G R E E T I N G S Volume Lv
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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp. -
The Gqlby Eohio
\v ¦ - —*" The GQlby Eohio ¦ ¦ ' „ ¦ ¦ ¦ ' ~ - M '*"-¦ " ¦.¦¦. - Vol. XIX Waterville, Maine, November 17, 1915 No. 8 PUBLISHED WEDNESDAYS DURING THE COLL EGE YEAR BY ; THE STUDENTS OF qOLBY COLLEGE : The College Store : Boys, we appreciate your business, but whether you want to buy or not we are always glad to see you COME IN , LOOK AROUND AND MAKE ^-^- This Store Your Store ^- ^ THE R R DUNHAM CO. 64 Main Street Watervi lle, Maine ¦(¦¦¦¦inimwii 7—"—**— ¦ ' ¦¦¦¦ 11 i i i i i ; . ¦¦¦¦¦ 111 ¦¦¦ tmm ii ¦ ¦ ¦ 1 M>-M 1 ¦*——— —^—— i ¦.... ¦. ,„ , M M ^^^^ 11 ^ ——— ' '— " ^ " " |""" — "" " ' " ' ' — ..w ^ ELEANOR R. GILLETT E PUBLIC STENOGRAPHER A High Standard A Specialty of Note Books, Articles , Themes. Tel. 53-W. Over Kelley's Book Store. of qualit y with prices con- sistent with the same r is the aim of this store J. D. NEAL ¦ - . r Phot ographer * i 93 Ma in St., Wate rville i V EMERY- BROWN CO. PENOBSCOT EXCHANGE Department Store MOON & CRATTY, Proprietors- WATERVILL E, - ~ - MAINE BANGOR , - ¦ MAINE ¦ i " ' . i —«——¦—mm-mmmm I.I ' j* COLBY COLL EG E WATERVILLK, MAINE Courses leading to the degrees of A. B. and S. B. For Catalogue, Address A. J. ROBERTS, President Waterville, Maine ¦ ¦ ¦ . i i i M ' -l J G. S. FLOOD & CO. S. L. PREBLE Shippers and dealers in all kinds of 66 Main St., Waterville , Me. Anthracite and Bituminous Coal Also Wood, Lime, Cement , Hair, Brick , College and Drain Pipe. Coal Yards and Office, Corner Main and Pleasant Streets Photographer Down Town Office, S. B. WHITCOMB CO. Up Town Office , J*, t,. GOVE Wlnslow Office , R. -
WSU Student Organization Rosters 1937-1949
List of Recognized Sororities at Wayne University in good standing November 1, 1937 Name of Sorority Alpha Sigma Tau March 4, 1925- x x' ~Alpha Theta Sigma x I I , /i Del te. Gammi Chi Decen~er 6, 1926 x rI Intersority Council December 6, 1926 x Lambda Kappa Sigma November 12, 1930- x x Mu Phi Epsilom Aprl1 3, 1936 x Omega Delta Chi Februe.ry 25, 1932 Pi. Kappa Sigma November 18, 1937' x I Sigma Rho Chi November 20, 1934 x ~ Zeta Chi December 6, 1926 x *No reports from these organizations for 1937-38. List of Reco€!,nized Fraternities at Wayne University in good stsnding No~ember 1, 1937 . Organization Heports Name of Fraternity Date of Recognition 1936-J7 1937-Ja *Alpha Delta Psi Recognized x Alpha Phi Alpha. Recognized (No date) x Arabs March 4, 1926 x x ·,phege. December 6, 1926 x x ~psilon Sigma December 12, 1926 X X *Gamma Phi Delta Jme 10, 1927 X ~o~a Eps~lon Phi - Probation - April 26, 1932 *Kap:pe. Chi Probation - Me.reh 19, 1926 x . Phi Alpha Recognized (No date) X *l.'i Sigma Alpha November 20, 1931 X raf Delta October u.,. 1934 X X *Rho Pi Phi January 21, 1930 X *Shahs No~ember 15, 1926 X Sphinx February 25, 1927 X X " / ... *No reports from theSe organizations for 19.37-38 Other Student Organizations in regard to whose recognition there is no evidence in the ofrioe of the Dean of Students. Organization Report Name ofOrganizat!on 1936-27' 19;7-J8 Association of Women Students N6 No Engineering Society X No French Club No No Gas House Gang No date X X German Olub No No .-.. -
Crystal Reports
Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm. -
Botanist Interior 43.1
18 THE MICHIGAN BOTANIST Vol. 50 “FRATERNALLY, ED”—A REMEMBRANCE OF ED VOSS FROM UNDERGRADUATE DAYS Tom S. Cooperrider Department of Biological Sciences Kent State University Kent Ohio 44242 I met Ed Voss (Fig. 3) in 1947 (65 years ago!), when we were both freshmen at Denison University in Granville, Ohio. Ed had enrolled in September 1946. I was discharged from the Army in November and enrolled at Denison in January 1947. By the end of the spring semester, we were members of the same frater - nity. Over the years since then, he always closed his letters with the words, “Fra - ternally, Ed.” Those who know us might not think of either Ed or me as a typical fraternity man, and that would be correct. An understanding of how we came to be frater - FIGURE 3. Ed Voss as an under - graduate at Denison University. 2012 THE MICHIGAN BOTANIST 19 nity brothers requires an understanding of the times and the environment. Acad - emically, Denison afforded its students a first-class education and a close work - ing relationship with the inspiring professors. Socially, college life at Denison in the 1940s was in some ways like that depicted in early Hollywood movies, com - plete with everything from sweetheart serenades to pep rally bonfires. Among other traditions, coats and ties were required for dinner, and following the meal we remained at the table and sang college and fraternity songs. Of the male stu - dents, 95% joined a fraternity, and the other 5% were mostly students living at home. For the men residing on campus, belonging to a social fraternity was al - most a necessity. -
Will Present Annual Concert Shadow and Substance Performance Proves
Song Contest Glee Clubs Luncheons Highlight Special Mothers Day Program eft May Day festivities to be observed tomorrow morning on south plaza at 1030 promise to be the most colorful Denison has witnessed in several years Freshman girls carrying flowered arches sophomores Volume 80 Denison University Granville Ohio May 10 1946 Number 27 releasing gay balloons juniors throwing confetti and seniors march- ing in cap and gown to the strains of Pomp and Circumstance will con- tribute to the pagentry of the occasion At noon special luncheons are to be served for mothers in the sorority houses Fraternity luncheons are scheduled to be held in Shepardson All women who are not attending the luncheons are re- L2TSU Two Guest Soloists quested to eat at Curtis while men not previously assigned will be served at Cohvell Featured Sunday Voth Mukiahata Tomorrow evening Womens Glee club will present its an- Culminating years activit- the nual home concert in Swasey cha- spring performa- Carpenter Receive ies the choral pel at 830 Other choral groups nce will be held in Swasey Chap- participating in the program will p on Research Fellowship el at 215 m Mothers Day be the Mens Glee club and the The Festival Chorus assisted by Helen Carpenter Tad Muka- Girls Octette the A Capella choir will present ihata and Marica Voth were Varied Musical Program in the latin text Gabriele Faures 11 honored at the annual meeting Kequiem Ut Student directors Ev Woosley of the Denison research foun- and Bob Sherwood will As a tribute to the members of direct dation by election -
61 the Monx Head Medal for the Best Record in Three Years' Work, Scholarship and All Activities Being Taken Into Account, to Miles E
I9I2 SYRACUSE UNIVERSITY 61 the Monx Head medal for the best record in three years' work, scholarship and all activities being taken into account, to Miles E. Robertson, Law, '12. This is the first year of the award. -The names of the successful candidates will be inscribed on the Monx Head tablet to be kept in the Trophy room of the Gymnasium. May 8. The 1913 Onondagan went on sale this morning. It is a fine book. It is dedicated to Chancellor Day and Mrs. Nottingham. The base ball men start on a western trip to play with the University of Michigan and the Michigan Agricultural College. Professor C. W. Hargitt gave an illustrated lecture on slums. The Mu Phi Epsilon Sorority opens its ninth annual convention here. The first event is a concert which was held this evening in John Crouse College. It is announced that Guiseppe Nicolais wins the gold medal offered by the Devils Own, Senior Law Society, for the best scholarship in the Junior class. The last meeting of the English Club was held at the Kappa Kappa Gamma chapter house. They will have a picnic on June 6th or 8th at South Bay. Professor Morris was elected President. May 9. Glenn H. Holmes, .Chief Engineer of the Intercepting Sewer Commission of Syracuse, addressed the Civil Engineering Society, illus trating with slides showing the construction work on the new sewer. Second college sing was held on the campus at 7:15 p. m. The Senior Class held a meeting in John Crouse College and adopted the Constitution £rained by the Senior Senate. -
The Finding Aid to the Alf Evers Archive
FINDING AID TO THE ALF EVERS’ ARCHIVE A Account books & Ledgers Ledger, dark brown with leather-bound spine, 13 ¼ x 8 ½”: in front, 15 pp. of minutes in pen & ink of meetings of officers of Oriental Manufacturing Co., Ltd., dating from 8/9/1898 to 9/15/1899, from its incorporation to the company’s sale; in back, 42 pp. in pencil, lists of proverbs; also 2 pages of proverbs in pencil following the minutes Notebook, 7 ½ x 6”, sold by C.W. & R.A. Chipp, Kingston, N.Y.: 20 pp. of charges & payments for goods, 1841-52 (fragile) 20 unbound pages, 6 x 4”, c. 1837, Bastion Place(?), listing of charges, payments by patrons (Jacob Bonesteel, William Britt, Andrew Britt, Nicolas Britt, George Eighmey, William H. Hendricks, Shultis mentioned) Ledger, tan leather- bound, 6 ¾ x 4”, labeled “Kingston Route”, c. 1866: misc. scattered notations Notebook with ledger entries, brown cardboard, 8 x 6 ¼”, missing back cover, names & charges throughout; page 1 has pasted illustration over entries, pp. 6-7 pasted paragraphs & poems, p. 6 from back, pasted prayer; p. 23 from back, pasted poems, pp. 34-35 from back, pasted story, “The Departed,” 1831-c.1842 Notebook, cat. no. 2004.001.0937/2036, 5 1/8 x 3 ¼”, inscr. back of front cover “March 13, 1885, Charles Hoyt’s book”(?) (only a few pages have entries; appear to be personal financial entries) Accounts – Shops & Stores – see file under Glass-making c. 1853 Adams, Arthur G., letter, 1973 Adirondack Mountains Advertisements Alderfer, Doug and Judy Alexander, William, 1726-1783 Altenau, H., see Saugerties, Population History files American Revolution Typescript by AE: list of Woodstock residents who served in armed forces during the Revolution & lived in Woodstock before and after the Revolution Photocopy, “Three Cemeteries of the Wynkoop Family,” N.Y. -
University of Cincinnati News Record. Thursday, March 23, 1961. Vol
" .'" '.' " \~ .. ~' . ,.:, . W" .. ·· ... ii.',.•.•,.••.••'. i, .' ".~~.,' ' .''f'.'''' " '.••• , .. T..~"·wo:·:. ··I'ns N-E:AA \"Cro"'n- < •. ~ ~\_:.~ " Greeks I Celebrate, . r.. ~~: ~', :s~~'~' ·'·u /;Week.OJ Jubilafio'n N.W:t\\{~~~RECO.1.'·..Greek'Weekgets into run swing with the Greek Goddess '\' -'""""~' t, ~ , "NCAA victory dance at '8:30 p. m. tomorrow at the Topper .' ~ , ", • ClUb:. TV sets, will lie placed around the dance In strategic , .. , spots for watching the Bearcats play at 10:30 p. m., according to, Bob Hartmann, EN,G:~'64, and Canaline Muster, A&S "62) _' Series BE22 Z552 Cincinnati, Ohio, Thursday,Ma'~ch, 23, 1961 co..chairmen of. Greek W~ek. 'The G~'orge Smith and ,pon 'Russia, and .the U.S. Miller orchestra, will play for the dance. Ea~h of. the .fra,. 'ternities has a candidate for ' I . '. Greek Goddess; the winner will be announced'at thedi.'nce. ~e'on"VolkoV' TQ"'Spe,ak TicketswiH be sold' at the door .,,~. from 8:J:5"'to 11:00 • <'Greek 'Week, which ends Wed- nesday, isa Week Ofactivities plan- ned for all cthe fraternities and' At St:udent Convocation sororities on campus. It will' be Lesh, AA '63; and Phi Delta highlighted with games, seminars, Theta-c-Marcia- Detmering, TC '62.- Mr: Leon Vplkov,- former Lf Thinks I'ni ~ead." .He also suc- Volkovtraveled with him. open houses, and a banquet besides Also candidates are: Acacia- Colonel in the Russian Air Force; cessfully predicted, that Malen- will speak at a Student Council Dean Burseik will preside over the dance. Ellen Herbert,. A&S '63; Judy kof woul,~ succeed Stalln. -
Creativity in Jazz
Creativity in Jazz Norman Lawrence Meehan A thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy New Zealand School of Music 2014 1 Creativity in Jazz ................................................................................................................ 1 Acknowledgements .......................................................................................................... 7 Part One: Creativity and Jazz ......................................................................................... 8 Introduction ........................................................................................................................ 9 Why are these questions important? .................................................................................. 9 The central idea ....................................................................................................................... 17 Thesis Plan ................................................................................................................................ 19 Chapter One: Creativity, and its importance ......................................................... 24 Why is creativity important? ............................................................................................... 24 Creativity in Music? ................................................................................................................ 27 Defining creativity ................................................................................................................. -
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on.