TMS 4-4Westcover.Qxp 09/06/06 00:25 Page 1

Total Page:16

File Type:pdf, Size:1020Kb

TMS 4-4Westcover.Qxp 09/06/06 00:25 Page 1 TMS_4-4WestCover.qxp 09/06/06 00:25 Page 1 CLASSICAL › JAZZ › CONCERTS › CDs, DVDs SCENA.ORG Summer 2006 • Vol. 4.4 $4.95 GryphonTrio ISSUE 13 JAZZ FESTIVAL PICKS summer PHILIPPE JAROUSSKY 2qqFESTIVALS ACROSS CANADA 0 4 0 0 6 5 3 8 5 0 4 6 4 4 9 tms_4-4_ads 6/8/06 9:41 PM Page 2 Q UEEN ELISABETH COMPETITION 9 00 2 > 6 BRUSSELES / BELGIUM 00 2 COMPOSITION 2006 Works for Piano and Orchestra Symphonic or Ensemble Age Limit: 40 years Deadline: November 10 2006 First prize: 10.000 euros PIANO 2007 Age Limit: 27 years Royal Conservatory 06 > 19 / 05: First Round & Semi-Final 22 > 25 / 05: Master Classes Palais des Beaux-Arts 28 / 05 > 02 / 06: Final SINGING 2008 Age Limit: 30 years Royal Conservatory 08 > 14 / 05: First Round & Semi-Final 16 > 18 / 05: Master Classes Palais des Beaux-Arts 21 > 24 / 05: Final COMPOSITION 2008 Works for Piano and Orchestra Symphonic or Ensemble Age Limit: 40 years Deadline: November 10 2008 First prize: 10.000 euros VIOLIN 2009 Age Limit: 27 years Royal Conservatory 03 > 16 / 05: First Round & Semi-Final Palais des Beaux-Arts 25 > 30 / 05: Final WWW.CMIREB.BE QUEEN ELIZABETH INTERNATIONAL MUSIC COMPETITION OF BELGIUM INFO : RUE AUX LAINES 20, B-1000 BRUSSELS (BELGIUM) TEL : +32 2 213 40 50 - FAX : +32 2 514 32 97 - [email protected] tms_4-4_ads 2006-06-08 12:29 Page 3 A multi instrumentalist, composer and professional musician since 25 years, Robert Len has played with numerous local and international well known artists like Oliver Jones and Colin James. He has recently joined the Hello Music team and the dis- tribution of his new album is guaranteed by Distribution Select. Robert Len captivated his audience last year by offering a high quality performance during which we could listen to some of his new album’s musical pieces. Concerts are in preparation with GIP Canada for the second half of this year and Robert should sur- prise us again with the unique and enchanting universes he cre- ates, using a wide range of musical instruments from around the world some of which require a particular and complex technique. The rhythms of the flutes, the Tibetan singing bowls and the didgeri- doos are enriched by multiple percussions, guitars and keyboards. 450.229.6588 [email protected] GIP Canada 1 877 447-4839 www.itex.com (418) 527-9494 [email protected] Available at HMV and other fine album retailers tms_4-4toc_p4_b.qxp 09/06/06 10:06 Page 4 CONTENTS National Edition Summer 2006 Vol. 4.4 Publisher La Scène Musicale / The Music Scene Directors Wah Keung Chan (pres.), Sandro Scola, Joan Gauthier Editor Wah Keung Chan Assistant Editor Réjean Beaucage CD/Books Editor Réjean Beaucage Jazz Editor Marc Chénard Contributors Claire Marie Blaustein, Christopher Bourne, Marc Chénard, John Defayette, Philippe Gervais, W.S. Habington, Kat Hammer, Felix Hamel, Pascal Lysaught, Isabelle Picard, Paul Serralheiro, Joseph K. So, Mike Vincent Cover Photo Shin Sugino Translators Jane Brierley Copy Editors/Proofreaders Elisia Bargelletti, Annie Prothin, Jeff Wyns Graphics Christopher Bourne, Albert Cormier, Adam E. Norris, Jean-François Gauthier Website Normand Vandray, Mike Vincent, Linda Lee, Kat Hammer, Marc Galin Admin. Assistant Christopher Bourne, Adam E. Norris Calendar Eric Legault Calendar Assistants Isabelle Picard, Andie Siegler, Dominic Spence PHOTO : DONALD LEE, CENTER THE BANFF Accounting Joanne Dufour Bookkeeper Kamal Ait Mouhoub Volunteers Maria Bandrauk-Ignatow, Wah Wing Chan, John Defayette, Lilian Liganor, Gillian Pritchett 6 Gryphon Trio Distribution Ottawa, Toronto, Calgary, Edmonton, Vancouver, Victoria IN HARMONY Address 5409 Waverly St., Montreal Quebec, Canada H2T 2X8 Tel.: (514) 948-2520 / Fax: (514) 274-9456 I Editorial (514) 274-1128 NEWS & PERFORMANCE JAZZ Advertising Mike Webber (514) 678-5745 Kimberly Krautle (514) 807-5447 5 Notes 30 Jazz Festival Picks Mario Felton-Coletti (514) 948-0509 9 Philippe Jaroussky 32 Jazz CD Reviews [email protected] • Web : www.scena.org production – artwork : [email protected] The Music Scene is the English Canada sister publication of La Scena Musicale. It is dedicated to the promotion of classical REVIEWS music and jazz. TMS is published four times a year by La Scène Musicale/The 34 CD Reviews Music Scene, a registered non-profit organization and charity. Summer 2006 Inside, readers will find articles, interviews and reviews. I La Scena Musicale is Italian for The Music Scene. CANADIAN SUMMER Subscriptions FESTIVALS GUIDE Surface mail subscriptions (Canada) cost $20/yr or $35/2 yrs (taxes included) to cover postage and handling costs. Please mail, fax or email your name, address, telephone no., fax no., and email address. Donations are always welcome. (no. 14199 6579 RR0001) Ver : 2006-06-08 © La Scène Musicale / The Music Scene. All rights reserved. No part of this publication may be repro- duced without the written permission of La Scena Musicale / 12 Our Picks The Music Scene. ISSN 1703-8189 (Print) ISSN 1703-8197 (Online) 10 Classical Canada Post Publication Mail Sales Agreement No. 40025257 PHOTO : PHILIPPE MATSAS 28 World, Folk, etc 30 Jazz The Music Scene The NEXT ISSUE – FALL 2006 For Advertising: › Back to School / Instrument Buyer’s Guide • Fall Preview › Street Date: August 21-28, 2006 › Advertising Deadline: August 9, 2006. (514) 948-0019 › Visit ads.scena.org for details. http://ads.scena.org 4 Summer 2006 tms_4-4_p5/Notes 6/8/06 9:38 PM Page 5 FROM THE FILES OF WWW.SCENA.ORG NOTES Kat Hammer, Michael Vincent PETITION FOR FAIR TAX CREDITS for the Catholic Diocese of Halifax, brought it to Canada in the 1840’s. In D.B.Scott of Cambridge,Ontario,is taking on the Stephen Harper's $500 tax the early 1970's Archbishop James Hayes discovered the manuscript in the credit for sports lessons because he believes it is fundamentally unfair."Playing attic of the archbishop's residence in Halifax and donated it to the Patrick organized sports is one thing. But learning the piano or modern dance or how Power Library at St. Mary's University. to sing in a youth choir is just as important," he told CBC Radio. Scott has start- The Cistercian Abbey of Salzinnes was constructed in 1202, destroyed ed an online petition called "Towards the fair treatment and support of all chil- and rebuilt later that century, and finally destroyed in 1797. When this dren" to ask the federal government to extend the credit to art and music les- antiphonal was written there were 34 nuns living in the abbey, all noble- sons. So far,it has garnered strong grassroots support. As of June 8, the petition women, who are illustrated and named in the antiphonal.The volume con- had recorded 30,000 signatures,adding about 1,500 new signatures per day.To sists of 480 pages printed on parchment. The extensive illustrations and sign the petition, visit the link at www.scena.org (Selected Links section). excellent condition of the volume are attracting international attention. This is the latest dissent over the treatment of the arts in Harper's budget. Judy Dietz, retired Associate Curator of Historical European Art at the Art Under the new budget, the Canada Council will receive a boost $50 million Gallery of Nova Scotia, is writing her master's thesis on the Salzinnes over the next two years,a far cry from the $300 million over three years prom- Antiphonal and preparing an English translation. For the 2007 Scotia Festival ised by the Liberals before the last election. In effect, the arts community lost of Music, Jennifer Bain is analysing and transcribing it for performance by an $250 million under the Harper plan, despite assurances present Heritage Australian choir specialising in early music. Minister Bev Oda gave to Radio-Canada during the election campaign. On a positive note, the budget contained a provision to eliminate capital gains PAVAROTTI CANCELS CANADIAN DATES taxes for donation of stocks to registered charities. Currently, donation of Luciano Pavarotti has recently announced the cancellation of four securities represents about 3.9% of all donations. upcoming concerts across Canada and one in the US affecting his farewell tour. While undergoing physiotherapy in a New York hospital, LA SCALA ANNOUNCES DANIEL BARENBOIM AS CONDUCTOR Pavarotti contracted a serious infection that has hindered his recovery Daniel Barenboim will be the principal guest conductor at Milan's La from a back injury which had prompted the singer to cancel eight con- Scala opera house. Barenboim's appointment with the opera will begin certs in April 2005. with a concert of Verdi's Requiem scheduled for Nov. 9, 2007, and the Canceled dates will include opera's season opener, a performance of Wagner's Tristan und Isolde' in upcoming shows in December 2007, and continuing through a complete performance of Montreal on June 3, Wagner's Ring cycle in 2011. Barenboim will be stepping partly into the role Toronto on June 6, Calgary vacated by former musical director Ricardo Muti, who resigned amid con- on June 11, Vancouver on troversy last year. June 16, and Washington, La Scala and Barenboim have deliberately left Barenboim's new role with D.C., on June 21. All five con- La Scala undefined. The conductor commented on the new role saying, certs have been resched- “There is no title, there's no contract, there's nothing, and because of this, uled for October. Terri there's everything.” He will conduct two operas per season, plus concerts of Robson, Pavarotti’s manag- the orchestra and chorus, and will also appear as a soloist. er, said in a statement, Barenboim will remain as music director of Berlin's Staatsoper and the two "Luciano apologizes to his opera companies will have a close relationship, including co-producing many disappointed fans Wagner's Ring cycle.
Recommended publications
  • 1Er Février 2015 — 15 H Salle De Concert Bourgie Prixopus.Qc.Ca
    e 18 GALA1er février 2015 — 15 h Salle de concert Bourgie prixOpus.qc.ca LE CONSEIL QUÉBÉCOIS DE LA MUSIQUE VOUS SOUHAITE LA BIENVENUE À LA DIX-HUITIÈME ÉDITION DU GALA DES PRIX OPUS 14 h : accueil 15 h : remise des prix 17 h 30 : réception à la Galerie des bronzes, pavillon Michal et Renata Hornstein du Musée des beaux-arts de Montréal Écoutez l’émission spéciale consacrée au dix-huitième gala des prix Opus, animée par Katerine Verebely le lundi 2 février 2015 à 20 h sur les ondes d’ICI Musique (100,7 FM à Montréal) dans le cadre des Soirées classiques. Réalisation : Michèle Patry La Fondation Arte Musica offre ses félicitations à tous les finalistes et aux lauréats des prix Opus de l’an 18. La Fondation est fière de contribuer à l’excellence du milieu musical québécois par la production et la diffusion de concerts et d’activités éducatives, à la croisée des arts. Au nom de toute l’équipe du Musée des beaux-arts de Montréal et de la Fondation Arte Musica, je vous souhaite un excellent gala ! Isolde Lagacé Directrice générale et artistique sallebourgie.ca 514-285-2000 # 4 Soyez les bienvenus à cette 18e édition du gala des prix Opus. Votre fête de la musique. Un événement devenu incontournable au fil des ans ! Le gala des prix Opus est l’occasion annuelle de célébrer l’excellence du travail des interprètes, compositeurs, créateurs, auteurs et diffuseurs. Tout au long de la saison 2013-2014, ces artistes ont mis leur talent, leur créativité et leur ténacité au service de la musique de concert.
    [Show full text]
  • The André Prévost Fonds the ANDRÉ PRÉVOST FONDS
    The André Prévost Fonds THE ANDRÉ PRÉVOST FONDS NUMERICAL LIST by STÉPHANE JEAN Ottawa 1997 Canadian Cataloguing in Publication Data National Library of Canada The André Prévost fonds : numerical list Issued also in French under title: Le fonds-André- Prévost, répertoire numérique. Includes index. ISBN 0-662-25324-8 CCG cat. no. SN3-316/1997E-IN 1. Prévost, André, 1934- --Archives--Catalogs. 2. National Library of Canada. Music Division--Archives-- Catalogs. I. Jean, Stéphane, 1964- II. Title. ML136.O88P945 1997 016.78’092 C97-900182-X Cover: Prélude pour deux pianos of André Prévost, D4,65 Cover design: Denis Schryburt © Her Majesty the Queen in Right of Canada (1997), as represented by the National Library of Canada. This publication may be reproduced without permission provided the source is fully acknowledged. However, reproduction of this publication, in whole or in part, for the purpose of resale or redistribution requires prior written permission from the National Library of Canada, Ottawa, Canada K1A 0N4. Cat. no. SN3-316/1997E-IN ISBN 0-662-25324-8 2 “...now men can only sing out their anguish and somehow sublimate it with hope; for they have acquired the certain knowledge that their sole salvation lies in acceptance and losing themselves in the world. They triumph over their condition by facing it.” (translation) André Prévost, Fantasmes, 1963. 3 4 TABLE OF CONTENTS Page INTRODUCTION 7 A TRIBUTE... 9 ABBREVIATIONS AND ACRONYMS 11 ABOUT THE FONDS 13 DESCRIPTION OF THE FONDS 17 MUS 264/A Correspondence 17 MUS 264/B Studies 24
    [Show full text]
  • Publication.Pdf
    Auditorium du louvre Pompeo Girolamo Batoni, Apollon, la Musique et la Métrique UNE INVITATION À ÉCOUTER LE MUSÉE AUTREMENT : tel pourrait être l’esprit de votre nouvelle saison musicale. Les concerts qui vous sont proposés se déploient en quatre grands cycles pour illustrer les liens féconds que le musée du Louvre a toujours entretenus avec la musique. Un premier temps fort à l’automne redonnera ainsi vie aux musiques des XVIIe et XVIIIe siècles qui furent jouées dans l’enceinte ou aux alentours du Palais – comme la recréation d’un ballet de Delalande et Destouches dansé par le jeune Louis XV aux Tuileries en 1721. Une exposition dédiée aux chefs-d’œuvre des musées de Salzbourg sera ensuite l’occasion de révéler les relations tumultueuses de Mozart – l’enfant le plus illustre de Salzbourg – avec sa ville natale. Au début de l’année 2017, un cycle consacré aux œuvres de jeunesse des grands musiciens, de Bach à Rachmaninov, offrira de subtils prolongements aux collections du musée. Enfin, un ample programme imaginé autour de la question de l’atelier d’artiste vous fera pénétrer au cœur de la création, avec un volet musical qui donnera à entendre l’atelier de l’interprète et celui du compositeur. Au cours de ces différents cycles, vous retrouverez les rendez-vous auxquels vous êtes habitués : des concerts les mercredis et vendredis AUDITORIUM DU LOUVRE soir avec les plus grands artistes de la scène classique internationale, ainsi que des concerts d’une heure le jeudi à 12 h 30 pour découvrir les jeunes talents d’aujourd’hui.
    [Show full text]
  • Contents: 1000 South Denver Avenue Suite 2104  Biography Tulsa, OK 74119  Critical Acclaim
    Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Karrah O’Daniel-Cambry Opera and Marketing Manager [email protected] Mailing Address: Contents: 1000 South Denver Avenue Suite 2104 Biography Tulsa, OK 74119 Critical Acclaim Website: DIscography http://www.pricerubin.com Testimonials Indiana University Review Video LInks Complete artist information including video, audio and interviews are available at www.pricerubin.com Grzegorz Nowak – Biography Grzegorz Nowak is the Principal Associate Conductor of the Royal Philharmonic Orchestra in London. He has led the Orchestra on tours to Switzerland, Turkey and Armenia, as well as giving numerous concerts throughout the UK. His RPO recordings include Mendelssohn’s ‘Scottish’ and ‘Italian’ Symphonies, Shostakovich’s Symphony No.5, Dvořák’s Symphonies Nos. 6–9, all the symphonies of Schumann and complete symphonies and major orchestral works of Brahms and Tchaikovsky. He is also the Music Director & Conductor of the Orquesta Clásica Santa Cecilia and Orquesta Sinfonica de España in Madrid. Recordings of Grzegorz Nowak have been highly acclaimed by the press and public alike, winning many awards. Diapason in Paris praised his KOS live recording with Martha Argerich and Sinfonia Varsovia as ”indispensable…un must”, and its second edition won the Fryderyk Award. His recording of The Polish Symphonic Music of the XIX Century with Sinfonia Varsovia won the CD of the Year Award, the Bronze Bell Award in Singapore and Fryderyk Award nomination; the American Record Guide praised it as “uncommonly rewarding… 67 minutes of pure gold” and hailed his Gallo disc of Frank Martin with Biel Symphony as “by far the best”.
    [Show full text]
  • No 61 a Rayons Ouverts
    Chroniques de la Bibliothèque nationale du Québec No 61 À rayonsAutomne 2004 ouverts Sommaire 3 Éditorial DOSSIER DIFFUSION : LES COLLECTIONS 4 Les collections de la Bibliothèque nationale du Québec dans la Grande Bibliothèque Les composantes déjà existantes 7 La collection nationale : un patrimoine culturel pour tous 9 Les collections de la Bibliothèque centrale de Montréal : des trésors de collections ! 11 Les nouvelles acquisitions de la collection universelle de prêt et de référence de la Grande Bibliothèque Les nouvelles collections 14 Collection numérique de diffusion : la Grande Bibliothèque à l’ère électronique 15 Actualités et nouveautés à la Grande Bibliothèque 16 La collection multilingue 17 Un nouveau lieu d’accueil pour les cinéphiles : la vidéothèque de la Grande Bibliothèque 18 Coup d’œil sur les collections du Service québécois du livre adapté L’organisation des collections 19 Une priorité nouvelle : le regroupement et la mise en valeur des collections 22 Des collections dans l’espace La Vie de la BNQ 23 L’opérette au Québec, hier et aujourd’hui Entretien avec Clermont Tremblay 26 Acquisitions 2002-2004 à la Section des archives privées 36 Les aménagements extérieurs de la Grande Bibliothèque Un peu d’histoire 30 100 ans d’histoire à voir ! La Bibliothèque centrale de Montréal 34 Au tournant du xxe siècle : la timide éclosion des bibliothèques publiques 38 Expositions et événements Rubriques 12 Comptes rendus de lectures 21 Jeux de mots 31 Trucs pratiques Cette publication est réalisée par La revue À rayons ouverts, chroniques de la Bibliothèque nationale la Bibliothèque nationale du Québec. du Québec est publiée trimestriellement et distribuée gratuitement Nous tenons à remercier les artistes ainsi à toute personne qui en fait la demande.
    [Show full text]
  • Naxos Catalog (May
    CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 95 Alphorn 96 Easy Listening 113 Operetta 125 American Classics 96 Flute 116 Orchestral 125 American Jewish Music 96 Funeral Music 117 Organ 128 Ballet 96 Glass Harmonica 117 Piano 129 Baroque 97 Guitar 117 Russian 131 Bassoon 98 Gypsy 119 Samplers 131 Best Of series 98 Harp 119 Saxophone 132 British Music 101 Harpsichord 120 Timpani 132 Cello 101 Horn 120 Trombone 132 Chamber Music 102 Light Classics 120 Tuba 133 Chill With 102 Lute 121 Trumpet 133 Christmas 103 Music for Meditation 121 Viennese 133 Cinema Classics 105 Oboe 121 Violin 133 Clarinet 109 Ondes Martenot 122 Vocal and Choral 134 Early Music 109 Operatic 122 Wedding Music 137 Wind 137 Naxos Historical . 138 Naxos Nostalgia . 152 Naxos Jazz Legends . 154 Naxos Musicals . 156 Naxos Blues Legends . 156 Naxos Folk Legends . 156 Naxos Gospel Legends . 156 Naxos Jazz . 157 Naxos World . 158 Naxos Educational . 158 Naxos Super Audio CD . 159 Naxos DVD Audio . 160 Naxos DVD . 160 List of Naxos Distributors . 161 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2005 Catalogue $ Recording scheduled to be released before 31 March, 2006 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating.
    [Show full text]
  • 10E Festival Des Pianissimes Saint-Germain-Au-Mont-D’Or Vendredi 26 Juin 2015 – 20H30
    10e Festival des Pianissimes Saint-Germain-au-Mont-d’Or Vendredi 26 juin 2015 – 20h30 Trio Dali Jack Liebeck, violon Christian-Pierre La Marca, violoncelle Amandine Savary, piano Johann Sebastian BACH (1685 – 1750) Prélude & Choral BWV 639 Robert SCHUMANN (1810 – 1856) Trio n°1 op.63 en ré mineur Avec énergie et passion Vivant, pas trop rapide Lentement, avec recueillement Avec feu Johann Sebastian BACH (1685 – 1750) Prélude & Choral BWV 659 Félix MENDELSSOHN (1809 – 1847) Trio n°1 op.49 en ré mineur Molto allegro ed agitato Andante con moto tranquillo Scherzo: Leggiero e vivace Finale: Allegro assai appassionato Trio Dali Le patronyme du trio fait référence aux précieux marbres asiatiques de Dali, ce matériau que l’on taille progressivement et minutieusement de façon à confectionner des œuvres d’art. Ce travail, cette construction réfléchie et créative, symboles des marbres de Dali, reflètent les valeurs musicales essentielles du trio. Né d’une amitié doublée d’une passion pour le répertoire de musique de chambre, le Trio Dali est révélé à l’attention internationale en remportant successivement de grands Prix aux Concours Internationaux d’Osaka au Japon (1er Prix), de Francfort en Allemagne (1er Prix), de New-York aux Etats-Unis (2nd Prix) et de Vienne (3e Prix, Prix du Public et Prix Spécial). Dans le même temps, il reçoit le prestigieux Chamber Music Award par le Philharmonia Orchestra à Londres. Le Trio Dali est depuis lors devenu l’un des jeunes trios les plus demandés, adoubé par la presse et comparé aux légendes que sont le Beaux Arts Trio ou le Trio Stern/Istomin/Rose.
    [Show full text]
  • Les Variétés Lyriques (1936-1955) Pascal Blanchet
    Document généré le 2 oct. 2021 03:23 Jeu Revue de théâtre L’Âge d’or de l’opérette à Montréal Les Variétés Lyriques (1936-1955) Pascal Blanchet Paroles d’auteurs Numéro 120 (3), 2006 URI : https://id.erudit.org/iderudit/24420ac Aller au sommaire du numéro Éditeur(s) Cahiers de théâtre Jeu inc. ISSN 0382-0335 (imprimé) 1923-2578 (numérique) Découvrir la revue Citer cet article Blanchet, P. (2006). L’Âge d’or de l’opérette à Montréal : les Variétés Lyriques (1936-1955). Jeu, (120), 191–199. Tous droits réservés © Cahiers de théâtre Jeu inc., 2006 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ PASCAL BLANCHET L'Âge d'or de l'opérette à Montréal Les Variétés Lyriques (1936-1955) n 1946, les Variétés Lyriques fêtent leur dixième anniversaire en publiant un luxueux Eprogramme-souvenir. La lecture de ces pages grand format a de quoi susciter au­ jourd'hui l'étonnement. Comment une troupe d'opérette, fondée par deux chanteurs, sans la moindre aide financière gouvernementale, est-elle parvenue non seulement à survivre, mais à croître et à prospérer au point d'offrir jusqu'à huit productions par saison, et à entretenir une véritable troupe permanente qui employait de nombreux chanteurs et acteurs, voire tout un corps de ballet ? Survol d'un genre L'opérette apparaît de nos jours comme un objet théâtral totalement désuet - quand on n'en ignore pas tout bonne­ ment l'existence.
    [Show full text]
  • ESTUDO DOS AJUSTES LARÍNGEOS E SUPRALARÍNGEOS NO CANTO DOS CONTRATENORES: Dados Fibronasolaringoscópicos, Vídeo-Radioscópicos, Eletroglotográficos E Acústicos
    TIAGO LIMA BICALHO CRUZ ESTUDO DOS AJUSTES LARÍNGEOS E SUPRALARÍNGEOS NO CANTO DOS CONTRATENORES: Dados Fibronasolaringoscópicos, Vídeo-radioscópicos, Eletroglotográficos e Acústicos Escola de Música Universidade Federal de Minas Gerais Junho/2006 TIAGO LIMA BICALHO CRUZ ESTUDO DOS AJUSTES LARÍNGEOS E SUPRALARÍNGEOS NO CANTO DOS CONTRATENORES: Dados Fibronasolaringoscópicos, Vídeo-radioscópicos, Eletroglotográficos e Acústicos Dissertação apresentada ao Programa de Pós- Graduação da Escola de Música da Universidade Federal de Minas Gerais, como requisito para a obtenção do título de Mestre em Música. Linha de Pesquisa: Música e Tecnologia Orientador: Prof. Dr. Maurício Alves Loureiro (Escola de Música) Co-Orientador: Prof. Dr. Maurílio Nunes Vieira (ICEX/ Física) Universidade Federal de Minas Gerais Escola de Música Universidade Federal de Minas Gerais Junho/2006 Para meus pais, sogros, irmãos e Chris, o meu agradecimento especial pela força de sempre e apoio mesmo em momentos conflitantes desta caminhada. Como diz o ditado: “No final tudo dá certo!” Obrigado! Amo Vocês! iv AGRADECIMENTOS À Deus por ser o pai criador do universo no qual deposito minhas esperanças e busco forças para completar os meus projetos. À Chris que sempre me apoiou antes do início desse projeto o qual finalizei agora. Por todo amor por ela despendido a mim, pela compreensão, carinho, amizade e cumplicidade nas tarefas que tive de realizar. Aos meus pais por terem me dado a oportunidade de sempre estudar e cursar um correto caminho pelo qual cheguei até aqui. Pelo amor e carinho mesmo nos momentos difíceis. Aos meus irmãos que mesmo estando em profissões diferentes da minha souberam entender e compreender os meus objetivos de vida.
    [Show full text]
  • The 30-Year History of the Alliance Des Chorales Du Quevec and Its Impact on Choral Singing in the Province
    The 30-year History of the Alliance des Chorales du Quevec and Its Impact on Choral Singing in the Province Patricia Abbott Association of Canadian Choral Conductors, Quebec, Canada English Montreal School Board, Quebec, Canada McGill University, Quebec, Canada The year 2004 marked the 30th anniversary of Quebec's choral federation, the Alliance des chorales du Quebec (ACQ). Over the years it has grown from a membership of some 50 choirs to more than 200 (204 at the end of the 2004-2005 season). Its member choirs represent a wide range of repertoire, skill levels and age groups. Although there are other choral organizations in Quebec,l it is the only one officially recognized by the provincial government as the voice for the collective interests of choirs. This paper explores the federation's 30-year history, the growth and evolution of its mandate and programs and its impact on choral music in Quebec. The organization's publications and annual reports served as a major source of information. The Choral Landscape in French Canada Before 1974 Choral music has long been an integral part of French Canadian cultural activity. References to choral music written and arranged in Canada date back to the French colony at Port-Royal in 1606. The seventeenth and eighteenth centuries saw the performance of choral music imported from Europe, as well as a growing body of Canadian compositions, primarily for liturgical use. By the late nineteenth century and early twentieth century, singing in a choral society was a very popular activity in Canada, and Quebec was no exception.
    [Show full text]
  • Latin Derivatives Dictionary
    Dedication: 3/15/05 I dedicate this collection to my friends Orville and Evelyn Brynelson and my parents George and Marion Greenwald. I especially thank James Steckel, Barbara Zbikowski, Gustavo Betancourt, and Joshua Ellis, colleagues and computer experts extraordinaire, for their invaluable assistance. Kathy Hart, MUHS librarian, was most helpful in suggesting sources. I further thank Gaylan DuBose, Ed Long, Hugh Himwich, Susan Schearer, Gardy Warren, and Kaye Warren for their encouragement and advice. My former students and now Classics professors Daniel Curley and Anthony Hollingsworth also deserve mention for their advice, assistance, and friendship. My student Michael Kocorowski encouraged and provoked me into beginning this dictionary. Certamen players Michael Fleisch, James Ruel, Jeff Tudor, and Ryan Thom were inspirations. Sue Smith provided advice. James Radtke, James Beaudoin, Richard Hallberg, Sylvester Kreilein, and James Wilkinson assisted with words from modern foreign languages. Without the advice of these and many others this dictionary could not have been compiled. Lastly I thank all my colleagues and students at Marquette University High School who have made my teaching career a joy. Basic sources: American College Dictionary (ACD) American Heritage Dictionary of the English Language (AHD) Oxford Dictionary of English Etymology (ODEE) Oxford English Dictionary (OCD) Webster’s International Dictionary (eds. 2, 3) (W2, W3) Liddell and Scott (LS) Lewis and Short (LS) Oxford Latin Dictionary (OLD) Schaffer: Greek Derivative Dictionary, Latin Derivative Dictionary In addition many other sources were consulted; numerous etymology texts and readers were helpful. Zeno’s Word Frequency guide assisted in determining the relative importance of words. However, all judgments (and errors) are finally mine.
    [Show full text]
  • September 2016 – July 2017
    SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music.
    [Show full text]