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Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Introduction: the Emerging Alliance of World Religions and Ecology
Emerging Alliance of World Religions and Ecology 1 Mary Evelyn Tucker and John A. Grim Introduction: The Emerging Alliance of World Religions and Ecology HIS ISSUE OF DÆDALUS brings together for the first time diverse perspectives from the world’s religious traditions T regarding attitudes toward nature with reflections from the fields of science, public policy, and ethics. The scholars of religion in this volume identify symbolic, scriptural, and ethical dimensions within particular religions in their relations with the natural world. They examine these dimensions both historically and in response to contemporary environmental problems. Our Dædalus planning conference in October of 1999 fo- cused on climate change as a planetary environmental con- cern.1 As Bill McKibben alerted us more than a decade ago, global warming may well be signaling “the end of nature” as we have come to know it.2 It may prove to be one of our most challenging issues in the century ahead, certainly one that will need the involvement of the world’s religions in addressing its causes and alleviating its symptoms. The State of the World 2000 report cites climate change (along with population) as the critical challenge of the new century. It notes that in solving this problem, “all of society’s institutions—from organized re- ligion to corporations—have a role to play.”3 That religions have a role to play along with other institutions and academic disciplines is also the premise of this issue of Dædalus. The call for the involvement of religion begins with the lead essays by a scientist, a policy expert, and an ethicist. -
DJ Libster (21H), Michael Blaze (22H), Juizzed (23H) Julian Smith (24H)
Sendung: YOU FM Press Play! vom 26.12.2020 (ab 20:00 Uhr) mit Pascal Rueck (20h), DJ Libster (21h), Michael Blaze (22h), Juizzed (23h) Julian Smith (24h) Uhrzeit Interpret Titel DJ Libster 20:00:00 Million Stylez Miss Fatty (Chamos Edit) 20:02 Kelis Good Stuff (Flexican Edit) 20:05 Jorja Smith & Burna Boy Be Honest (Falcons & Radical One remix) 20:08 Post Malone Wow (Vandalized Edit) 20:11 Drake & Chris Brown No Guidance (MXTT HXLL Flip) 20:14 Sean Paul Get Busy (Martin B Remix) 20:17 Method Man Bring The Pain (Mighty Mi Edit) 20:19 Lil Tecca Ransom (JEKEY Remix) Further Up (Na, Na, Na) - MarkCutz Taki Taki 20:22 Static & Ben El ft. Pitbull Bootleg 20:25 Tyga Macarena (ChildsPlay x NOIZ Remix) 20:28 J Balvin x Enur Ponle (Oscar Alegre Edit) 20:31 JAY-Z Dirt Off Your Shoulder - Richastic Remix 20:34 Stormzy, Ed Sheeran, & Burna Boy Own It 20:37 Miami Yacine Alessandra Ambrosio Hitmaka ft. Meek Mill, 2 Chainz, YBN Nahmir, 20:39 Thot Box A Boogie Wit Da Hoodie & Tyga 20:42 Baby Bash & Frankie J Delighted 20:45 Tones & I Dance Monkey (Phil N Good Remix) No Games - DJ BrainDeaD & Dutty Nation 20:48 Serani Remix 20:51 Missy Elliott Work It - Richastic Remix 20:54 Stormzy & Aitch Pop Boy 20:57 Collie Buddz Bounce It Michael Blaze All I Want For Christmas is Losing It (Intro 21:00 Salento Guys Edit) 21:03 Swedish House Mafia vs. Faithless One (Carta Mashup) 21:06 HUGEL Gym Quarantine 21:10 DLMT, Paraleven One Drink 21:13 MEDUZA, Dermot Kennedy Paradise 21:16 Alok Alive (It Feels Like) 21:20 Neptunica & LANNÉ & Micano Scream 21:23 Felix Jaehn, GASHI, FAANGS SICKO (Felix Jaehn Remix) Way Back Home (feat. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
Collagemachine: a Model of “Interface Ecology” by Andruid Kerne
CollageMachine: A Model of “Interface Ecology” By Andruid Kerne A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Computer Science New York University May, 2001 ___________________________________ Ken Perlin Andruid Kerne All Rights Reserved, 2001 Dedicated to the open minds of students and practitioners everywhere. iii Abstract Browsing is an open-ended activity, which involves fulfillment of vague desires, as well as satisfaction of definite goals. Typical computational artifacts, on the other hand, address well-formed problems. Even in the field of human computer interaction, development processes have previously been modeled in terms of users’ concrete tasks. Undertaking more open inquiries necessitates exploring more open processes and methods. The interactive artifact, CollageMachine, which addresses browsing creatively, has been co-developed with the metadisciplinary framework of interface ecology. CollageMachine is a creative web visualization tool that learns while you surf. Instead of waiting for you to click a hyperlink, the iv program proactively pulls content of interest. CollageMachine supports an open-ended process of web browsing, in which the user needs only a fuzzy sense of interests. Clear advance goals are not required. CollageMachine deconstructs websites into media elements - images and chunks of text. These media elements continuously stream into a collage. A point and click, drag and drop interface enables the user to rearrange the elements. From this interaction, an agent learns about the user’s interests. It acts to shape the ongoing development of the collage on her/his behalf. Like browsing, understanding and developing what goes on around computers, in addition to inside of them, is an open process without definite bounds. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
MMS 001 MADLIB MEDICINE SHOW 1 Before the Verdict CD
MADLIB LAUNCHES HIS ONCE-A-MONTH ALBUM SERIES Madlib launches the Madlib Medicine MP3 leak “The Paper” downloaded Show, a once-a-month, twelve-CD, 43,000 times on stonesthrow.com six-LP series with Before The Verdict. The as of 12/10… and counting Madlib Medicine Show will be a Marketed and promoted by combination of Madlib's new Hip Hop Stones Throw Records productions, remixes, beat tapes, and Publicity by Score Press Jazz, as well as mixtapes of Funk, Soul, Brazilian, Psych and other undefined Limited edition forms of music from the Beat Konducta's 4-ton* stack of vinyl. Format: CD Cat. No: MMS 001 Madlib Medicine Show No. 1 is Before Label: Madlib Medicine Show The Verdict featuring Guilty Simpson, a Available: February 2nd, 2010 seventeen track reimagination of rapper Guilty Simpson’s Ode To The Ghetto (augmented, of course, with unreleased songs, other remixes and tons o’ beats). You can think of this as somewhat of a prelude to Madlib & Guilty Simpson's forthcoming OJ Simpson album. Volume 1 is a limited pressing of CDs. Next up: Flight to Brazil, is a mixtape of Brazilian jazz, funk, prog-rock, folk and psychedelia coming in late February. Later releases will include Beat Konducta in Africa. *4-tons of vinyl, this is true. It’s all in his studio. The World-Psych Masterpiece from The Whitefield Brothers 1. Joyful Exaltation feat. Bajka 2. Safari Strut 3. Reverse feat. Percee P and MED 4. Taisho 5. Sad Nile 6. The Gift feat. Edan and Mr. Lif 7. Ntu 8. -
Biophilia and the Aesthetics of Blues, Jazz, and Hip-Hop Music in African-American Prose Fiction
Biophilia and the Aesthetics of Blues, Jazz, and Hip-Hop Music in African-American Prose Fiction Inaugural-Dissertation zur Erlangung des Doktorgrades an der Philologisch-Historischen Fakultät der Universität Augsburg vorgelegt von Monika Demmler 2015 Erstgutachter: Prof. Dr. Hubert Zapf Zweitgutachter: Prof. Dr. Erik Redling Tag der mündlichen Prüfung: 09.07.2015 Acknowledgements During the creative process of writing this doctoral thesis, it felt that certain develop- ments or resembled the movements of a progressive fractal. It started off with a basis as an initiating idea, from where it took forms, step by step from one level to the next one, until up to the point where the form gradually began to perceive its beauty. However, to get up those levels was by far not as smooth as I had imagined in the be- ginning of this project. To transcend critical, despairing phases, I literally needed to take on a life-affirming stance as a prerequisite for finishing this process after a time period of five years on the whole. In this sense, I would like to thank my parents for having raised me with the possibility of developing a creative, independent and open- spirited mind in the natural environments of the countryside around a small village, as well as being role models for how to follow set aims despite critical moments in which obstacles rule. I am greatly indebted to Professor Doctor Hubert Zapf from the University of Augsburg, who introduced me to the teachings of cultural ecology, which inspired me to carry out this musical-literary intermedial project, in which I could follow my interests in blues, jazz, and hip-hop music. -
Nobody Has to Know
ONRA Nobody Has To Know LP BUMPED TO 3/16 KEY SELLING POINTS • On his fifth album for All City Records, Onra created music that reflects on the various aspects of a secret relationship pulling from R&B, New Jack Swing and Funk • “Nobody Has To Know” picks up from the future Funk style Onra originated on his 2010 album “Long Distance” • Released the third volume of Chinoiseries in May 2017 using analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese music records DESCRIPTION ARTIST: Onra Few artforms are as apt to describing the fervour and tumult of human emotions as music is. Songs transport us to real and imaginary places, TITLE: Nobody Has To Know living someone else’s experiences as our own, connecting with thoughts CATALOG: CD-ACOLPX5 / C-ACOLPX5 and feelings through melodies, rhythm and words. As a producer working LABEL: All City Records primarily with the tools of traditional Hip-Hop – samplers, records, synthesizers – Onra has distinguished himself over the past decade GENRE: Hip-Hop/Instrumental as one of the best of his generation, capable of creating vivid music BARCODE: 7573475306524 / N/A ACOLPX5 that sparks the mind of the listener and brings them along to uniquely FORMAT: CD / Cassette detailed spaces, both real and imagined. On “Nobody Has To Know”, his HOME MARKET: France fifth album for All City Records, the versatile French producer created music that reflects on the various aspects of a secret relationship pulling RELEASE: 3/2/2018 from R&B, New Jack Swing and Funk to soundtrack the passions of LIST PRICE: $12.98 / AL / $12.98 / AL attraction. -
2KSMKT WWE2K16 PC Online
Product Support: http://support.2k.com Please note that WWE 2K16 online features are scheduled to be available until May 31, 2017 though we reserve the right to modify or discontinue online features on 30-days’ notice. Visit www.2k.com/serverstatus for more information. KEYBOARD CONTROLS ACTION BUTTON MOVE UP W MOVE DOWN S MOVE LEFT A MOVE RIGHT D PAUSE q BODY INDICATOR C FRONT FACELOCK / GRAPPLE IRISH WHIP / PIN SIGNATURE / FINISHER / OMG 2 STRIKE TOGGLE BETWEEN SIGNATURES AND FINISHERS E PICK UP OBJECTS / STEP ON APRON / Q ENTER OR EXIT RING REVERSE ATTACKS / LIMB TARGET SYSTEM F RUN L S (HOLD + MOVE) TARGET DIFFERENT OPPONENT LEFT (WHEN MANUAL TARGETING IS TURNED ON) C TAUNT 1 1 TAUNT 2 2 TAUNT 3 3 TAUNT 4 4 CHAIN WRESTLING UP z + W CHAIN WRESTLING DOWN z + S CHAIN WRESTLING LEFT z + A CHAIN WRESTLING RIGHT z + D CHAIN WRESTLING SPECIAL KEY z 3 GAME CONTROLS CHAIN WRESTLING Strike: When you Lock Up in Chain Wrestling, try to gain the upper hand by choosing a chain hold Drag Opponent: Hold L S + F and ( , or ). While in a chain hold, use the move in any direction z + W / S / A / D to find the hot Irish Whip: spot. The aggressor can also Strike ( ) or Wrench ( ) their opponent. Release Front Facelock: Q GRAPPLING Limb Target: Normal Grapple: (hold F + or or or ) W S A D / / / + REPOSITION OPPONENT Strong Grapple: Use z + W / S / A / D to reposition W / S / A / D + hold a downed or stunned opponent. Turn Opponent Around: DOWNED OPPONENT z + A / D Lift Opponent: z + W Snapmare to Seated Position: Turn Opponent Over: z + A / D z + S Lift Opponent to Seated Position: FRONT FACELOCK z + S Lock Up: To grab an opponent in the Front Facelock press without holding a direction From Head, Side or Feet you can perform the following actions: Grapple Attack: W / S / A / D + Grapple: Working Hold: Strong Strike: Hold after Lock Up Submission: Hold Submission: Hold Limb Target: F + 4 SUBMISSIONS Major Reversals require more reversal While holding z, use A and D to stock but will temporarily weaken your move your slider around the submission mini- opponent. -
Anarchism and Animal Liberation
Anarchism and Animal Liberation Anarchism and Animal Liberation Essays on Complementary Elements of Total Liberation Edited by Anthony J. Nocella II, Richard J. White and Erika Cudworth Forewords by David N. Pellow and John C. Alessio McFarland & Company, Inc., Publishers Jefferson, North Carolina LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Xxxxxx, Xxxxx, 19xx– Xxxxxxxx : xxxxxxxxxxxxx xxxxxxxxxxx / Xxxxxxx Xxxxxxx. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-9457-6 (softcover : acid free paper) ♾ ISBN 978-1-4766-2132-6 (ebook) 1. xxxxxxxxxx xxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxx xxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxx xxxxxxxxxxxx xxxxxxxxxxxx—xxxx xxxxxxx BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2015 Anthony J. Nocella II, Richard J. White and Erika Cudworth. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover image: George Tsartsianidis/Thinkstock Printed in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com To all those who continue to struggle toward an anarchist society: a society of non- violence, compassion, respect and liberty for all animals, both human and nonhuman. We will always be indebted to those who have sacrificed their own freedom and futures by confronting those forms of oppression, domination and rule that bring immeasurable pain, misery and suffering into the world. Acknowledgments Anthony, Richard and Erika would like to thank everyone who assisted in the production and publish- ing of this book. Special mention must go to David N. -
Billboard Magazine
The AMY NOBODY KNEW A new documentary reveals fresh details on the shocking, heartbreaking life, death and enduring legacy of Winehouse. Says Sam Smith: “She’s the reason why I sing” July 4, 2015 | billboard.com DOUBLE ISSUE Display until July 17, 2015 KABOOM! AFTERMATH OF APPLE AND TAYLOR SWIFT UK £5.50 WorldMags.net WorldMags.net WorldMags.net pmoqiin Is Kelsea Ballerini The Next Carrie LAURA FARR/ADMEDIA Underwood? IRL POWER REIGNS SUPREME — AT LAST — ON country radio. Kelsea Ballerini is the first woman to send a debut single to No. 1 on Billboard’s Country G Airplay chart (see page 65) in more than nine years as “Love Me Like You Mean It” (from her debut album The First Time, released in May on indie label Black River) rises 2-1. On the Billboard Hot 100, the track bullets at No. 46. It’s the first career- opening single by a solo female to crown Country Airplay since Carrie Underwood’s “Jesus, Take the Wheel” in 2006, released to country radio after she won American Idol in 2005. LC and Nielsen Music, Inc.LC All rights reserved. “I’ve been writing songs since I was 12, and so many times I’ve wondered if I was good at it,” Ballerini, 21, tells Billboard. “To see it work is so reassuring that this is what I’m supposed to be doing.” Black River also celebrates its first Country Airplay No. 1. “It’s a huge day for us as an independent record label,” says CEO Gordon Kerr. “So many people have embraced us.