Abigail Gillman's CV
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Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates a Disse
Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Richard Block, Chair Sabine Wilke Ellwood Wiggins Program Authorized to Offer Degree: Germanics ©Copyright 2018 Nathan Jensen Bates University of Washington Abstract Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates Chair of the Supervisory Committee: Professor Richard Block Germanics This dissertation explores the question of how German modernist novels anticipate and critique the transhumanist theory of mind-uploading in an attempt to avert binary thinking. German modernist novels simulate the mind and expose the indistinct limits of that simulation. Simulation is understood in this study as defined by Jean Baudrillard in Simulacra and Simulation. The novels discussed in this work include Thomas Mann’s Der Zauberberg; Hermann Broch’s Die Schlafwandler; Alfred Döblin’s Berlin Alexanderplatz: Die Geschichte von Franz Biberkopf; and, in the conclusion, Irmgard Keun’s Das Kunstseidene Mädchen is offered as a field of future inquiry. These primary sources disclose at least three aspects of the mind that are resistant to discrete articulation; that is, the uploading or extraction of the mind into a foreign context. A fourth is proposed, but only provisionally, in the conclusion of this work. The aspects resistant to uploading are defined and discussed as situatedness, plurality, and adaptability to ambiguity. Each of these aspects relates to one of the three steps of mind- uploading summarized in Nick Bostrom’s treatment of the subject. -
Mass Culture and Individuality in Hermann Broch’S Late Works
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sunderland University Institutional Repository MASS CULTURE AND INDIVIDUALITY IN HERMANN BROCH’S LATE WORKS JANET PEARSON A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy. APRIL 2015 i Abstract Mass Culture and Individuality in Hermann Broch’s Late Works Janet Pearson This thesis explores Hermann Broch’s thought regarding the relationship between the individual and the mass, in an age of mass-culture. Broch, an Austrian-Jewish intellectual, who emigrated to America in 1938, discussed ideas upon this theme in theoretical essays, including a theory of mass hysteria (Massenwahntheorie) as well as his fictional The Death of Virgil (Der Tod des Vergil). In the study, the analysis of his theoretical work shows that Broch’s views regarding the masses differ from those of other theorists contemporary to him (Le Bon, Freud and Canetti), in that they are closely linked to his theory of value. It also establishes that his ideas about individuality reach back to the earliest philosophers, and that he perceived this dimension of human existence to be changing, through the development of ‘ego- consciousness’. Building upon this, the textual analysis of the Virgil demonstrates that Broch finds similarities between his own era and the age of Augustus, but also indicates that the concept of individuality portrayed in the work goes beyond that discussed in his theoretical writing and points towards a new role for art in the post-industrial age. -
Theory and Interpretation of Narrative) Includes Bibliographical References and Index
Theory and In T e r p r e Tati o n o f n a r r ati v e James Phelan and Peter J. rabinowitz, series editors Postclassical Narratology Approaches and Analyses edited by JaN alber aNd MoNika FluderNik T h e O h i O S T a T e U n i v e r S i T y P r e ss / C O l U m b us Copyright © 2010 by The Ohio State University. All rights reserved Library of Congress Cataloging-in-Publication Data Postclassical narratology : approaches and analyses / edited by Jan Alber and Monika Fludernik. p. cm. — (Theory and interpretation of narrative) Includes bibliographical references and index. ISBN-13: 978-0-8142-5175-1 (pbk. : alk. paper) ISBN-10: 0-8142-5175-7 (pbk. : alk. paper) ISBN-13: 978-0-8142-1142-7 (cloth : alk. paper) ISBN-10: 0-8142-1142-9 (cloth : alk. paper) [etc.] 1. Narration (Rhetoric) I. Alber, Jan, 1973– II. Fludernik, Monika. III. Series: Theory and interpretation of narrative series. PN212.P67 2010 808—dc22 2010009305 This book is available in the following editions: Cloth (ISBN 978-0-8142-1142-7) Paper (ISBN 978-0-8142-5175-1) CD-ROM (ISBN 978-0-8142-9241-9) Cover design by Laurence J. Nozik Type set in Adobe Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Contents Acknowledgments vii Introduction Jan alber and monika Fludernik 1 Part i. -
Hermann Broch, Robert Musil, and the Novels of Interwar Vienna Richard M. Lambert III a Dissertati
In Search of Lost Experience: Hermann Broch, Robert Musil, and the Novels of Interwar Vienna Richard M. Lambert III A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Germanic and Slavic Languages and Literatures (German) Chapel Hill 2017 Approved by: Richard Langston Eric Downing Kata Gellen Malachi Hacohen Toril Moi Inga Pollmann © 2017 Richard M. Lambert III ALL RIGHTS RESERVED ii ABSTRACT Richard M. Lambert III: In Search of Lost Experience: Hermann Broch, Robert Musil, and the Novels of Interwar Vienna (Under the direction of Dr. Richard Langston) Characterized by themes of negation, fragmentation, and destruction, the novels of interwar Vienna are canonically read as a testament to the social and political shifts that reshaped Central Europe after the turn of the twentieth century—the upheaval of the fin-de-siècle, the devastation of WWI, and the fall of the monarchies. These canonical readings deny the modernist novel any sort of productive capacity. My dissertation, In Search of Lost Experience: Hermann Broch, Robert Musil, and the Novels of Interwar Vienna delivers a corrective to conventional understandings of the late modernist novel by pushing beyond this lament of crisis. In the Viennese interwar novels of Hermann Broch and Robert Musil, I locate a deeper agenda in the late modernist novel—the resuscitation of experience—which evidences the pinnacle of another Viennese modernism located around 1930. My dissertation examines the Musil’s Die Verwirrungen des Zöglings Törleß (1906) and Der Mann ohne Eigenschaften (1930/32) and Broch’s Die Schlafwandler (1930) and Die unbekannte Größe (1932). -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title The death of civilization : ethics and politics in the work of Hermann Broch, 1886-1951 Permalink https://escholarship.org/uc/item/4mn9c5wn Author Wallace, Donald L. Publication Date 2006 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO The Death of Civilization: Ethics and Politics in the Work of Hermann Broch, 1886- 1951. A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor Philosophy in History by Donald L. Wallace Committee in charge: Professor David Luft, Chair Professor Todd Kontje Professor John Marino Professor Alden Mosshammer Professor Cynthia Walk 2006 Copyright Donald L. Wallace, 2006 All rights reserved. The dissertation of Donald L. Wallace is approved, and it is acceptable in quality and form for publication on microfilm: Chair University of California, San Diego 2006 iii TABLE OF CONTENTS Signature Page ............................................................................... iii Table of Contents .............................................................................. iv Acknowledgments ............................................................................ v Vita .................................................................................................... vii Abstract .............................................................................................. xii Introduction ..................................................................................... -
'Shadowy Copies'? Film Adaptations of the Second Austrian Republic
Durham E-Theses 'Shadowy Copies'? Film Adaptations of the Second Austrian Republic FIRTH, CATRIONA,ALISON How to cite: FIRTH, CATRIONA,ALISON (2010) 'Shadowy Copies'? Film Adaptations of the Second Austrian Republic, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/407/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘SHADOWY COPIES’? FILM ADAPTATIONS OF THE SECOND AUSTRIAN REPUBLIC CATRIONA FIRTH THESIS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DURHAM UNIVERSITY SCHOOL OF MODERN LANGUAGES AND CULTURES 2010 i ABSTRACT ‘SHADOWY COPIES’? FILM ADAPTATIONS OF THE SECOND AUSTRIAN REPUBLIC CATRIONA FIRTH For many years adaptation has been passed between literature and film studies, frequently dismissed as ‘shadowy copies’ and parasitic reproductions, the unwanted bastard child of the disciplines searching in vain for an academic home. Despite the emergence of insightful new scholarship into the development of Austrian film in the twentieth century, the role of the adaptation genre within Austria’s film industry and literary landscape remains an academic blind spot. -
Download Newsletter VI 2012
ENN Newsletter – Issue VI – April 2012 Index: O: Editorial 2 I: ENN Membership 5 II: Obituary: Dorrit Cohn (1924-2012) 6 III: Upcoming events and CfPs 9 III.1: RRENAB - Sixth meeting in Louvain-la-Neuve III.2: CfP: Language and Psychoanalysis IV: Conference reports 11 IV.1 China’s 3rd International Narratology Conference & 5th National Narratology Conference, 2011 IV.2: “Narrative. Theory and Interpretation. 3rd International Workshop on “Philosophy-Sign-Narrative” IV.3: “La narrativité entre sémiotique, sciences cognitives et sciences sociales”. IV.4: “2012 Narrative Conference, Las Vegas” V: ENN Website 18 VI: New Publications 19 VII: Reports on Publications 20 ENN Newsletter VI 1 O: Editorial ENN April 10, 2012 Dear Fellow Narratologists, Spring is here, so it is time to bring you up to date on the many interesting narratolog- ical activities around the world and within the ENN and let you know about upcoming activities and events. *** As most of you have probably heard, narratology lost one of its important figures a few weeks ago. Dorrit Cohn, Ernest Bernbaum Professor of Literature Emeritus at Harvard University, passed away on March 10. We have asked Professor Monika Fludernik to write an obituary for this newsletter. You will find it below. *** The planning for the 3rd International ENN Conference in Paris on March 29-30, 2013 is underway and the CfP will be out soon. The conference will take place at the Cité Universitaire de Paris, and the keynote speakers are confirmed: Raphaël Baroni (Lausanne), José Ángel García Landa (Saragossa), Jan Christoph Meister (Ham- burg), Brian Richardson (Maryland), Jean-Marie Schaeffer (CRAL) and Dan Shen (Beijing). -
Para-Novelistic Form and the Aesthetics of Evasion in American Fiction, 1840-1930
WITHHELD MINDS: PARA-NOVELISTIC FORM AND THE AESTHETICS OF EVASION IN AMERICAN FICTION, 1840-1930 by Elizabeth Brogden A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland January, 2016 ©2016 Elizabeth Brogden All Rights Reserved {Abstract} My dissertation provides an original account of the significance of recessive and withdrawn character in a series of canonical nineteenth- and early-twentieth-century American fictions. In classical studies of the novel such as Erich Auerbach’s Mimesis, Ian Watt’s The Rise of the Novel, Wayne Booth’s The Rhetoric of Fiction, and Dorrit Cohn’s Transparent Minds, as well as in more recent work by partisans of the Ethical Turn in narrative studies, the novel’s special capacity to make available to its readers the private experiences of imaginary characters has been crucial to accounts of why, and to what end, we read fiction. My dissertation seeks to contribute to previous understandings of the transatlantic phenomenology of reading and the enterprise of the novel by examining a preoccupation with central figures who shrink from or foil diegetic and readerly attentions. I argue that the fatigue, frustration, apologia, and wistfulness that define the encounter between narratorial presence and protagonist in a trans-generic set of texts by Edgar Allan Poe, Herman Melville, Henry James, and Nella Larsen index anxieties concomitant to the “enchantment of interiority,” as Thomas Pavel puts it, with which the nineteenth-century novel has been credited. Moreover, these texts’ shared animating dynamic of unfulfilled expectation and thwarted desire, akin to what Lauren Berlant calls “cruel optimism,” presents alternative edifications to those by which the value of our investments in rich interiority has tended to be gauged. -
Elias Canetti's Auto-Da-Fé
The End of Modernism From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. The End of Modernism Elias Canetti’sAuto-da-Fé william collins donahue UNC Studies in the Germanic Languages and Literatures Number 124 Copyright © 2001 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Donahue, William Collins. The End of Modernism: Elias Canetti’s Auto-da-Fé. Chapel Hill: University of North Carolina Press, 2001. doi: https://doi.org/10.5149/9780807875223_Donahue Library of Congress Cataloging-in-Publication Data Names: Donahue, William Collins. Title: The end of Modernism : Elias Canetti’s Auto-da-fé / by William Collins Donahue. Other titles: University of North Carolina studies in the Germanic languages and literatures ; no. 124. Description: Chapel Hill : University of North Carolina Press, [2001] Series: University of North Carolina studies in the Germanic languages and literatures | Includes bibliographical references and index. Identifiers: lccn 2001035150 | isbn 978-1-4696-5742-4 (pbk: alk. paper) | isbn 978-1-4696-5743-1 (ebook) Subjects: Canetti, Elias, 1905- Blendung. -
Appendix a Terms Listed by Chapter
Appendix A Terms Listed by Chapter Scanning this appendix helps readers locate discussions of terms by their context. Preface: Studying Narrative Form narrative form formalism: uses of its insights structuralist and culturalist approaches narratology jargon, use of 1. Major Approaches to and Theorists of Narrative definitions of narrative and fiction narrator and narratee plot description and narration fabula (story) and sjuzet (discourse) characters, actants Major schools of thought classical theorists (Plato, Aristotle) Renaissance theories of fictions (Philip Sidney) writer-critics from Romanticism to present (Henry James, E. M. Forster) Russian Formalists (Shklovsky, Tomashevsky, Propp) Mikhail Bakhtin New Critics (Cleanth Brooks and Robert Penn Warren; Rene Wellek and Austin Warren) role of the reader Chicago school speech act theory reception theory reader response criticism structuralism and post-structuralism narratology and narrative poetics (Todorov, Barth, Genette) Recent developments the narrative turn in other disciplines contextual narratology 154 Appendix A 155 narrative ethics feminist narratology cognitive approaches to literary study 2. Shapes of Narrative: A Whole of Parts Narrative its subdivisions Components of narrative story and discourse plots Forms of narrative short short story short stories novel epic ballad romance novella Sections within narratives books chapters volumes, as in the three-volume novel or triple-decker serial installments monthly numbers magazine or newspaper installments sequences episodes letters (epistolary fiction) Series, sequences, or cycles genre fiction short story collections story sequences volume of short stories (unified) short story cycle anthologies Keywords related to the concepts in Chapter 2 • epic and novel (Bakhtin) • loose baggy monsters (Henry James) 156 Appendix A • textual editing/textual criticism (a discipline: the principles for scholarly editing of texts) 3. -
Germany's Rubble Texts: Writing History in the Present, 1943-1951
Germany’s Rubble Texts: Writing History in the Present, 1943-1951 by Kathryn A. Sederberg A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in the University of Michigan 2014 Doctoral Committee: Professor Julia C. Hell, Chair Associate Professor Kerstin Barndt Associate Professor Andreas Gailus Associate Professor Johannes von Moltke © Kathryn A. Sederberg 2014 DEDICATION To my parents. ii ACKNOWLEDGEMENTS It is such a pleasure to take a step back from my work and thank all of those who have helped me along the way. I would first like to thank my committee members, who have supported me and my project throughout my years as a graduate student at Michigan: Julia Hell, Andreas Gailus, Johannes von Moltke and Kerstin Barndt. They have all been wonderfully supportive and constructive readers of my work. I am especially grateful to Julia Hell, who offered patient and thoughtful guidance every step of the way, and has consistently challenged me to be a better reader, writer, and thinker. At the University of Michigan, I was lucky to study with a great group of graduate students. Jennie Cain and Ariana Orozco were with me from the beginning, and have always been supportive friends and colleagues. Sara Jackson, Solveig Heinz, Alan Itkin, Nick Block, and Simon Walsh were wonderful mentors and I benefited greatly from our conversations and exchange of work. I am particularly thankful to Seth Howes for his feedback on drafts of my work and for our many helpful conversations. Abby Anderton, Andy Cavin, Candice Hamelin, Nic Heckner, Andrea Rottmann, Emma Thomas, and Naomi Vaughan also deserve special thanks for their friendship and for reading my work. -
Dorrit Cohn Was Spread Upon the Permanent Records of the Faculty
At a meeting of the FACULTY OF ARTS AND SCIENCES on April 2, 2013, the following tribute to the life and service of the late Dorrit Cohn was spread upon the permanent records of the Faculty. DORRIT COHN BORN: August 9, 1924 DIED: March 10, 2012 Dorrit Cohn, internationally recognized as a major literary theorist and one of the first women to be appointed to tenure at Harvard (she joined the Harvard Faculty in 1971), was born Dorrit Claire Zucker in Vienna, Austria, the younger daughter in a prosperous, assimilated Jewish family. Her father, Herbert Zucker, owned a hat factory in a small town in Czechoslovakia, where the family often spent summer vacations. Her mother, née Hirsch, belonged to a family that pioneered the manufacture of bentwood furniture in the same town. Dorrit grew up with the cultural and educational privileges of her class: she studied music, was fluent in French, and loved theater and opera. This comfortable life came to an abrupt end in March 1938, when Hitler’s troops marched into Austria and annexed it to Nazi Germany. The Zucker family had the good fortune to leave the country just before the Anschluß. The following year, after temporary sojourns in Zurich and Paris, they arrived in New York, where Dorrit was enrolled in the Lycée Français and obtained her baccalaureate. In 1941 Dorrit was admitted to Radcliffe College, graduating four years later with a major in physics. She liked to tell the story of how she switched from physics to literature. The decision came to her like a revelation in her senior year, after reading Thomas Mann’s novel The Magic Mountain while recuperating from an illness.