a particular and complex technique. The rhythms of the flutes, the Tibetan singing bowls and the didgeri- doos are enriched by multiple percussions, guitars and keyboards. 450.229.6588 [email protected] GIP Canada 1 877 447-4839 www.itex.com (418) 527-9494 [email protected] Available at HMV and other fine album retailers tms_4-4toc_p4_b.qxp 09/06/06 10:06 Page 4 CONTENTS National Edition Summer 2006 Vol. 4.4 Publisher La Scène Musicale / The Music Scene Directors Wah Keung Chan (pres.), Sandro Scola, Joan Gauthier Editor Wah Keung Chan Assistant Editor Réjean Beaucage CD/Books Editor Réjean Beaucage Jazz Editor Marc Chénard Contributors Claire Marie Blaustein, Christopher Bourne, Marc Chénard, John Defayette, Philippe Gervais, W.S. Habington, Kat Hammer, Felix Hamel, Pascal Lysaught, Isabelle Picard, Paul Serralheiro, Joseph K. So, Mike Vincent Cover Photo Shin Sugino Translators Jane Brierley Copy Editors/Proofreaders Elisia Bargelletti, Annie Prothin, Jeff Wyns Graphics Christopher Bourne, Albert Cormier, Adam E. Norris, Jean-François Gauthier Website Normand Vandray, Mike Vincent, Linda Lee, Kat Hammer, Marc Galin Admin. Assistant Christopher Bourne, Adam E. Norris Calendar Eric Legault Calendar Assistants Isabelle Picard, Andie Siegler, Dominic Spence PHOTO : DONALD LEE, CENTER THE BANFF Accounting Joanne Dufour Bookkeeper Kamal Ait Mouhoub Volunteers Maria Bandrauk-Ignatow, Wah Wing Chan, John Defayette, Lilian Liganor, Gillian Pritchett 6 Gryphon Trio Distribution Ottawa, Toronto, Calgary, Edmonton, Vancouver, Victoria IN HARMONY Address 5409 Waverly St., Montreal Quebec, Canada H2T 2X8 Tel.: (514) 948-2520 / Fax: (514) 274-9456 I Editorial (514) 274-1128 NEWS & PERFORMANCE JAZZ Advertising Mike Webber (514) 678-5745 Kimberly Krautle (514) 807-5447 5 Notes 30 Jazz Festival Picks Mario Felton-Coletti (514) 948-0509 9 Philippe Jaroussky 32 Jazz CD Reviews [email protected] • Web : www.scena.org production – artwork : [email protected] The Music Scene is the English Canada sister publication of La Scena Musicale. It is dedicated to the promotion of classical REVIEWS music and jazz. TMS is published four times a year by La Scène Musicale/The 34 CD Reviews Music Scene, a registered non-profit organization and charity. Summer 2006 Inside, readers will find articles, interviews and reviews. I La Scena Musicale is Italian for The Music Scene. CANADIAN SUMMER Subscriptions FESTIVALS GUIDE Surface mail subscriptions (Canada) cost $20/yr or $35/2 yrs (taxes included) to cover postage and handling costs. Please mail, fax or email your name, address, telephone no., fax no., and email address. Donations are always welcome. (no. 14199 6579 RR0001) Ver : 2006-06-08 © La Scène Musicale / The Music Scene. All rights reserved. No part of this publication may be repro- duced without the written permission of La Scena Musicale / 12 Our Picks The Music Scene. ISSN 1703-8189 (Print) ISSN 1703-8197 (Online) 10 Classical Canada Post Publication Mail Sales Agreement No. 40025257 PHOTO : PHILIPPE MATSAS 28 World, Folk, etc 30 Jazz The Music Scene The NEXT ISSUE – FALL 2006 For Advertising: › Back to School / Instrument Buyer’s Guide • Fall Preview › Street Date: August 21-28, 2006 › Advertising Deadline: August 9, 2006. (514) 948-0019 › Visit ads.scena.org for details. http://ads.scena.org 4 Summer 2006 tms_4-4_p5/Notes 6/8/06 9:38 PM Page 5 FROM THE FILES OF WWW.SCENA.ORG NOTES Kat Hammer, Michael Vincent PETITION FOR FAIR TAX CREDITS for the Catholic Diocese of Halifax, brought it to Canada in the 1840’s. In D.B.Scott of Cambridge,Ontario,is taking on the Stephen Harper's $500 tax the early 1970's Archbishop James Hayes discovered the manuscript in the credit for sports lessons because he believes it is fundamentally unfair."Playing attic of the archbishop's residence in Halifax and donated it to the Patrick organized sports is one thing. But learning the piano or modern dance or how Power Library at St. Mary's University. to sing in a youth choir is just as important," he told CBC Radio. Scott has start- The Cistercian Abbey of Salzinnes was constructed in 1202, destroyed ed an online petition called "Towards the fair treatment and support of all chil- and rebuilt later that century, and finally destroyed in 1797. When this dren" to ask the federal government to extend the credit to art and music les- antiphonal was written there were 34 nuns living in the abbey, all noble- sons. So far,it has garnered strong grassroots support. As of June 8, the petition women, who are illustrated and named in the antiphonal.The volume con- had recorded 30,000 signatures,adding about 1,500 new signatures per day.To sists of 480 pages printed on parchment. The extensive illustrations and sign the petition, visit the link at www.scena.org (Selected Links section). excellent condition of the volume are attracting international attention. This is the latest dissent over the treatment of the arts in Harper's budget. Judy Dietz, retired Associate Curator of Historical European Art at the Art Under the new budget, the Canada Council will receive a boost $50 million Gallery of Nova Scotia, is writing her master's thesis on the Salzinnes over the next two years,a far cry from the $300 million over three years prom- Antiphonal and preparing an English translation. For the 2007 Scotia Festival ised by the Liberals before the last election. In effect, the arts community lost of Music, Jennifer Bain is analysing and transcribing it for performance by an $250 million under the Harper plan, despite assurances present Heritage Australian choir specialising in early music. Minister Bev Oda gave to Radio-Canada during the election campaign. On a positive note, the budget contained a provision to eliminate capital gains PAVAROTTI CANCELS CANADIAN DATES taxes for donation of stocks to registered charities. Currently, donation of Luciano Pavarotti has recently announced the cancellation of four securities represents about 3.9% of all donations. upcoming concerts across Canada and one in the US affecting his farewell tour. While undergoing physiotherapy in a New York hospital, LA SCALA ANNOUNCES DANIEL BARENBOIM AS CONDUCTOR Pavarotti contracted a serious infection that has hindered his recovery Daniel Barenboim will be the principal guest conductor at Milan's La from a back injury which had prompted the singer to cancel eight con- Scala opera house. Barenboim's appointment with the opera will begin certs in April 2005. with a concert of Verdi's Requiem scheduled for Nov. 9, 2007, and the Canceled dates will include opera's season opener, a performance of Wagner's Tristan und Isolde' in upcoming shows in December 2007, and continuing through a complete performance of Montreal on June 3, Wagner's Ring cycle in 2011. Barenboim will be stepping partly into the role Toronto on June 6, Calgary vacated by former musical director Ricardo Muti, who resigned amid con- on June 11, Vancouver on troversy last year. June 16, and Washington, La Scala and Barenboim have deliberately left Barenboim's new role with D.C., on June 21. All five con- La Scala undefined. The conductor commented on the new role saying, certs have been resched- “There is no title, there's no contract, there's nothing, and because of this, uled for October. Terri there's everything.” He will conduct two operas per season, plus concerts of Robson, Pavarotti’s manag- the orchestra and chorus, and will also appear as a soloist. er, said in a statement, Barenboim will remain as music director of Berlin's Staatsoper and the two "Luciano apologizes to his opera companies will have a close relationship, including co-producing many disappointed fans Wagner's Ring cycle.
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  • Latin Derivatives Dictionary

    Latin Derivatives Dictionary

    Dedication: 3/15/05 I dedicate this collection to my friends Orville and Evelyn Brynelson and my parents George and Marion Greenwald. I especially thank James Steckel, Barbara Zbikowski, Gustavo Betancourt, and Joshua Ellis, colleagues and computer experts extraordinaire, for their invaluable assistance. Kathy Hart, MUHS librarian, was most helpful in suggesting sources. I further thank Gaylan DuBose, Ed Long, Hugh Himwich, Susan Schearer, Gardy Warren, and Kaye Warren for their encouragement and advice. My former students and now Classics professors Daniel Curley and Anthony Hollingsworth also deserve mention for their advice, assistance, and friendship. My student Michael Kocorowski encouraged and provoked me into beginning this dictionary. Certamen players Michael Fleisch, James Ruel, Jeff Tudor, and Ryan Thom were inspirations. Sue Smith provided advice. James Radtke, James Beaudoin, Richard Hallberg, Sylvester Kreilein, and James Wilkinson assisted with words from modern foreign languages. Without the advice of these and many others this dictionary could not have been compiled. Lastly I thank all my colleagues and students at Marquette University High School who have made my teaching career a joy. Basic sources: American College Dictionary (ACD) American Heritage Dictionary of the English Language (AHD) Oxford Dictionary of English Etymology (ODEE) Oxford English Dictionary (OCD) Webster’s International Dictionary (eds. 2, 3) (W2, W3) Liddell and Scott (LS) Lewis and Short (LS) Oxford Latin Dictionary (OLD) Schaffer: Greek Derivative Dictionary, Latin Derivative Dictionary In addition many other sources were consulted; numerous etymology texts and readers were helpful. Zeno’s Word Frequency guide assisted in determining the relative importance of words. However, all judgments (and errors) are finally mine.
  • September 2016 – July 2017

    September 2016 – July 2017

    SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music.