DOCSLIB.ORG

From the Allvolunteer Board of Directors of Sing Canada Harmony

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
From the Allvolunteer Board of Directors of Sing Canada Harmony From the all­volunteer Board of Directors of Sing Canada Harmony: Best wishes to you and your families for a Joyous Holiday Season. May the coming New Year unfold a time of health, peace and enjoyment of life for us all. MERRY CHRISTMAS J.R. Digger MacDougall, Chair & CEO A Wonderful Gift for All Barbershoppers and Canadian Singers If you have a Christmas tree adorning your home area, imagine finding a gift package under it from all the men and women Barbershoppers, across Canada. It would be the gift of friendship wrapped in song. What makes this gift unique is that it is from men and women who share your values; who share a time in history with you and who, like you, are sharing your singing talent with Canadians of all ages. It is a gift that will endure for all time (and then some!). A duplicate of that gift is held at SING CANADA HARMONY which, on receipt of your instructions, will be shared with Canadian youth and children, other Barbershoppers and singers of CANADA. We would like to send that gift, the gift of friendship and song, from you to Canadians who will be grateful for your support so that they can participate in training, education and instruction in vocal music or vocal music leadership “TO ENSURE SOMEONE WILL SING TOMORROW”. At this time of giving, joy, singing and harmonizing, let our voices ring across Canada. Join with SING CANADA HARMONY in the mosaic of Canadian men and women who are striving to “Keep the whole world singing”. Let Sing Canada Harmony help you share your gifts. Send a gift to Sing Canada Harmony TODAY: To help children and youth in your own community and those in every province and territory; To ensure that “Cross Canada Youth” will join us in song; To become a Sing Canada Harmony Ambassador of Song (see www.SingCanadaHarmony.ca ); To join a growing group of leaders in the PRESIDENT’S COUNCIL of Sing Canada Harmony (see www.SingCanadaHarmony.ca ). ACT NOW so that Canadians of all ages will enjoy the benefits of song and “the sweet sounds of Barbershop Harmony”. Thanks in advance for caring about Canadian children and youth, Canadian communities and schools, Barbershop, the singing organization of which you are a member and helping to change lives through singing. USE THE FORM BELOW or EITHER OF THESE TWO LINKS NOW: www.SingCanadaHarmony.ca or www.canadahelps.org (Under “Search For a Charity” enter Sing Canada Harmony”) Donations through Canada Helps can be made monthly or at another frequency. Yes! I want to make more voices heard today through my gift to the Sing Canada Harmony Scholarship Fund Name: ________________________________________________________ Address: ______________________________________________________ Postal Code: ______________ Telephone: __________________________ E­Mail Address: ________________________________________________ Please complete this form and send it with your cheque or money order to: Sing Canada Harmony, 73 Elm Cres., Ottawa, ON K2S 1R7 I enclose a tax deductible donation to Sing Canada Harmony of $ _______ Income tax receipts are forwarded for individual gifts of $20.00 or more. The Sing Canada Harmony Scholarship Fund is a Charity registered with the Canada Revenue Agency Registration Number 85470 3014 RR0001 The Source of Sing Canada Funds and who gave in 2009 Sing Canada Harmony funds come from men and women Barbershoppers, their families, friends and fans and from other men and women in Canada and abroad who value the importance of vocal music and want to spread the gift of song. Annual, periodic and individual gifts are the principal sources of funds. Donations made in any given year are used to support vocal music across Canada in the following year. Also, there is a small and growing endowment fund that currently generates approximately $1000 per year. We thank all our individual and organizational donors for their gifts “to ensure someone will sing tomorrow”. For their generosity in 2009, the future of singing, for our youth and children, and Barbershop across Canada, Sing Canada Harmony extends sincere thanks to these men, women and organizations: Sing Canada Harmony President’s Council Borden, Gerry and Linda Craig, Don Ernst, Trinda Gordon, Mac MacDougall, J.R. Digger and Nancy Martens, Larry and Lise McTaggart, Doran Peters, Randy and Leslie Cooke Southam, Joanne and Lyle Sperry, Lee Thexton, James and Barbara Towner, Sharon and Barry Woodgate, Roger Sing Canada Harmony Founder’s Club MacDougall, J.R. Digger and Nancy Martens, Larry and Lise Sing Canada Harmony Ambassadors of Song Please see website for complete list “Keep a Melody Ringing” tribute donors to honour the memories of: Len Boone Jerry Dunlop Carol Gardner Roy Keys Linda Labine Leslie Locke Bob Stimpson Individual Donors including those who donated anonymously Men and women donors who made “Living Tributes” to honour these colleagues & leaders: Susan Cooper Ken Fisher; Ken and Dorothy Fisher Ann Foy Melodie Guy­Arbour Kathy Hanneson Doug Harris Linda Janes Linda Kuehnbaum Lauren Lindeman Pat and Lee Normally Wanda Olsen Randy Peters JJ Picolotto Lynn Randall Jeff Taylor Karen Aline Taylor Hugh Watson Jan­Ake Westin John and June Wilkie In memoriam donors who honoured the memories of family and friends Donors to special projects like the CROSS CANADA CHORUS Donors from special events like Golf Tournaments and Fundraising Performances Sing Canada Scholarship Recipients who are now donors Donors who donated through “Canada Helps” These BHS, HI, SAI and independent Chapters and Choruses across the land have made an investment in Barbershop singing, education and the youth and children of Canada: A Cappella Showcase HI Baytones HI Brockville BHS Calgary Foothills BHS Evergreen District DMT and Board of Directors Greater Toronto BHS Hamilton BHS Lake Country Harmony HI Newmarket BHS Ontario Heartland SAI Ottawa BHS Overtones, Inc HI Overtones, Inc Show Committee HI Owen Sound BHS Peterborough HI Quinte Regional BHS Red Deer BHS Scarborough Management Team SAI Suburbanaires Sudbury HI The ScotianAires HI Toronto Accolades HI Toronto's North Metro Chorus SAI West Island SAI Windsor BHS York Highlands SAI Youth Harmony Explosion …and all the Chapters and Choruses whose Members made personal donations “to ensure someone will sing tomorrow”. AN ONTARIO BARBERSHOPPER’S GENEROSITY IS ACKNOWLEDGED: (Sing Canada Harmony acknowledges all gifts including those made on line through Canada Helps. The acknowledgement below is an example.) Dear Paul, Thank you for your generous gift. As soon as anyone donates on line, as you did, my computer goes "beep" and I check to see who, where, why etc. and send an immediate acknowledgement to accompany the tax receipt that the donor obtains from the on­line source. If I'm away from my desk, as I was yesterday celebrating the 75th birthday of my great friend and quartet tenor Sam Perrin, I miss the opportunity to be fast. Although there's a tiny expense for the online gifts it is well worth the convenience for Sing Canada Harmony. Besides it is great to have the facility available for ANY Canadian (or global citizen) to donate at any time. Needless to say, Our 10 Volunteer Board Members believe in what Sing Canada Harmony is doing for youth, for children, for men and women barbershoppers and for anyone who sings, wants to sing or has ANYTHING to do with singing. To the credit of every man and woman Barbershopper, they are very passionate about BBS, youth, children, and servant leadership. What makes it tough is that we are the new charity on the block and there's a tradition of giving elsewhere to charities that have nothing to do with all of: Singing, BBS, and children and youth and our three singing organizations. Everyone who shares leadership in or works for a charity knows as a fact of life and the not­for­profit world that there are tens of thousands of charities and not­for­profits across the land and that Sing Canada Harmony is just a small piece of the mosaic. People’s values and their means to give vary. Most Canadians give to some charity and that in itself is a credit to all Canadians. Barbershoppers know SING CANADA HARMONY is making an impact. They tell us and share our pride in what we have been able to do in a short time. This year, we put one SAI director and one High School Music Educator into Harmony University. We made it possible for students of modest means to learn and become chorus singers; we supported other scholarships across Canada to assist a chorus’s participation in learning at Harmony University; we helped a quartet get coaching to improve their ability to entertain shut­ins and help students learn; we helped numerous men and women chorus/chapter officers receive training to be better organizers, planners, entertainers, coaches, organizational leaders and teachers of vocal music for youth and children. Barbershoppers are now telling other singers in their communities and Barbershop Chapters and Choruses are reaping the benefits. Barbershoppers are learning that in Canada there is only one charity that supports BBS, BHS, SAI, HI and anything associated with training , education, learning, instruction, and development in vocal music ­ whether it's arranging, staging, lighting, conducting, composing, writing or buying music for kids or MP3 players for choruses – whatever…and it's a primary solution for the prevention of the extinction of Barbershop in Canada and possibly the BHS, HI and SAI as we know these great organizations in Canada. What really matters is that Sing Canada is making a difference. In addition to memorializing an Ontario District "hero", The Roy Keys Scholarships (YES TWO [Thanks in large part to the SUBURBANAIRES of southern Ontario] two deserving Canadians will get into music and arranging at HU or a learning institution whether in BBS or not.
Load more

Recommended publications
  • Music Educator's Guide & Songbook
    MUSIC EDUCATOR’S GUIDE & SONGBOOKIncludes: Barbershop Harmony Teaching Guide, Seven RoyaltyFree Songs, Barbershop Tags, and Accompanying Learning CD 2014 SPEBSQSA, Inc. 110 7th Ave. No., Nashville, TN 37203-3704, USA. Tel. (800) 876-7464 Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, and lending is prohibited. www.barbershop.org #209532 Dear Music Educator: Thank you for your interest in Barbershop Harmony—one of the truly American musical art foorms! I think you will be surprised at the depth of instructional material and opportunities the Barbershop Harmony Society offers. More importantly, you’ll be pleased with the way your students accept this musical style. This guide contains a significant amount of information aboutt the barbershop style, as well as many helpful suggestions on how to teach it to your students. The songs included in this guide are an introduction to the barbershop style and include a part-predominant learning CD, all of which may be copied at no extra charge. For more barbershop music, our Harmony Marketplace offers thousands of barbershop arrangements, including PDF and mp3 demos, at www.barbershop.org/arrangementts. Songbooks, manuals, part-predominant learning CDs, educational videos and DVDs, merchandise, and more can be found at www.harmonymarketplace.com. For those who are not familiar with the Society or if you would like further information, please feel free to contact us at 1-800-876-SING or at [email protected]. Thanks again for your interest in the
    [Show full text]
  • Chapter 2 Music in the United States Before the Great Depression
    American Music in the 20th Century 6 Chapter 2 Music in the United States Before the Great Depression Background: The United States in 1900-1929 In 1920 in the US - Average annual income = $1,100 - Average purchase price of a house = $4,000 - A year's tuition at Harvard University = $200 - Average price of a car = $600 - A gallon of gas = 20 cents - A loaf of Bread = 20 cents Between 1900 and the October 1929 stock market crash that triggered the Great Depression, the United States population grew By 47 million citizens (from 76 million to 123 million). Guided by the vision of presidents Theodore Roosevelt1 and William Taft,2 the US 1) began exerting greater political influence in North America and the Caribbean.3 2) completed the Panama Canal4—making it much faster and cheaper to ship its goods around the world. 3) entered its "Progressive Era" by a) passing anti-trust laws to Break up corporate monopolies, b) abolishing child labor in favor of federally-funded puBlic education, and c) initiating the first federal oversight of food and drug quality. 4) grew to 48 states coast-to-coast (1912). 5) ratified the 16th Amendment—estaBlishing a federal income tax (1913). In addition, by 1901, the Lucas brothers had developed a reliaBle process to extract crude oil from underground, which soon massively increased the worldwide supply of oil while significantly lowering its price. This turned the US into the leader of the new energy technology for the next 60 years, and opened the possibility for numerous new oil-reliant inventions.
    [Show full text]
  • Preservation January 2013
    The Official Publication of the Barbershop Harmony Society’s Historical Archives Volume 4, No. 1 Living In The Past - And Proud Of It! January 2013 Here’sHere’s ToTo TheThe LosersLosers 139th Street Quartet / Bank Street / Center Stage / Four Rascals / Metropolis / Nighthawks / Pacificaires / Playtonics / Riptide / Roaring 20s / Saturday Evening Post / Sundowners / Vagabonds In This Issue Pages Here’s To The Losers 13-50 Don Beinema 1921-2013 50 Victoria Leigh Soto 3 New York Treasure Hunt 5-6 75 Year Logo Has A Secret 4 SeeSee PagePage 1313 Flat Foot Four Footage Found 6 All articles herein - unless otherwise credited - were written by the editor 2 Volume 4, No. 1 January 2013 Published by the Society Archives Committee of the Barbershop Harmony Society for all those interested in preserving, promoting and educating others as to the rich history of the Barbershop music genre and the organization of men that love it. Society Archives Committee Grady Kerr - Texas (Chairman) Bob Sutton - Virginia Steve D'Ambrosio - Tennessee Bob Davenport - Tennessee Bob Coant - New York Ann McAlexander - Indianapolis, IN Touché Win Crowns Patty Leveille - Tennessee (BHS Staff Liaison) Congratulations to the new 2013 Society Historian / Editor / Layout International Queens of Harmony, Touché - Grady Kerr Patty Cobb Baker, Gina Baker, Jan Anton [email protected] and Kim McCormic. th In November, about 6,000 attended the 66 Proofreaders & Fact Checkers Bob Sutton, Ann McAlexander & Matthew Beals annual Sweet Adeline International With welcomed assists by Leo Larivee Convention in Denver, Colorado. More than 65 quartets and 40 choruses competed in five contests over the course of the week.
    [Show full text]
  • The Orange Spiel Page 1 July 2018
    The Orange Spiel Page 1 July 2018 Volume 38 Issue 7 July 2018 We meet at 7:00 most Thursdays at Shepherd of the Woods Lutheran, 7860 Southside Blvd, Jacksonville, FL Guests always welcome Call 355-SING No Experience Necessary WHAT'S INSIDE SOCIETY BOARD ANNOUNCES Title Page NEXT STEP TOWARD Society Board Announces Next Step 1,3 EVERYONE IN HARMONY Editorial 2 Barbershop History Questions 52 3 by Skipp Kropp Chapter Eternal 4-5 from barbershop.org Chapter Eternal 6 Stop Singing Rehearsal Sabotage 6-7 he Barbershop Harmony Society believes that Chapter Quartets 7 what we offer – the experience of singing to- Caribbean Gold Cruise 7 gether in harmony – is meaningful to all peo- Free Your Voice 8 T ple, and should therefore be accessible to peo- Free Singing Tips 8 ple in all combinations. Since the announcement of the A Better Way To Teach Complex Skills 9-11 Strategic Vision last June, the Society Board and staff 33 Most Effective Singing Tips 11 leadership have been involved in ongoing discussions Barbershop History Answers 52 11 about the best way to achieve the vision of Everyone Magic Choral Trick #377 And #378 12 in Harmony. Today, we are thrilled to announce our Singing With Good Posture 13-14 next step in the realization of that vision. Quartet Corner 15 Chapter Member Stats 15 Effective immediately, membership in the Barbershop Board Minute Summary 16 Harmony Society is open to EVERYONE. Beginning 2018 Hall Of Fame Inductees 16 today, we welcome women to join the Barbershop Upcoming Schedules 17 Harmony Society as members.
    [Show full text]
  • September 06-Final.Indd
    2007 International Midwinter Convention 2007 International Buffalo Bills-Era Midwinter Convention Quartet Contest January 21 - 28, 2007 Throughout 2007, we’ll be celebrating the longevity of barbershop music as Headquarters Hotel: Hyatt Regency evidenced by the 50th Anniversary of The Venue: Kiva Auditorium Music Man. As a tribute to this endearing showcase for barbershop music, the 2007 promises to be a banner year for the Barbershop Harmony Society will host the Buffalo Bills-Era Society and you can help launch it in true four-part harmony style. At Quartet Contest. Sing the old songs the way they did fifty years ago. this year’s Midwinter Convention, history and harmony go hand-in- Experience the five-category judging system, and see how your hand. You’ll experience the best from the past, plus encounter some quartet might have done against our most famous champs! All new things to broaden your barbershop horizons. We’ll look back at details regarding the contest, entry form and rules are listed on what has made barbershop music so popular and we’ll look ahead to www.barbershop.org/musicman. Not only will first, second and see where Barbershoppers are taking the music in the future. Here’s third place winners get bragging rights, but they’ll get their share of what’s in store for you. $6,000 in prize money being donated by members of the Pioneers. Time for Tags Midwinter Golf Outing Plenty of time will be set aside between workshops, seminars, Join us for the golf outing on Wednesday, January 24, 2007 at the shows and speakers for getting together with fellow singers.
    [Show full text]
  • Healthy Performance Practice for Male Barbershop Singers
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Fine and Performing Arts, Hixson-Lied College Performing Arts of Spring 4-18-2011 Healthy Performance Practice for Male Barbershop Singers Jacob K. Bartlett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/hixsonliedstudent Part of the Music Practice Commons, and the Other Music Commons Bartlett, Jacob K., "Healthy Performance Practice for Male Barbershop Singers" (2011). Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Performing Arts. 6. https://digitalcommons.unl.edu/hixsonliedstudent/6 This Article is brought to you for free and open access by the Fine and Performing Arts, Hixson-Lied College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Performing Arts by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. HEALTHY PERFORMANCE PRACTICE FOR MALE BARBERSHOP SINGERS by Jacob K. Bartlett A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor William Shomos Lincoln, Nebraska May, 2011 HEALTHY PERFORMANCE PRACTICE FOR MALE BARBERSHOP SINGERS Jacob K. Bartlett, D.M.A. University of Nebraska, 2011 Adviser: William Shomos Barbershop singing is a hobby enjoyed by hundreds of thousands of men and women across the world. We attend conventions, shows, competitions, and educational outreach programs each year at our own expense to preserve a style we truly love.
    [Show full text]
  • Barbershop Harmony Lesson Plan a Unique Genre of Music Originating in the United States
    SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan A Unique Genre of Music Originating in the United States Grade Level: 6 - 12 Suggested Time Allowance: 1 hour Objectives: 1. Listen to and analyze short samples of music in the barbershop genre. 2. Consider the voice parts and ensembles types (quartet vs. chorus) within the genre. 3. Discuss the origin of barbershop music. 4. Experiment with “tag singing” a traditional way of sharing barbershop music. Materials Required: Computer with Internet access, projector, speakers (or SMART Board) Introduce Topic: Have you ever heard of barbershop harmony? Have you ever seen a quartet or a chorus of all men or all women that sing popular songs a cappella, in four-part harmony? Do you think of it as something your grandparents or great grandparents would enjoy? Does the thought of barbershop harmony evoke thoughts of straw hats, striped vests and canes? If so, you’re thinking of the early days of barbershop. Like all music styles, barbershop harmony has expanded, adapted and evolved over time. As each generation exerts influence and takes new risks with a music style, the style continues to grow and change. What fun would it be if no one took any risks? We would never have any variety. What if Elvis hadn’t pushed the envelope? Would we have any of the current pop/rap/rock/heavy metal styles that we have today? Everything that we know today came from somewhere or someone long ago. Barbershop harmony is no different and today it is a unique, American art form. LoveNotes Quartet 2014 International Quartet Champion and 2007 Rising Star Quartet Champion First quartet to win both the youth quartet contest (in 2007) and the standard quartet contest (in 2014) SWEET ADELINES INTERNATIONAL Barbershop Harmony Lesson Plan See and Hear Quartet Examples: Let’s get your ears attuned to what barbershop harmony sounds like in its current form.
    [Show full text]
  • History of Barbershop
    HISTORY OF BARBERSHOP By David Krause and David Wright Definition of barbershop harmony. Read: Definition of Barbershop Harmony, from the Forward of the Contest and Judging Handbook. The Purpose Of This Course. We will attempt to trace the roots and the evolution of barbershop harmony from well before its actual beginnings up to the present. We will try to answer these questions: What were the tides of history which spawned the birth of the barbershop quartet, and what environment allowed this style of music to flourish? What were its musical forerunners? What are its defining characteristics? What other types of music were fostered contemporaneously, and how did they influence the growth of quartet singing? Which styles are similar, and how are they similar? How did the term "barbershop" arise? How long did the historical era of the barbershop quartet last? What other kinds of music sprang forth from it? Why did the style eventually need preservation? How was SPEBSQSA formed, and how did it become a national movement? What other organizations have joined the cause? How have they coped with the task of preservation? Are current day efforts still on course in preserving the style? How has the style changed since the Society was formed? We will spend the next few hours contemplating and attempting to answer these questions. Overtones. As barbershoppers, we are very conscious of the "ringing" effect which complements our singing. We consider it our reward for singing well- defined pitches in tune. The fact that a tone produced by a voice or an instrument is accompanied by a whole series of pitches in addition to the fundamental one which our ear most easily detects has been known for centuries.
    [Show full text]
  • Barbershop Harmony: What’S a Tag? Please Leave This Space Blank
    Barbershop Harmony: What’s a Tag? Please leave this space blank. Harrison Kahle von Bose Methods Results Figure 2 – Post Office Utah State University Quartet Collaboration was integral to this Four typical harmonic practices that Under tutelage of: project. Dr. Chenette met with me characterize barbershop: Dr. Tim Chenette regularly gave guidance and further • The Hollywood Cadence: IV-iihalf-065-I 7 o7 Utah State University instruction to improve analytical skills. • Secondary Chords: V /V, and vii /V • Circle of Fifth Progressions: iv-ii-V-I 1. Research history, culture, and • The Unexpected: False Endings and previous studies on barbershop Sudden Key Changes Introduction 2. Select and analyze tags. 3. Discuss findings with Dr. Chenette Barbershop was a cultural music of 4. Compare and contrast tags African-Americans in the post-Civil War Since the 1950’s, Barbershop has been a 5. Justify differences South, and shares much with early Jazz. fringe musical culture in the United States. 6. Organize tags based on findings Enjoyed wild popularity before the The members of the Post Office Quartet After years of studying classical harmonic 7. Attend a Barbershop Festival 1920’s. Revived by wealthy whites as a were able to come together from across structure, I hoped to take my analytical 8. Present findings in a Lecture-Recital Neo-Victorian hobby in the late 1930’s. three states to provide live examples at skills and discover what it is about the Lecture-Recital. barbershop harmony makes it so unique. As suggested by the Barbershop Harmony Societies own theory program, I studied Figure 1 – Analyzed Tags tags from many different pieces, rather Conclusions than analyzing full charts (works of barbershop music) in order to understand Barbershop harmony has evolved with the the elements of barbershop harmony.
    [Show full text]
  • YWIH Teachers' Guide
    TEACHERS RESOURCE Teachers’s guide Contents HARMONY ......................................................................................................................................... 2 BARBERSHOP ARRANGEMENTS ......................................................................................................... 2 VOICE PARTS ..................................................................................................................................... 2 BALANCE OF SOUND ......................................................................................................................... 2 VOICE RANGES .................................................................................................................................. 3 TENOR ......................................................................................................................................................... 3 LEAD ........................................................................................................................................................... 3 BARITONE .................................................................................................................................................... 3 BASS ........................................................................................................................................................... 4 BALANCE OF VOICES .......................................................................................................................... 4 INTERPRETATION
    [Show full text]
  • In a Nutshell: What Makes Barbershop Sound Different from Other Singing Styles?
    In a Nutshell: What Makes Barbershop Sound Different From Other Singing Styles? Excerpts from an article by Jon Nicholas Reason #1: The Melody Is In The Middle The melody of a song is the part that people hum or whistle when they have a song stuck in their heads. If there's a sing-a-long, most people involved will sing the melody, since that's what they know best. When people sing Happy Birthday To You, it's the melody that's heard most prominently. Now, with most styles of singing, the melody is usually the highest part. In church hymnals and most choral music, for example, the sopranos have the melody and all the harmony parts are sung on lower notes. The altos are right below the melody, then the tenors, and finally, singing those very low notes, the basses. In barbershop, the melody is usually not the highest part. The tenor sings above the melody, then comes the lead (he sings the melody) and baritone, who are constantly swapping places, and finally the bass who, once again, sings those very low notes. Barbershop is not the only style that utilizes this structure (gospel quartets also use it), but it's the first element that starts to separate it from other styles. Reason #2: The Dominant Seventh Chord A musical chord is when more than one note is sung or played at the same time. In barbershop, there are four singing parts, so most of the time we hear four-part chords, and one of those four-part chords is called the Dominant Seventh.
    [Show full text]
  • Melodiesformillions 25Years.Pdf
    COPYRIGHT DECEMBER, 1965 S.P .E.B.S.Q.S.A., Inc. A n n-profir, educarional and charirable or­ ganizarion founded in rhe srare of Oklahoma. IN TERNA TIONAL HEADQUARTERS 6315 THIRD AVEN UE KEN OSHA, W ISCONSIN 53141 PRINTED IN U .S.A. Melodies For Millions By WILL COOK A Twenty-Five Year History Published by the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America Inc. Owen C. Cash, Founder Rupert I. Hall , Co· Founder Acknowledgment 111 addilion 10 AmboI' 1I ~ il/ Cook, wbose Imgic dealh pre­ vented him. from. finisbing "Melodies For Mil/iow", Ihe Society i.s indebled 10 many Barbersboppers wbo aHilled in the prepara­ lion of olfr twent"-fiIJe ,'ear hillory. IP'hen the book was in tbe plmming slage much of tbe initial //lork was done by tI special Twent,'-Pi IJe Yenr History CO!Jlmiflee compriled of form er international Hiltorian and Bonrd Member Calmer Brow)', former ExeclllitJe DireClor Bob Hafer, former Public Relntiom Director {Illd HA R"'ON I ZEl~ Edilor C/(rl Hacke", Headq/((Irters 0Dice Manager and AH;slnnt [mernaliontll TreaJllrer Bill alto dud tbe lale Slir/ing If/ ilson. ltr e also 'lI)a11l to acknowledge tbe cont ributions of artisl Rik Ogden, iHiami, Florida, who created Ihe COIJer, and Char/ie If/ilcox, Freeport. Illinois, who finished Ihe book from Cook'J noles and prol1ided Ihe Poreword. Foreword \Xfhen I first delved into the mountain of notes left by Will Cook, the hundreds of pages of material furnished by dozens of V I Ps in our Society, years and years of HARMON­ IZERS and the early segments of "MELODIES FOR MILLIONS", my thought was: "It can't be done, not in the required time." But for one who was continually reminding others to accentuate the positive, that was no way to think.
    [Show full text]