DOCSLIB.ORG

Biophilia and the Aesthetics of Blues, Jazz, and Hip-Hop Music in African-American Prose Fiction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Biophilia and the Aesthetics of Blues, Jazz, and Hip-Hop Music in African-American Prose Fiction Biophilia and the Aesthetics of Blues, Jazz, and Hip-Hop Music in African-American Prose Fiction Inaugural-Dissertation zur Erlangung des Doktorgrades an der Philologisch-Historischen Fakultät der Universität Augsburg vorgelegt von Monika Demmler 2015 Erstgutachter: Prof. Dr. Hubert Zapf Zweitgutachter: Prof. Dr. Erik Redling Tag der mündlichen Prüfung: 09.07.2015 Acknowledgements During the creative process of writing this doctoral thesis, it felt that certain develop- ments or resembled the movements of a progressive fractal. It started off with a basis as an initiating idea, from where it took forms, step by step from one level to the next one, until up to the point where the form gradually began to perceive its beauty. However, to get up those levels was by far not as smooth as I had imagined in the be- ginning of this project. To transcend critical, despairing phases, I literally needed to take on a life-affirming stance as a prerequisite for finishing this process after a time period of five years on the whole. In this sense, I would like to thank my parents for having raised me with the possibility of developing a creative, independent and open- spirited mind in the natural environments of the countryside around a small village, as well as being role models for how to follow set aims despite critical moments in which obstacles rule. I am greatly indebted to Professor Doctor Hubert Zapf from the University of Augsburg, who introduced me to the teachings of cultural ecology, which inspired me to carry out this musical-literary intermedial project, in which I could follow my interests in blues, jazz, and hip-hop music. Professor Dr. Erik Redling from the University of Halle provided me kindly with helpful advice at criti- cal stages, which motivated me for further research. I am also much obliged to the Hanns-Seidel Foundation for both ideal and financial support throughout the research and writing process. Moreover, I would like to thank Dr. Katharina Donn, Dr. Michael Sauter, Dr. Timo Müller, and Dr. Johanna Hartmann for their help in various matters. Along this line goes gratitude to the support of many friends who accompa- nied me along this road by confirming me in this endeavor and empowering my stamina. Monika Demmler Berlin/London 2015 Table of Contents 1. Introductory Remarks: The Ecological Trauma in the 21st Century 1 2. Theorizing Biophilia and the Aesthetics of Blues, Jazz, and Hip-Hop Music in African-American Prose Fiction 14 2.1 Authentic Atmospheres and Literary Acoustics 15 2.1.1 Blues Music 19 2.1.2 Jazz Music 22 2.1.3 Rap Music 25 2.2 Musical Aesthetic Reception in Prose Fiction 28 2.2.1 Iser's Concept of the Implied Reader 28 2.2.2 Emotional Engagement in the Reading Process 30 2.3 Biophilic Healing in African-American Prose Fiction 33 2.3.1 Musical Text as Ecosystem 36 2.3.2 Imaginative Fictional Soundscapes 38 2.4 Biophilia Education in African-American Prose Fiction 42 2.4.1 Life-affirming Stance 43 2.4.2 Creative Life Approach 45 3. Biophilia and the Aesthetics of Blues Music in Banjo: A Story Without a Plot, Dirty Bird Blues, and Invisible Man 49 3.1 Banjo: A Story Without a Plot – Banjo's Life-affirming Stance 53 3.1.1 Banjo's Orchestra and Early Blues Music 53 3.1.2 Ecological Random Adventures 59 3.1.3 Sympathy with Banjo 62 3.1.4 Cosmopolitan Attitude 64 3.1.5 The Love of Life in “Shake That Thing” 66 3.1.6 Biophilia Versus “Necrophilia” 68 3.2 Dirty Bird Blues – Man's “Down-to-Earth” Attitude 71 3.2.1 Man and Country Blues Music 72 3.2.2 “Natural” Literary Acoustics 76 3.2.3 Empathy with Man 79 3.2.4 A Man-Made World 81 3.2.5 Cathartic Power in Blues Music 84 3.2.6 “Whatever Comes Natural” 86 3.3 Invisible Man – Invisible Man's Biophilic Experience 90 3.3.1 Invisible Man and Urban Blues Music 91 3.3.2 An Ecological Blues Atmosphere 96 3.3.3 “On the Lower Frequencies, I Speak for you” 98 3.3.4 Comic Performances 100 3.3.5 Biophilic Experience in “Black and Blue” 102 3.3.6 Lessons from the Epilogue 104 4. Biophilia and the Aesthetics of Jazz Music in Jazz, Don't the Moon Look Lonesome: A Novel in Blues and Swing, “Solo on the Drums,” and “The Screamers” 107 4.1 Jazz – A Harmonious Composition 110 4.1.1 The Traces and the Jazz Age 111 4.1.2 Hope and Fear of Love 115 4.1.3 Tracing Lost Parts of the Self 117 4.1.4 “Wildness” and Biophilic Experiences 119 4.1.5 Rhythms of Life 122 4.2 Don't the Moon Look Lonesome: A Novel in Blues and Swing – Swinging Harmony 124 4.2.1 Carla and Swing Music 125 4.2.2 Gefuehlsraum for Carla 128 4.2.3 Biophilic Discovery 131 4.2.4 Swinging in Harmony 134 4.3 “Solo on the Drums” - Kid Jones's Healing Process 137 4.3.1 Kid Jones and Bebop Jazz 137 4.3.2 Emotive Dialogue 139 4.3.3 Fictional Structure of a Jazz Song 141 4.3.4 Dramatic Staging 143 4.3.5 Message of the Drums 145 4.4 “The Screamers” - Lynn Hope's Jam Session 147 4.4.1 Lynn Hope and Free Jazz 147 4.4.2 Expressive Screams 149 4.4.3 Stored Ecological Energy 151 4.4.4 “Priests of the Unconscious” 153 4.4.5 “The Sound as a Basis for Thought” 155 5. Biophilia and the Aesthetics of Rap Music in Philadelphia Fire, The Plot Against Hip Hop, and The Haunting of Hip Hop 158 5.1 Philadelphia Fire – Healing Storytelling 162 5.1.1 MOVE Bombing 162 5.1.2 Breaks of Silence 167 5.1.3 Concept of Great Time 170 5.1.4 Creative Storytelling 174 5.1.5 The Tree of Life 177 5.2 The Plot Against Hip Hop – Biophilic Education 180 5.2.1 Rap Music History 181 5.2.2 Search for Truth 186 5.2.3 Fictional Remix 189 5.2.4 “Dead Homiez” 192 5.2.5 “You Must Learn” 194 5.3 The Haunting of Hip Hop – The Message of the Drums 196 5.3.1 Flow and Beat 196 5.3.2 Haunting of the Self 199 5.3.3 Rap Musical Composition 202 5.3.4 “A Battle for the Living” 204 5.3.5 “Lessons of Life” 208 6. Concluding Remarks - “Love it or Lose it?” 211 7. Bibliography 219 1. Introductory Remarks: The Ecological Trauma in the 21st Century In the 21st century, human roots in the natural world have been erased and human life is less embedded in natural life cycles with the result of deep-rooted self-alienation, fragmentation, isolation, rootlessness, and emotional displacement (Bateson, Mind and Nature; Lasn and White).1 The destruction of our nature has deprived us of countless opportunities for emotional fulfillment as the extinction of species has in some way been the extinction of our own emotional experiences (Milton 61-62).2 In order to counter this ecological trauma in the 21st century, the modern “seemingly au- tonomous ego” is to be replaced by a more natural one, an “individual whose very completeness as an ego [is] possible” (Bookshin 211). We need to find equilibrium between the technological or synthetic world and our ties to nature (Lasn and White). The modern, seemingly autonomous self as the ideal in Western society is to be re- placed by a more “natural” one, preferably rooted in a rounded and complete com- munity (Bookchin 211).3 As human beings have been increasingly disconnected from nature, the ability to experience biophilia has been lost (J. Miller; Stokes, “Conservators”). Biophilia is defined as the “love of life or living systems”4 (Fromm, Heart), and refers to the ten- dency of human attraction to all that is alive and vital, as it is proposed by Edward O. Wilson in Biophilia (1984). In a biophilic experience, human life is enriched by its broadest affiliation with our natural world. As our bond with nature is experiential, biophilia is best seen as being derived from learned experiences and through the 1 For more information on the unity of human mind and nature see Bateson, Gregory. Mind and Nature: A Necessary Unit (1979). NY: Hampton, 2002. 2 For more information on the extinction of emotional experiences see Nabhan, Gary P. and Sara St Antoine. “The Loss of Floral and Faunal Story, the Extinction of Experience: Ethnobiological Perspectives on Biophilia.” The Biophilia Hypothesis. Eds. Stephen Kellert and Edward O. Wilson. Washington, D.C.: Island P, 1993. 232-56. 3 The awareness of profound unity of all life forms calls for a change in lifestyle with regard of the quality of experience and self-realization, instead of increasing wealth as a measure of personal and social wellbeing. The oneness of life requires diversity, complexity, and symbiosis of various life forms, including human beings for the benefit of all (Naess, Ecology, Community and Lifestyle 168-201; “Shallow and Deep” 95). 4 The term biophilia stems from the Greek words for “love” and “life” (Ulrich 122). 1 practice of infusing responsibility for nature (Simaika and Samways 905). With re- spect to individuals, the term nature and the adjective natural used in this study refer to properties, inherent characteristics, and vital powers, or more generally, to human nature with its inherent impulse to act and sustain action.
Load more

Recommended publications
  • Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
    AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black ..................................
    [Show full text]
  • Introduction: the Emerging Alliance of World Religions and Ecology
    Emerging Alliance of World Religions and Ecology 1 Mary Evelyn Tucker and John A. Grim Introduction: The Emerging Alliance of World Religions and Ecology HIS ISSUE OF DÆDALUS brings together for the first time diverse perspectives from the world’s religious traditions T regarding attitudes toward nature with reflections from the fields of science, public policy, and ethics. The scholars of religion in this volume identify symbolic, scriptural, and ethical dimensions within particular religions in their relations with the natural world. They examine these dimensions both historically and in response to contemporary environmental problems. Our Dædalus planning conference in October of 1999 fo- cused on climate change as a planetary environmental con- cern.1 As Bill McKibben alerted us more than a decade ago, global warming may well be signaling “the end of nature” as we have come to know it.2 It may prove to be one of our most challenging issues in the century ahead, certainly one that will need the involvement of the world’s religions in addressing its causes and alleviating its symptoms. The State of the World 2000 report cites climate change (along with population) as the critical challenge of the new century. It notes that in solving this problem, “all of society’s institutions—from organized re- ligion to corporations—have a role to play.”3 That religions have a role to play along with other institutions and academic disciplines is also the premise of this issue of Dædalus. The call for the involvement of religion begins with the lead essays by a scientist, a policy expert, and an ethicist.
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Collagemachine: a Model of “Interface Ecology” by Andruid Kerne
    CollageMachine: A Model of “Interface Ecology” By Andruid Kerne A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Computer Science New York University May, 2001 ___________________________________ Ken Perlin Andruid Kerne All Rights Reserved, 2001 Dedicated to the open minds of students and practitioners everywhere. iii Abstract Browsing is an open-ended activity, which involves fulfillment of vague desires, as well as satisfaction of definite goals. Typical computational artifacts, on the other hand, address well-formed problems. Even in the field of human computer interaction, development processes have previously been modeled in terms of users’ concrete tasks. Undertaking more open inquiries necessitates exploring more open processes and methods. The interactive artifact, CollageMachine, which addresses browsing creatively, has been co-developed with the metadisciplinary framework of interface ecology. CollageMachine is a creative web visualization tool that learns while you surf. Instead of waiting for you to click a hyperlink, the iv program proactively pulls content of interest. CollageMachine supports an open-ended process of web browsing, in which the user needs only a fuzzy sense of interests. Clear advance goals are not required. CollageMachine deconstructs websites into media elements - images and chunks of text. These media elements continuously stream into a collage. A point and click, drag and drop interface enables the user to rearrange the elements. From this interaction, an agent learns about the user’s interests. It acts to shape the ongoing development of the collage on her/his behalf. Like browsing, understanding and developing what goes on around computers, in addition to inside of them, is an open process without definite bounds.
    [Show full text]
  • 0 Musical Borrowing in Hip-Hop
    MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.
    [Show full text]
  • Anarchism and Animal Liberation
    Anarchism and Animal Liberation Anarchism and Animal Liberation Essays on Complementary Elements of Total Liberation Edited by Anthony J. Nocella II, Richard J. White and Erika Cudworth Forewords by David N. Pellow and John C. Alessio McFarland & Company, Inc., Publishers Jefferson, North Carolina LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Xxxxxx, Xxxxx, 19xx– Xxxxxxxx : xxxxxxxxxxxxx xxxxxxxxxxx / Xxxxxxx Xxxxxxx. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-9457-6 (softcover : acid free paper) ♾ ISBN 978-1-4766-2132-6 (ebook) 1. xxxxxxxxxx xxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxx xxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxx xxxxxxxxxxxx xxxxxxxxxxxx—xxxx xxxxxxx BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2015 Anthony J. Nocella II, Richard J. White and Erika Cudworth. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover image: George Tsartsianidis/Thinkstock Printed in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com To all those who continue to struggle toward an anarchist society: a society of non- violence, compassion, respect and liberty for all animals, both human and nonhuman. We will always be indebted to those who have sacrificed their own freedom and futures by confronting those forms of oppression, domination and rule that bring immeasurable pain, misery and suffering into the world. Acknowledgments Anthony, Richard and Erika would like to thank everyone who assisted in the production and publish- ing of this book. Special mention must go to David N.
    [Show full text]
  • Current Directions in Ecomusicology
    Current Directions in Ecomusicology This volume is the first sustained examination of the complex perspectives that comprise ecomusicology—the study of the intersections of music/sound, culture/society, and nature/environment. Twenty-two authors provide a range of theoretical, methodological, and empirical chapters representing disciplines such as anthropology, biology, ecology, environmental studies, ethnomusicology, history, literature, musicology, performance studies, and psychology. They bring their specialized training to bear on interdisciplin- ary topics, both individually and in collaboration. Emerging from the whole is a view of ecomusicology as a field, a place where many disciplines come together. The topics addressed in this volume—contemporary composers and traditional musics, acoustic ecology and politicized soundscapes, mate- rial sustainability and environmental crisis, familiar and unfamiliar sounds, local places and global warming, birds and mice, hearing and listening, bio- music and soundscape ecology, and more—engage with conversations in the various realms of music study as well as in environmental studies and cultural studies. As with any healthy ecosystem, the field of ecomusicol- ogy is dynamic, but this edited collection provides a snapshot of it in a formative period. Each chapter is short, designed to be accessible to the non- specialist, and includes extensive bibliographies; some chapters also provide further materials on a companion website. An introduction and interspersed editorial summaries help guide readers through four current directions— ecological, fieldwork, critical, and textual—in the field of ecomusicology. Aaron S. Allen is Associate Professor of Musicology at the University of North Carolina at Greensboro, USA, where he is also director of the Envi- ronmental and Sustainability Studies Program.
    [Show full text]
  • The Mellon Mays Undergraduate Fellowship Journal 2015 the Mellon Mays Undergraduate Fellowship Journal 2015
    The Mellon Mays Undergraduate Fellowship Journal 2015 The Mellon Mays Undergraduate Fellowship Journal 2015 Barnard College Queens College (CUNY) Claremont Colleges Consortium Livingstone College Bowdoin College Rice University Claremont McKenna College Miles College Brooklyn College (CUNY) Smith Colege Harvey Mudd College Morehouse College Brown University Stanford University Pitzer College Morris College Bryn Mawr College Swarthmore College Pomona College Oakwood College California Institute of Technology University of California at Berkeley Scripps College Paine College Carleton College University of California at Los Angeles Paul Quinn College City College of New York (CUNY) University of California at Riverside United Negro College Fund Participants Philander Smith College Columbia University University of Cape Town Allen University Rust College Connecticut College University of Chicago Benedict College Saint Augustine’s College Cornell University University of New Mexico Bennett College Saint Paul’s College Dartmouth College University of Pennsylvania Bethune-Cookman University Shaw University Duke University University of Puerto Rico Claflin University Spelman College Emory University University of Southern California Clark Atlanta University Stillman College Grinnell College University of Texas at Austin Dillard University Talladega College Harvard University University of the Western Cape Edward Waters College Texas College Haverford College University of the Witwatersrand Fisk University Tougaloo College Heritage University Washington
    [Show full text]
  • Rapduoen Murs & Fashawn Gæster VEGA Til December
    2012-11-08 10:56 CET Rapduoen Murs & Fashawn gæster VEGA til december VEGA & Soulkitchen præsenterer Rapduoen Murs & Fashawn gæster VEGA til december De amerikanske rappere Murs og Fashawn nyder begge stor respekt for deres solomateriale. Den 5. december gæster duoen imidlertid Lille VEGA med deres nye, fælles album This Generation, som har fået gode anmeldelser. Albummet udkom den 25. september, og nu har man mulighed for opleve materialet live, når de to California-rappere gæster Danmark sammen for første gang. Nyt, fælles projekt Til trods for deres respektive solokarrierer og en aldersforskel på 10 år mellem den rutinerede Murs og den opkommende Fashawn, er de to rappere fundet sammen om et fælles projekt, der i september udmyntede sig i albummet This Generation. Selvom albummet er gået under radaren på en del af de større mainstream- medier, så er der blevet taget rigtig godt imod udgivelsen. Det danske musiksite Undertoner gav således albummet 4,5/6 U’er, mens det etaberede amerikanske hiphop-magasin XXL gav pladen karakteren 4/5 (XL/XXL). Lyden på This Generation er inspireret af lækker G-funk og 1990’er west coast-hiphop, mens tekstuniverset drejer sig omkring fortællinger fra ghettoen, herunder kunstnernes egne historier. Teksterne leveres af to rappere, hvis evner og teknik ikke står meget tilbage for de klassiske west coast-legender. Anerkendt også for deres solomateriale Både Murs og Fashawn er anerkendte kunstnere i deres egen ret med rost solomateriale. Murs, der har udgivet på de respekterede pladeselskaber Definitive Jux og Rhymesayers Entertainment, har udsendt otte soloalbums, hvoraf det seneste, Yumiko: Curse of the Merch Girl, udkom i juli måned.
    [Show full text]
  • 030515 Emerald Master.Indd
    THURSDAY, MARCH 5, 2015 DAILYEMERALD.COM #RISINGRENT WKND RENT ON THE RISE RENT KEEPS RISING MORE AND MORE EVERY YEAR. And college students aren't exactly the most wealthy demographic. But how does rent in Eugene compare to the rest of the nation? HUMANS OF UO SEARCHES FOR DIVERSITY FOSTER: HUNTERS DON’T JUST SHOOT GUNS MAKE SURE TO GRAB YOUR LAST BUZZ BEER THE EMERALD IS NOW HIRING ACCOUNT EXECUTIVES! EMERALD MEDIA GROUP 300+ BUSINESS DEPTS. We are multidisciplinary students applying learned skills to create and innovate at a professional level. ✔ Opportunities to sell our interactive advertising products GLUTEN ✔ Professional sales training FREE ✔ Unlimited commission potential PANCAKES! OPEN SINCE 1965 ✔ Work directly with local businesses ✔ Flexible schedule ✔ Fun work environment ✔ College Newspaper of the Year 2012-13 ✔ Great resumé builder ✔ Collaborate with our Public Relations and Creative Staffs APPLY TODAY! 541-343-7523 • 782 East Broadway, Eugene Corner of Alder & Franklin Blvd. Email resume and cover letter to [email protected] Walking distance from campus! OR drop off at Suite 300 in the EMU. PAGE 2 EMERALD THURSDAY, MARCH 5, 2015 WEEKEND CALENDAR in in EUGENE TATTOO CONVENTION, PORTLAND March 6 March 6 Fashawn: The Ecology rePLAY: Symphony of Tour: MMA FIGHTS AND MUSIC Heroes: Fashawn has kicked The legendary theme to off his Ecology Tour Zelda is possibly one of and is making a stop the greatest childhood at WOW Hall. FROM THE LEGEND OF ZELDA memories. The Oregon Ecology is Fashawn’s newest Symphony will album and has been perform songs from ➡ @MIKEWHERESIKE critically acclaimed MIKE MENDOZA The Legend of Zelda, by magazines like Halo and other popular XXL.
    [Show full text]
  • Journal of Hip Hop Studies
    et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2017 1 Journal of Hip Hop Studies, Vol. 4 [2017], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Senior Editorial Advisory Board: Anthony Pinn, Rice University James Paterson, Lehigh University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Associate & Copy Editor: Travis Harris, Doctoral Candidate, College of William and Mary Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Shanté Paradigm Smalls, St. John’s University (NYC) Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Mr. Jon Gill, Claremont University Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University https://scholarscompass.vcu.edu/jhhs/vol4/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) Save The Kids Foundation (http://savethekidsgroup.org/) Published by VCU Scholars Compass, 2017 3 Journal of Hip Hop Studies, Vol.
    [Show full text]
  • The Politics of the Cipher: Hip-Hop, Antiphony and Multiculturalism Bharath Ganesh University College London
    The politics of the cipher: hip-hop, antiphony and multiculturalism Bharath Ganesh University College London (UCL) Department of Geography Thesis submitted for the degree of Doctor of Philosophy September 2016 I, Bharath Ganesh, confirm that work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Abstract This project explores the incipient forms of multiculture present in the musical publics assembled by hip-hop music and culture based on ethnography of a university student group, S4HH (Students for Hip-hop). I position the cipher (a circle of people rapping together) as the diagram of the ethics and politics of hip-hop listening. The primary aesthetic feature of the cipher is antiphony or call-and-response musicality. However, affect in hip-hop musical publics goes beyond aesthetics; it catalyses ethical and political responses. My methods add detail on the varied socialites of listening to the literature on hip-hop studies. I develop antiphony as a unique event that shatters identity and cultivates ethical subjectivities that are constituted in cycles of affect and response between self and other. This argument is based on writings on antiphony from Wole Soyinka, Toni Morrison, Henry Louis Gates Jr., and Paul Gilroy. This work helps operationalise the concepts ‘event’, ‘self’, ‘other’, ‘body’, and ‘community’ in the work of Emmanuel Levinas, Gilles Deleuze, and Jean-Luc Nancy for mapping the ethics and politics of antiphony in hip-hop listening. My study of antiphonal relations illuminates the ethics and politics of bodily response to the material distribution and circulation of affect in hip-hop spaces.
    [Show full text]