School Catalog, 1916-1917
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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
Crystal Reports
Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm. -
The Finding Aid to the Alf Evers Archive
FINDING AID TO THE ALF EVERS’ ARCHIVE A Account books & Ledgers Ledger, dark brown with leather-bound spine, 13 ¼ x 8 ½”: in front, 15 pp. of minutes in pen & ink of meetings of officers of Oriental Manufacturing Co., Ltd., dating from 8/9/1898 to 9/15/1899, from its incorporation to the company’s sale; in back, 42 pp. in pencil, lists of proverbs; also 2 pages of proverbs in pencil following the minutes Notebook, 7 ½ x 6”, sold by C.W. & R.A. Chipp, Kingston, N.Y.: 20 pp. of charges & payments for goods, 1841-52 (fragile) 20 unbound pages, 6 x 4”, c. 1837, Bastion Place(?), listing of charges, payments by patrons (Jacob Bonesteel, William Britt, Andrew Britt, Nicolas Britt, George Eighmey, William H. Hendricks, Shultis mentioned) Ledger, tan leather- bound, 6 ¾ x 4”, labeled “Kingston Route”, c. 1866: misc. scattered notations Notebook with ledger entries, brown cardboard, 8 x 6 ¼”, missing back cover, names & charges throughout; page 1 has pasted illustration over entries, pp. 6-7 pasted paragraphs & poems, p. 6 from back, pasted prayer; p. 23 from back, pasted poems, pp. 34-35 from back, pasted story, “The Departed,” 1831-c.1842 Notebook, cat. no. 2004.001.0937/2036, 5 1/8 x 3 ¼”, inscr. back of front cover “March 13, 1885, Charles Hoyt’s book”(?) (only a few pages have entries; appear to be personal financial entries) Accounts – Shops & Stores – see file under Glass-making c. 1853 Adams, Arthur G., letter, 1973 Adirondack Mountains Advertisements Alderfer, Doug and Judy Alexander, William, 1726-1783 Altenau, H., see Saugerties, Population History files American Revolution Typescript by AE: list of Woodstock residents who served in armed forces during the Revolution & lived in Woodstock before and after the Revolution Photocopy, “Three Cemeteries of the Wynkoop Family,” N.Y. -
Edith Vanderbilt and Her Moonlight School Wilkie L
Kennesaw State University DigitalCommons@Kennesaw State University Dissertations, Theses and Capstone Projects Summer 2011 Aristocracy and Appalachia: Edith Vanderbilt and Her Moonlight School Wilkie L. Whitney Kennesaw State University Follow this and additional works at: http://digitalcommons.kennesaw.edu/etd Part of the United States History Commons, and the Women's History Commons Recommended Citation Whitney, Wilkie L., "Aristocracy and Appalachia: Edith Vanderbilt and Her Moonlight School" (2011). Dissertations, Theses and Capstone Projects. Paper 459. This Thesis is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Dissertations, Theses and Capstone Projects by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Aristocracy and Appalachia: Edith Vanderbilt and Her Moonlight School By Wilkie Leatherwood Whitney A capstone project submitted in partial fulfillment of the Requirements for the degree of Master of Arts in Professional Writing in the Department of English In the College of Humanities and Social Sciences of Kennesaw State University Kennesaw, Georgia 2011 Kennesaw State University MAPW Capstone Project Aristocracy and Appalachia: Edith Vanderbilt and Her Moonlight School Whitney Leatherwood Wilkie 2 Table of Contents Chapter 1: Introduction………………………………………………………………..8 Chapter 2: Biltmore Bound…………………………………………………………....22 Chapter 3: Edith and Her Moonlight Schools………………………………………….43 -
Deaths Reported in the Brockport Republic-Democrat from 07/02/1925 to 10/02/1953
Deaths reported in the Brockport Republic-Democrat from 07/02/1925 to 10/02/1953 Name Age Date of Death Place Thursday Page Col. Paper Date Abbe, Helena R. 79 Oct 28 1944 Springfield, MA Nov 02 1944 5 4 Abell, Frances J. Blackstock Nov 19 1925 Phoenix, AZ Nov 26 1925 1 4 Abell, James S. 24 75 yr history N. Bergen, NY Nov 23 1939 2 3 Aber, Raymond 15 yr history barge canal May 28 1931 4 2 Aberle, Janet C. 18 Jul 19 1934 Batavia, NY Aug 02 1934 1 2 Ackerman, Elmer W. Thursday Rochester, NY Apr 21 1938 4 3 Acton, Edward Tues. last week W. Sweden, NY May 12 1927 7 4 Acton, Robert N. Bergen Dec 26 1935 2 1 Acton, Robert E. 46 Dec 20 1935 Rochester, NY Jan 02 1936 5 5 Adams, Burtie H. 75 Jul 24 1953 Batavia, NY Jul 30 1953 3 5 Adams, Charles 18 Sunday S. Byron, NY Sep 29 1949 6 3 Adams, Clara Mar 10 1950 Churchville, NY Mar 16 1950 4 2 Adams, Dorcas A. 98 Sunday Garland, NY Jun 19 1930 1 3 Adams, Ed L. Monday Marathon, NY Oct 10 1940 4 3 Adams, Elizabeth Gillies 86 Apr 11 1952 Brockport, NY Apr 17 1952 1 1 Adams, Ella Colby last week Spencerport, NY Jun 13 1946 5 4 Adams, Elmer 60 this morning Apr 24 1947 1 4 Adams, Elmer Grant Apr 24 1947 Brockport, NY May 01 1947 5 4, 5 Adams, Eva Hoffman Nov 26 1935 Lockport, NY Dec 05 1935 5 2 Adams, Frank S. -
Catholic Writers, Thomas Cole, a Recording of NY Phil Soloists & More
Subscribe Past Issues Translate RSS View in browser Weekly recommendations from the editors of The New Criterion on what to read, see, and hear in the world of culture. Installation view of “Thomas Cole’s Refrain: The Paintings of Catskill Creek,” at the Thomas Cole National Historic Site. Photo: © Peter Aaron / OTTO. May 6, 2019 Catholic writers, Thomas Cole, a recording of NY Phil soloists & more. Nonfiction Subscribe Past Issues Translate RSS The Catholic Writer Today, by Dana Gioia (Wiseblood): In December 2013, First Things magazine published Dana Gioia’s essay “The Catholic Writer Today.” The role of the Catholic writer has diminished in recent decades, Gioia believes, particularly in America. In the last century, the list of literary Catholics was impressive, including Flannery O’Connor, Walker Percy, Robert Lowell, Allen Tate, and Thomas Merton, just for starters (not to mention their prolific cousins in Britain: Graham Greene, Evelyn Waugh, J. R. R. Tolkien, and Muriel Spark). In this new collection, Gioia aims to fortify our sense of the Catholic influence on English-language literature through Subscribe Pasthistorical Issues essays (John Donne, Elizabeth Jennings, and that quintessential Translate RSS priest-poet, Gerard Manley Hopkins, make appearances), two interviews, and occasional writings on George Tooker, modern martyrdom, Aquinas in Los Angeles, and more. Gioia, the former chairman of the National Endowment for the Arts, is a compelling advocate for the diversity and vitality of Catholic writing in America. —HN Art Thomas Cole, On Catskill Creek, ca. 1845–47, Oil on panel, New-York Historical Society, Collection of Arthur and Eileen Newman. -
The Tjhivbrsitt Op Oklahom Graduate College
THE TJHIVBRSITT OP OKLAHOM GRADUATE COLLEGE THE PRE-RAPHAELITES AHD THEIR CRITICS: A TENTATIVE APPROACH TOWARD THE AESTHETIC OP PRE-RAPHAELITISM A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OP PHILOSOPHY BY WILLIAM EVAN PREDEMAN Norman, Oklahoma _________ l â 5 6 __________ THE PEE-EAPHABLITBS AND THEIR CRITICS A TENTATIVE APPROACH TOWARD THE AESTHETIC OP PRE-RAPHAELITISM APPROVED BT Æ", ~hi. I DISSERTATION COMMITTEE PEBPAOE The purpose of this study is to exsimine the view points of a sufficient number of critics of the Pre- Eaphaelite Movement to arrive at a tentative definition and to place the movement in its proper historical per spective. The primary emphasis will be literary. But since ,the Pre-Raphaelite Movement began as a movement in painting and so expanded in its later phase that its influence spread to furniture making, interior decoration, tapestry and wall paper design, and book making and illustration, a completely literary study of the movement would be as inadequate as one dealing solely with the painting. Numerous studies have been made of the indi vidual Pre-Raphaelites and of the movement in general. Most of these, however, are devoted to relating biographi cal facts and to tracing the history of the movement. Critical studies of the aesthetic underlying the movement and motivating the individual members are few in number. Although Pre-Eaphaelitism is well documented, no universal agreement concerning the historical facts of the movement exists. Por this reason, the first part of the study is essentially historical, tracing the successive Phases through which Pre-Ranhaelitism progressed. -
Download and Read Here
THOMAS FARRER AND THE PRE-RAPHAELITE MOVEMENT IN AMERICA by Lawrence B. Siddall The Pre-Raphaelite movement in American art was brief, lasting only ten years from about 1857 to1867. It appeared quickly on the horizon and then virtually vanished. In that short time, however, the movement made a significant impact. Yet little is known about it today. “It is a largely forgotten chapter in American Art”.1 What most defined this movement was the desire to revolutionize art in America and establish an aesthetic that was based on the principle of truth in nature as found in the writings of John Ruskin, the mid-19th century British critic, writer and artist. Ruskin wrote: “The word truth, as applied to art, signifies the faithful statement, either to the mind or senses, of any fact of nature.”2 While some of the artists associated with this movement called themselves Realists or Naturalists, most preferred the term Pre-Raphaelite because they saw their cause as similar to that of the Pre-Raphaelite artists in England who also wanted to change the course of art, in their case rejecting the traditional and rigid standards of the Royal Academy. The British artists, too, had been strongly influenced by the writings of Ruskin and took the name Pre-Raphaelite because they believed that true art existed only in Italian painting prior to Raphael. One difference between the British and American movements was the fact that the British artists had a preference for figural painting, whereas the Americans focused more on landscape, still-life and what was called the nature study (as distinct from a sketch). -
Dark Night of the Soul the Presence of the Divine
Healing Environments 451 Lytton Avenue Nonprofit Together Palo Alto, CA 94301 Organization U.S. Postage we Phone: 650.322.1428 PAID will Fax: 650.322.3560 San Francisco, CA comfort Email: [email protected] Permit No. 436 the Web site: www.healingenvironments.org suffering Our Mission Our mission is to aid the current movement toward holistic medicine Ð toward treating the whole patient (mind, body, spirit) and encouraging hospitals, hospices and individuals to nourish patients, families and care- givers with healing environments. What is a healing environment? We believe a healing environment is one that offers sustenance to the soul and gives meaning to experience. It is one that enables those who are suffering to transcend their pain by connect- Please share this newsletter with ing to the universal through the a loved one, colleague or patient. Place it in transformative power of beauty and art, and that gives comfort through a library, waiting room or resource center. this connection. D a a r h k e v a o l l i D N u n o m g e e i a f e n g i g v r h t i h r t o , k h n n t u m m e N e o b n e t r S s f i t p w g u o t o b , l h u h 2 i c 0 a 0 t e l t 3 i o S n o u l O Spirit of Light ll of us, at sometime, pass Who art both infinite and eternal, through a dark night of the Illumine our lives soul. -
Et Leurs Représentations Dans Les Paysages Nord-Américains
ISOLDA GAVIDIA Les théories ruskiniennès de l'authenticité et leurs représentations dans les paysages nord-américains Mémoire présenté à la Faculté des études supérieures de l'Université Laval dans le cadre du programme de maîtrise en histoire de l'art pour l'obtention du grade maître ès art (M. A.) DEPARTEMENT D'HISTOIRE FACULTE DES LETTRES UNIVERSITE LAVAL QUEBEC 2009 © Isolda Gavidia, 2009 11 Résumé Le présent mémoire cherche à analyser les correspondances qui s'établissent entre les théories esthétiques et morales de John Ruskin (1819-1900) et les œuvres des paysagistes nord-américains. Plus particulièrement, nous nous attardons sur le cas particulier d'Allan Aaron Edson (1846-1888), un artiste canadien, dont la première période de sa carrière, située entre 1864 et 1880, rencontre les conceptions ruskiniennes. Par l'analyse des ouvrages de John Ruskin, la série des Modern Painters et Elements of Drawing, nous dégageons la notion d'authenticité, conception fondamentale de l'auteur sur l'art et la nature. Pour mieux cerner la complexité de cette médiation artistique, nous étudions les relations entre les théories' ruskiniennes et sa réception par l'Amérique du Nord. En traitant des questions identitaires, il nous est alors possible d'analyser le vocabulaire idéologique, stylistique et technique employé par les paysagistes américains. Nous analysons ensuite les implications de ces théories dans la pratique d'Edson. 111 Avant-propos Je tiens à exprimer ma profonde gratitude à mon directeur de recherche, M. Didier Prioul. Je le remercie pour sa patience et ses conseils judicieux qui me furent d'une aide précieuse. Sa rigueur et son érudition ont grandement stimulé ma passion et mon intérêt pour l'histoire de l'art canadien. -
G R E E T I N G S Volume Lv
G R E E T I N G S VOLUME LV PUBLISHED BY THE JUN IOR CLASS OF HOBART COLLEGE MCMXVI To THE REV. JOHN BRE,\iVSTER HUBBS , A.B., B.D., D.D., D.C.L., 'I> B l( CHAPLAIN OF THE COLLEGE AND INSTRUCTOR IN HISTORY Is THIS BOOK AFFECTIONATELY DEDICATED By THE CLASS OF NINETEEN SEVENTEEN s AN evidence of the high esteem and res.pect which we, the A members of the CLASS of 1917, hold h1m, we respectfully · dedicate this, the fifty-fifth volume of the E CHO OF TI-IE SENE CA, to a loyal friend of H obart and her students, JOHN BREVi'- STER H UBB S, A.B., B.D., D.D., D.C.L., Chaplain of the College and Instructor in Hist ory. Doctor Hubbs was graduated from Union in 1877, a member of the Alpha Delta Phi fraternity, and went directly t o the General Theological Seminary, from which he got his B.D., in '80. Franklin presented him with the doctor's degree in '97, and the Chicago Law School with a D.C.L. in the sam e year. Doctor Hubbs became rector of St. James' Church, Oneonta, N. Y. , immediately after leaving the seminary, and remained there one veal'. From 1881- 82, he was rector of St. Augustine's, Ilion, N. Y. In 1882 he became assistant rector of St. Paul's Church, Albany. In 1884 he was called to St. John's parish, Johnstown, N. Y., where he remained for six years. H e then accepted a call to Grace Church, Grand R apids, Mich., where he remained until 1897, when he becam e rector of St. -
The Inventory of the Boston City Hospital School of Nursing
The Inventory of the Boston City Hospital School of Nursing Collection #N98 Howard Gotlieb Archival Research Center ,/ Boston City Hospital Training School for Nurses Deposit 1976 N98 I. STUDENT RECORDS (with Date of Entry; Date of Completion/Withdrawal) Boxl Date of Date of diploma Entrance completion w/d. Folderl Aanrud, Maria Josephine 1881 1883 25 April 1862 - Lillehammer, Norway Abate, Mrs Catherine Ann Patricia (McEwan) 1952 1955 1 Aug. 1934 - 9 June 1960 Boston Abbott, Mary Ellen Brown 1901 21 Dec. 1867 Worcester, Vermont Folder 2 Abercrombie, Mary Langlands 1897 1898 5 Nov. 1870 St. Helens, Lancashire, England Ackerman, Ruth Mildred 1898 1900 14 Aug. 1974 Ricton, Ontario, CANADA Adam, Elizabeth Isabel 1910 1913 9 Nov. 1880 Malden, Mass Folder 3 Adams, Elizabeth Josephine 1915 1919 30 Jan. 1892 Jaffrey, New Hampshire Adams,Mrs. Anne See Dickson Adams, Ruthett 1885 1887 17 June 1884 W. Brookfield, Massachusetts Adams, Lucy Diana 1907 1910 10 Sept. 1886 Redfield, NY Folder 4 Adamson, Mildred Melissa 1911 1914 20 Aug. 1888 Woburn,MA Adamson, Agnes MacFarland 1913 1914 7 March 1884 Leith, Scotland Ahn, Mary Winifred 1901 1903 8 April 1876 Birmingham, England Folder 5 Ainsworth, Libbie Sophia 1884 1886 24 Jan. 1863 Waitsfield, VT Aldred, Edith Henrietta 1901 1903 9Nov. 1873 Lawrence, Massachusetts Alexander, Lila Maria 1886 1889 28 Jan. 1863 Hamond, Kings Co., New Brunswick, Canada Allan, Edith Marion 1904 1906 10 July 1881 Dennysville, Maine :Folder 6 Allan, Vera Agnes 1912 1915 20 May 1891 Hillsdale, Ontario, Canada Allen, Elizabeth Robinson 1886 1889 28 May 1878 Fredericton, New Brunswick, Canada Allen, Ella Maria 1892 1894 14 March 1867 Windsor, Nova Scotia, Canada Allen, Ellen Minot 1897 1889 4 June 1870 London, England Almond, Sarah 1913 1915 29 Jan 1886 Bolton, England Folder 7 Andrews, Eleanor Josephine 1921 1924 24 Oct.