WASHINGTON Calendar Message from the 4 DECEMBER 4-14, 2003 Artistic Director
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Harry-Potter-Clue-Rules.Pdf
AGES 9+ 3-5 Players shows the Dark Mark – take a Check this card off on your 5. Make an Accusation card from the Dark Deck and If all players run out of house • If you are in a room at the notepad – this proves the How to Play – read it out loud. points before the game is end of one turn, you must card is not in the envelope. When you’re sure you’ve solved At a Glance over, the Dark Forces have leave it on your next turn. Your turn is now over. the mystery, use your roll to get Each Dark card describes won and the missing student You may not re-enter the to Dumbledore’s office as fast as On each turn: an event likely to have been meets an unfortunate end! same room on that turn. • If the player to your left does you can. From here, you can make caused by Dark Forces and each not have any of the Mystery your accusation by naming the 1. Roll card shows: • You cannot pass through a cards you suggested, the player suspect, item and location you 3. Move closed door unless you have to their left must show a card think are correct. For example: 2. Check the Hogwarts die • What is happening an Alohomora Help card. if they have one. Keep going 3. Move (using the other dice Check the two normal dice. until a player shows you a “I accuse Dolores Umbridge with or a secret passage) • Who is affected You can either: card or until all players have the Sleeping Draught in the Great 4. -
Private Dining [email protected]
LARGE GROUP DINING & CATERING Pat Leone, Director of Private Dining [email protected] Rails Steakhouse 10 Whitehall Road Towaco, NJ 07082 973.487.6633 cell / text 973.335.0006 restaurant 2 Updated 8/2/2021 PRIVATE DINI NG P L A N N I N G INFORMATION RAILS STEAKHOUSE IS LOCATED IN MORRIS COUNTY IN THE HEART ROOM ASSIGNMENTS OF MONTVILLE TOWNSHIP AND RANKS AMONG THE TOP ROOMS ARE RESERVED ACCORDING TO THE NUMBER OF PEOPLE STEAKHOUSES IN NEW JERSEY. RAILS IS KNOWN FOR USDA PRIME ANTICIPATED AT THE TIME OF THE BOOKING. ROOM FEES ARE AND CAB CORN-FED BEEF, DRY-AGED 28-30 DAYS ON PREMISE IN APPLICABLE IF GROUP ATTENDANCE DROPS BELOW THE ESTIMATED OUR DRY AGING STEAK ROOM, AND AN AWARD WINNING WINE ATTENDANCE AT THE TIME OF BOOKING. RAILS RESERVES THE LIST RECOGNIZED BY WINE SPECTATOR FIVE CONSECTUTIVE YEARS. RIGHT TO CHANGE ROOMS TO A MORE SUITABLE SIZE, WITH NOTIFICATION, IF ATTENDANCE DECREASES OR INCREASES. DINING AT RAILS THE INTERIOR DESIGN IS BREATHTAKING - SPRAWLING TIMBER, EVENT ARRANGEMENTS NATURAL STONE WALLS, GLASS ACCENTS, FIRE AND WATER TO ENSURE EVERY DETAIL IS HANDLED IN A PROFESSIONAL FEATURES. GUESTS ARE INVITED TO UNWIND IN LEATHER MANNER, RAILS REQUIRES THAT YOUR MENU SELECTIONS AND CAPTAIN'S CHAIRS AND COUCHES THAT ARE ARRANGED TO INSPIRE SPECIFIC NEEDS BE FINALIZED 3 WEEKS PRIOR TO YOUR FUNCTION. CONVERSATION IN ONE OF THREE LOUNGES. AT THAT POINT YOU WILL RECEIVE A COPY OF OUR BANQUET EVENT ORDER ON WHICH YOU MAY MAKE ADDITIONS AND STROLL ALONG THE CATWALK AND EXPLORE RAFTER'S LOUNGE DELETIONS AND RETURN TO US WITH YOUR CONFIRMING AND THE MOSAIC ROOM. -
Locating Masculinities from the Gothic Novel to Henry James
Gero Bauer Houses, Secrets, and the Closet Lettre Gero Bauer is a research fellow at the Center for Gender and Diversity Research, University of Tübingen. His academic interests include gender and queer stu- dies, and European literary and cultural history. Gero Bauer Houses, Secrets, and the Closet Locating Masculinities from the Gothic Novel to Henry James An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3468-0. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] © 2016 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Cover layout: Kordula Röckenhaus, Bielefeld Cover -
Walkthrough 2018 Version: Gog 1.0B Hotfix1
Walkthrough 2018 Version: GoG 1.0b_hotfix1 Party creation and Game Mechanics The party may contain up to six characters. I played with four, and don’t see the need for any more than that. Fewer characters get more XPs for each fight, and learn skills quicker. My party had no problems during the game. (I also had some dummy characters, used for storing excess items which I couldn’t or didn’t want to sell or drop. These were moved from town to town as needed.) The way the game is constructed it’s an advantage, actually a necessity, to change classes frequently. Most traits are taught by the different guilds, and some traits only taught to high-guild-level members, hence ideally all characters should be member of all guilds and do all quests to advance as far as possible. Note that even though a skill once learned can be advanced irrespectively of current class, this does not apply to magic skills. If you change to a class that cannot learn a spell book, spells from that book will be very costly to learn, as you need twice the normal skill level to learn spells. (E.g. a Paladin former priest will need a skill level of eight to learn level four Vine spells). An exception is the Warlock class which can learn any spells from known spell books at actual cost. The general advice here is to learn all the spells you need from one class, then change class, as acquiring new skills and spells at level up takes much longer once past about level 13 or 14 or thereabouts. -
Location, Location, Location by Pam Horack Page 15
Nancy Drew: Location, Location, Location by Pam Horack Page 15 Nancy’s World (to me) In real estate, the mantra is “Location, Location, Location”. As in a story, the right setting can be an effective plot device and can be used to evoke specific feelings. The Nancy Drew books often used a location to create the backdrop for the mysterious and adventurous. As a child, I was able to use my grandparents’ home as a true reference for many of the Nancy Drew settings, thus bringing the stories to life and turning me into Nancy Drew Green’s Folly, located in Halifax County, Virginia, was home to my maternal grandparents. As my mother was raised there, our family visited frequently. The estate has served many functions through the years: county courthouse, a racetrack, a farm, and currently an 18-hole golf course, which was originally developed by my grandfather, John G. Patterson, Jr. As a child with a vivid imagination, my senses were aroused by mysterious features of the old home. This was the world of my childhood and it made a natural location for many of my adventures with Nancy Drew. As many of the Nancy Drew stories involved large old estates, my mind easily substituted the real world for the fictitious. There seemed to be too many coincidences and similarities for it to be otherwise. I found my imagination using Green’s Folly as the backdrop for the following stories: 1. The Hidden Staircase 2. The Mystery at Lilac Inn 3. The Sign of the Twisted Candles 4. -
New Secret Door Kits from Rockler
FOR IMMEDIATE RELEASE Contact: Lorilee Torrey Phone: (541) 552-1133 Email: [email protected] NEW SECRET DOOR KITS FROM ROCKLER Kits Make Easy-to-Build Secret Passage Doors That Replace Existing Doors with Functional Bookshelves MEDINA, MN (April 10, 2013) - Rockler Woodworking and Hardware has just introduced Secret Door Kits to its product line. The new Secret Door Kits allow users to convert a doorway into a secret passage or a closet into a secret storage space by the construction of a bookcase that fits the door space and which then functions as a hidden door. The bookcase can be used for display or storage purposes, as the hardware is designed to allow the bookcase to slide open without disturbing the items on the shelves. The result is a fully functional bookcase which conceals the room or closet behind it and allows secret access by pulling on the fixed shelves to slide it open. "We've all seen movies where bookcases impressively transform into secret passages," says Scott Ekman, Vice President of the Marketing Department. "The Secret Door Kits turn that clever idea into reality. Now people can build secret passages in their own home and experience a little bit of Hollywood magic as well as additional concealed storage anytime they want. As a bonus, the bookcase provides extra storage space." The Secret Door Kits are comprised of all the necessary components to construct a secret bookcase door, including all of the wood and hardware used to install the structure. The Secret Door Hardware allows the bookcase to open like a door and also provides secure mounting to the door frame or wall surface, depending on the specific kit. -
Escape from Charlesington Manor
Escape From Charlesington Manor By Harry Lee 1 Contents: Prologue- 3 Robert- 10 Inside the manor- 17 Dinner- 25 Finding Betty- 34 Stray Dog- 44 Murder in the manor- 53 “Ello, ello, ello- 60 Lockdown- 72 The secret room- 75 Maid Mourning- 83 In the dark- 90 Heil Hitler- 99 The escape- 107 Final Farewell- 115 2 Prologue 23rd of October, 1919. The passing bells rung, beckoning over the small town. It was in a wreck, the engines of busses groaned, solitude was spreading rapidly around the park. Only a few people would go on holiday there- one of those being Anna. She was a young lady with dark brown locks stroking her pale white neck. Her hair was in plaits and she was sitting down in an uncomfortable dress her mother had sewn. The park bench was cold and its ebony black paint was peeling off slowly, softly, sadly. The ducks from the pond were long gone. Mostly shot for food since the whole town was running low on money and supplies. Tiredly, Anna ate her sandwich and watched pigeons fly by and land near to her bench. Anna had been staying in one of her father’s houses for the past week and she had loved it. Anna didn’t really get on with people so some peace and quiet was like paradise for her. Of course, coming from a rich family, Anna had lots of luxuries including: living in a mansion with many maids and servants, having one of the largest boats in England named after her, a five acre garden and thirteen dogs. -
The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism. -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
An Alternative Explanation of the Royal and Select Master Degrees
An Alternative Explanation of the Royal and Select Master Degrees by Sir Knight Gene Fricks The legends behind the ritual of the Royal and Select Masters degrees are among those with only a vague basis in biblical antecedents. Unlike the legend of Hiram and the building of the first temple or that of Zerubabbel and the second temple, we have only a passing mention of Adoniram as the first overseer of King Solomon and a listing of Solomon's chief officers in I Kings 4:4. We do not find the secret passageway or the nine arches described in the II Kings story of the temple's construction. Recognizing that the writers of the original rituals were men steeped in classical learning, we should look elsewhere for the source of this story. I suggest that the writings of the 15th century Arab historian, Mudjir ad-Din, may have been that source. What prompted this thought was the celebration of the 3000th anniversary of Jerusalem several years ago and the renewed interest in its ruins that the commemoration sparked. Let us review some of Jerusalem's history after the Roman destruction of Herod's Temple in 70 A.D. to set some background. Titus and his son Vespasian conquered Jerusalem after a long and bloody siege. Determined to bring the recalcitrant Jews to heel, the Roman 10th Legion, left to garrison the city, were ordered to level the temple down to its foundations. What we see today in Jerusalem is the temple mount platform upon which the temple sat, all that remains of Herod's imposing construction project. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
PAJ77/No.03 Chin-C
AIN’T NO SUNSHINE The Cinema in 2003 Larry Qualls and Daryl Chin s 2003 came to a close, the usual plethora of critics’ awards found themselves usurped by the decision of the Motion Picture Producers Association of A America to disallow the distribution of screeners to its members, and to any organization which adheres to MPAA guidelines (which includes the Motion Picture Academy of Arts and Sciences). This became the rallying cry of the Independent Feature Project, as those producers who had created some of the most notable “independent” films of the year tried to find a way to guarantee visibility during award season. This issue soon swamped all discussions of year-end appraisals, as everyone, from critics to filmmakers to studio executives, seemed to weigh in with an opinion on the matter of screeners. Yet, despite this media tempest, the actual situation of film continues to be precarious. As an example, in the summer of 2003 the distribution of films proved even more restrictive, as theatres throughout the United States were block-booked with the endless cycle of sequels that came from the studios (Legally Blonde 2, Charlie’s Angels: Full Throttle, Terminator 3, The Matrix Revolutions, X-2: X-Men United, etc.). A number of smaller films, such as the nature documentary Winged Migration and the New Zealand coming-of-age saga Whale Rider, managed to infiltrate the summer doldrums, but the continued conglomeration of distribution and exhibition has brought the motion picture industry to a stultifying crisis. And the issue of the screeners was the rallying cry for those working on the fringes of the industry, the “independent” producers and directors and small distributors.