BIBLIOGRAPHY Abrams, M. H. 1999. a Glossary of Literature Terms
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dubliners I Booklet
James Joyce Dubliners CLASSIC Read by Jim Norton FICTION MODERN UNABRIDGED CLASSICS NAX31312D Dubliners Part I The Sisters 1 There was no hope for him this time: it was the third stroke. 6:49 2 The next morning after breakfast,… 4:36 3 In the evening my aunt took me with her… 9:58 An Encounter 4 It was Joe Dillon who introduced the Wild West to us. 3:41 5 The summer holidays were near at hand… 6:39 6 There was nobody but ourselves in the field. 8:06 Araby 7 North Richmond Street, being blind, was a quiet street… 8:26 8 On Saturday morning… 6:46 Eveline 9 She sat at the window watching the evening invade the avenue. 8:58 10 She stood among the swaying crowd in the station at the North Wall. 2:43 2 After the Race 11 The cars came scudding in towards Dublin,… 9:33 12 That night the city wore the mask of a capital. 2:15 13 Cards! Cards! The table was cleared. 2:32 Two Gallants 14 The grey warm evening of August had descended upon the city,… 5:25 15 Lenehan offered his friend a cigarette. 3:44 16 They walked along Nassau Street and then turned into Kildare Street. 4:55 17 He walked listlessly round Stephen’s Green… 5:15 18 His mind became active again. 3:34 The Boarding House 19 Mrs Mooney was a butcher’s daughter. 7:50 20 There must be reparation made in such a case. 7:49 21 Polly sat for a little time on the side of the bed, crying. -
Ulysses: Stephen's Parable of the Plums
Colby Quarterly Volume 28 Issue 1 March Article 3 March 1992 Ulysses: Stephen's Parable of the Plums Robert Frumkin Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 28, no.1, March 1992, p. 5-18 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Frumkin: Ulysses: Stephen's Parable of the Plums Ulysses: Stephen's Parable of the Plums by ROB E RTF RUM KIN Though they didn't see eye to eye in everything, a certain analogy there somehow was, as if both their minds were travelling. so to speak. in the one train ofthought. He gets the plums and I the plumstones. The ParabLe and the Lapsarian Meeting of Stephen and Bloom ye 0 M PAR 1 N G Bloom's response to Stephen's Parable of the Plums in B "Ithaca" to the responses ofthe newsmen in "lEolus," I hope to show that a momentary meeting of minds, if a "falJen," in1perfect one, occurs between '·father" and "son" in the ·'Ithaca" chapter and that Stephen perceives this closeness in Bloom's response to his parable. Stephen is uncomfortable with the closeness and does not seem to want to be understood, which explains why he sings the "Jew's Daughter" ballad. His acceptance or rejection of Bloom's hospitality is moot in my reading, since Bloom and Stephen have already been reunited as much as one can be in the fallen world (as reunited as a lapsarian Odysseus can be with Telemachos in a lapsarian Odyssey). -
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring English Translation
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring Felix Mendelssohn-Bartholdy (1809-1847) English Translation: William Bartholomew PART ONE The Biblical tale of Elijah dates from c. 800 BCE. "In fact I imagined Elijah as a real prophet The core narrative is found in the Book of Kings through and through, of the kind we could (I and II), with minor references elsewhere in really do with today: Strong, zealous and, yes, the Hebrew Bible. The Haggadah supplements even bad-tempered, angry and brooding — in the scriptural account with a number of colorful contrast to the riff-raff, whether of the court or legends about the prophet’s life and works. the people, and indeed in contrast to almost the After Moses, Abraham and David, Elijah is the whole world — and yet borne aloft as if on Old Testament character mentioned most in the angels' wings." – Felix Mendelssohn, 1838 (letter New Testament. The Qu’uran also numbers to Julius Schubring, Elijah’s librettist) Elijah (Ilyas) among the major prophets of Islam. Elijah’s name is commonly translated to mean “Yahweh is my God.” PROLOGUE: Elijah’s Curse Introduction: Recitative — Elijah Elijah materializes before Ahab, king of the Four dark-hued chords spring out of nowhere, As God the Lord of Israel liveth, before Israelites, to deliver a bitter curse: Three years of grippingly setting the stage for confrontation.1 whom I stand: There shall not be dew drought as punishment for the apostasy of Ahab With the opening sentence, Mendelssohn nor rain these years, but according to and his court. The prophet’s appearance is a introduces two major musical motives that will my word. -
The Perils and Rewards of Annotating Ulysses
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2013 Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses Barbara Nelson The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Nelson, Barbara, "Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses" (2013). Graduate Student Theses, Dissertations, & Professional Papers. 491. https://scholarworks.umt.edu/etd/491 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. GETTING ON NICELY IN THE DARK: THE PERILS AND REWARDS OF ANNOTATING ULYSSES By BARBARA LYNN HOOK NELSON B.A., Stanford University, Palo Alto, CA, 1983 presented in partial fulfillment of the requirements for the degree of Master of Arts in English The University of Montana Missoula, MT December 2012 Approved by: Sandy Ross, Associate Dean of The Graduate School Graduate School John Hunt, Chair Department of English Bruce G. Hardy Department of English Yolanda Reimer Department of Computer Science © COPYRIGHT by Barbara Lynn Hook Nelson 2012 All Rights Reserved ii Nelson, Barbara, M.A., December 2012 English Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses Chairperson: John Hunt The problem of how to provide useful contextual and extra-textual information to readers of Ulysses has vexed Joyceans for years. -
Dubliners I Booklet
James Joyce Dubliners Part I CLASSIC Read by Jim Norton FICTION MODERN CLASSICS NA317312D The Sisters 1 There was no hope for him this time: it was the third stroke. 6:49 2 The next morning after breakfast,… 4:36 3 In the evening my aunt took me with her… 9:58 An Encounter 4 It was Joe Dillon who introduced the Wild West to us. 3:41 5 The summer holidays were near at hand… 6:39 6 There was nobody but ourselves in the field. 8:06 Araby 7 North Richmond Street, being blind, was a quiet street… 8:26 8 On Saturday morning… 6:46 Eveline 9 She sat at the window watching the evening invade the avenue. 8:58 10 She stood among the swaying crowd in the station at the North Wall. 2:43 2 After the Race 11 The cars came scudding in towards Dublin,… 9:33 12 That night the city wore the mask of a capital. 2:15 13 Cards! Cards! The table was cleared. 2:32 Two Gallants 14 The grey warm evening of August had descended upon the city,… 5:25 15 Lenehan offered his friend a cigarette. 3:44 16 They walked along Nassau Street and then turned into Kildare Street. 4:55 17 He walked listlessly round Stephen’s Green… 5:15 18 His mind became active again. 3:34 The Boarding House 19 Mrs Mooney was a butcher’s daughter. 7:50 20 There must be reparation made in such a case. 7:49 21 Polly sat for a little time on the side of the bed, crying. -
Dubliners and the Joycean Epiphany
DUBLINERS AND THE JOYCEAN EPIPHANY A Thesis by Roger T. Briggs B.A., Wichita State University, 2003 Submitted to the Department of English and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2006 DUBLINERS AND THE JOYCEAN EPIPHANY I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Literature. ____________________________________ Peter T. Zoller, Committee Chair We have read this Thesis and recommend its acceptance: ____________________________________ Christopher K. Brooks, Committee Member ____________________________________ Wilson Baldridge, Committee Member ii The Roman Catholic Church was an important and prominent aspect of Irish life in the early twentieth century. Where most of Western Europe had become secularized during the nineteenth century, Ireland remained steadfast in its faith, be it Roman Catholic or Protestant. However, at the time, more than ninety percent of the Irish population was Roman Catholic with the numbers of Protestants belonging to the Church of Ireland or Presbyterian and Methodist Churches falling from eight percent in the second half of the nineteenth century to less than three percent in 1981 (Inglis 63). As a result of the growth of the Roman Catholic Church, much of Irish politics and society was infused with starkly Catholic tones—so much that individual citizens and the nation as a whole began to understand their inherent identity through their association with the Roman Catholic faith (59). -
Music in Dubliners
Colby Quarterly Volume 28 Issue 1 March Article 4 March 1992 Music in Dubliners Robert Haas Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 28, no.1, March 1992, p.19-33 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Haas: Music in Dubliners Music in Dubliners by ROB ERTHAAS AM ES JOY e E was a musician before he ever became a writer. 1 He learned music as a child~ perfonned it for his family, friends~ and the public as a young Jman, and loved the arthis whole life long. The books ofHodgart and Worthington and of Bowen have traced how deeply and pervasively its role is felt throughout Joyce's fiction. 2 The great novels ofhis maturity, Ulysses and Finnegans Wake. contain more than a thousand musical episodes, incidents, and allusions. If Joyce's early fiction has less than this profusion~ it is perhaps simply because at the time he was not yet so bold an experimenter in literary style. The early works were~ nevertheless, produced by a man who was actively studying music, who was near his peak as a musical performer, and who still at times contemplated making music his life ~s career. When Joyce introduces music in his writing~ it is with the authority and significance ofan expert; and it is surely worth OUf while as readers to attend to it. In the present essay I would like to focus on the music inJoyce's early volume ofshort stories, Dubliners. -
In Joyce's Dubliners
PARALYSIS AS “SPIRITUAL LIBERATION” IN JOYCE’S DUBLINERS Iven Lucas Heister, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: David Holdeman, Major Professor and Chair of the Department of English Masood Raja, Committee Member Stephanie Hawkins, Committee Member Mark Wardell, Dean of the Toulouse Graduate School Heister, Iven Lucas. Paralysis as “spiritual liberation” in Joyce’s Dubliners. Master of Arts (English), May 2014, 50 pp., references, 26 titles. In James Joyce criticism, and by implication Irish and modernist studies, the word paralysis has a very insular meaning. The word famously appears in the opening page of Dubliners, in “The Sisters,” which predated the collection’s 1914 publication by ten years, and in a letter to his publisher Grant Richards. The commonplace conception of the word is that it is a metaphor that emanates from the literal fact of the Reverend James Flynn’s physical condition the narrator recalls at the beginning of “The Sisters.” As a metaphor, paralysis has signified two immaterial, or spiritual, states: one individual or psychological and the other collective or social. The assumption is that as a collective and individual signifier, paralysis is the thing from which Ireland needs to be freed. Rather than relying on this received tradition of interpretation and assumptions about the term, I consider that paralysis is a two-sided term. I argue that paralysis is a problem and a solution and that sometimes what appears to be an escape from paralysis merely reinforces its negative manifestation. Paralysis cannot be avoided. Rather, it is something that should be engaged and used to redefine individual and social states. -
Kalba Ir Kontekstai
LIETUVOS EDUKOLOGIJOS UNIVERSITETAS FILOLOGIJOS FAKULTETAS KALBA IR KONTEKSTAI Mokslo darbai 2016 m. VII tomas (1) tomas 2 dalis 2016, Vilnius 1 ISSN 1822-5357 Mokslo darbų „Kalba ir kontekstai“ VII (1) tomas apsvarstytas Filologijos fakulteto Tarybos posėdyje 2016 09 12 (protokolo Nr. 1) ir rekomenduotas spaudai. Redaktorių kolegija / Editorial Board Atsakingoji redaktorė / Editor-in-Chief Prof. dr. Ernesta Račienė Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Atsakingosios redaktorės pavaduotojas / Vice-Editor-in-Chief Doc. dr. Linas Selmistraitis Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Nariai / Members Doc. dr. Natalja Avina Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Prof. dr. Martin Dalmas Paryžiaus Sorbonos IV universitetas, Prancūzija (Filologija 04 H) The University of Paris-Sorbonne Paris IV, France (Philology 04 H) Dr. Klaus Geyer Pietų Danijos universitetas, Danija (Filologija 04 H) The University of Southern Denmark, Denmark (Philology 04 H) Doc. dr. Rasa Matonienė Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Prof. dr. Irena Aldona Praitis Kalifornijos valstybinis universitetas, JAV (Filologija 04 H) California State University, the USA (Philology, 04 H) Dr. Henrika Sokolovska Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Doc. dr. Daiva Verikaitė- Lietuvos edukologijos universitetas (Filologija 04 H) Gaigalienė Lithuanian University of Educational Sciences (Philology 04 H) © Lietuvos edukologijos universitetas, 2016 © Lietuvos edukologijos universiteto leidykla, 2016 2 LITHUANIAN UNIVERSITY OF EDUCATIONAL SCIENCES FACULTY OF PHILOLOGY LANGUAGE IN DIFFERENT CONTEXTS Research papers 2016 Volume VII (1) Part 2 Vilnius, 2016 3 4 TURINYS / CONTENTS III. -
Joyce in Progress
Joyce in Progress Joyce in Progress: Proceedings of the 2008 James Joyce Graduate Conference in Rome Edited by Franca Ruggieri, John McCourt, Enrico Terrinoni Joyce in Progress: Proceedings of the 2008 James Joyce Graduate Conference in Rome, Edited by Franca Ruggieri, John McCourt, Enrico Terrinoni This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Franca Ruggieri, John McCourt, Enrico Terrinoni and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-1235-8, ISBN (13): 978-1-4438-1235-1 To Giorgio Melchiori, In memory of a lifelong contribution to literary studies. TABLE OF CONTENTS Foreword .................................................................................................... xi Franca Ruggieri, Enrico Terrinoni, John McCourt Introduction ............................................................................................. xvii Derek Attridge Part One: Dubliners and A Portrait of the Artist as a Young Man The Fragmented Self: Re-Reading Dubliners as Autobiographical Fiction......................................................................................................... -
Octav Şuluţiu, Mântuire – Sau Despre Ratarea Exemplară Octav ȘuluIu, Redemption - a Study on Exemplary Failure
8 346 / 201 6() ISSN 1220 -6350 ISSN 1220 -6350 9 771220 635006 9 771220 635006 Cezar Bolliac (II) de Eugen Simion 8 346 6( ) / 201 8 346 6( Historiens roumains à la recherche de l'Europe de Alexandru Zub Paul Cernat: „Istoria globală se pregăteşte să intre într-o altă fază” Eminescu şi detractorii săi de Constantin Coroiu Lucian Boia şi schemele demitizării de Mihai Cimpoi Omul actual – un portret încremenit de Caius Traian Dragomir Nr. 8 ( 346 ) / 201 6 Mihaela BURUGĂ secretariat de re d acţie CUPRINS 8/2016 FRAGMENTE CRITICE Eugen SIMION: Cezar Bolliac (II) Cezar Bolliac (II) . 3 A GÂNDI EUROPA Alexandru ZUB: Historiens roumains à la recherche de l’Europe Istoricii români în căutarea Europei . 13 INTERVIU Paul CERNAT: „Istoria globală se pregăteşte să intre într-o altă fază” „Global History is preparing for a different phase” . 17 CRONICI LITERARE Constantin COROIU: Eminescu şi detractorii săi Eminescu and His Detractors . 27 Mihai CIMPOI: Lucian Boia şi schemele demitizării Lucian Boia and demythisation plan. 33 Lucian CHIŞU: Călătorii în infern Travels in the Underworld. 43 COMENTARII Caius Traian DRAGOMIR: Omul actual – un portret încremenit The contemporary man - a rigid portrait . 49 Violeta BERCARU ONEAŢĂ: Roland Barthes ou la mythologie du langage Roland Barthes or mythology of language . 53 Teodor DUNĂ: Octav Şuluţiu, Mântuire – sau despre ratarea exemplară Octav Șuluiu, Redemption - A Study on Exemplary Failure. 61 1 CULTURĂ ŞI ECONOMIE Violeta BAROANĂ: Traductibilitatea operei joyceene: între echivoc şi univoc Translatability in James Joyce's Work: between Uttering the Ambiguity and Providing Literal Translations. 72 Ilustrăm acest număr cu lucrări ale artistului plastic Marius BUNESCU (1881-1971) 2 Fragmente critice Eugen SIMION Cezar Bolliac (II) Abstract Partea a doua a acestui text se referă exclusiv la ideile poetice din lirica lui Cezar Bolliac. -
Life and Death in Joyce's Dubliners Matthew Alg Lman Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2008 Life and Death in Joyce's Dubliners Matthew alG lman Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the English Language and Literature Commons Recommended Citation Gallman, Matthew, "Life and Death in Joyce's Dubliners" (2008). All Theses. 327. https://tigerprints.clemson.edu/all_theses/327 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. LIFE AND DEATH IN JOYCE’S DUBLINERS A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Masters of Arts English by Matthew Brett Gallman May 2008 Accepted by: Wayne Chapman, Committee Chair Catherine Paul Arthur Young ABSTRACT This thesis is an examination of James Joyce’s Dubliners as a collection of stories that is unified by an ongoing intersection between life and death. In the collection, the dead often serve to expose a deficiency in the living. The thesis explores four stories that share this theme in particular: “The Sisters,” “A Painful Case,” “Ivy Day in the Committee Room,” and “The Dead.” Each story is also presented in the context of how each relates to the progression from youth to public life within Dubliners . As such, the thesis also considers how Dubliners exhibits a progression towards isolation and paralysis in the living until the final story, “The Dead,” which marks a reversal of this trend.