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T a b l e C o n T e n T s I s s u e 9 s u mm e r 2 0 1 3 o f pg 4 pg 18 pg 26 pg 43 Featured articles Pg 4 abraham lincoln and Freedom of the Press A Reappraisal by Harold Holzer Pg 18 interbranch tangling Separating Our Constitutional Powers by Judith s. Kaye Pg 26 rutgers v. Waddington Alexander Hamilton and the Birth Pangs of Judicial Review by David a. Weinstein Pg 43 People v. sanger and the Birth of Family Planning clinics in america by Maria T. Vullo dePartments Pg 2 From the executive director Pg 58 the david a. Garfinkel essay contest Pg 59 a look Back...and Forward Pg 66 society Officers and trustees Pg 66 society membership Pg 70 Become a member Back inside cover Hon. theodore t. Jones, Jr. In Memoriam Judicial Notice l 1 From the executive director udicial Notice is moving forward! We have a newly expanded board of editors Dearwho volunteer Members their time to solicit and review submissions, work with authors, and develop topics of legal history to explore. The board of editors is composed J of Henry M. Greenberg, Editor-in-Chief, John D. Gordan, III, albert M. rosenblatt, and David a. Weinstein. We are also fortunate to have David l. Goodwin, Assistant Editor, who edits the articles and footnotes with great care and knowledge. our own Michael W. benowitz, my able assistant, coordinates the layout and, most importantly, searches far and wide to find interesting and often little-known images that greatly compliment and enhance the articles. -
People Like Ourselves
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2017 People Like Ourselves Harper D. Hair University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Painting Commons Recommended Citation Hair, Harper D., "People Like Ourselves" (2017). University of New Orleans Theses and Dissertations. 2408. https://scholarworks.uno.edu/td/2408 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. People Like Ourselves A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Fine Arts By Harper Hair B.F.A. Kansas City Art Institute, 2010 December 2017 Table of Contents Page List of Figures………………………………………………………………………………...…..iii Abstract………………………………………………………………………………………...…iv Section 1…………………………………………………………………………………………...1 Section 2…………………………………………………………………………………………...9 Section 3………………………………………………………………………………………….23 References…………………………………….………………………………………………….59 Vita……………………………………………………………………………………………….61 ii List of Figures Page 1. -
Untitled Spreadsheet
Founded in 2002, Light In The Attic is a leading archival reissue label, distribution company, and creative house with offices in Seattle and Los Angeles. They earned their reputation as the quintessential champion of the underdog through their grassroots success with Rodriguez and the soundtrack to the Academy Award®-winning documentary SEARCHING FOR SUGAR MAN (2012). Since then, LITA has gone on to garner nominations for multiple GRAMMY Awards, including one for Best Historical Album for Native North America (Vol. 1) (2015). Their exuberance and dedication to spreading joy through music has propelled them through the release of 200+ titles worldwide, setting the pace for reissue labels and the archival process. From D’Angelo to Donnie & Joe Emerson, Jim Sullivan to Serge Gainsbourg, Betty Davis to Karen Dalton, Lewis to Lifetones, the list goes on and on. In addition to the label’s acclaimed output, the company operates a thriving and rapidly growing distribution business and is home to nearly 150 like-minded labels including heavyweights MONDO / Death Waltz, iam8bit, Tidal Waves, and more. True to their record-loving roots, Light In The Attic also maintains a thriving physical brick and mortar record store inside the KEXP Gathering Space in Seattle. PRE-ORDER before 30th April 2020 Underlined texts been hyperlinked to it's webpage ETA are on May 2020 unless is stated otherwise For more new arrivals, pre-orders and merch, do visit www.tandangstore.com BENNY SOEBARDJA W I C The Lizard Years 2xCD STRAWBERRY RAIN RECORDS K E psych rock -
The Other Madison Problem
THE OTHER MADISON PROBLEM David S. Schwartz* & John Mikhail** The conventional view of legal scholars and historians is that James Madison was the “father” or “major architect” of the Constitution, whose unrivaled authority entitles his interpretations of the Constitution to special weight and consideration. This view greatly exaggerates Madison’s contribution to the framing of the Constitution and the quality of his insight into the main problem of federalism that the Framers tried to solve. Perhaps most significantly, it obstructs our view of alternative interpretations of the original Constitution with which Madison disagreed. Examining Madison’s writings and speeches between the spring and fall of 1787, we argue, first, that Madison’s reputation as the father of the Constitution is unwarranted. Madison’s supposedly unparalleled preparation for the Constitutional Convention and his purported authorship of the Virginia plan are unsupported by the historical record. The ideas Madison expressed in his surprisingly limited pre-Convention writings were either widely shared or, where more peculiar to him, rejected by the Convention. Moreover, virtually all of the actual drafting of the Constitution was done by other delegates, principally James Wilson and Gouverneur Morris. Second, we argue that Madison’s recorded thought in this critical 1787 period fails to establish him as a particularly keen or authoritative interpreter of the Constitution. Focused myopically on the supposed imperative of blocking bad state laws, Madison failed to diagnose the central problem of federalism that was clear to many of his peers: the need to empower the national government to regulate the people directly. Whereas Madison clung to the idea of a national government controlling the states through a national legislative veto, the Convention settled on a decidedly non-Madisonian approach of bypassing the states by directly regulating the people and controlling bad state laws indirectly through the combination of federal supremacy and preemption. -
Freedom of the Press: Croswell's Case
Fordham Law Review Volume 33 Issue 3 Article 3 1965 Freedom of the Press: Croswell's Case Morris D. Forkosch Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Morris D. Forkosch, Freedom of the Press: Croswell's Case, 33 Fordham L. Rev. 415 (1965). Available at: https://ir.lawnet.fordham.edu/flr/vol33/iss3/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Freedom of the Press: Croswell's Case Cover Page Footnote The instant study was initiated by Professor Vincent C. Hopkins, S.J., of the Department of History, Fordham University, during 1963. In the spring of 1964 be died, leaving an incomplete draft; completion necessitated research, correction, and re-writing almost entirely, to the point where it became an entirly new paper, and the manuscript was ready for printing when the first olumev of Professor Goebel's, The Law Practice of Alexander Hamilton (1964), appeared. At pages 775-SO6 Goebel gives the background of the Croswell case and, because of many details and references there appearing, the present article has been slimmed down considerably. However, the point of view adopted by Goebel is to give the background so that Hamilton's participation and argument can be understood. The purpose of the present article is to disclose the place occupied by this case (and its participants) in the stream of American libertarian principles, and ezpzdally those legal concepts which prevented freedom of the press from becoming an everyday actuality until the legislatures changed the common law. -
The Constitutional History of New York
The Constitutional History of New York Charles Z. Lincoln's five-volume The Constitutional History of New York from the Beginning of the Colonial Period to the Year 1905, Showing the Origin, Development, and Judicial Construction of the Constitution remains the authoritative history of the evolution of the State Constitution through the 19th century and the forces that shaped the principles it has embraced. The Historical Society of the Courts of the State of New York has excerpted a number of passages from this compilation which are of particular relevance to the history of the State Courts: • A profile of the author • The Colonial Judiciary • The New York Judiciary, 1777-1845 • The Judiciary Article Under the Third Constitution (1846) • The First Constitution, 1777 • Amendments to the First Constitution - The Convention of 1801 • Woman Suffrage • Woman Suffrage Addendum CHARLES Z. LINCOLN Charles Z. Lincoln was born August 5, 1848, at Grafton, Vermont. An orphan at eight years of age, he resided during his childhood years with various relatives. He was educated in public schools and at Chamberlain Institute, in Randolph, New York. Mr. Lincoln taught school in Cattaraugus and Chautauqua Counties until 1871, when he began the study of law with Joseph R. Jewell, at Little Valley, New York, and with Charles S. Cary, at Olean, New York. He was admitted to the bar in 1874 and thereafter engaged in private practice. He has been President and Attorney of [photograph and biographical Little Valley, a member of the Board of information courtesy of the Education, a State Senator and a Convention Manual of the Sixth New Delegate to the New York Constitutional York State Constitutional Convention Convention of 1894. -
The Big Day) – Hopefully More Well-Received Than Chance the Rapper’S Ill-Conceived Paean to Loving His Wife by Kenji Shimizu
Festivus 2020: TBD (The Big Day) – Hopefully More Well-Received than Chance the Rapper’s Ill-Conceived Paean to Loving His Wife by Kenji Shimizu Note to players: Two answers required. 1. After declaring “I like my rock and roll all the same,” the singer declares that he doesn’t “give a fuck” if he does either of these two actions in “Back to the Motor League” by Propagandhi. Kurgan quotes a line mentioning these two actions in a church scene in Highlander, referencing a 1983 song’s spoken-word intro in which that line follows the gibberish phrase “Gunter glieben glauten globen.” In a 1979 album’s final track, the second half of a line about these two actions is replaced by the album’s title, (*) Rust Never Sleeps. That line about these two actions is quoted at the beginning of Def Leppard’s “Rock of Ages” and in the closing statements of Kurt Cobain’s suicide note. For 10 points, the song “My My, Hey Hey (Out of the Blue)” by Neil Young declares that “it’s better to” do what action “than to” do what other action? ANSWER: burn out and fade away [accept “It’s better to burn out than to fade away”] 2. In reference to a song titled after one of these people, the Martin guitar company embedded a coin into 73 limited-edition guitars to commemorate the victim of a September 1973 plane crash. The twist that Marie is the narrator’s six-year-old daughter is the final piece of information given to a person with this job in Chuck Berry’s “Memphis, Tennessee.” The words of a person with this job are juxtaposed with several excuses given by Mrs. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
A Guide and Index for Finding Evidence of the Original Meaning of the Us
98 N.C. L. REV. 779 (2020) A GUIDE AND INDEX FOR FINDING EVIDENCE OF THE ORIGINAL MEANING OF THE U.S. CONSTITUTION IN EARLY STATE CONSTITUTIONS AND DECLARATIONS OF RIGHTS* GREGORY E. MAGGS** When the original thirteen states declared independence from Great Britain, their former colonial charters became obsolete. Eleven states quickly addressed this situation by adopting state constitutions and, in some cases, declarations of rights to replace their charters. These state documents greatly influenced the drafting of the United States Constitution. Accordingly, scholars and judges often cite these early state documents when making claims about the original meaning of the U.S. Constitution. This Article provides a concise guide to this practice of finding evidence of the original meaning in these early state constitutions and declarations of rights. It explains the history of the documents, where to find them online, and how writers have used them to discern the original meaning of the U.S. Constitution. The Article includes a comprehensive index, with more than 1700 entries, to help researchers discover relevant provisions. INTRODUCTION ............................................................................... 780 I. RESEARCHING EARLY STATE CONSTITUTIONS AND DECLARATIONS OF RIGHTS .................................................. 784 * © 2020 Gregory E. Maggs. ** Judge, U.S. Court of Appeals for the Armed Forces (formerly the Arthur Selwyn Miller Research Professor of Law at The George Washington University Law School). The author thanks his very able and diligent research assistants Frank Chang, Abby Feltner, and Sarah Brown, and Janese Duley for reviewing the manuscript and devoting countless hours to the index. This Article is the seventh in a series of articles I have written about how to use different sources to make claims about the original meaning of the Constitution. -
The Council of Revision and the Limits of Judicial Power James T
COMMENTS The Council of Revision and the Limits of Judicial Power James T. Barry IIIt The limits of judicial power and the proper role of the judici- ary in the Constitutional scheme have always been matters of great controversy. Recent manifestations of this controversy include the debate over the scope of the Fourteenth Amendment, the breadth of standing requirements, the inclusion of judges on the Federal Sentencing Commission, and the role of the judiciary in appointing independent counsels to investigate executive branch officials. Al- though these issues are usually discussed on more abstract grounds, the historical background of the Constitution often creeps into the debate. In this context, one event often mentioned is the Framers' de- bate over and rejection of a Council of Revision at the Constitu- tional Convention of 1787. The proposed Council would have vested the federal veto power in an institution composed of the President and several members of the federal judiciary, presuma- bly the Justices of the Supreme Court. The history of this proposal illustrates how the Framers, faced with a model of judicial involve- ment in the lawmaking process, chose instead a judiciary that took no part in the creation of laws. In so doing, the Framers effectively chose to preclude the courts from deciding matters of public policy and to create a special place for the courts in the separation of powers scheme. Though the history of the proposed Council is relevant to many issues that perennially confront the courts, scholars have given that history remarkably little attention. This comment seeks to remedy that lack of scholarship by examining the history of the t B.S.F.S., Georgetown University, 1986; J.D. -
Yellow Magic Orchestra Computer Game (Theme from the Invaders) Mp3, Flac, Wma
Yellow Magic Orchestra Computer Game (Theme From The Invaders) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Computer Game (Theme From The Invaders) Country: Australia Released: 1979 Style: Electro, Synth-pop, Disco MP3 version RAR size: 1505 mb FLAC version RAR size: 1625 mb WMA version RAR size: 1202 mb Rating: 4.8 Votes: 701 Other Formats: DMF AC3 APE VOC WAV TTA ASF Tracklist Hide Credits Computer Game (Theme From The Invaders) (Edited Version) A1 0:22 Arranged By – Yellow Magic Orchestra Firecracker A2 3:13 Written-By – M. Denny* Technopolis B 4:13 Written-By – R. Sakamoto* Companies, etc. Phonographic Copyright (p) – A&M Records, Inc. Manufactured By – Festival Records Pty. Ltd. Credits Producer – Harry Hosono* Notes This is the regular black vinyl release, without picture sleeve. A side label states "From the Horizon Album "Yellow Magic Orchestra" L37005". Barcode and Other Identifiers Matrix / Runout (A Side): MX-55887(AMS 7502) Matrix / Runout (B Side): MX-55888(AMS 7502) Other versions Category Artist Title (Format) Label Category Country Year "Theme From The Invaders" Yellow Magic A&M AMS 7502 / Firecracker / Technopolis AMS 7502 UK 1980 Orchestra Records (7", Single) Computer Game (Theme Yellow Magic A&M AMS 7502 From The Invaders) (7", AMS 7502 UK 1979 Orchestra Records Single) Yellow Magic Juego De Computadora (7", A&M 11367 11367 Chile 1979 Orchestra Single) Records Computer Game (Theme Yellow Magic A&M New K7811 From The Invaders) (7", K7811 1979 Orchestra Records Zealand Single) Computer Game (Theme Yellow Magic A&M AMS 7502 From The Invaders) (7", AMS 7502 India 1979 Orchestra Records Single) Related Music albums to Computer Game (Theme From The Invaders) by Yellow Magic Orchestra 1. -
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! NTERNMTIOfvML Mi-Sex, LRB Cop Top Prizes INTERN/4TION/4L D/4TELINE Australia Rotelli will be replaced in his post by liali! MELBOURNE — Festival Records has Roberto Citterio. previously deputy Australian released a limited number of Supertramp's general manager of the M Rock Awards same music ‘ "Breakfast In America” pressed in platinum publishing group. by Allan Webster tist, was named as Most Popular Female. colored vinyl to commemorate the album's Adriano Celentano’s latest album, "Un Other awards went to Terry Britten (Best MELBOURNE — Mi-Sex and The Little one year stay on the Australian charts. Po' Artista Un Po' No,” on Clan label Australian Recorded Songwriter) for his River Band walked away with top honors in Little River Band leaves Australia in May (distributed by CGD), appeared on the work on Christie Allen's debut album; The the inaugural TV Week Rock Music for a world tour that includes a week in market at the end of March. The music for Angels, who received a special award from 13. Awards, held here on April Both groups Japan, three weeks in Europe and five all the songs was written by Toto Cutugno. the producers of Countdown for continued picked up three awards, and Mi-Sex weeks in to the co-operation. enthusiasm and America support band’s winner of the last Sanremo festival. producer Peter Dawkins was honored for recently released “Backstage Pass" album, Ri-Fi Records has signed various agree- professionalism, and to Cold Chisel for for his. work on the group’s debut album a double set recorded live in Australia and ments with foreign independent producers Best Australian Album Cover Design for CBS Records.