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Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism. -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
PAJ77/No.03 Chin-C
AIN’T NO SUNSHINE The Cinema in 2003 Larry Qualls and Daryl Chin s 2003 came to a close, the usual plethora of critics’ awards found themselves usurped by the decision of the Motion Picture Producers Association of A America to disallow the distribution of screeners to its members, and to any organization which adheres to MPAA guidelines (which includes the Motion Picture Academy of Arts and Sciences). This became the rallying cry of the Independent Feature Project, as those producers who had created some of the most notable “independent” films of the year tried to find a way to guarantee visibility during award season. This issue soon swamped all discussions of year-end appraisals, as everyone, from critics to filmmakers to studio executives, seemed to weigh in with an opinion on the matter of screeners. Yet, despite this media tempest, the actual situation of film continues to be precarious. As an example, in the summer of 2003 the distribution of films proved even more restrictive, as theatres throughout the United States were block-booked with the endless cycle of sequels that came from the studios (Legally Blonde 2, Charlie’s Angels: Full Throttle, Terminator 3, The Matrix Revolutions, X-2: X-Men United, etc.). A number of smaller films, such as the nature documentary Winged Migration and the New Zealand coming-of-age saga Whale Rider, managed to infiltrate the summer doldrums, but the continued conglomeration of distribution and exhibition has brought the motion picture industry to a stultifying crisis. And the issue of the screeners was the rallying cry for those working on the fringes of the industry, the “independent” producers and directors and small distributors. -
Numb3rs Episode Guide Episodes 001–118
Numb3rs Episode Guide Episodes 001–118 Last episode aired Friday March 12, 2010 www.cbs.com c c 2010 www.tv.com c 2010 www.cbs.com c 2010 www.redhawke.org c 2010 vitemo.com The summaries and recaps of all the Numb3rs episodes were downloaded from http://www.tv.com and http://www. cbs.com and http://www.redhawke.org and http://vitemo.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 Pilot ...............................................3 2 Uncertainty Principle . .5 3 Vector ..............................................7 4 Structural Corruption . .9 5 Prime Suspect . 11 6 Sabotage . 13 7 Counterfeit Reality . 15 8 Identity Crisis . 17 9 Sniper Zero . 19 10 Dirty Bomb . 21 11 Sacrifice . 23 12 Noisy Edge . 25 13 Man Hunt . 27 Season 2 29 1 Judgment Call . 31 2 Bettor or Worse . 33 3 Obsession . 37 4 Calculated Risk . 39 5 Assassin . 41 6 Soft Target . 43 7 Convergence . 45 8 In Plain Sight . 47 9 Toxin............................................... 49 10 Bones of Contention . 51 11 Scorched . 53 12 TheOG ............................................. 55 13 Double Down . 57 14 Harvest . 59 15 The Running Man . 61 16 Protest . 63 17 Mind Games . 65 18 All’s Fair . 67 19 Dark Matter . 69 20 Guns and Roses . 71 21 Rampage . 73 22 Backscatter . 75 23 Undercurrents . 77 24 Hot Shot . 81 Numb3rs Episode Guide Season 3 83 1 Spree ............................................. -
Nuyorican Cinema, the Cinema of the Puerto Rican Diaspora, to Be Focus of Discussion on Identity, Community, and Aesthetics
FOR IMMEDIATE RELEASE NUYORICAN CINEMA, THE CINEMA OF THE PUERTO RICAN DIASPORA, TO BE FOCUS OF DISCUSSION ON IDENTITY, COMMUNITY, AND AESTHETICS Friday, March 4, 2016 at Museum of the Moving Image Astoria, Queens, New York, February 22, 2016—Museum of the Moving Image will present Nuyorican Cinema: Framing Identities, a forum for exploring the cinema of the Puerto Rican diaspora, as part of the ongoing series Changing the Picture, sponsored by Time Warner Inc. The event, on Friday, March 4, 2016, at 7:30 p.m., will feature a panel discussion with filmmakers, content creators, and curators including Vagabond Alexander Beaumont, Sonia González-Martinez, Cynthia López (former commissioner of NYC Mayor’s Office of Media and Entertainment), Frances Negrón- Muntaner, and Luis Antonio Ramos, and moderated by Edwin Pagán, who organized the program. Interspersed with video clips from films such as Hangin’ with the Homeboys, Short Eyes, Empire, Los Sures, and Bricando El Charco (Jumping the Pond), the panel will address the contributions of New York-born Puerto Ricans to the film and entertainment industry, from past to present. Admission is free; reservations are being taken on the program’s webpage (movingimage.us/NuyoricanCinema). The scope of the discussion will cover the historical landscape of filmmakers, writers, and actors from the Lower East Side, the South Bronx, Spanish Harlem (a.k.a. “El Barrio”), and from the south side of Williamsburg, Brooklyn (“Los Sures”) who have tackled sociological and political challenges in their work, and how these struggles have helped to create a distinct Nuyorican aesthetic. The discussion will also address the inherent lack of representation and negative portrayals of Puerto Ricans in entertainment, as well as the duality of identity and political ramifications that Nuyorican mediamakers encounter given the tumultuous history between the United States and Puerto Rico, and how a new generation of New York “Boricuas” is changing the face of the industry. -
Program Guide Table of Contents 50 Years Later He Remains Undefeated
PRESENTING SPONSOR FOUNDING SPONSOR PROGRAM GUIDE TABLE OF CONTENTS 50 YEARS LATER HE REMAINS UNDEFEATED Festival Sponsors & Partners 4 PRESENTS Founder / Leadership / Team 5 Executive Producer Welcome 6 Presenting Sponsor Welcome 8 Founding Sponsor Welcome 9 NY Film Office Welcome 11 Schedule Of Events 12 Venues Map 13 Urbanworld Digital 14 Live Screenplay Readings 20 BET AD Opening Night Film 22 Closing Night Film 23 Spotlight Screenings 24 Narrative Features 28 Documentary Features 44 Urbanworld Music 52 Documentary Short 54 Narrative Shorts 56 Festival Jurors 82 DIRECTED BY COODIE & CHIKE Screening Schedule 88 Film Contact Information 90 WEDNESDAY SEPT 23 Acknowledgements 10P/9C #PeoplesChampBET @BETNetworks @BETNews URBANWORLD FILM FESTIVAL 2015 1 B:8.75” T:8.5” S:8” THERE’S A NEW WAY TO GET ALL OF HBO® B:11.25” S:10.5” T:11” The Wiz Live! Archive Name Wiz_UrbWrldAd_150003941 MECH SIZE 100% PRINT SIZE 100% Project / Pub UrbanWorld Film Festival Program Book Ad Trim: 8.5” x 5.5” Trim: 8.5” x 5.5” Insertion Date 9/23/15 Bleed: 8.75” x 5.75” Bleed: 8.75” x 5.75” I.O. # Live: 8.5” x 5.5” Live: 8.5” x 5.5” ALL YOU NEED IS THE INTERNET Start your free trial now HBONOW.COM Free trial offer is for a limited time to new customers and may vary by participating subscription providers. HBO NOWSM is only accessible in the U.S. and certain U.S. territories where a high-speed broadband connection is available. Minimum 3G connection is required for viewing for mobile devices. -
Luis Antonio Ramos Has Established a Legacy of Work on Stage, Film And
Luis Antonio Ramos has established a legacy of work on stage, film and television since starring opposite his childhood idol, Academy Award winner José Ferrer, in “The Sun and the Moon.” Ramos is best known for his role as bail bondsman Ricky Guzman on USA Network’s “The Huntress,” for which he was nominated for an Alma Award in 2002. He has earned critical acclaim for his extensive career in television, having been a series regular on “The Brian Benben Show” and “Queens” and had recurring roles on “Early Edition,” “In the House,” “Ink” and “Martin.” He has also guest starred on such renowned shows as “How to Make it in America,” “Common Law,” “Burn Notice,” “The Unit,” “The Closer,” “Numb3rs,” “The Shield,” “CSI: Miami,” “CSI: Crime Scene Investigation,” “Nip/Tuck,” “Friends,” “Alias,” “NYPD Blue” and “Law & Order.” This fall Ramos can be seen in the film “The Miracle of Spanish Harlem,” in which he plays the lead character of Tito. Other film credits include Spike Lee’s “Do the Right Thing,” “Trouble in the Heights,” “The Ministers,” “Sea of Love,” “The Secret of My Success,” “Moscow on the Hudson” and Christopher Hampton’s “Imagining Argentina,” opposite Antonio Banderas and Emma Thompson. He has also excelled as a theatre actor, having won the Helen Hayes Award for Best Actor for his work in the play “Stand Up Tragedy,” and most recently the critically acclaimed one- man show, “Growing up Gonzales.” Other theater credits include “Dancing on Her Knees” by Nilo Cruz, “Cloud Tectonics” by José Rivera, “Romeo and Juliet,” “Tears Will Tell It All,” “Widows,” “Richard II,” “Henry the IV,” “Pendragon,” “The Sound of Music,” “A Midsummer’s Night’s Dream” and “Latins from Manhattan.” In 2009 Ramos was awarded the prestigious José Ferrer HOLA Tespis Award, given to actors in mid-career, lauding their past work as well as anticipating the great work that is yet to come. -
WASHINGTON Calendar Message from the 4 DECEMBER 4-14, 2003 Artistic Director
CONTENTS Quick Glance 2-3 WASHINGTON Calendar Message from the 4 DECEMBER 4-14, 2003 Artistic Director Ticket Information 4 4 THURSDAY 56FRIDAY SATURDAY General Information 5 At the Aaron and Cecile At the Aaron and Cecile At the Aaron and Cecile Goldman Theater Goldman Theater Goldman Theater Theater Locations 5 and Transportation 6:45 pm 1:00 pm 5:30 pm Samy y Yo Samy y Yo The Burial Society Film Descriptions 6 Opening Night Film and Embassy Reception 7:40 pm Manhood Special Programs 17 9:10 pm The Burial Society 10:00 pm Thanks 18 Mendy Print Sources 20 FILMS 8 MONDAY9 TUESDAY Sponsored by Courtyard by Marriot Embassy Row At the Aaron and Cecile At the Aaron and Cecile At the Avalon Theater Almost Peaceful 7 Goldman Theater Goldman Theater Asesino 7 1:00 pm 7:00 pm 1:00 pm Empathy Miss Entebbe Under Water Birch Tree Meadow 6 6:30 pm 9:00 pm 3:00 pm An Exceedingly Dangerous Moments: Israel 2002 Taqasim with Embrace Me Bit By Bit 8 Woman: The Radical Life of Emma Goldman 6:30 pm Born in Buenos Aires 7 Sunset Story with 8:30 pm Sid At 90 Bronstein’s Children 10 Thunder in Guyana with Choosing Exile 8:30 pm The Burial Society 8 Secret Passage Choosing Exile 15 SATURDAY Sponsored by Micheline Frank The Danish Solution: 8 12 FRIDAY 13 The Rescue of the At the Aaron and Cecile At the Aaron and Cecile At the AFI Silver Theater Jews in Denmark Goldman Theater Goldman Theater Divan 8 1:00 pm 5:45 pm 5:45 pm Almost Peaceful From Dachau with Love Would I Lie to You Too? Embrace Me 15 7:50 pm 7:45 pm The Great Yiddish Love with Julie Walking Home -
Latinos Beyond Reel [Final English Transcript]
1 LATINOS BEYOND REEL Challenging a Media Stereotype [English Transcript] TEXT ON SCREEN: We serve whites only. No Spanish or Mexicans. JOSEFINA LOPEZ: There were all these things that my parents showed me that I didn’t get to see on television, which was dignity. Latinos with dignity. Film Clip: - You want me? Sixty pesos. MIKE SARGENT: A lot of unconscious racism exists because these type of images, these type of perceptions, these type of values have existed so long, they are the norm. ADRIAN MARTINEZ: Sometimes the director says, "Wow, no. He's more street, you know? He talks like this. He talks like this, man." Film Montage: - I only got one more wire, okay? - Mi amigo, no mas tequila! Already muy loaded. LUIS ANTONIO RAMOS: We are in a new millennium, and these characters still keep popping up. Media Montage: - I'm Puerto-Rican. I'd be great at selling drugs! - This illegal immigrant thing, it really affects everybody. In fact today, Charlie Sheen forced to hire an American hooker. Can you imagine? - Mothers killed, children executed, the tactics of vicious Central American gangs now on U.S. soil. - Illegal aliens are in the country, including many murderers and rapists. - Ninety-five percent of all outstanding homicide warrants are for illegal aliens. - Illegal aliens! Someday we'll kill 'em. Someday... TITLE SCREEN: Latinos Beyond Reel: Challenging a Media Stereotype © 2012 | Media Education Foundation | www.mediaed.org This transcript may be reproduced for educational, nonprofit uses only. 2 News Montage: - New Census figures show Hispanics accounted for more than half of the nation's population growth in the last decade. -
Billetproof Takes Hobby of Hot-Rodding Back to Its Roots
$1 Weekend Edition Saturday, June 25, 2016 Serving our communities since 1889 — www.chronline.com A Former Blazer’s Journey Eddie Smith Goes From Notre Dame to Lower Columbia / Sports LeCo Grows Business MWP Coach Steps Down Chehalis-Based Operation Thriving Across After Five Years and Three Finals Appearances, State Lines as Offerings Expand / Main 13 Gridiron Chief Aaron Poquette Resigns / Sports Billetproof Takes Hobby of Centralia College to Hot-Rodding Back to Its Roots Provide Education to Inmates CEDAR CREEK: College Is One of Three in Washington Chosen for Pilot Program By Justyna Tomtas [email protected] Centralia College has been selected to participate in the new Second Chance Pell Pilot Program that will expand access to financial aid for incarcerated individuals. It is one of three colleges in the state and 67 nationwide se- lected by the U.S. Department of Education for the program, which will allow eligible incar- cerated adults to receive Pell grants and pursue postsecond- ary education, according to a press release. The goal is help the individuals get jobs and sup- port their families when they are released. Pete Caster / [email protected] please see INMATES, page Main 14 Roland Stacy steps out of his 1952 Oldsmobile "rat rod" on Thursday afternoon in Centralia. Stacy, an auto mechanic by trade, will show his car at the Billetproof car show today at the Southwest Washington Fairgrounds. CLASSICS: Rat Rods Gov. Inslee Gathering at Fairgrounds, Then Cruising Downtown Calls for By Jordan Nailon Moratorium [email protected] They say beauty is in the eye on Oil Trains of the beholder, which means they have probably been to a Billet- By Lauren Dake proof car show.