New Antihero Delivered

Total Page:16

File Type:pdf, Size:1020Kb

New Antihero Delivered In a rather ailing mood Friday night, I sat around at home-whi- ch can be a very dangerous thing to do if you're not ued to such a traumatic experience. So, grabbing the TV Guide and curling up with an appropriate beverage for the occasion, I flicked on the television set. By some quirk of fate, it just happened to be 7:30 p.m., and NBC by the same quirk, the television dial had been left on an station. So, when the picture cleared I found myself looking at an animated figure of a snake growing heads right and left. Now, I don't know if this is a reflection of my personality or what, but tor some reason this captured my fancy. 1 OPENING the TV Guide I saw that the program was an NBC World Premiere Movie called "Ellery Queen: Don't Look Behind You," a pilot for a possible Ellery Queen series next fall. As you "In can guess, the show was a mystery-thrille- r. The animated snake, it seems, only took the screen after its u human counterpart in the show-call- ed Hydra-h- ad committed a (I murder. Each hea thus signified a murder. Some quick background on the show finds English mystery writer, criminologist, and amateur sleuth Ellery Queen (Peter v;. in New York by hook and by crook, he is A Lawford) City. There, convinced he should help his aged American uncle (Harry Morgan), an Inspector for NYPD, find the Hydra, who has strangled five people to date (males with blue cords, females with . on in a Fillmore pink). After Ellery enters the case, the murderer wipes out two "King of Rock and Roll". .Chuck Berry turns the audience more people. style concert Friday night at Pershing Municipal Auditorium. TO MAKE a long story short, after much clever deduction and a certain amount of good luck, the Hydra is captured and found a to be the mentally mixed-u- p wife of Oates-Hollywood- t. victims were all 's gynecologist-turned-psychiatris- The new antihero delivered. her husband had And if did well he it?-W- ell, was Martin Kasindorf you that you restaurant and eventually Sounds exciting doesn't the strange thing is, it by overall the show Newsweek Feature Service got to be the second heavy." started getting small roles on exciting. True, there were some bad parts, but In the antihero Oates brought to the parts TV. was well handled. unromantic, an st impassive frontiersman kind When TV E G Marshal as the gynecologist-turned-psychiatn- and movies of the past decade, production of face (a shifted to in Lawford and were all good. Minor characters Sergeant character, roles have proved to long jaw, horsy Hollywood 1957, Morgan sun-crinkl- ed eyes)-a- nd a headed west. Within Velie and a TV interviewer (Bob Hastings) also be the surest ticket to stardom. teeth, Oates (Bill Zuckert) even he The has Lee Kentucky twang they three weeks he had a job-t- turned in pleasing performances. process produced marvel at in Louisville. He also I MEAN sound like a male chauvinist, but it was the Jack on DONT to Marvin, George Kennedy, of dedication to horseback-an-fourth heavy were Stefanie Powers Nicholson now Warren brought years d he has been female characterizations that disappointing. and his craft earned him a Lawford was She just can t Oates. that working steadily ever since. as the romantic lead for really poor. as an actor's actor from of The Girl from U.N.C.L.t. of a Warren Oates? The face is reputation Oates' transition seem to shake the stigma a first came seasons as well it to be and, eventually, $150,000 fourth to heavy (blessed) many ago. familiar, ought when his TV work the as the is not given much exposure in after some 14 under a year. caught Coleen Gray, Hydra, years They didn't bring him fame, of Sam who v which to a character until the end of the show. As a Stetson on television and eye Peckinpah develop though, or any of the roles he signed him for his acclaimed result she seems to be made of cardboard. movje screens. And the name wanted. "I was winners in the show are the writers and the he was christened with back in really always Ride the High Country, Major THE REAL script cast as a or a Dundee and The Wild Bunch. men The writers wrote one of the best 42 ago soom hillbilly rowdy camera script Kentucky years cowboy," Oates says of those in ve on television in a His These films, turn, mystery-suspense-detecti- scripts to appear will be familiar, too. of be because the as a years. "Most sophisticated attracted the attention long time. However, this may partly explained brilliant performance and directors are not was from a 1949 Ellery Queen noval "Cat of Many motorist in producers Hollywood's talented script adapted wandering interested in that idiom. producer-director- s were for some fine Two-Lan- e and his They shoestring Tails." The camera men responsible extremely Blacktop a feverish of New York as Peter don't notice anybody in that and he kept up location photography City. memorable role work. beneath schedule the Oates in with some "cuteish" but if the Fonda's sidekick in Hired Hand kind of It's putting Lawford did come off dialogue, 'em." oatcrs. writers watch this and keep the intricate, detailed plot and have assured that. script Two-Lan- e has "Three he notes. location for the show, there is Blacktop years ago," the excellent photography working "The character man has the and "I did five films back to back." reason to believe could be an show to changed all of that every Ellery Queen exciting conflicts which carry the are about He into brawls on location watch fall. directors talking got next significant part of the drama," Oates as a new "which started at precisely man Humphrey Oates explains, "so the Bogart. In the movie, he drives 9:30 on Saturday night." He who it well is to i'&'houns a plays going an orange car across the had a house with a day f move But the sports big tte on." moving, up hitchhikers swimming pool-a- nd a broken was slow. country, picking ! until this year, and creating a new fantasy marriage. "It took me about lTdaysaweek megt "I started playing the fourth character for himself to fit his nine months," he says, "to on horse-t- he heavy back the jstimatc of what each rider figure out that was nowhere." was nutty son who quiet and vants to hear. cam Two-Lan- e lWdh coffee would Then brooding and suddenly Reviewers have called it the and Hired Hand and, Oates of his Blacktop explode," says performance of his career, and best of all, Peter Fonda's 5121 "O" STREET : roles in the Have Gun, Will some have the recent offer to let him direct a a batch Z Travel and Burke TV suggested o9 They making Stoney character of GTO is not unlike picture to be called The Land -- series. if right now! -g, 1t z "Ot course, you got Oates himself. of the Prickly Pear. the chance to explode and had For Oates's hours "I'm not satisfied with had a happiest just good motivations, you are around the Oates said Dovua ; shot at the third spent driving acting now," (a) being heavy. Southwest in a camper built on recently at the (smaller tiny a Chevy truck frame with a than the swimming pool) pool 254-horsepow- er engine. house in Laurel Canyon he There's beer in an ice chest, a shares with Vickery. "I want to horned cow's skull on the direct. I want to construct BREAKFAST dashboard and Bach playing on films that cover lengths of cassettes. Vickery, his blonde time, that would make you second wife of a few years, and understand a period of history his children (Jennifer, 10, and as you understand a man's Tammy, 7) usually are along. life." 79 But GTO, Oates, insits, is an Success is still a matter of immoral character, while his wonderment. "Vickery and I," -- own strong personal morality is he smiles, "we talk about all k Eggs "still influenced by the this, and the thing I keep Southern Baptism of my saying is, 'Woohh!' " Bacon or boyhood." Sausage Oates was born in Depoy, Ky., a coal-fiel- d town, and Buttermilk or toast spent his adolescence in pancakes Louisville. From high school, Now Posters he drifted into the Marines and after his entered the 1 discharge 7-- 1 a.m. University of Louisville. There, Marvelous he got involved in student drama, playing (what else?) a New Every Monday thru Friday hillbilly moonshiner. "Acting," he recalls, "gave Display We'll be closed on Thanksgiving me some identity." He left Thelirternational college in 1954, sold his car at the and went to New York to take House of Pancake NEBRASKA 1135 15th K 'Q' Streets acting lessons. To support Q3s himself, he got a job as a BOOKSTORE 'R'ST. coat-check- er at the "21" PAGE 6 THE DAILY UEBRASKAN MONDAY, NOVEMBER 22, 1971.
Recommended publications
  • Big Sky, MT 59716 Images Via Email to [email protected] Or Use #Explorebigsky on Social Media to Be (406) 995-2055 • [email protected] Eligible
    May 12 - May 25, 2017 Volume 8 // Issue #10 Gallatin Valley gives big Nearly $700,000 raised in 24 hours Yellowstone River open for business Music in the Mountains kicks off June 22 Special Travel Section Day trips, weekend getaways and exotic locales Back 40: Gardening tips for a short growing season #explorebigsky explorebigsky explorebigsky @explorebigsky ON THE COVER: Tessa Moeckel climbs at Practice Rock, a popular crag located in Hyalite Canyon. PHOTO BY JOHN MEYER TABLE OF CONTENTS May 12 – May 25, 2017 Volume 8, Issue No. 10 Section 1: News Gallatin Valley gives big Owned and published in Big Sky, Montana Opinion.............................................................................4 Nearly $700,000 raised PUBLISHER Eric Ladd Local.................................................................................5 12 in 24 hours EDITORIAL Montana.........................................................................13 MANAGING EDITOR Regional.........................................................................15 Tyler Allen Yellowstone River SENIOR EDITOR Section 2: Environment, Sports, Health & Dining Amanda Eggert open for business 21 ASSOCIATE EDITOR Environment..................................................................17 Sarah Gianelli Sports.............................................................................20 CREATIVE Music in the Mountains LEAD DESIGNER Business.........................................................................21 Carie Birkmeier kicks off June 22 Health.............................................................................24
    [Show full text]
  • Music in GUNSMOKE Half-Hour Series PART II
    Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score.
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • Street Theater at Centrepointe Altering a Bankrupt System
    North of CeNter WedNesday, september 9, 2009 Free take home aNd read Volume I, Issue 9 Street theater at CentrePointe Something finally goes up on the block…and then the Webbs take it down NoC News Desk citizens who’d just left: one carried a faces—presumably out of shame for the keep on the lookout, michael, and clipboard; one was dressed like a jani- heinous crime of hanging art on pub- heed the words of the street theater at 4:00 p.m. Friday, august 28, tor; one looked like a bellhop; and one lic property. troupe: no Facebook, no myspace, no a group of roughly 20 lexingtonians wore an orange polo and spoke uncer- orange-shirt gave this reporter twitter, no pretext for pre-meditated descended upon the empty down- tainly on his cell phone as he removed nothing substantive to report on the surveillance. sometimes good old fash- town block euphemistically known as the signs. Webb Companies’ behalf, though the ioned sixties ideas do work best. “the Future home of Centrepointe.” taking orange-shirt for the leader guess is they’d say that everything with they appeared in a flash, toting doz- of the group (the guy with the clipboard Centrepointe will be resolved “in the ens of colorful signs and ribbons to seemed to carry it for purely cosmetic next 60 to 90 days.” (that has been Manhattan Short attach to the northern section of fence reasons), this reporter approached and their go-to statement for the past year.) strangling the block and facing main asked, “What’s going on here?” It’s likely the demonstrators/ Film Festival at street.
    [Show full text]
  • A Historical/Critical Analysis of the Tv Series the Fugitive
    A HISTORICAL/CRITICAL ANALYSIS OF THE TV SERIES THE FUGITIVE THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By David P. Pierson, B.S. Denton, Texas May, 1993 Pierson, David P., A Historical/Critical Analysis Of The TV Series The Fugitive. Master of Science (Radio/TV/Film), May 1993, 168 pp., bibliography, 70 titles. In many respects, the popular 1960's television series, The Fugitive perfectly captured the swelling disillusionment with authority, alienation, and discontent that soon encompassed American society. This historical/critical study provides a broad overview of the economic, social, and political climate that surrounded the creation of The Fugitive. The primary focus of this study is the analysis of five discursive topics (individualism, marriage, justice & authority, professionalism, science and technology) within selected episodes and to show how they relate to broader cultural debates which occurred at that time. Finally, this study argues that The Fui1gitive is a part of a television adventure subgenre which we may classify as the contemporary "wanderer-hero" narrative and traces its evolution through selected television series from the last three decades. TABLE OF CONTENTS Chapter Page I. INTRODUCTION . 1 The Sixties The Emergence of a Television Culture The Fugitive Notes on Methodology II. THE TV INDUSTRY AND THE FUGITIVE . 26 The Great Shift ABC-TV Network and the Creation of The Fugitive 60's Programming Trends and The Fugitive III. THE DISCURSIVE FUGITIVE . 70 Individualism Marriage Justice and Authority Professionalism Science and Technology Conclusion IV.
    [Show full text]
  • Movie Time Descriptive Video Service
    DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list.
    [Show full text]
  • GUNSMOKE TV CAST and DETAILS Premiered
    GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall
    [Show full text]
  • 101Antatmnto Times Rough Debate Among the Defense WASHINGTON (AP)-Carl Albert, Speak- Ministers
    SCHLESINGER'S BID STARTS ROUGH DEBATE AT NATO MEETING U. S. NAVAL BASE GUANTANAMO BAY, CUBA BRUSSELS (AP)-U.S. Defense Secre- tary James R. Schlesinger yesterday tried but failed to win an acknow- ledgement from the North Atlantic Alliance that Spain is contributing to the defense of the West. World News Digest Schlesinger's bid started a some- 101antatmnto times rough debate among the defense WASHINGTON (AP)-Carl Albert, Speak- ministers. They were attending a er of the U.S. House of Representa- two-day conference of the Defense tives, said yesterday he had asked Planning Committee of the North President Ford to delay imposing Atlantic Treaty Organization - NATO. another $1-a-barrel increase in the Britain's Roy Mason, the delegates oil tariff, but that he got no of Holland, Norway and Denmark and commitments from the President. other ministers came out in strong opposition to the proposition. The acknowledgement was, broadly, that BRUSSELS (AP)-U.S. Defense Secre- Spain's provision of military bases Friday, May 23, 1975 tary James R. Schlesinger yesterday to the United States is a help to disclosed plans to beef up American the maintenance of peace and secur- KISSINGER SAYS U.S. WILL forces in central Europe where Com- ity of the Atlantic and Mediterran- munist nations have deployed nearly ean regions. REDUCE PRESENCE IN LAOS 1 million firstline troops with Those who resisted Schlesinger's 16,000 tanks and 2,900 tactical war- call argued that the people they VIENTIANE, Laos (AP)-Eighteen planes. represent could never accept associa- Americans and other foreigners held tion with a regime headed by Gen- by student demonstrators in a south- ANKARA, Turkey (AP)-Kissinger told eralissimo Francisco Franco whose ern Laotian town for nine days were Turkish leaders that the House prob- rise and rule are identified by many flown to Thailand yesterday.
    [Show full text]
  • A Tribute to Ernest Borgnine by Jarrod Emerson
    Rise Of The Everyman A Tribute to Ernest Borgnine by Jarrod Emerson SPECIAL FOR FILMS FOR TWO® Ernest Borgnine with the Oscar he won for Marty. Photo Credit: John McCoy/ZUMA Press/Newscom (1/21/11) In the 1995 comedy sequel Grumpier Old Men, “Jacob Goldman” (Kevin Pollack) mentions the name of an “available” woman to his lonely widower father “Max” (Walter Matthau). Upon hearing the woman’s name Max balks, replying, “She looks like Ernest Borgnine!” Having been born in the mid-1980’s I had no idea who Matthau’s character was referring to, but that would soon change. As my interest in cinema progressed, I began to notice the late actor popping up here and there. Eventually, two things occurred to me. Firstly, I am in complete agreement in that I wouldn’t be keen to date a woman who resembled Ernest Borgnine. Secondly, for anyone to remember Ernest Borgnine as “that homely actor” simply does not do him justice. He was one of Hollywood’s greatest – and long-lived – character actors, staying busy in film and television, right up to his death from heart failure last July at the age of 95. Perhaps best remembered as “McHale” from the beloved sitcom McHale’s Navy, that role was but the tip of the iceberg in terms of Borgnine’s capabilities. Over the course of six decades, Borgnine forged a richly diverse film career as he collaborated with multiple generations of talented filmmakers. His Academy Award for the heartwarming 1955 film Marty helped pave the way for future generations of immensely talented character actors.
    [Show full text]
  • Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
    RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6.
    [Show full text]
  • Thursday Friday Saturday Sunday
    f - ' The Trade Wind - Page 2_____________________________ of action in this romantic Gargoyle creatures menace 9:00 humane courtroom lawyer western about a one-man war an anthropologist and his QMOVIE -(ADVENTURE) ** makes a powerful plea for against the railroad. (103 daughter. (90 mins.) ^ % l CkT 1961 Charleton understanding. (2 hrs.) mins.) 1:15 Heston, Sophia Loren. An QM OVIE -(DRAMA) *** 2 - KUTV Salt Lake City - NBC QM OVIE -(COMEDY- 11th century warrior's heroic 'Tulsa" 1949 Susan DRAMA)**V& crusade to stem the tide of Hayward, Robert Preston. An Friday "Till Marriage Do Us Part" the Moorish invasion of oil woman fights for her 3 - WTBS - Altanta Laura Antonelll, Alberto Spain. (2 hrs.. 55 mins.) - property, forgetting about MORNING Lionello. In the early 1900s, a ■ SPECIAL MOVIE human values while-involved 11:00 member of nobility weds a PRESENTATION in wildcat drilling. (2 hrs.) 4 - KXLF Butt« - ABC-CBS QMOVIE-(CARTOON)** commoner. On their wedding 'Desperate Voyage' 1980 QMOVIE-(DRAMA)** ^Hey There, If s Yogi Bear" night they discover they are Stars: Christopher Plummer, ^ 'P u n ch And Jody" 1974 1061 Voices of Mel Blanc, J. brother and sister -and the Christine Belford. A young Glenn Ford, Ruth Roman. An 5 ■ KWGN Denver - Independent Pat O’ Malley. Yogi comes out trouble begins. (92 mins.) married couple are terrorized executive dropout runs away of hibernation and winds up 1:40 by a modern-day pirate while from his pregnant wife and in trouble. (2 hrs.) QMOVIE-(DRAMA)** on a pleasure cruise aboard joins the circi«^90 mins.) 7 - KTVX Salt Lake City • ABC “ Across The Bridge" 1958 their ketch.
    [Show full text]
  • The Wild Bunch by Michael Wilmington “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
    The Wild Bunch By Michael Wilmington “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author Sam Peckinpah‘s “The Wild Bunch“ opens with perhaps the most startling burst of sustained violence in all of the American cinema: a raging inferno of quick-cut, slow- motion bloodshed, with outlaws and am- bushers on the roofs above shooting it out, during a busted railroad office robbery, in five dense minutes of horrific carnage. It is a scene of extraordinary art and impact, exploding off the screen with such force and affecting audiences so viscerally, they sometimes reel back in shock. The Wild Bunch. Courtesy Library of Congress Collection. The movie closes with another burst of slaughter; an classic, shorn of crucial scenes in its first release. insanely blood standoff involving four surviving out- (The 1995 theatrical run of the original, 144-minute laws of the wild bunch, an entire Mexican army con- director‘s cut, restored was a cause for celebration.) tingent, and a Gattling gun passed from hand to Few that followed it, even among its many imitators, hand. In between, Peckinpah shows his antiheroes have its sense of tragedy and loss, its depth, melan- trapped between a posse of vicious mercenaries and choly and lyricism, or its savagery and dark wit. Even the immoral Mexican Army that buys their rifles; a Peckinpah’s directorial credit is thrilling: a freeze- three-cornered game of demonic intensity, nightmare frame on a macabre close-up of William Holden as nihilism, and outrageous compassion.
    [Show full text]