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Christian Iconography in CS Lewis's
Volume 23 Number 2 Article 5 4-15-2001 "'Where Sky and Water Meet'": Christian Iconography in C. S. Lewis's The Voyage of the Dawn Treader Salwa Khoddam Oklahoma City University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Khoddam, Salwa (2001) ""'Where Sky and Water Meet'": Christian Iconography in C. S. Lewis's The Voyage of the Dawn Treader," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 23 : No. 2 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol23/iss2/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Examines a set of images from Christian iconography that underlie the structure of The Voyage of the Dawn Treader: light, the sun, the ship, the garden, particular characters, and the pageant which incorporates all of them. The author also describes two of what she calls “false icons”: the sea and natural appetites. -
The Great War and Narnia: C.S. Lewis As Soldier and Creator
Volume 30 Number 1 Article 8 10-15-2011 The Great War and Narnia: C.S. Lewis as Soldier and Creator Brian Melton Liberty University in Lynchburg, VA Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Melton, Brian (2011) "The Great War and Narnia: C.S. Lewis as Soldier and Creator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 30 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol30/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Looks at influence of orldW War I in Lewis’s autobiography and on war in Narnia, correcting mistaken search by some critics for deep-seated war trauma in Lewis’s life. Reinforces that Lewis and Tolkien were not psychological twins, had differing personalities going into the war, and came out of it with different approaches to dealing with war in their fiction. -
Doctor Cornelius Knows It's Important That Caspian Know His Own History
octor Cornelius knows it’s important that Caspian know his own history and the Dhistory of Narnia. Use the facts below to answer the questions on the activity page. NARNIA FACT FILE O When C.S. Lewis started writing his O In choosing the name, ‘Pevensie’, but the author of The Hobbit and The first story about Narnia, he began with C.S. Lewis may have been thinking of Lord of the Rings didn’t like the story the words: “This book is about four the village of Pevensey on the Sussex and Lewis almost didn’t write any children whose names were Ann, coast, which was the historic site of more. Martin, Rose, and Peter. But it is most an early Roman fort built to protect O It was C.S. Lewis’ good friend, about Peter who was the youngest.” England from invasion. It is also the writer Roger Lancelyn Green, who Peter was the only one of C S Lewis’ where Duke William the Bastard of encouraged the author to complete original names for the children to be Normandy came ashore for his the first book about Narnia and, later, used in the books and he was the invasion which culminated in the suggested giving the seven books the eldest not the youngest. Battle of Hastings. overall title, ‘The Chronicles of Narnia’. O C.S. Lewis probably chose the name O C.S. Lewis’ dedicated The Lion, O Although J.R.R. Tolkien didn’t really ‘Peter’ because it had been the name the Witch and the Wardrobe to his like C.S. -
An Introduction to Narnia - Part II: the Geography of the Chronicles
Volume 2 Number 3 Article 5 Winter 1-15-1971 An Introduction to Narnia - Part II: The Geography of the Chronicles J. R. Christopher Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christopher, J. R. (1971) "An Introduction to Narnia - Part II: The Geography of the Chronicles," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 2 : No. 3 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol2/iss3/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Part two is an overview of the geography of Narnia based on textual clues and maps. Speculates on the meaning of the geography in theological and metaphysical terms. Additional Keywords Lewis, C.S. Chronicles of Narnia—Geography This article is available in Mythlore: A Journal of J.R.R. -
Edmund Pevensie As an Example of Lewis's 'New Kind of Man'
Inklings Forever: Published Colloquium Proceedings 1997-2016 Volume 6 A Collection of Essays Presented at the Sixth Frances White Ewbank Colloquium on Article 12 C.S. Lewis & Friends 5-29-2008 A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man' Pamela L. Jordan Taylor University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Jordan, Pamela L. (2008) "A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man'," Inklings Forever: Published Colloquium Proceedings 1997-2016: Vol. 6 , Article 12. Available at: https://pillars.taylor.edu/inklings_forever/vol6/iss1/12 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever: Published Colloquium Proceedings 1997-2016 by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man' Pamela L. Jordan A recurring theme in The Chronicles of excitement and eagerness to explore, likening their Narnia is that Narnia changes those who enter. The new adventure to being shipwrecked (he had read all narrator repeatedly notes the restorative power of the right books). Just as the debate about eating the Narnia and calls the reader's attention to the sandwiches brings tempers to a boil, Edmund is able difference in the children (and adults in The to diffuse the situation with his adventuresome spirit. -
“Aslan's Own Land”: Pastoral
“ASLAN’S OWN LAND”: PASTORAL, IMPERIALISM, AND ENVIRONMENTAL STEWARDSHIP IN C.S. LEWIS’S THE CHRONICLES OF NARNIA By Copyright 2013 Clare Echterling Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. Byron Caminero-Santangelo ________________________________ Dr. Giselle Anatol ________________________________ Dr. Paul Outka Date Defended: March 5, 2013 ii The Thesis Committee for Clare Echterling certifies that this is the approved version of the following thesis: “ASLAN’S OWN LAND”: PASTORAL, IMPERIALISM, AND ENVIRONMENTAL STEWARDSHIP IN C.S. LEWIS’S THE CHRONICLES OF NARNIA ________________________________ Chairperson Dr. Byron Caminero-Santangelo Date approved: March 5, 2013 iii Abstract Recent scholarship on C.S. Lewis’s life, work, and personal views of nature has suggested that we should use his enduring children’s series The Chronicles of Narnia to teach youth environmental appreciation and stewardship. Lewis’s fiction is rich with detailed descriptions of environments that function as more than mere background for human drama; his characters, both human and non-human, often express a deep reverence for the world around them. This is particularly clear in Narnia, in which the kingdom simultaneously mirrors and transcends our own Earth. However, Lewis presents a very specific environmental vision based on his own interpretation of Christian theology that, at the same time, remains bound to the imperial ideologies that dominated Lewis’s time. Together these factors limit Lewis’s environmental vision so that it becomes parochial and culturally exclusive. In fact, the series depicts a type of environmental stewardship that consciously and unconsciously works to legitimize Christian dominion and imperial projects. -
“Appearance and Reality in the Silver Chair” 『東京成徳短期大学紀要』第 24 号 (1991)119 124.
野呂有子 “Appearance and Reality in The Silver Chair” 『東京成徳短期大学紀要』第 24 号 (1991)119 124. ⁻ On the Children in The Chronicles of Narnia, Part Ⅳ ―Appearance and Reality in The Silver Chair: (2)― Yuko Kanakubo Noro VII When the story began, Jill was a self-centered, proud girl. But she has now grown up spiritually through the many experiences she had since she came to Narnia. First of all, she saw Aslan. This was her greatest experience in Narnia. The girl with self-centered point of view met the Omnipotent being with multi-faceted point of view. This fact itself was an enormous influence upon her. She had been holding a certain concept of creatures with the shape of a lion, the creatures which appear to be lions. But Aslan, though His outward appearance was a lion, utterly destroyed her concept: He talked to her, He ordered her to find the lost prince, He taught her the four signs, He saved Eustace, and He blew her to the land of Narnia. He did all the things that “ordinary” lions never did. He uprooted her self-centered preoccupation to begin with: “I was wondering ― I mean ― could there be some mistake? Because nobody called me and Scrubb, you know. It was we who asked to come here. Scrubb said we were to call ― to Somebody ― It was a name I wouldn’t know ― and perhaps the Somebody would let us in ….” “You would not have called to me unless I had been calling to you,” said the lion. [25]6 Jill thought that it was she (and Eustace) that called to Aslan, but was told that the truth was quite to the contrary. -
Visions/Versions of the Medieval in C.S. Lewis's the Chronicles of Narnia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boise State University - ScholarWorks VISIONS/VERSIONS OF THE MEDIEVAL IN C.S. LEWIS’S THE CHRONICLES OF NARNIA by Heather Herrick Jennings A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature Boise State University Summer 2009 © 2009 Heather Herrick Jennings ALL RIGHTS RESERVED v TABLE OF CONTENTS LIST OF ABBREVIATIONS .................................................................................... vii CHAPTER ONE: INTRODUCTION ........................................................................ 1 Lewis and the Middle Ages ............................................................................ 6 The Discarded Image ...................................................................................... 8 A Medieval Atmosphere ................................................................................. 10 CHAPTER TWO: THE HEAVENS OF NARNIA .................................................... 13 The Stars above Narnia ................................................................................... 15 The Narnian Planets ........................................................................................ 18 The Influence of the Planets ........................................................................... 19 The Moon and Fortune in Narnia ................................................................... 22 An Inside-Out Universe ................................................................................. -
The Hero's Journey of Eustace on the Voyage of Becoming
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 17 Lewis & Friends 3-2004 The eH ro's Journey of Eustace on the Voyage of Becoming: What Kind of Animal Do You Want To Be Elizabeth McLaughlin Bethel College, Indiana Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation McLaughlin, Elizabeth (2004) "The eH ro's Journey of Eustace on the Voyage of Becoming: What Kind of Animal Do You Want To Be," Inklings Forever: Vol. 4 , Article 17. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/17 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana The Hero’s Journey of Eustace on the Voyage of Becoming: What Kind of Animal Do You Want to Be? Elizabeth McLaughlin McLaughlin, Elizabeth. “The Hero’s Journey of Eustace on the Voyage of Becoming: What Kind of Animal Do You Want to Be?” Inklings Forever 4 (2004) www.taylor.edu/cslewis 1 The Hero’s Journey of Eustace on the Voyage of Becoming: What Kind of Animal Do You Want to Be? Elizabeth W. -
Prince Caspian, the Calormenes Son of Caspian IX, Narnia Prince Col, in Telmar Behave Born
DRAFT G INTERIOR des3.qxd 11/10/07 15:50 Page 1 Prince Caspian, The Calormenes son of Caspian IX, Narnia Prince Col, in Telmar behave born. Caspian IX From Beginning younger son of very wickedly and The Pevensies murdered by his to End King Frank V of Aslan turns them hunt the White brother Miraz, Caspian X Narnia, leads into dumb beasts. Stag and vanish who usurps the defeats the followers into The country lies out of Narnia throne Northern Giants Archenland in waste. King Outbreak of and becomes Gale of Narnia outlaws in first King of delivers the Lone King Peter raids Prince Caspian Lantern Waste. that country Islands from a Northern Giants. escapes from his Towers built to dragon and is Queen Susan and uncle Miraz. Civil guard that region made Emperor by King Edmund war in Narnia. Creation of their grateful The Pevensies visit the Court of Caspian summons Narnia. Beasts inhabitants The White arrive in Narnia. Calormen. King the Pevensies The Queen killed Rebellion of Shift made able to talk. Pirates from our Witch, Jadis, The treachery of Lune of back to Narnia by a serpent. the Ape. King Digory plants the world take returns into Edmund. The Archenland with Queen Rilian disappears Tirian rescued by Tree of Protection. Outlaws from The empire of possession of Narnia out of the sacrifice of Aslan. discovers his long- Susan’s magic Eustace and Jill. The White Witch, Archenland fly Calormen spreads Telmar far north The White Witch lost son Prince The Telmarines horn. Aided by Narnia in the Jadis, enters across the mightily. -
1 the Chronicles of Narnia: Prince Caspian
1 THE CHRONICLES OF NARNIA: PRINCE CASPIAN 2 THE CHRONICLES OF NARNIA: PRINCE CASPIAN TABLE OF CONTENTS STORY CONTROLS PC XBOX 360 FAQ ACHIEVEMENTS WALKTHROUGH CAIR PARAVEL DEFEND CAIR PARAVEL FIND SUSAN’S HORN DESTROY THE TELMARINES’ WAR MACHINES SINK THE TELMARINES’ FLEET PROTECT THE BATTLEMENTS ESCAPE FROM CAIR PARAVEL RUINS OF CAIR PARAVEL SCALE THE CLIFFS FIND A GRAPPLING HOOK SCALE THE CLIFFS EXPLORE THE RUINS FIND PEVENSIES’ GIFTS FIND PETER'S SWORD AND SHIELD FIND LUCY'S CORDIAL FIND SUSAN'S BOW EXPLORE THE RUINS RESCUE TRUMPKIN FIND A SAFE PATH THROUGH THE WOODS MIRAZ'S CASTLE INFILTRATION DEFEAT THE SENTRIES DEFEAT THE SENTRIES ON THE TURRETS DEFEAT THE SENTRIES ON THE WALLS FIND A WAY INTO THE CASTLE BREAK INTO MIRAZ'S CHAMBERS RESCUE CORNELIUS FROM THE DUNGEONS RESCUE EDMUND AND TRUMPKIN BREAK INTO MIRAZ'S CHAMBERS MIRAZ'S CASTLE ASSAULT BREAK OPEN THE CASTLE'S ENTRANCE LOWER THE DRAWBRIDGE RISE THE PORTCULLIS ASSAULT MIRAZ'S CASTLE PURSUE MIRAZ RESCUE CORNELIUS FROM THE STABLE ASLAN'S HOW REACH ASLAN'S HOW EXPLORE ASLAN'S HOW PREVENT WHITE WITCH'S RETURN HELP LUCY FIND ASLAN EXPLORE ASLAN'S HOW DEFEAT MIRAZ BATTLEFIELD OF BERUNA DEFEAT GREGOIRE FIND A WAY TO THE CISTERN DESTROY THE PILLARS RESCUE CASPIAN AND GLENSTORM DEFEAT GLOZELLE DEFEAT THE TELMARINES COPYRIGHTS 3 THE CHRONICLES OF NARNIA: PRINCE CASPIAN STORY It’s been one year since the Pevensie children returned to the world but in Narnia it’s been 1300 yrs. The game picks up when The Pevensie got magically whipped to a beach with a ruined castle, they soon find out it’s Cair Paravel , where they once ruled as Kings and Queens. -
Arthurian Themes in the Narnia Books
Volume 1 Issue 1 Article 3 January 1970 Arthurian Themes in the Narnia Books Bruce McMenomy Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation McMenomy, Bruce (1970) "Arthurian Themes in the Narnia Books," Mythcon Proceedings: Vol. 1 : Iss. 1 , Article 3. Available at: https://dc.swosu.edu/mythpro/vol1/iss1/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Locates parallels to the broad outlines of Arthurian myth in the character of Prince Caspian, in his conflicted path to his rightful throne, his advisor Cornelius, and his rejuvenation in Aslan’s country. Also considers Reepicheep’s quest for Aslan’ s country as a parallel to the Grail quest. Keywords Arthurian myth in C.S. Lewis; Grail (legend) in the Chronicles of Narnia; Lewis, C.S.—Characters—Prince Caspian; Lewis, C.S.—Characters—Reepicheep; Lewis, C.S. Prince Caspian; Lewis, C.S. The Voyage of the Dawn Treader This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss1/3 McMenomy: Arthurian Themes in the Narnia Books ·1:,,,, JD.. l~ ·-r. -1J. · .. 1-n'o . o~. i . The idea of the primary allegory in the Narnia books is much discussed and well known.