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Miami City Ballet Presents 2021 Spring Season
FOR IMMEDIATE RELEASE CONTACT MIAMI CITY BALLET Amber Dorsky [email protected] | 305.929.7000 x7189 Julii Oh [email protected] Miami City Ballet presents 2021 Spring Season: To Miami, With Love A series of pop-up performances throughout the Magic City Digital Season Features world premiere by Amy Hall Garner and the digital premiere of A Midsummer Night’s Dream On sale February 9, 2021 (Miami, FL) – Miami City Ballet (MCB) is pleased to present its 2021 Spring Season. Dedicated as a love letter to the community, the 35th anniversary season offers a series of seven pop-up performances running Jan 30 to Feb 21, 2021 that celebrate the vibrant neighborhoods and iconic destinations that put the magic into this global City we call home. Supported in partnership with numerous business and civic leaders, these ephemeral To Miami, With Love pop-ups are choreographed and performed by MCB company dancers. Each headlining work is site specific, inspired by the surrounding environment and the unique cultural tapestry of the location. MCB will also offer a Digital Spring Season running March through May 2021, featuring three illustrious programs that portray the company’s youthful and uniquely Miamian spirit. It is bookended with the world premiere of ViVa by Amy Hall Garner (which was filmed on location at Miami Beach’s famed Lincoln Road, MCB’s first home, and at The Taylor Studios in Manhattan’s vibrant Lower East Side) and the digital premiere of George Balanchine’s A Midsummer Night’s Dream – signature MCB work, set in an ethereal South Florida seascape as designed by acclaimed artist Michele Oka Doner. -
Whsr(Am) Pompono Beach, Fl #27420 980 Khz
Anderson Communications, LLC ________________________________________________________________________________________________________________ WHSR(AM) POMPONO BEACH, FL #27420 980 KHZ 5.0 kW DA-DAY 2.5 kW-DA NIGHT MINOR MODIFICATIONS This technical report is provided in support of minor modifications to WHSR (980 kHz) to be diplexed into three of the six towers in the WWNN (1470 kHz) directional array. The WWNN site is the only feasible option to preserve the WHSR 980 kHz facility. Appropriate diplexing and filtering networks will be installed to assure compliance with the Commission’s spurious emissions requirements. _____________________________________________________________________________ Site day-night N 26-10-48.7 W 80-13-14.9 (NAD 27center of array) Day Power 5.0 kW DA - 664.9 mV/m/km standard RMS Night power 2.5 kW DA - 465.0 mV/m/km standard RMS Tower(s) 53.3 m AGL - 51 m radiator - 60° at 980 kHz _____________________________________________________________________________ A vertical sketch for all there towers utilized in this proposed facility is provided as E13A, a site plat as E13B, a topographic map as E13C and an aerial photograph as E13E with the day and night 1000 mV/m contours marked. The proposed facility complies with 73.24(g) based on a 2018 1000 mV/m population of 0.25% of the 25 mV/m as documented in exhibit E13D. Required 100% 5 mV/m day coverage of Pompano Beach, FL demonstrated by E14A and 100% night coverage with the 9.7 mV.m night interference free contour in E14B. Anderson Communications, LLC ________________________________________________________________________________________________________________ -
October 2007 Volume 61, Number 3
AAOfficiaGlG PublicaMtMion of theAA AmericZaZn GuilIdI of MNuNsical ArEtEists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO October 2007 Volume 61, Number 3 E XECUTIVE D IRECTOR’S I N T H I S EPORT BY ALAN S. G ORDON R I S S U E President’s Message 2 State of the Union Election Results When I began working for you in early 2000, I created, with your elected offi - Officers 4 cers, a list of goals for myself and for AGMA. Many of those initial goals were Board of Governors 4 accomplished quickly, while others took significant amounts of time and effort. Over the years, I have submitted reports to the Board of Governors to keep it fully AGMA Member Wins informed of the ways in which AGMA’s staff was improving the administrative Union Plus Scholarship 6 operation of your union. Despite continuing successes every year, in every Classical Singer Convention 7 sphere of AGMA’s interests, and tremendous expansion of our representation of dancers, I had one initial goal that frustratingly remained unresolved: assisting the Area News dancers of American Ballet Theater (ABT). Pittsburgh 8 Now, however, I am most pleased to report on that one remaining goal. AGMA Southern California 8 has been asked to assist the dancers’ independent union in renegotiating its con - tract with ABT, after which it is our shared expectation that those dancers will rejoin New York 9 our union. Washington/Baltimore 10 As with any organization, successfully achieving any one goal usually creates new projects, and that’s true for AGMA as well. -
Slaughter on Tenth Avenue Stravinsky Violin Concerto Mercuric Tidings
2019/20 SEASON SLAUGHTER ON TENTH AVENUE STRAVINSKY VIOLIN CONCERTO MERCURIC TIDINGS MCB15002-Program-Book_vFA.indd 1 2019-09-30 4:00 PM MIAMI CITY BALLET ROMANCE AND MAGIC THIS WINTER GEORGE BALANCHINE’S THE NUTCRACKER® Dec 13 – 29 Be transported to a dazzling winter wonderland and enjoy this magical holiday tradition with your friends and family. I’M OLD FASHIONED Robbins/Gould Jan 10 – Jan 26 This glamorous tribute to the Golden Age of Hollywood features Fred Astaire and Rita Hayworth on a huge screen, gliding alongside Miami City Ballet dancers. MIAMI | FT. LAUDERDALE | WEST PALM BEACH TICKETS ON SALE NOW FROM JUST $30 miamicityballet.org · 305.929.7010 Ashley Knox and Renan Cerdeiro in I'm Old Fashioned. Choreography by Jerome Robbins. Photo by Karolina Kuras. Miami City Ballet dancers in George Balanchine's The Nutcracker®. Choreography by George Balanchine © The George Balanchine Trust. Photo by Alexander Iziliaev. 2 MCB15002-Program-Book_vFA.indd 2 2019-09-30 3:59 PM 2019/20 SEASON Dear MCB Family and Friends, WELCOME | BIENVENIDO Welcome to Miami tradition by re-imagining Aaron Copland’s City Ballet’s 34th score in gender-bending ways. While Agnes season. de Mille had choreographed her Rodeo This year, we offer in 1942 for a ballerina in cowboy boots, diverse repertoire Peck’s 2015 ballet shifts the spotlight to 15 highlighting powerful yet lyrical men. classical ballet’s far- reaching impact. Closing the season, Don Quixote takes Often defying the what is considered the fi rst modern novel imagination, it pays to new artistic levels in MCB’s full-length homage and builds ballet, offering the full range of character on multiple art development found in Cervantes’ literary forms, giving them masterpiece. -
MIAMI CITY BALLET ANNOUNCES SOCIAL EVENTS of the 30Th ANNIVERSARY SEASON MCB's 30TH Anniversary Gala to Be S
Media Contact: Samantha Franco Zakarin Martinez Public Relations samantha@zm‐pr.com 305.372.2502 MIAMI CITY BALLET ANNOUNCES SOCIAL EVENTS OF THE 30th ANNIVERSARY SEASON MCB’s 30TH Anniversary Gala to be set on the Sands of Miami Beach MIAMI BEACH, Fla. – (July 14, 2015) – Set on the sands of Miami Beach’s scenic shoreline, Miami City Ballet will present its landmark 30th Anniversary Gala on Saturday, January 23, 2016 celebrating three decades of artistic leadership and community impact, and featuring elements of the company’s highly anticipated, all‐new production of George Balanchine’s A Midsummer Night’s Dream. Inspired by the idea of Shakespeare’s midsummer forest transposed onto Miami’s ocean floor, this black‐tie affair will unfold directly on the beach, housed beneath a tent overlooking the water. The evening begins at 5:30 pm for sunset cocktails and breathtaking views, followed by a tented dinner under the stars; dessert and dancing with the 51 Miami City Ballet dancers; and an exclusive after party under the moonlight. Presented in partnership with the City of Miami Beach, the signature event is made possible by an esteemed chairing committee, including Grand Honorary Chairs Claudia and Steven Perles, who recently gifted MCB with $1 Million for the new production of A Midsummer Night’s Dream; Susan B. Kronick, Chairman of MCB’s Board of Trustees and Edward Manno Shumsky; Ana Codina Barlick, Vice Chairman of MCB’s Board of Trustees and Robert Barlick; Tina Carlo, Chair of the Partners en Pointe Committee and Dan Carlo; and Michele and Larry Herbert, Palm Beach Committee Chairs, among many other notable Miami, Palm Beach and New York philanthropists. -
Miami City Ballet 37
Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha -
2019 Handbook
MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK MIAMI SENIOR HIGH SCHOOL 2450 S.W. 1ST STREET MIAMI, FL 33125 305-649-9800 7:20 a.m. to 2:20 p.m. www.miamiseniorhigh.org Facebook @miamisenior Twitter @miamiseniorhigh Instagram @mhs_stings 1 MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK Miami-Dade County Public Schools The School Board of Miami-Dade County, Florida Ms. Perla Tabares Hantman, Chair Dr. Martin Karp, Vice Chair Dr. Dorothy Bendross-Mindingall Ms. Susie V. Castillo Dr. Lawrence S. Feldman Dr. Steve Gallon III Ms. Lubby Navarro Dr. Marta Pérez Ms. Mari Tere Rojas Christopher Badillo, Student Advisor SUPERINTENDENT OF SCHOOLS Mr. Alberto M. Carvalho SCHOOL OPERATIONS Mrs. Valtena G. Brown Deputy Superintendent/Chief Operating Officer 2 MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK Vision Statement We provide a world class education for every student. Mission Statement To be the preeminent provider of the highest quality education that empowers all students to be productive lifelong learners and responsible global citizens. Values Excellence - We pursue the highest standards in academic achievement and organizational performance. Equity - We foster an environment that serves all students and aspires to eliminate the achievement gap. Student Focus - We singularly focus on meeting our students’ needs and supporting them in fulfilling their potential. Innovation - We encourage creativity and adaptability to new ideas and methods that will support and improve student learning. Accountability - We accept responsibility for our successes and challenges and seek to transparently share our work in an ethical manner, as we strive towards continuous improvement. -
The Origins and Early History of the Dade County Community Relations Board
5 The Origins and Early History of the Dade County Community Relations Board Raymond A. Mohl Now concluding its fifty-second year, the Dade County Community Relations Board has had a fascinating and sometimes controversial histo ry. The CRB idea generally emerged in the postwar era in the context of a national discourse on race, ethnicity, and religion. The Dade County CRB’s founders drew on an important set of ideas known at the time as the “human relations agenda”—ideas developed during World War II and shaped by social science research and conceptualization focused on countering racial prejudice and religious bigotry. In the postwar period, metropolitan Miami experienced a rising level of racial, ethnic, and reli gious strife. Although the nation’s top tourist destination in 1950, the Miami area remained deeply southern in its racial attitudes and political culture. The Ku Klux Kian was riding high in the postwar years. Racial tension, street-level violence, arson, even dynamite bombs marked racial ly changing neighborhoods in the late 1940s and early 1950s, as African Americans began breaking out of the racially zoned areas that had kept them confine since the early years of the twentieth century. The large postwar Jewish migration to Miami from northern cities—8,000 Jews resided in metro Miami in 1940, rising to 140,000 in 1960—triggered overt anti-Semitism in hotels, clubs, housing, and employment, as well synagogues and Hebrew school bombings. Not surprisingly, Miami entered the postwar era with no human relations tradition. However, some Miamians who thought deeply about such things believed in the promise of the human relations agenda to overcome racial conflict and create a new sense of civic unity. -
Annual Report
ANNUAL REPORT FY 2012-2013 As per County Ordinance, the Miami-Dade County Youth Commission is to submit an annual report to the Mayor and Board of County Commissioners of Miami-Dade County, Florida. The annual report contains both internal recommendations to continue the progress that was made during the 2012-13 fiscal year as well as external recommendations for consideration of the Mayor and Board of County Commissioners. OUR HISTORY The Miami-Dade County Youth Commission was created by County Ordinance in 2011 as part of the vision of Commissioner Barbara J. Jordan, District 1. Its purpose is to provide young people with a vehicle to participate in the process of county government. Motivated students from each Commission district represent and articulate the needs of youth in Miami-Dade and advise the Mayor and Board of County Commissioners on matters affecting the youth population. Through the collaborative efforts of Miami-Dade governmental officials and departments, Miami-Dade County Public Schools, and other community supporters, the Youth Commission is a positive model for young people: Officials hear firsthand what concerned teens have to say, have the opportunity to educate them about the governmental process, and create a symbiotic relationship between youth and County. The Miami-Dade County Youth Commission consists of twenty-six youth commissioners and four ex-officio commission members. These Youth Commissioners are handpicked by county commissioners through an interview and selection process in which the best-suited youth are selected to serve on the Miami-Dade Youth Commission. These Youth Commissioners provide a voice in the county government for the youth: the non-voting citizens of the county who are affected by the decisions of the elected officials. -
Caucus Chair Has Big Ideas for Congress
WWW.TRIANGLE TRIBUNE.COM The Triangle Winston-Salem chancellor retires RIBUNE with legacyBy Donna Rogers intact TTHE TRIANGLE’S CHOICE FOR THE BLACK VOICE THE CHRONICLE WINSTON-SALEM – It was a long time coming, but Donald J. Reaves, 68, achieved his desire to be the leader of a historically black VOLUME 16 NO. 24 WEEK OF JANUARY 11, 2015 $1.00 college or university. “I always said that I would like to lead an HBCU,” he said in an interview. His career path took him to opportunities to be high in the chain of command, such as chief financial of- Hillside girls and ficer, but the Winston-Salem State chancellorship allowed him to be a chief executive officer. Jordan boys “This job was kind of the capstone in higher education,” he split Tuesday said, because it called for all of the skills he had developed over several decades. His chancellorship ended on Dec. 31. night in junior Reaves said what he takes the greatest pride in is: “I believe Reaves that our body of work in Winston-Salem over the last seven varsity action. years has resulted in improved perceptions of the institution by virtually every constituency that matters. (Six or seven years ago) “This institution wasn’t held in the highest esteem. We think that we made a lot of progress in that regard. We’ve improved the quality of everything.” Please seeCHANCELLOR/2A WCPSS board discusses strategyBy Latisha Catchatoorian Sickle cell [email protected] CARY – The Wake County Public Schools System Vision trait 2020 strategic plan is still in the works as team members continue to iron out details – right down to the wording of related to certain statements. -
The Florida Historical Quarterly
COVER This building was constructed on the corner of King and Aviles (formerly hos- pital) streets sometime between 1888 and 1893. First named Lynn’s Hotel, then the Algonquin, the Chatauqua in 1910, and later the Bay View. Demolished in 1964, the Florida Heritage House was erected on the site. Now it is a maritime museum. Photograph is from the St. Augustine Historical Society archives. THE FLORIDA HISTORICAL SOCIETY COPYRIGHT 1990 by the Florida Historical Society, Tampa, Florida. The Florida Historical Quarterly (ISSN 0015-4113) is published quarterly by the Florida Historical Society, Uni- versity of South Florida, Tampa, FL 33620, and is printed by E. O. Painter Printing Co., DeLeon Springs, Florida. Second-class postage paid at Tampa and DeLeon Springs, Florida. POSTMASTER: Send address changes to the Florida Historical Society, P. O. Box 290197, Tampa, FL 33687. THE FLORIDA HISTORICAL QUARTERLY Samuel Proctor, Editor Everett W. Caudle, Editorial Assistant EDITORIAL ADVISORY BOARD David R. Colburn University of Florida Herbert J. Doherty University of Florida Michael V. Gannon University of Florida John K. Mahon University of Florida (Emeritus) Joe M. Richardson Florida State University Jerrell H. Shofner University of Central Florida Charlton W. Tebeau University of Miami (Emeritus) Correspondence concerning contributions, books for review, and all editorial matters should be addressed to the Editor, Florida Historical Quarterly, Box 14045, University Station, Gainesville, Florida 32604-2045. The Quarterly is interested in articles and documents pertaining to the history of Florida. Sources, style, footnote form, original- ity of material and interpretation, clarity of thought, and in- terest of readers are considered. -
The Florida Historical Quarterly
COVER The Gainesville Graded and High School, completed in 1900, contained twelve classrooms, a principal’s office, and an auditorium. Located on East University Avenue, it was later named in honor of Confederate General Edmund Kirby Smith. Photograph from the postcard collection of Dr. Mark V. Barrow, Gainesville. The Historical Quarterly Volume LXVIII, Number April 1990 THE FLORIDA HISTORICAL SOCIETY COPYRIGHT 1990 by the Florida Historical Society, Tampa, Florida. The Florida Historical Quarterly (ISSN 0015-4113) is published quarterly by the Florida Historical Society, Uni- versity of South Florida, Tampa, FL 33620, and is printed by E. O. Painter Printing Co., DeLeon Springs, Florida. Second-class postage paid at Tampa and DeLeon Springs, Florida. POSTMASTER: Send address changes to the Florida Historical Society, P. O. Box 290197, Tampa, FL 33687. THE FLORIDA HISTORICAL QUARTERLY Samuel Proctor, Editor Everett W. Caudle, Editorial Assistant EDITORIAL. ADVISORY BOARD David R. Colburn University of Florida Herbert J. Doherty University of Florida Michael V. Gannon University of Florida John K. Mahon University of Florida (Emeritus) Jerrell H. Shofner University of Central Florida Charlton W. Tebeau University of Miami (Emeritus) Correspondence concerning contributions, books for review, and all editorial matters should be addressed to the Editor, Florida Historical Quarterly, Box 14045, University Station, Gainesville, Florida 32604-2045. The Quarterly is interested in articles and documents pertaining to the history of Florida. Sources, style, footnote form, original- ity of material and interpretation, clarity of thought, and in- terest of readers are considered. All copy, including footnotes, should be double-spaced. Footnotes are to be numbered con- secutively in the text and assembled at the end of the article.