News from Native California PERIODICAL P.O

Total Page:16

File Type:pdf, Size:1020Kb

News from Native California PERIODICAL P.O news from native california PERIODICAL P.O. Box 9145, Berkeley, CA 94709 POSTAGE PAID News from Native NaliforniaNews from Native news from native california VOLUME 28 ISSUE 2 WINTER 2014/15 2 28 ISSUE VOLUME Saying Our Share: Surviving the Missions With special Art Editor, Vol.Vol. 28, No.28, 2,No. Winter 2, Winter 2014/15 2014/15,$5.95 $5.95 James Luna editor’s notes news from native california of News, “Saying Our Share: Surviving the Missions,” was inspired by artist James Luna (Puyoukitcum/Ipi/Mexican), who has done PUBLISHER: Malcolm Margolin us the great honor of serving as our art editor, as well as co-conspirator and FOUNDERS: Malcolm Margolin, David W. friend. It’s a thrill to to hand this over to James to share his vision. Peri, Vera Mae Fredrickson —Lindsie Bear, Editor EDITOR: Lindsie Bear CONTRIBUTING EDITORS: Tiffany Adams, Dugan … Opening Night Preview Benefit for Aguilar, Brian Bibby, Marina Drummer, Anyone who has gotten to know me over the years won’t call me Mr. Homeward Bound of Marin Margaret Dubin, L. Frank, Jeannine Gendar, Special Exhibit: Leanne Hinton, Julian Lang, Frank LaPena, Opto-mystic (sp) .…I know) because I have this “f*ck it air” that does not speak California Indian Basketry to that. But let me remind you all that I do have dreams of the future and have Vincent Medina, Beverly R. Ortiz, Terria PRESENTED BY KR MARTINDALE SHOW MANAGEMENT Yesterday and Today Smith, Paula Tripp-Allen, Linda Yamane lived a greater part of my life under the influence…of a dream! OUTREACH COORDINATOR: Vincent Medina The Big Enchilada dream that I have maneuvered through is that ART CAN INTERNS: Amanda Gallegos, Analisa Tripp CHANGE THINGS; CAN HAVE A GREAT DEAL TO SAY ON WHAT IS www.marinshow.com [email protected] 310 822 9145 HAPPENING AT THE PRESENT AND WHAT WILL HAPPEN IN THE GRAPHIC DESIGN: Rebecca LeGates PROOFREADING: Kim Hogeland FUTURE. Oh yes I really do believe this and I witnessed this many a time, how contemporary art puts a spin on things for people to understand what is hap- Sponsers: Benefits: PRINTING: Allen Press, Inc., Lawrence, KS pening and what has happened to us as Native peoples. NEWS FROM NATIVE CALIFORNIA I was invited with a few other Native artists to speak to the three-hun- Volume 28, Number 2, Winter 2014/15 (ISSN dred-year commemoration of the life of Junipero Serra held at the Hunting- 10405437) is published quarterly for $22.50 ton Library in January 2014. I was appalled of course, as he was the architect per year by Heyday, a 501(c)(3) nonprofit educational corporation, located at 1633 and general of our holocaust here in the state of California, and if I may quote Ms. Lindsie Bear, “It is not what they said but what they didn’t.” It was not our University Avenue, Berkeley, CA 94703. The California Indian Basketweavers Association (CIBA) Phone: (510) 549-2802, Fax: (510) 549-1889 show. It aimed to highlight the man historically and it did—the time, his culture, in partnership with the California Academy of Sciences and KR Martindale Mail Address: Box 9145, Berkeley, and a survey of what happened. This is when it hit me that this man was going proudly present CA 94709. Periodical postage paid at to be canonized as a saint and forever honored for his deeds of bringing Gawd Berkeley, CA and additional mailing offices. to the heathens! Internet address: I am so happy that News From Native California heard my plea and called upon www.newsfromnativecalifornia.com artists to have a say in how we have or have not survived the historical period of [email protected] the missions. This event has touched us all in some shape or form and continues Subscription rates $22.50 per year. Single today with “English only,” the US of A as a white Christian nation, and the falla- copies $5.95. Foreign rates $42.50 per year. cies go on and on. Enough said. I hope this “dream” issue of News makes you smile, reflect, and Copyright © 2015 by News from Native California except where otherwise noted. All create a surge of positive anger energy! Thank you to the artists and writers for rights reserved. Reproduction or use, without their hearts and visions. CIBA’s symposium and exhibition “Yesterday & Today” is presented in written permission, of editorial or pictorial —James Luna collaboration with Art of the Americas, the Marin Show. content in any manner is prohibited. “Yesterday & Today” will compare 140 historic baskets from the Opinions expressed in articles and columns Thank you to the Native Arts and Cultures Fund for supporting this project to seldom seen Collection of the California Academy of Sciences with are those of the authors and not necessarily explore the legacy of the mission system in depth and with honesty. 40 contemporary baskets created by CIBA Master Weavers. those of the editors or publisher. Learn more about the accompanying symposium at Printed on 10% post consumer waste CIBA.org or call CIBA 530.668.1332 recycled paper. POSTMASTER: Send address changes to News from Native California, Box 9145, Berkeley, CA 94709. ON THE COVER: James Luna photographed by BACK COVER: Gripe by Brian Tripp, mixed media, Will Gullette. 2009. Photo by Barry Sakata. USPS 002704 Pomo burden basket, Ca. 1890’s, California Academy of Sciences Collection. Photo ©2014 Christine George KRMartindale_NNC_2015.indd 1 12/4/14 10:12 AM editor’s notes news from native california of News, “Saying Our Share: Surviving the Missions,” was inspired by artist James Luna (Puyoukitcum/Ipi/Mexican), who has done PUBLISHER: Malcolm Margolin us the great honor of serving as our art editor, as well as co-conspirator and FOUNDERS: Malcolm Margolin, David W. friend. It’s a thrill to to hand this over to James to share his vision. Peri, Vera Mae Fredrickson —Lindsie Bear, Editor EDITOR: Lindsie Bear CONTRIBUTING EDITORS: Tiffany Adams, Dugan … Opening Night Preview Benefit for Aguilar, Brian Bibby, Marina Drummer, Anyone who has gotten to know me over the years won’t call me Mr. Homeward Bound of Marin Margaret Dubin, L. Frank, Jeannine Gendar, Special Exhibit: Leanne Hinton, Julian Lang, Frank LaPena, Opto-mystic (sp) .…I know) because I have this “f*ck it air” that does not speak California Indian Basketry to that. But let me remind you all that I do have dreams of the future and have Vincent Medina, Beverly R. Ortiz, Terria PRESENTED BY KR MARTINDALE SHOW MANAGEMENT Yesterday and Today Smith, Paula Tripp-Allen, Linda Yamane lived a greater part of my life under the influence…of a dream! OUTREACH COORDINATOR: Vincent Medina The Big Enchilada dream that I have maneuvered through is that ART CAN INTERNS: Amanda Gallegos, Analisa Tripp CHANGE THINGS; CAN HAVE A GREAT DEAL TO SAY ON WHAT IS www.marinshow.com [email protected] 310 822 9145 HAPPENING AT THE PRESENT AND WHAT WILL HAPPEN IN THE GRAPHIC DESIGN: Rebecca LeGates PROOFREADING: Kim Hogeland FUTURE. Oh yes I really do believe this and I witnessed this many a time, how contemporary art puts a spin on things for people to understand what is hap- Sponsers: Benefits: PRINTING: Allen Press, Inc., Lawrence, KS pening and what has happened to us as Native peoples. NEWS FROM NATIVE CALIFORNIA I was invited with a few other Native artists to speak to the three-hun- Volume 28, Number 2, Winter 2014/15 (ISSN dred-year commemoration of the life of Junipero Serra held at the Hunting- 10405437) is published quarterly for $22.50 ton Library in January 2014. I was appalled of course, as he was the architect per year by Heyday, a 501(c)(3) nonprofit educational corporation, located at 1633 and general of our holocaust here in the state of California, and if I may quote Ms. Lindsie Bear, “It is not what they said but what they didn’t.” It was not our University Avenue, Berkeley, CA 94703. The California Indian Basketweavers Association (CIBA) Phone: (510) 549-2802, Fax: (510) 549-1889 show. It aimed to highlight the man historically and it did—the time, his culture, in partnership with the California Academy of Sciences and KR Martindale Mail Address: Box 9145, Berkeley, and a survey of what happened. This is when it hit me that this man was going proudly present CA 94709. Periodical postage paid at to be canonized as a saint and forever honored for his deeds of bringing Gawd Berkeley, CA and additional mailing offices. to the heathens! Internet address: I am so happy that News From Native California heard my plea and called upon www.newsfromnativecalifornia.com artists to have a say in how we have or have not survived the historical period of [email protected] the missions. This event has touched us all in some shape or form and continues Subscription rates $22.50 per year. Single today with “English only,” the US of A as a white Christian nation, and the falla- copies $5.95. Foreign rates $42.50 per year. cies go on and on. Enough said. I hope this “dream” issue of News makes you smile, reflect, and Copyright © 2015 by News from Native California except where otherwise noted. All create a surge of positive anger energy! Thank you to the artists and writers for rights reserved. Reproduction or use, without their hearts and visions. CIBA’s symposium and exhibition “Yesterday & Today” is presented in written permission, of editorial or pictorial —James Luna collaboration with Art of the Americas, the Marin Show. content in any manner is prohibited.
Recommended publications
  • Sec 05 11 Tribal and Cultural Resources
    Tribal and Cultural Resources 5.11 TRIBAL AND CULTURAL RESOURCES 5.11.1 PURPOSE This section identifies existing cultural (including historic and archeological resources), paleontological and tribal resources within the Study Area, and provides an analysis of potential impacts associated with implementation of the General Plan Update. Potential impacts are identified and mitigation measures to address potentially significant impacts are recommended, as necessary. This section is primarily based upon the Cultural and Tribal Cultural Resources Technical Report for the Rancho Santa Margarita General Plan Update, Rancho Santa Margarita, Orange County, California (Cultural Study), and the Paleontological Resources Impact Assessment Report for the Rancho Santa Margarita General Plan Update, Orange County, California (Paleontological Assessment), both prepared by SWCA Environmental Consultants (SWCA) and dated April 2019; refer to Appendix F, Cultural/ Paleontological Resources Assessment. 5.11.2 EXISTING REGULATORY SETTING Numerous laws and regulations require Federal, State, and local agencies to consider the effects a project may have on cultural resources. These laws and regulations establish a process for compliance, define the responsibilities of the various agencies proposing the action, and prescribe the relationship among other involved agencies (i.e., State Historic Preservation Office and the Advisory Council on Historic Preservation). The National Historic Preservation Act (NHPA) of 1966, as amended, the California Environmental
    [Show full text]
  • PROSODICALLY DRIVEN METATHESIS in MUTSUN By
    Prosodically Driven Metathesis in Mutsun Item Type text; Electronic Dissertation Authors Butler, Lynnika Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 03:27:27 Link to Item http://hdl.handle.net/10150/311476 PROSODICALLY DRIVEN METATHESIS IN MUTSUN by Lynnika Butler __________________________ Copyright © Lynnika G. Butler 2013 A Dissertation Submitted to the Faculty of the DEPARTMENT OF LINGUISTICS In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Lynnika Butler, titled Prosodically Driven Metathesis in Mutsun and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________ Date: (October 16, 2013) Natasha Warner -- Chair _______________________________________________ Date: (October 16, 2013) Michael Hammond _______________________________________________ Date: (October 16, 2013) Adam Ussishkin Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of
    [Show full text]
  • The Mutsun Dialect of Costanoan 'Based on the Vocabulary of De La Cuesta
    UNIVERSITY OF CALI FORNIA PUBLICATIONS IN AMERICAN ARCHAEOLOGY AND ETHNOLOGY Vol. 11, No. 7, pp. 399-472 March 9, 1916 THE MUTSUN DIALECT OF COSTANOAN 'BASED ON THE VOCABULARY OF DE LA CUESTA BY J. ALDEN MASON UNIVERSITY OF CALIFORNIA PRESS BERKELEY UNIV I OF OALIFORNIA PUBLICATIONS DEPAlTMENT OP ANTHROPOLOGY The following publications dealing with archaeological and -etnological subjects issued der the diron of the Department of Anthropology are sent in exchange for the publi- cations of anthropological departments and mums, and for journals devoted to general anthropology or to archaeology and ethnology. They are for sale at the prices stated, which Include postge or express charges. Exchanges should be directed to The-Exchange Depart- ment, University Library, Berkeley, California, U. S. A. All orders and remittances should be addresed to the University Press. European agent for the series in American Archaeology and Ethnology, Classical Phil- ology, Educatoin, Modem Philology, Philosophy, and Semitic Philology, Otto Harrassowits, Lipzig. For the series in Botany, Geology, Pathology, Physiology, Zoology and Also Amer- ican Archaeology and Ethnology, R. Friedlaender &. Sohn, Berlin. AMERICAN ARCHAEOLOGY AND ETHNOLOGY.-A. L. Kroeber, Editor. Prices, Volume 1, $4.25; Volumes 2 to 10, inclusive, $3.50 each; Volume 11 and following, $5.00 each. Cited as Univ. Calif. Publ. Am. Arch. Ethn. Price Vol. 1. 1. Life and Culture of the Hupa, by Pliny Earle Goddard. Pp. 1-88; plates1-30. September, 1903.................................................... $1.26 2. Hupa Texts, by Pliny Earle Goddard. Pp. 89-368. March, 1904... 3.00 Index, pp. 369-378. Vol. 2. 1. The Exploration of the Potter Creek Cave, by William J.
    [Show full text]
  • 8 Redefining Zorro: Hispanicising the Swashbuckling Hero
    Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later.
    [Show full text]
  • Native Sustainment: the North Fork Mono Tribe's
    Native Sustainment The North Fork Mono Tribe's Stories, History, and Teaching of Its Land and Water Tenure in 1918 and 2009 Jared Dahl Aldern Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy from Prescott College in Education with a Concentration in Sustainability Education May 2010 Steven J. Crum, Ph.D. George Lipsitz, Ph.D. Committee Member Committee Member Margaret Field, Ph.D. Theresa Gregor, Ph.D. External Expert Reader External Expert Reader Pramod Parajuli, Ph.D. Committee Chair Native Sustainment ii Copyright © 2010 by Jared Dahl Aldern. All rights reserved. No part of this dissertation may be used, reproduced, stored, recorded, or transmitted in any form or manner whatsoever without written permission from the copyright holder or his agent(s), except in the case of brief quotations embodied in the papers of students, and in the case of brief quotations embodied in critical articles and reviews. Requests for such permission should be addressed to: Jared Dahl Aldern 2658 East Alluvial Avenue, #103 Clovis, CA 93611 Native Sustainment iii Acknowledgments Gratitude to: The North Fork Mono Tribe, its Chairman, Ron Goode, and members Melvin Carmen (R.I.P.), Lois Conner, Stan Dandy, Richard Lavelle, Ruby Pomona, and Grace Tex for their support, kindnesses, and teachings. My doctoral committee: Steven J. Crum, Margaret Field, Theresa Gregor, George Lipsitz, and Pramod Parajuli for listening, for reading, and for their mentorship. Jagannath Adhikari, Kat Anderson, Steve Archer, Donna Begay, Lisa
    [Show full text]
  • Cultivating an Abundant San Francisco Bay
    Cultivating an Abundant San Francisco Bay Watch the segment online at http://education.savingthebay.org/cultivating-an-abundant-san-francisco-bay Watch the segment on DVD: Episode 1, 17:35-22:39 Video length: 5 minutes 20 seconds SUBJECT/S VIDEO OVERVIEW Science The early human inhabitants of the San Francisco Bay Area, the Ohlone and the Coast Miwok, cultivated an abundant environment. History In this segment you’ll learn: GRADE LEVELS about shellmounds and other ways in which California Indians affected the landscape. 4–5 how the native people actually cultivated the land. ways in which tribal members are currently working to restore their lost culture. Native people of San Francisco Bay in a boat made of CA CONTENT tule reeds off Angel Island c. 1816. This illustration is by Louis Choris, a French artist on a Russian scientific STANDARDS expedition to San Francisco Bay. (The Bancroft Library) Grade 4 TOPIC BACKGROUND History–Social Science 4.2.1. Discuss the major Native Americans have lived in the San Francisco Bay Area for thousands of years. nations of California Indians, Shellmounds—constructed from shells, bone, soil, and artifacts—have been found in including their geographic distribution, economic numerous locations across the Bay Area. Certain shellmounds date back 2,000 years activities, legends, and and more. Many of the shellmounds were also burial sites and may have been used for religious beliefs; and describe ceremonial purposes. Due to the fact that most of the shellmounds were abandoned how they depended on, centuries before the arrival of the Spanish to California, it is unknown whether they are adapted to, and modified the physical environment by related to the California Indians who lived in the Bay Area at that time—the Ohlone and cultivation of land and use of the Coast Miwok.
    [Show full text]
  • An Overview of Ohlone Culture by Robert Cartier
    An Overview of Ohlone Culture By Robert Cartier In the 16th century, (prior to the arrival of the Spaniards), over 10,000 Indians lived in the central California coastal areas between Big Sur and the Golden Gate of San Francisco Bay. This group of Indians consisted of approximately forty different tribelets ranging in size from 100–250 members, and was scattered throughout the various ecological regions of the greater Bay Area (Kroeber, 1953). They did not consider themselves to be a part of a larger tribe, as did well- known Native American groups such as the Hopi, Navaho, or Cheyenne, but instead functioned independently of one another. Each group had a separate, distinctive name and its own leader, territory, and customs. Some tribelets were affiliated with neighbors, but only through common boundaries, inter-tribal marriage, trade, and general linguistic affinities. (Margolin, 1978). When the Spaniards and other explorers arrived, they were amazed at the variety and diversity of the tribes and languages that covered such a small area. In an attempt to classify these Indians into a large, encompassing group, they referred to the Bay Area Indians as "Costenos," meaning "coastal people." The name eventually changed to "Coastanoan" (Margolin, 1978). The Native American Indians of this area were referred to by this name for hundreds of years until descendants chose to call themselves Ohlones (origination uncertain). Utilizing hunting and gathering technology, the Ohlone relied on the relatively substantial supply of natural plant and animal life in the local environment. With the exception of the dog, we know of no plants or animals domesticated by the Ohlone.
    [Show full text]
  • Chapter 2. Native Languages of West-Central California
    Chapter 2. Native Languages of West-Central California This chapter discusses the native language spoken at Spanish contact by people who eventually moved to missions within Costanoan language family territories. No area in North America was more crowded with distinct languages and language families than central California at the time of Spanish contact. In the chapter we will examine the information that leads scholars to conclude the following key points: The local tribes of the San Francisco Peninsula spoke San Francisco Bay Costanoan, the native language of the central and southern San Francisco Bay Area and adjacent coastal and mountain areas. San Francisco Bay Costanoan is one of six languages of the Costanoan language family, along with Karkin, Awaswas, Mutsun, Rumsen, and Chalon. The Costanoan language family is itself a branch of the Utian language family, of which Miwokan is the only other branch. The Miwokan languages are Coast Miwok, Lake Miwok, Bay Miwok, Plains Miwok, Northern Sierra Miwok, Central Sierra Miwok, and Southern Sierra Miwok. Other languages spoken by native people who moved to Franciscan missions within Costanoan language family territories were Patwin (a Wintuan Family language), Delta and Northern Valley Yokuts (Yokutsan family languages), Esselen (a language isolate) and Wappo (a Yukian family language). Below, we will first present a history of the study of the native languages within our maximal study area, with emphasis on the Costanoan languages. In succeeding sections, we will talk about the degree to which Costanoan language variation is clinal or abrupt, the amount of difference among dialects necessary to call them different languages, and the relationship of the Costanoan languages to the Miwokan languages within the Utian Family.
    [Show full text]
  • John P. Harrington Papers 1907-1959
    THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: NATIVE AMERICAN HISTORY, LANGUAGE, AND CULTURE OF MEXICO/CENTRAL AMERICA/ SOUTH AMERICA I:DITRD Br Elaine L. Mills KRAUS INTER AJ 10 L Pl BLIC 110 Di ision of Kraus-Thom Jl )r 1lI1.allon LUl11tcd THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America Prepared in the National Anthropological Archives Department ofAnthropology National Museum ofNatural History Washington, D.C. THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America EDITED BY Elaine L. Mills KRAUS INTERNATIONAL PUBLICATIONS A Division of Kraus-Thomson Organization Limited White Plains, N.Y. © Copyright The Smithsonian Institution 1988 All rights reserved. No part ofthis work covered by the copyright hereon may be reproduced or used in any form or by any means-graphic, electronic, or mechanical, including photocopying, recording or taping, information storage and retrieval systems-without written permission ofthe publisher. First Printing Printed in the United States of America §TM The paper in this publication meets the minimum requirements of American National Standard for Information Science- Permanence of Papers for Contents Printed Library Materials, ANSI Z39.48-1984. Library ofCongress Cataloging-in-Publication Data INTRODUCTION VII / V1/l Harrington, John Peabody. Scope and Content ofthis Publication VII / vu The papers ofJohn Peabody Harrington in the Smithsonian Institution, 1907 -1957.
    [Show full text]
  • Early Southern California History (1769-1800) by John P
    Early Southern California History (1769-1800) by John P. Schmal (2019) This presentation explores the original Spanish settlement of Southern California in the late 18th Century, as well as the large number of indigenous communities that existed in the area. Of special interest will be the Expedition of 1781 from Álamos, Sonora, which led to the establishment of Los Angeles, San Buenaventura and Santa Barbara. Copyright © 2019 John P. Schmal Background Sebastián Vizcaíno (1548 – 1624) explored the California coast in 1602-1603. However, after this Spain lost interest in California and did not send any expeditions to California for over a century-and-a-half. Fearing that the Russians were moving down from Alaska to California, Spain regained interest in California and decided to establish some settlements in the area in the 1760s and beyond. José de Gálvez (1720 – 1787), Inspector General for the King of Spain was given permission by King Carlos III to explore Alta California and establish the first permanent Spanish presence there. Gálvez was supported in the planning of an expedition by Carlos Francisco de Croix (1699 – 1786), Viceroy of New Spain, and Father Junípero Serra (1713 – 1784), the head of the Franciscan mission to the Californias (Baja and Alta California). The expedition was planned in 1768. Gálvez placed Gaspar de Portolá (1723- 1786), recently appointed governor of Las Californias, in overall command of the expedition. Second in command was Captain Fernando Rivera y Moncada (1725 – 1781), commander of the Presidio at Loreto. 2 Copyright © 2019 John P. Schmal The San Diego Expeditions of 1769 Four expeditions were organized.
    [Show full text]
  • The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
    2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission.
    [Show full text]
  • Devils Postpile and the Mammoth Lakes Sierra Devils Postpile Formation and Talus
    Nature and History on the Sierra Crest: Devils Postpile and the Mammoth Lakes Sierra Devils Postpile formation and talus. (Devils Postpile National Monument Image Collection) Nature and History on the Sierra Crest Devils Postpile and the Mammoth Lakes Sierra Christopher E. Johnson Historian, PWRO–Seattle National Park Service U.S. Department of the Interior 2013 Production Project Manager Paul C. Anagnostopoulos Copyeditor Heather Miller Composition Windfall Software Photographs Credit given with each caption Printer Government Printing Office Published by the United States National Park Service, Pacific West Regional Office, Seattle, Washington. Printed on acid-free paper. Printed in the United States of America. 10987654321 As the Nation’s principal conservation agency, the Department of the Interior has responsibility for most of our nationally owned public lands and natural and cultural resources. This includes fostering sound use of our land and water resources; protecting our fish, wildlife, and biological diversity; preserving the environmental and cultural values of our national parks and historical places; and providing for the enjoyment of life through outdoor recreation. The Department assesses our energy and mineral resources and works to ensure that their development is in the best interests of all our people by encouraging stewardship and citizen participation in their care. The Department also has a major responsibility for American Indian reservation communities and for people who live in island territories under U.S. administration.
    [Show full text]