Selections from Ancient Irish Poetry
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The Celtic Encyclopedia, Volume II
7+( &(/7,& (1&<&/23(',$ 92/80( ,, . T H E C E L T I C E N C Y C L O P E D I A © HARRY MOUNTAIN VOLUME II UPUBLISH.COM 1998 Parkland, Florida, USA The Celtic Encyclopedia © 1997 Harry Mountain Individuals are encouraged to use the information in this book for discussion and scholarly research. The contents may be stored electronically or in hardcopy. However, the contents of this book may not be republished or redistributed in any form or format without the prior written permission of Harry Mountain. This is version 1.0 (1998) It is advisable to keep proof of purchase for future use. Harry Mountain can be reached via e-mail: [email protected] postal: Harry Mountain Apartado 2021, 3810 Aveiro, PORTUGAL Internet: http://www.CeltSite.com UPUBLISH.COM 1998 UPUBLISH.COM is a division of Dissertation.com ISBN: 1-58112-889-4 (set) ISBN: 1-58112-890-8 (vol. I) ISBN: 1-58112-891-6 (vol. II) ISBN: 1-58112-892-4 (vol. III) ISBN: 1-58112-893-2 (vol. IV) ISBN: 1-58112-894-0 (vol. V) Library of Congress Cataloging-in-Publication Data Mountain, Harry, 1947– The Celtic encyclopedia / Harry Mountain. – Version 1.0 p. 1392 cm. Includes bibliographical references ISBN 1-58112-889-4 (set). -– ISBN 1-58112-890-8 (v. 1). -- ISBN 1-58112-891-6 (v. 2). –- ISBN 1-58112-892-4 (v. 3). –- ISBN 1-58112-893-2 (v. 4). –- ISBN 1-58112-894-0 (v. 5). Celts—Encyclopedias. I. Title. D70.M67 1998-06-28 909’.04916—dc21 98-20788 CIP The Celtic Encyclopedia is dedicated to Rosemary who made all things possible . -
Fall 2003 Archipelago
archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach -
Contemporary Irish Women Poets and the National Tradition
Colby College Digital Commons @ Colby Senior Scholar Papers Student Research 1998 From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition Rebecca Troeger Colby College Follow this and additional works at: https://digitalcommons.colby.edu/seniorscholars Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Troeger, Rebecca, "From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition" (1998). Senior Scholar Papers. Paper 548. https://digitalcommons.colby.edu/seniorscholars/548 This Senior Scholars Paper (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Senior Scholar Papers by an authorized administrator of Digital Commons @ Colby. Rebecca Troeger From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition • The Irish literary tradition has always been inextricably bound with the idea of image-making. Because of ueland's historical status as a colony, and of Irish people's status as dispossessed of their land, it has been a crucial necessity for Irish writers to establish a sense of unique national identity. Since the nationalist movement that lead to the formation of the Insh Free State in 1922 and the concurrent Celtic Literary Re\'ivaJ, in which writers like Yeats, O'Casey, and Synge shaped a nationalist consciousness based upon a mythology that was drawn only partially from actual historical documents, the image of Nation a. -
Code-Mixing in Biliterate and Multiliterate Irish Literary Texts
Estudios Irlandeses , Number 3, 2008, pp. 29-41 _______________________________________________________________________________________AEDEI Code-Mixing in Biliterate and Multiliterate Irish Literary Texts Tina Bennett-Kastor Wichita State University Copyright (c) 2008 by Tina Bennett-Kastor. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. Code-mixing and code-switching are common and well-documented processes in the speech of multilingual persons. Where multilingual persons are also literate in each language, code-mixing is also possible in writing. Despite conservative pressures which tend to deem only one of the languages in a linguistic repertoire the prestige variety, and therefore the primary choice for written expression, multiliterate authors who are able to assume a multiliterate readership may use two or more languages in their texts. Some theories of code-mixing are here summarized, along with a review of code-mixing in spoken Irish. Examination of code-mixing in modern and contemporary Irish literary texts shows that, structurally, written code-mixing is for the most part similar to what is observed in spoken language. Functionally, however, written mixing often has wider aims. Because writing is a planned and conscious form of language, multilingual writers utilize their greater linguistic repertoires strategically by imbuing different languages with different symbolic meanings. A full appreciation of such texts requires an understanding not just of the languages involved, but also of their functions in the cultural environment and the historical, political, and cultural associations with the other languages. Key words. -
Irish Studies Round the World ‐ 2011
Estudios Irlandeses, Number 7, 2012, pp. 170-200 ____________________________________________________________________________________________ AEDEI IRISH STUDIES ROUND THE WORLD ‐ 2011 Patricia A. Lynch (ed.) Copyright (c) 2012 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Reflections on Irish Writing in 2011 by Patricia A. Lynch ...............................................................................................................172 New Collected Poems (2011) by Derek Mahon Eoin Flannery...........................................................................................................................176 Landscapes of Cult and Kingship (2011) by Roseanne Schot, Conor Newman and Edel Bhreathnach (eds) Colin Ireland ............................................................................................................................179 Colum McCann (2011) by Eóin Flannery William A Johnsen ..................................................................................................................182 Demented Particulars: The Annotated Murphy (2010) by C.J. Ackerley Obscure Locks, Simple Keys The Annotated Watt (2010) by C.J. Ackerley Sean Kennedy ..........................................................................................................................185 Between Two Shores: Idir Dhá Chladach—Writing the Aran Islands 1890-1980 (2011) by Mairéad Conneely -
Eoghán Rua Ó Suilleabháin: a True Exponent of the Bardic Legacy
134 Eoghán Rua Ó Suilleabháin: A True Exponent of the Bardic Legacy endowed university. The Bardic schools and the monastic schools were the universities of their day; they bestowed privileges and Barra Ó Donnabháin Symposium: status on their students and teachers, much as the modern university awards degrees and titles to recipients to practice certain professions. There are few descriptions of the structure and operation of Eoghán Rua Ó Suilleabháin: A the Bardic schools, but an account contained in the early eighteenth century Memoirs of the Marquis of Clanricarde claims that admission True Exponent of the Bardic WR %DUGLF VFKRROV ZDV FRQÀQHG WR WKRVH ZKR ZHUH GHVFHQGHG from poets and had within their tribe “The Reputation” for poetic Legacy OHDUQLQJ DQG WDOHQW ´7KH TXDOLÀFDWLRQV ÀUVW UHTXLUHG VLF ZHUH Pádraig Ó Cearúill reading well, writing the Mother-tongue, and a strong memory,” according to Clanricarde. With regard to the location of the schools, he asserts that it was necessary that the place should “be in the solitary access of a garden” or “within a set or enclosure far out of the reach of any noise.” The structure containing the Bardic school, we are told, “was snug, low, hot and beds in it at convenient distances, each within a small apartment without much furniture of any kind, save only a table, some seats and a conveniency for he poetry of Eoghan Rua Ó Súilleabháin (1748-1784)— cloaths (sic) to hang upon. No windows to let in the day, nor any Tregarded as one of Ireland’s great eighteenth century light at all used but that of candles” according to Clanricarde,2 poets—has endured because of it’s extraordinary metrical whose account is given credence by Bergin3 and Corkery. -
New Writing from Irelandfromwriting New New Writing from Ireland Ireland Literatureirelandexchange
New Writing from Ireland New Writing from Ireland Ireland Literature Exchange Ireland Literature Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2007 edition of New Writing from Ireland This year’s expanded catalogue contains an even wider cross-section of newly Finally, there are poetry collections by some of Ireland’s most established poets published titles of Irish interest. - Peter Fallon, Seán Lysaght, Gerard Smyth, Francis Harvey, Liam Ó Muirthile and Cathal Ó Searcaigh. New collections also appear from a generation of The fiction section includes novels by several new voices including débuts younger poets, including Nick Laird, John McAuliffe, Alan Gillis and from Karen Ardiff, Alice Chambers and Julia Kelly. We also list books by a Mary O’Donoghue. number of established and much-loved authors, e.g. Gerard Donovan, Patrick McCabe and Joseph O’Connor, and we are particularly pleased this year to We hope that you enjoy the catalogue and that many international publishers present a new collection by the short story writer, Claire Keegan, and a new will apply to Ireland Literature Exchange for translation funding. play by Sebastian Barry. Sinéad Mac Aodha Rita McCann Children’s books have always been a particular strength of Irish writing. There Director Programme Officer are books here from, amongst others, Conor Kostick, Deirdre Madden, Eileen O’Hely and Enda Wyley. A former magician’s rabbit, a mysterious notebook, giant venomous spiders and a trusted pencil are just some of the more colourful elements to be found in the children’s fiction category. Inclusion of a book in this catalogue does not indicate that it has been approved for a translation subsidy by ILE. -
LANGUAGE Dictionaries 378 Dinneen, Patrick Stephen. an Irish-English
LANGUAGE Dictionaries 378 Dinneen, Patrick Stephen. An Irish-English dictionary, being thesaurus of the words, phrases and idioms of the modern Irish language. New ed., rev. and greatly enl. Dublin: 1927. 1340 p. List of Irish texts society's publications, etc.: 6 p. at end. A 2d edition which expanded the meanings and applications of key words, somatic terms and other important expressions. Contains words, phrases and idioms, of the modern Irish language. This, like other books published before 1948, is in the old spelling. 379 McKenna, Lambert Andrew Joseph. English-Irish dictionary. n.p.: 1935. xxii, 1546 p. List of sources: p. xv-xxii. Does not aim at giving all Irish equivalents for all English words, but at providing help for those wishing to write modern Irish. Places under the English head-word not only the Irish words which are equivalent, but also other Irish phrases which may be used to express the concept conveyed by the headword. Presupposes a fair knowledge of Irish, since phrases are used for illustration. Irish words are in Irish characters. ` Grammars 380 Dillon, Myles. Teach yourself Irish, by Myles Dillon and Donncha O Croinin. London: 1962. 243 p. Based on the dialect of West Munster, with purely dialect forms marked in most cases. Devotes much attention to important subject of idiomatic usages, but also has a thorough account of grammar. The book suffers from overcrowding, due to its compact nature, and from two other defects: insufficient sub-headings, and scant attention to pronunciation. 381 Gill, William Walter. Manx dialect, words and phrases. London: 1934. -
Opening Its US Market Push, Primark Eyes Success at Boston Site
September 2015 Boston’s hometown VOL. 26 #9 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2015 Boston Neighborhood News, Inc. bostonirish.com Opening its US market push, Primark eyes success at Boston site By Peter F. StevenS BIr StaFF September 10 is the long-awaited big day for Primark and Boston’s Downtown Crossing. The Dublin-based fashion retailer is opening the doors to its first US store in the redeveloped Burnham Building, once the home of Filene’s and the late, lamented Filene’s Basement. Primark’s foray into the American retail market stretches across four floors of the venerable structure. On the first and second floors will be women’s clothing and apparel; men’s clothing will be on the third floor. On the fourth floor is children’s clothing. Shoppers looking for shoes and accessories will find them on each floor. What American customers will find on all four floors Anne Driscoll is a member of the Boston Irish Currach Rowing Club, which will compete in a North is Primark’s array of “in the moment fashion” and American regatta set for Sept. 5 at Carson Beach in South Boston. Kristina Carroll photos home goods at the reason- able prices that has made the chain a huge success Boston’s champion currach rowers in Europe. Retail industry insiders view Primark as akin to Swedish-based H & M, Spanish-based Zara, and Los Angeles-based Forever 21. have fun while winning nationwide In a visit to the Boston site last March, Breege O’Donoghue, a Primark board member and director of By KrIStIna Carroll “Everybody had headed business development and new markets, told the Boston SPeCIal to the rePorter back to Ireland because Globe that “the stores target fashion-conscious millen- The Boston Irish Cur- Regatta set for Sept. -
Shelley Meagher – Politics and Persian Mythology in Irish Poetry
Shelley Meagher Politics and Persian Mythology in Irish Poetry IN 1809 LORD BYRON was prevented by the Napoleonic wars from taking the European Grand Tour. He instead sailed south, through the straits of Gibraltar and across the Mediterranean, to tour Greece and Turkey. On his return he published the first two Cantos of Childe Harold’s Pilgrimage (1812), a poem whose hero follows in Byron’s wake eastwards. Gratified by the acclaim Childe Harold received, Byron next published two action poems set in Turkey, The Giaour (1813) and The Bride of Abydos (1813). These fluent ‘Turkish Tales’, as he called them, sold very well and whetted the public’s appetite. On the day Byron’s next Turkish tale, The Corsair, came out in 1814, it sold 10,000 copies. There was one problem. For two and a half years Byron’s friend, Thomas Moore, had been composing a poem set in the Persianate cultures of Mughal India and Persia (as Europeans then termed Iran). Moore was alert to differences between Turkish and Persian culture. But to the general public, both cultures were simply eastern. When sales of Byron’s Turkish poems rocketed, Moore fretted that Byron had stolen his opportunity. Byron tried to allay Moore’s fears. ‘Stick to the East!’ he wrote to Moore in May 1813. ‘The little I have done . is only a “voice in the wilderness” for you; and, if it has had any success, that will only prove that the public is orientalising, and pave the way for you.’1 When, six months later, Byron proceeded to pave Moore’s way further with The Corsair, he knew very well that Moore would be alarmed. -
1 Ireland's Four Cycles of Myth and Legend Irish Mythology Has Been
Ireland's Four Cycles of Myth and Legend u u Irish mythology has been classified or taxonomized into four cycles (collections, sets) • From the oldest tales to the most recent, they are: the Mythological Cycle; the Ulster (or Red Branch) Cycle; the Fenian (or Ossianic) Cycle; and the Historical (or Kings') Cycle u u The Mythological Cycle is dominated by origin myths called pseudohistories • These tales narrate a series of foreign invasions of Ireland, with each new wave of invader-settlers marginalizing the formerly dominant group u The oldest group, the Fomorians, resemble the Greek Titans: semi-divine beings associated with the chaos that preceded the civilizing gods u The penultimate aggressor group, the Tuatha Dé Danann (people of the goddess Danu), suffered defeat at the hands of the Milesians or Gaels, who entered Ireland from northern Spain • Legendarily, some surviving members of the Tuatha Dé Danann became the fairies or "little people," occupying aerial or subterranean (underground) zones on the island of Ireland but with a different temporality • The Irish author C.S. Lewis uses this idea in his Narnia series, where the portal into Narnia—a place outside "regular' time—is a wardrobe u Might the Milesians have, in fact, come from Spain? • A March 2000 article in the esteemed science journal Nature revealed that 98% of Connacht (west-of-Ireland) men and 89% of Basque (northeast-of- Spain) men carry the ancestral (or hunter-gatherer) European DNA signature, which passes from father to son • By contrast with the high Irish and -
Julius Pokorny Source: the Celtic Review, Vol
Review Author(s): Julius Pokorny Review by: Julius Pokorny Source: The Celtic Review, Vol. 6, No. 21 (Jul., 1909), pp. 93-96 Published by: Stable URL: http://www.jstor.org/stable/30070204 Accessed: 23-10-2015 15:59 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. http://www.jstor.org This content downloaded from 128.255.6.125 on Fri, 23 Oct 2015 15:59:49 UTC All use subject to JSTOR Terms and Conditions BOOK REVIEWS 93 All who have had experience of the unfair treatment sometimes meted to Celtic-speaking witnesses by monoglot English magistrates will be interested in the conduct of an important trial at Carpentras during May. The majority of the witnesses appealed to the President of the Court for permission to give evidence in Provengal, saying that it was the only language of which they had complete command. Parisian advocates engaged in the case objected on the ground that they did not understand Provengal; but the President replied that they could avail themselves of the services of an interpreter, and that, in the interests of exact truth, the request of the witnesses would be granted.