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134 MUSEUM OF NEW MEXICO COLLECTION FLORENCE CHAIR In 1920, Museum of International Folk Art founder Florence Dibell Barlett first visited New Mexico and stayed in Alcalde, at the historic and well-known San Gabriel Ranch. Bartlett grew to love New Mexico and visited San Gabriel often. In the 1930s she bought and lovingly restored the 70-acreranchl, which she renamed “El Mirador.” Bartlett loved the expansive New Mexico landscape; during the ranch restoration she had several large west-facing windows installed. On many winter evenings, Bartlett would settle in her favorite chair and look out her big windows at the dramatic sunset. Upon her death the entire contents of the ranch were given to the Museum of Interna- tional Folk Art. Included in that gift was the “sunset viewing” chair— the inspiration for the Florence Chair. DODGE SOFA Mabel Ganson Evans Dodge Sterne arrived in Taos, New Mexico, in 1916. A wealthy easterner who was a prominent figure in the heady arts and society scenes of New York and Europe, Mrs. Sterne’s salons in New York and Florence were a draw for the avant-garde artists, activists, writers and thinkers of her time. Soon after her move to Taos, Dodge purchased a rustic three-room adobe house looking out on Taos Pueblo land. In short order, she divorced artist Maurice Sterne and married Tony Luhan, a dignified Taos Pueblo Indian. Legendary connections happened in this house. Dodge not only brought her wealth to Taos, but her desire to fuel the arts, welcoming artists, writers and intellectuals to her cozy home. Author D.H. Lawrence, artist Georgia O’Keeffe, playwright Thorton Wilder and actress Greta Garbo were among the many notable personalities who visited Dodge’s home. Imagining the comfortable surroundings of the LEFT TO RIGHT: MABEL DODGE LUHAN, Dodge home, King Hickory created this welcoming sofa. FRIEDA LAWRENCE, DOROTHY BRETT, MYRON BRINIG, KATHLEEN KIKER, PICNICKING IN NEW MEXICO, CA. 1934.

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The Salon of Mabel Dodge
DIVISION OF THE HUMANITIES AND SOCIAL SCIENCES CALIFORNIA INSTITUTE OF TECHNOLOGY PASADENA, CALIFORNIA 91125 THE SALON OF MABEL DODGE Robert A. Rosenstone To be published in Peter Quennell, ed., Salon (London: Weidenfeld and Nicolson, 1980). HUMANITIES WORKING PAPER 24 January 1979 THE SALON OF ~WillEL DODGE Robert A. Rosenstone Mabel Dodge's salon ••• burst upon New York like a rocket. Margaret Sanger It was the only successful salon I have ever seen in America. Lincoln Steffens Many famous salons have been established by women of wit or beauty; Mabel's was the only one ever established by pure will power. And it was no second-rate salon; everybody in the ferment of ideas could be found there. Max Eastman 2 It is indeed the happy woman who has no history, for by happy we mean the loving and beloved, and by history we designate all those relatable occurences on earth caused by the human energies seeking other outlets than the biological one. • . That I have so many pages to write signifies, solely, that I was unlucky in love. Most of the pages are about what I did instead •. Mabel Dodge 1 Mabel Dodge was rich and attractive and more than a little lucky. For two years -- from 1912 to 1914 -- she played hostess to the most famous and no doubt the most interesting salon in American history. This success was no accident, but the result of a subtle interplay between her individual needs and ambitions and the historical moment. It was a very special period in the cultural life of the United States, one when expatriate Irish painter John Butler Yeats cocked an ear and heard "the fiddles • tuning as it were allover America.
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0300-7936 Number 77 January 1990 CONTENTS NEWS and NOTES
ISSN: 0300-7936 Number 77 January 1990 CONTENTS NEWS AND NOTES Page 2 DISSERTATION ABSTRACTS: Page 6 Lucas, Gundy, Dickson, Edwards CONFERENCE PAPER ABSTRACTS: Page 11 Marshall, Yozzo, Daughaday, Schweizer HUGE PITS OF DARKNESS by Helen Vendler Page 13 NEW WINE, OLD SKIN by Tim Hunt Page 22 UNA JEFFERS--MABEL DODGE LUHAN Page 25 UNA JEFFERS, CORRESPONDENT: LUHAN LETTERS Page 28 ----------------------------------------------------------------- Subscription: $10.00 per year. Charge for Backfile: $175.00 Address subscriptions to: Tyrus G. Harmsen Occidental College 1600 Campus Road, Los Angeles, CA 90041 ----------------------------------------------------------------- Copyright 1990 by Occidental College Number 77 Page 2 NEWS AND NOTES THE ROBINSON JEFFERS OCTOBER FESTIVAL. Each Tor House Foundation festival has its own genius, its own flair, style, and special contributions. This year it began Friday, October 13th with a booksigning reception for the festival authors Zaller, Karman, Nemerov and Gioia and Stanford University Press (THE COLLECTED POEMS and THE EXCESSES OF GOD) at the Thunderbird Bookshop, The Barnyard, Highway One and Carmel Valley Road. Saturday saw seminars at Monterey Peninsula College, 980 Fremont, Monterey, in Lecture Forum 103, with moderator, Professor Alison Schwyzer of the Philosophy Department of the College. The morning session heard Dana Gioia, poet and critic, on "Revival of the Narrative Poem," and James Karman, author of Chronicle Books ROBINSON JEFFERS: POET OF CALIFORNIA, on "Jeffers and His Critics." The afternoon session heard Robert Zaller, author of CLIFFS OF SOLITUDE and editor of ELEGIES FOR ROBINSON JEFFERS, on "Land and Value: Jeffers as Environmentalist," followed by a session of questions and discussion. The annual Jeffers banquet was held at the Carmel Mission Inn, Rio Road and Route One, where Poet Laureate Howard Nemerov gave an hour-long after dinner talk on the genius of Jeffers' poetry, his peculiar prophetic voice, and some of the agreements and dis- agreements Mr.
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Why So Many Artists Have Been Drawn to New Mexico
C r e at i v i t y W h y S o M a n y Ar t i s t s H a v e Be e n D r a w n t o Ne w Mexico For generations, artists from Georgia O'Keeffe to Ken Price havefollowed New Mexico’s magnetic pull, ﬁnding inspiration in the highdesert’s expansive vistas, quietude, and respite from social and market pressures. Alexxa Gotthardt May 17, 2019 5:57 pm Georgia O’Keeffe had an unexpected train detour to thank for her first encounter with New Mexico. Little did she know, it was the land that would free her—both artistically and emotionally. Several months after photographergallerist Alfred Stieglitz presented O’Keeffe’s first New York solo show, in April 1917, the 29yearold painter embarked on a trip across the American West with her youngest sister, Claudia. While they’d planned to head straight from Texas to Colorado, their train detoured to Santa Fe. New Mexico’s vast, mercurial skies and incandescent light mesmerized the artist. “I’m out here in New Mexico—going somewhere—I’m not positive where—but it’s great,” she gushed in a letter to Stieglitz, dated August 15th. “Not like anything I ever saw before.” Portrait of Georgia O’Keeffe in Abiquiu, New Portrait of Bruce Nauman in New Mexico by Mexico, 1974. Photo by Joe Munroe/Hulton Francois Le Diascorn/GammaRapho via Getty Archive/Getty Images. Images. “There is so much more space between the ground and sky out here it is tremendous,” she continued.
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Salons by Robin Imhof
Salons by Robin Imhof Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Mabel Dodge Luhan Reprinted from http://www.glbtq.com (above) established a colorful salon in her Fifth Avenue Apartment in No one has disputed the significant contribution of women in the cultural history of New York City. salons, but what is often overlooked in mainstream publications on the topic is that Photograph by Carl van many of these salon hostesses and attendees were lesbian, bisexual, or gay. Vechten, April 12, 1934. Library of Congress Prints and Photographs Eighteenth- and Nineteenth-Century Parisian Salons Division. The tradition of literary gatherings began in Renaissance France and Italy, but it was in eighteenth-century Paris that the salon gained prominence for lively intellectual conversation in the fields of arts and letters. The hostesses of these events were typically women of some distinction, whether by title or personal wealth. The meetings were often referred to by the day of the week on which they were held. Topics of conversation ranged from (but were not limited to) matters of literary and social taste and, increasingly, political issues. Salon conversation was characterized by a blend of wit and oral brilliance. A notable salon hostess of eighteenth-century Paris was Madeleine de Scudéry. Famous for her "Saturdays of Sappho," she recreated salon society in her novels. What is striking about these assemblies is that they were presided over by women, a rare example of female control in a literary realm. During the nineteenth century, Paris salons became showcases for musicians such as Chopin and Liszt.
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State Historic Preservation Officer Certification the Evaluated Significance of This Property Within the State Is
Form No. 10-300 W',. \0/j sra UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Jf MABEL DODGE LUHAN HOUSE / A«€TOft-HHi6H<SHOUSE AND/OR COMMON BIG HOUSE / ST. TERESA HOUSE LOCATION STREET & NUMBER Luhan Lane —NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Taos — VICINITY OF 1 £DDE COUNTY CODE STATE New Mexico1* . Taos 55 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE DISTRICT —PUBLIC —OCCUPIED _ AGRICULTURE —MUSEUM iLBUILDING(S) ^PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS X-EDUCATIONAL X-PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _|N PROCESS X-YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: [OWNER OF PROPERTY NAME v/ George Qtero and Roy Krosky also: Michael Pagan STREET & NUMBER vy 981 llth Street Luhan Lane Boulder, Colorado CITY. TOWN STATE Taos. — VICINITY OF New Mexico LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS.ETC. Taos County Courthouse STREET & NUMBER CITY. TOWN STATE New Mevirn I REPRESENTATION IN EXISTING SURVEYS TITLE New Mexico Register of Cultural Properties DATE December 12, 1Q77 —FEDERAL )LsTATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS New Mexjr.n Hlstinrir. Preservation Program CITY, TOWN STATE Santa Fe New Mexico DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED X-ORIGINALSITE V X-GOOD —RUINS _I:ALTER ED —MOVED DATE. _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE In 1918 Mabel Dodge Sterne purchased some property which adjoins Taos Pueblo land and through it runs the Acequia Madre del Pueblo, the oldest water rights in New Mexico and on it were two small adobe houses, Mabel writes of one as a four room coffin-shaped house which dates to the late 18th or early 19th century.
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Big House 2. Loca
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University of Pardubice Faculty of Arts and Philosophy Mabel Dodge Luhan
University of Pardubice Faculty of Arts and Philosophy Mabel Dodge Luhan: a Patroness and Promoter of Arts of Taos Indians Jana Procházková Bachelor Thesis 2014 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 28. 6. 2014 Jana Procházková Acknowledgement I would like to express a sincere gratitude to my family and my boyriend for their support during the whole process. I also would like to thank to Dilek Çalışkan, a university teacher at Anadolu University, Turkey who inspired me with the topic of Taos Indians. Lastly, I express my gratitude to Doc. Šárka Bubíková, Ph.D. for her guidance. ANNOTATION The main aim of this thesis is to analyze Mabel Dodge Luhan‟s role as a patroness and promoter of arts and Taos Indians. At the beginning of the second chapter, the terms Modernism and the pre-Modernist period is defined.
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Jag Målar Som En Gud. Ellen Thesleffs Liv Och Konst
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Editor's Introduction.Pdf
Editor’s Introduction Julia L. Mickenberg “It is a noteworthy fact that a large number of those who have written of the present situation in Russia are women,” the writer Margaret Ashmun notes in a 1919 review essay entitled “Russia Through Women’s Eyes”: The modern woman does not shrink from physical hardships, and her imagination overleaps hunger and danger when she sees an issue at stake. Moreover, this is preeminently the age of woman in revolt: and whoever has the courage to rebel against oppression, in actuality or only in spirit, is an object of intense interest to women in general. Any attempt, however bungling, to right a social wrong wins from them a throb of sympathy, even when their better judgment disapproved both method and result.… This strongly developed social sense in the best type of modern woman explains why they have responded to the appeal of Russia in Revolution.1 Behind the Battle Line: Around the World in 1918 by Madeleine Z. Doty (1918) is among the books that Ashmun discusses, as half of that book is devoted to a discus- sion of the revolution unfolding in Russia. And Doty herself was in many ways the prototypical “modern woman.” Today, both Doty and her account of the Russian Revolution are largely forgotten. However, Doty’s own story and her reporting on the revolution, the latter drawn from Behind the Battle Line and reprinted here for the first time as a stand-alone volume, offer much that is of interest to contemporary readers. Doty arrived in St. Petersburg (then called Petrograd) just days after Lenin and the Bolsheviks launched their coup against the Provisional Government, in Novem- ber 1917.
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