Permanent Collection of Paintings. J. D. Blondel, A. N. A. Blondel, 1817

Total Page:16

File Type:pdf, Size:1020Kb

Permanent Collection of Paintings. J. D. Blondel, A. N. A. Blondel, 1817 Catalogue Permanent Collection American ADAM EM RY O ALBRIGHT . I Studied at the Art nstitute , Chicago ; Penn sylvania Academy under Carl Marr, and at the Academy Roland, Paris . He is a life member of the I ffi Art nstitute , Chicago , o cer in Chicago Academy i rt of Design , member Ch cago Society of A ists and n fellowship in Pen sylvania Academy . 1 T f . COUN RY CHILDREN . Gift of John Hof man I . CARROLL BECKW TH , N A 1852 Born in Hannibal , Mo . , . Entered Acad 1871 dm D . emy of esign , New York , A itted to the studio of Carolus - Duran in 1873 ; he studied also under Yvon at the E cole des Beaux Arts . For a number of years he maintained a studio in Paris with his fellow student , John S . Sargent . Was for eighteen years instructor at the New York A r t League . Recipient of many honors in this country and abroad . President of the National Free Art o League , member American Water C lor Society , Salmagundi Club and National Institute of Arts and Letters. 2 TH E C . FAL ONER Gift of the Artist . E E w A N A G ORG . BELLOWS , u 1882 in Born , Col mbus , Ohio , . Represented the Pennsylvania Academy of the Fine Arts , Phila delphia . Second Hallgarten Prize , National Acad 1908 emy of Design , . ’ 3 BL A KW ELL I E E C S . t . BR DG Gif of . D Libbey 2 PERMANENT COLLECTION OF PAINTINGS . A N A D . J . BLONDEL , 1817 1877 was n New rk . Blondel, to , bor in Yo ai He studied painting under Wm . Page and att ned celebrity in p ortraiture before the War of th e Re bellion ; C . TH E . 4 . S HOOL GIRL Gift of Mrs A M Woolson . GEORGE ELMER BROWNE . r Born at Glouceste , Massachusetts . Pupil of De Cam Benson , Tarbell , p and Major in Boston, and - Re re of Lefebvre and Robert Fleury in Paris . p s sented in the Luxembourg, Pari . H E HITE I ll 5 T W . CLOUD nsta ed in the Maurice A . Scott Gallery by Florence Scott Libbey . CARLTON T . CHAPMAN, A . N . A . ' his rs Spent early yea in Toledo , studied at the League and the Academy, New York and at Acad a emy Julian , Paris . Received silver med l Boston ’ 1 892 1893 a , medal Chicago World s Fair , Atlant 1 01 1895 9 . Exposition , Pan American Exposition He was a member of the International Jury of Awards h of at t e St . Louis Exposition ; is member of Society American Artists , American Water Color Society, New York Water Color Club , Associate of National Academy. C AST 6 . A RO KY CO ELL EDWIN D . CONN . Nat1ve in the of New York State , studied ul B u au Academy J ian, Paris, under W . A . oug ere , - ul i n re Tony Robert Fleury and J c Dupre . He ceive d n r s n 1897 . honorable mentio in the Pa i Salo , 7 TTLE . CA . P ERMANENT C OLLECTION OF PAINTINGS . CHARLE S C . CURRAN, N . A . 1861 his Mr . Curran was born in and spent early rw hi years in No alk, O o . He has been awarded medals at the Atlanta Exposition , the Chicago ’ s - World Fair, the Pan American Exposition , and the 1904 St . Louis Exposition . In he won the Carnegie prize for the best figure composition at the exhibition 1905 of the Society of American Artists . In he was awarded the first Corcoran prize at Washington . E Ar . 8 TH . t . JUNGFRAU Gift of Study Club 9 TH E O . SWIMMING PO L Gift of C S Ashley R ELLIOTT DAINGE FIELD , N . A . ’ r V 1859 a . Born Harper s Fer y , , Member of and Ne w the National Academy of Design, of the York Municipal Art Society . Represented in the r In C . National Galle y , Washington , D . ; Brooklyn stitute of Arts and Sciences ; Metropolitan Museum . v a an of Art , New York Awarded Sil er Med l , P 1901 American Exposition , Bu alo , ; Clarke Prize , 1902 National Academy of Design, . 10 M E UP . STOR BR AKING Installed in the e Maurice A . Scott Gallery by Florenc Scott Libbey . WILDER M . DARLING . hi inan Wilder Darling came from O o . After y r years of study in France and Ge many, he settled in s Laren, Holland, devoting him elf to the painting of the Dutch peasantry . n T . 11 THE . POTA O PARER Gift of A B Tilli g hast. PERMANENTC OLLECTION OF PAINTINGS . l I . THOMAS W LMER DEWING, N A s ul s ari . Born at Bo ton . Pupil of J e Lefebvre , P s Member of the NationalpAcademy of Design The Ten American Painters ; National Society of Arts and al t and Letters ; Med s New York , Pit sburgh else where . 1 T . in 2 . WRITING A LET ER Installed the Maurice A . Scott Gallery by Florence Scott Libbey . PAUL DOUGHERTY , N . A . Y 1877: Born in Brooklyn , N . , Member of the National Academy of Design and of the National In i st tute of Arts and Letters . Rep resented in the Na tional Gallery of Art and the Corcoran Gallery, C . n Washington , D . ; Car egie Institute , Pittsburgh ; Chicago Art Institute ; Brooklyn nstitute of Arts and Sciences . 1 E r 3 . MOONLIT COV Installed in the Mau ice F A . Scott Gallery by lorence Scott Libbey . BEN FOSTER , N . A . r 18 2 f t An a 5 . o Born No h son , M ine , Member o In the Nati nal Academy of Design . Represented the Luxembourg, Paris ; Art Association , Montreal ; Brooklyn Institute of Arts and Sciences ; Corcoran ll Gallery of Art and in the William T . Evans C o e c C . tion , National Gallery of Art , Washington, D . ; Pennsylvania Academy of Fine Arts , Philadelphia . Bronze Medal , Columbian Exposition, Chicago , 1893 1895 l ; Second Prize , Cleveland, ; Bronze Meda . 1900 Exposition Universelle , Paris , ; Medal of the 1900 a second class , Carnegie Institute , ; Silver Med l , - ff 1901 Pan American , Bu alo , ; Webb Prize , Society s 1901 of American Artist , ; Silver Medal , Universal 1904 Exposition , Saint Louis , ; Carnegie Prize , Na tional 1906 Academy of Design , New York , . 14 . EARLY MOONLIGHT . Installed in the Maurice A . Scott Gallery by Charlotte Scott Chapin . 5 “ ‘ f - N A GILBERT GAUL, . Chicago " a re Paris “ In f ro m Battery H Action , was a commission the ' u vo s Of r r t s rvi r Batte y H , Fi st Ohio Ligh Artillery, w hich w as reoruited a t the outbreak of the Civil War in Toledo and vicinity. The picture was unveiled ! with appropriate ceremonies at Memorial Hall , To ' ’ b t mQM CKinl e ledo , Tuesday , March y y; ' - r .h 1bit a th o l S . Fa1r In th e io s ed t e 5Chicago W r d f . Oh A. B In o 1859 b al orn Bost n , . Mem er of the Nation Academy of Design and Of The Ten American P ainte l s n Asso l at o ; Secession Society , Mu ich ; c e f ‘ P x- A r ri R r e t e ts I a S . e h Societe Nationale des Beau , p S n e d the e ns l a m F A rtS e t in P n yvani Acade y of ine , ‘ ’ Philadelphia ; C incinnati Museum of A rt ; C orc oraii ns i W C . Gallery of Art , ashington , D . ; Carnegie I t Bu ” l tute ; Albright Art Gallery, alo , Bronze Meda 1889 Exposition Universelle , Paris , ; Gold Medal n 1892 fini Mu ich , ; Medal , Columbian Exposition , 1893 i cago , Webb Prize , Society of American Art sts , 1895 1898 ld ; Medal , Carnegie Institute , ; Temple Go i Medal , Pennsylvania Academy of Fine Arts , Ph la 1899 delphia ; Silver Medal , Exposition Universelle 1900 - n Paris ; Gold Medal , Pan American Expositio . ff 1901 s Bu alo , ; Gold Medal , Univer al Exposition , 1904 n Saint Louis , ; Clarke Prize , Natio al Academy 1905 1905 of Design , ; Medal Carnegie Institute , ; ‘ n Ame r ican Artists 19 0 6 Car egie Prize , Society of , and many other honors . 16 EA . SUMMER S . Installed in the Maurice A . i Scott Gallery by Florence Scott L bbey . 6 PERMANENT COLLECTION OF PAINTINGS . WINSLOW HOMER, N . A . 1836 1910 to . Born in Scarboro, Me Pupil of the Nati onal Academy of Design and F . Rondel . Member of the National Academy of Design ; Amer ican Water Color Society ; National Society of Arts s i and Letters . Awards at Pari , Ph ladelphia , Pitts " Eu . burgh , alo , Charleston , St Louis and elsewhere One of the greatest of all American painters and re n d owne for his pictures of the sea and shore . 1 I 7 . SUNLIGHT ON THE COAST nstalled in the Maurice A . Scott Gallery by E dward D . Libbey . A N . GE ORGE INNESS , . 1825 1894 to . Born in Newburgh , N . Y . Pupil i noux for a Short time of Regis G g . Spent some time studying in Europe . Elected an associate member of the National Academy in 1853 and National 1868 e Academician in . R presented in most of the um un muse s of this co try, one whole gallery being de voted to his work in the Art Institute of Chicago . 18 P WE . AFTER A S RING SHO R . Installed in the Maurice A . Scott Gallery by Florence Scott Libbey . ASTON KNIGHT . Aston Knight was born in Paris of American hi s parents , father being Ridgway Knight, the well known artist . He studied under his father and also un der Jules Lefebvre and Tony Robert Fleury .
Recommended publications
  • Paintings by John W. Alexander ; Sculpture by Chester Beach
    SPECIAL EXHIBITIONS THE ART INSTITUTE OF CHICAGO, DECEMBER 12 1916 TO JANUARY 2, 1917 PAINTINGS BY JOHN W. ALEXANDER SCULPTURE BY CHESTER BEACH PAINTINGS BY CALIFORNIA ARTISTS PAINTINGS BY WILSON IRVINE PAINTINGS BY EDWARD W. REDFIELD PAINTINGS, DRAWINGS AND SKETCHES BY MAURICE STERNE 0 SPECIAL EXHIBITIONS OF WORK BY THE FOLLOWING ARTISTS PAINTINGS BY JOHN W. ALEXANDER SCULPTURE BY CHESTER BEACH PAINTINGS BY CALIFORNIA ARTISTS PAINTINGS BY WILSON IRVINE PAINTINGS BY EDWARD W. REDFIELD PAINTINGS, DRAWINGS AND SKETCHES BY MAURICE STERNE THE ART INSTITUTE OF CHICAGO DEC. 12, 1916 TO JAN. 2, 1917 PAINTINGS BY JOHN WHITE ALEXANDER OHN vV. ALEXANDER. Born, Pittsburgh, J Pennsylvania, 1856. Died, New York, May 31, 1915. Studied at the Royal Academy, Munich, and with Frank Duveneck. Societaire of Societe Nationale des Beaux Arts, Paris; Member of the International Society of Sculptors, Painters and Gravers, London; Societe Nouvelle, Paris ; Societaire of the Royal Society of Fine Arts, Brussels; President of the National Academy of Design, New York; President of the Natiomrl Academy Association; President of the National Society of Mural Painters, New York; Ex- President of the National Institute of Arts and Letters, New York; American Academy of Arts and Letters; Vice-President of the National Fine Arts Federation, Washington, D. C.; Member of the Architectural League, Fine Arts Federation and Fine Arts Society, New York; Honorary Member of the Secession Society, Munich, and of the Secession Society, Vienna; Hon- orary Member of the Royal Society of British Artists, of the American Institute of Architects and of the New York Society of Illustrators; President of the School Art League, New York; Trustee of the New York Public Library; Ex-President of the MacDowell Club, New York; Trustee of the Metropolitan Museum of Art; Trustee of the American Academy in Rome; Chevalier of the Legion of Honor, France; Honorary Degree of Master of Arts, Princeton University, 1892, and of Doctor of Literature, Princeton, 1909.
    [Show full text]
  • Milch Galleries
    THE MILCH GALLERIES YORK THE MILCH GALLERIES IMPORTANT WORKS IN PAINTINGS AND SCULPTURE BY LEADING AMERICAN ARTISTS 108 WEST 57TH STREET NEW YORK CITY Edition limited to One Thousand copies This copy is No 1 his Booklet is the second of a series we have published which deal only with a selected few of the many prominent American artists whose work is always on view in our Galleries. MILCH BUILDING I08 WEST 57TH STREET FOREWORD This little booklet, similar in character to the one we pub­ lished last year, deals with another group of painters and sculp­ tors, the excellence of whose work has placed them m the front rank of contemporary American art. They represent differen tendencies, every one of them accentuating some particular point of view and trying to find a personal expression for personal emotions. Emile Zola's definition of art as "nature seen through a temperament" may not be a complete and final answer to the age-old question "What is art?»-still it is one of the best definitions so far advanced. After all, the enchantment of art is, to a large extent, synonymous with the magnetism and charm of personality, and those who adorn their homes with paintings, etchings and sculptures of quality do more than beautify heir dwelling places. They surround themselves with manifestation of creative minds, with clarified and visualized emotions that tend to lift human life to a higher plane. _ Development of love for the beautiful enriches the resources of happiness of the individual. And the welfare of nations is built on no stronger foundation than on the happiness of its individual members.
    [Show full text]
  • Pablo Picasso (Spanish, 1881 - 1973)
    Pablo Picasso (Spanish, 1881 - 1973) Pablo Picasso is considered to be the greatest artist of the 20th century, the Grand Master primo assoluto of Modernism, and a singular force whose work and discoveries in the realm of the visual have informed and influenced nearly every artist of the 20th century. It has often been said that an artist of Picasso’s genius only comes along every 500 years, and that he is the only artist of our time who stands up to comparison with da Vinci, Michelangelo, and Raphael – the grand triumvirate of the Italian Renaissance. Given Picasso’s forays into Symbolism, Primitivism, neo-Classicism, Surrealism, sculpture, collage, found-object art, printmaking, and post-WWII contemporary art, art history generally regards his pioneering of Cubism to have been his landmark achievement in visual phenomenology. With Cubism, we have, for the first time, pictorial art on a two-dimensional surface (paper or canvas) which obtains to the fourth dimension – namely the passage of Time emanating from a pictorial art. If Picasso is the ‘big man on campus’ of 20th century Modernism, it’s because his analysis of subjects like figures and portraits could be ‘shattered’ cubistically and re-arranged into ‘facets’ that visually revolved around themselves, giving the viewer the experience of seeing a painting in the round – all 360º – as if a flat work of art were a sculpture, around which one walks to see its every side. Inherent in sculpture, it was miraculous at the time that Picasso could create this same in-the-round effect in painting and drawing, a revolution in visual arts and optics.
    [Show full text]
  • Rebecca Horn Introduction of Works
    REBECCA HORN INTRODUCTION OF WORKS • Parrot Circle, 2011, brass, parrot feathers, motor t = 28 cm, Ø 67 cm | d = 11 in, Ø 26 1/3 in Since the early 1970s, Rebecca Horn (born 1944 in Michelstadt, Germany) has developed an autonomous, internationally renowned position beyond all conceptual, minimalist trends. Her work ranges from sculptural en- vironments, installations and drawings to video and performance and manifests abundance, theatricality, sensuality, poetry, feminism and body art. While she mainly explored the relationship between body and space in her early performances, that she explored the relationship between body and space, the human body was replaced by kinetic sculptures in her later work. The element of physical danger is a lasting topic that pervades the artist’s entire oeuvre. Thus, her Peacock Machine—the artist’s contribu- tion to documenta 7 in 1982—has been called a martial work of art. The monumental wheel expands slowly, but instead of feathers, its metal keels are adorned with weapon-like arrowheads. Having studied in Hamburg and London, Rebecca Horn herself taught at the University of the Arts in Berlin for almost two decades beginning in 1989. In 1972 she was the youngest artist to be invited by curator Harald Szeemann to present her work in documenta 5. Her work was later also included in documenta 6 (1977), 7 (1982) and 9 (1992) as well as in the Venice Biennale (1980; 1986; 1997), the Sydney Biennale (1982; 1988) and as part of Skulptur Projekte Münster (1997). Throughout her career she has received numerous awards, including Kunstpreis der Böttcherstraße (1979), Arnold-Bode-Preis (1986), Carnegie Prize (1988), Kaiserring der Stadt Goslar (1992), ZKM Karlsruhe Medienkunstpreis (1992), Praemium Imperiale Tokyo (2010), Pour le Mérite for Sciences and the Arts (2016) and, most recently, the Wilhelm Lehmbruck Prize (2017).
    [Show full text]
  • Eduardo Chillida
    Press Release Eduardo Chillida Hauser & Wirth New York, 69th Street 30 April – 27 July 2018 Private view: Monday 30 April, 6 – 8 pm The bird is one of the signs of space, each one of Chillida’s sculptures represents, much like the bird, a sign of space; each one of them says a different thing: the iron says wind, the wood says song, the alabaster says light yet they all say the same thing: space. A rumor of limits, a coarse song; the wind, an ancient name of the spirit, blows and spins tirelessly in the house of space. – Octavio Paz New York… Hauser & Wirth is pleased to present its inaugural exhibition of works by Eduardo Chillida (1924 – 2002), Spain’s foremost sculptor of the twentieth century. Widely recognized for monumental iron and steel public sculptures displayed across the globe, Chillida is also celebrated for a wholly distinctive use of materials such as stone, chamotte clay, and paper to engage concerns both earthly and metaphysical. On view from 30 April through 27 July 2018, this exhibition showcases the artist’s varied and innovative practice through a focused presentation of rarely displayed works, including small-scale sculptures, collages, drawings, and artist books that shed new light on Chillida’s enduring fascination with space and organic form. Originally a student of architecture in Madrid, Chillida created art guided by its principles; his early interest in the field had a lasting impact on his development as an artist, shaping his understanding of spatial relationships and sparking what would become a deep-rooted interest in making space visible through a consideration of the forms surrounding it.
    [Show full text]
  • 1947 Drops out of Architecture School to Study Drawing at the Círculo De Bellas Artes in Madrid. Works in José Martínez Repul
    1947 Drops out of architecture school to study drawing at the Círculo de Bellas Artes in Madrid. Works in José Martínez Repullés's sculpture studio, where he creates his first sculpture. 1948 Moves to Paris, where he forges a friendship with artist Pablo Palazuelo. 1949 Participates in the Salon de Mai in Paris. 1950 Takes part in the exhibition Les mains éblouiesat Galerie Maeght in Paris. Marries Pilar Belzunce. 1951 Returns to the Spanish province of Guipúzcoa, settling in Hernani. Creates his first work in bronze. 1954 Has his first solo exhibition in Spain, at Galería Clan in Madrid. Creates four doors for the Basílica Nuestra Señora de Aránzazu in Oñate, Spain. 1955 The Kunsthalle Bern presents an exhibition of his work. 1956 Exhibits at Galerie Maeght in Paris. 1958 Receives the International Grand Prize for Sculpture at the XXIX Biennale di Venezia. Chillida's work is featured in Sculpture and Drawings from Seven Sculptors at the Solomon R. Guggenheim Museum in New York. Receives the Graham Foundation Award and exhibits at the Graham Foundation in Chicago. 1959 Participates in Documenta 2 in Kassel, Germany. Creates his first etchings, first works in wood, and first works in steel. 1960 Receives the Kandinsky Prize, awarded by the “ArtChronika” Cultural Fund. Forges a friendship with sculptor Alberto Giacometti. 1961 Exhibits at Galerie Maeght in Paris. 1964 Receives the Carnegie Prize, awarded by the Carnegie Museum of Art in Pittsburgh. 1965 Exhibits at Tunnard Gallery in London and the Kestnergesellschaft Hannover. 1966 The Museum of Fine Arts in Houston organizes a retrospective exhibition of Chillida's work.
    [Show full text]
  • Autumn 2020 FILM and TELEVISION DEALS Spellslinger Series – Sebastien De Castell Marge in Charge Series – Isla Fisher We Were Liars – E
    Rights Guide Autumn 2020 FILM AND TELEVISION DEALS Spellslinger series – Sebastien de Castell Marge in Charge series – Isla Fisher We Were Liars – E. Lockhart Love Letters to the Dead – Ava Dellaira Cell 7 – Kerry Drewery CONTENTS Our Chemical Hearts – Krystal Sutherland Frogkisser! – Garth Nix YOUNG ADULT 4 S.T.A.G.S. – M. A. Bennett TEEN 14 The Cruel Prince (Folk of the Air) series – Holly Black NINE TO TWELVE 21 Charlie and Me – Mark Lowery ILLUSTRATED FICTION 30 The Boy Who Grew Dragons – Andy Shepherd PICTURE BOOKS 38 The Girl Who Drank the Moon – Kelly Barnhill ANTHOLOGY 40 Iremonger series - Heap House, Foulsham, Lungdon – Edward Carey NON-FICTION 41 Birdy – Jess Vallance BACKLIST 46 Stepsister – Jennifer Donnelly Genuine Fraud – E. Lockhart The Wild Robot – Peter Brown Enola Holmes – Nancy Springer 36 Questions That Changed My Mind About You – Vicki Grant The Ghost Bride – Yangsze Choo The Last Human – Lee Bacon The Distance Between Me and the Cherry Tree – Paola Peretti With the Fire on High – Elizabeth Acevedo The Witch’s Boy – Kelly Barnhill The Tattooist of Auschwitz – Heather Morris The Red Ribbon – Lucy Adlington The Old Kingdom series – Garth Nix Perfectly Preventable Deaths – Deirdre Sullivan A Semi-Definitive List of Worst Nightmares – Krystal Sutherland The Keys to the Kingdom series – Garth Nix Night Shift - Debi Gliori 3 YOUNG ADULT YOUNG ADULT Chris Whitaker Yasmin Rahman THE FOREVERS THIS IS MY TRUTH What would you do if you could get There are some secrets that even best away with anything? friends don’t tell each other . They called it Selena.
    [Show full text]
  • New York Times 7 November 2004 P. AR 23 up Close and Very Personal
    New York Times 7 November 2004 p. AR 23 Up Close and Very Personal, for Hours and Hours By LINDA YABLONSKY Kutlug Ataman may be the only video artist alive who really wishes that people would not sit all the way through his work. Chances are slim, however, that many would try. His videos, essentially interior portraits of unusual personalities, can be eight hours long. What's more, they unfold in a potentially mind-numbing format restricted to talking heads, on as many as 40 screens at once. Not only do the screens face in different directions, they are also not always in the same room - or even in the same part of town. "You watch for a half-hour or whatever, and if you are interested maybe you will come back at another time and make your own montage, out of snippets," Mr. Ataman said recently. "That is my work - it's for you to experience not being able to access the whole thing." This intensely subjective and demanding art is bringing Mr. Ataman, 43, growing international attention. In recent years, his work has captivated viewers at biennials in Venice, Istanbul and São Paulo and at Documenta, the international group exhibition in Kassel, Germany. Last month, soon after being shortlisted for the Tate Gallery's prestigious Turner Prize in London, he won the Carnegie Prize in Pittsburgh for "Küba," a new video work in the current Carnegie International biennial. "I'm not a genius, I just work hard," Mr. Ataman said in an interview at the Lehmann Maupin Gallery in Chelsea, where another new piece, "Stefan's Room," was presented last month.
    [Show full text]
  • The Museum of Modern Art
    The Museum of Modern Art For Immediate Release November 1991 RICHARD SERRA: AFANGAR ICELANDIC SERIES November 26, 1991 - March 24, 1992 Richard Serra's most ambitious set of prints to date, made to celebrate the twenty-fifth anniversary of Gemini G.E.L., are the subject of an exhibition at The Museum of Modern Art opening on November 26, 1991. Organized by Riva Castleman, director of the Department of Prints and Illustrated Books, RICHARD SERRA: AFANGAR ICELANDIC SERIES is the first exhibition of the project, which consists of more than a dozen heavily encrusted etchings that the artist calls intaglio constructions. The works in the series employ the visual vocabulary of a recent project of Serra's in which he had wery tall monoliths of Icelandic basalt placed in pairs along the perimeter of a small island near Reykjavik. In the etchings, made at Gemini G.E.L. in Los Angeles in 1991, densely black forms have been printed on roughly textured paper affixed in the printing process to two layers of Oriental paper. These imposing images loom upward from the lower edges of the sheets, starkly evoking the environment that inspired them. The exhibition continues through March 24, 1992. Richard Serra was born in San Francisco, California, in 1939. He studied at the Berkeley and Santa Barbara campuses of the University of California, graduating with a B.S. in English Literature in 1961. In 1964 he earned an M.F.A. from Yale University, where he had worked with Josef Albers on his historic book The Interaction of Color.
    [Show full text]
  • William Kentridge: ‘Seeing Double’
    M A R I A N G O O D M A N G A L L E R Y For Immediate Release. William Kentridge: ‘Seeing Double’ January 16 – February 16, 2008 Opening reception: Wednesday, January 16, 2008, 6-8 pm Marian Goodman Gallery is pleased to present an exhibition of recent work by William Kentridge which will open on January 16th and will run through February 16th, 2008. The exhibition will be on view in the North and South Galleries. This will be the first presentation in the U.S. of works previously seen this summer and fall at the Städel Museum, Frankfurt and the Kunsthalle Bremen. The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: “What will come has already come.” On view will be drawings, prints, and stereoscopic images which form the basis of the film What Will Come and in which Kentridge continues his exploration of optics and the construction of seeing. In taking sight as a subject, it is double vision, the formal construction of how we construct images in our brain which intrigues Kentridge. This is revealed through a set of eight stereoscopic cards, Double Vision, six stereoscopic photogravures, and drawings, all of which take on three dimensions as the viewer ‘completes’ the work with a stereoscopic device; as well as anamorphic drawings-- images which appear distorted, but are corrected in mirrored in cylinders. Reference to optics have been an ongoing concern in Kentridge’s work since, for example, the film Stereoscope (1999) in which “Soho’s mind bursts into two as he doubles up and becomes divided even from himself –unable to achieve the stereoscopic vision by which we normally see three-dimensionally as our mind fuses together images from both eyes”, or since Kentridge’s group of anamorphic drawings based on Shadow Procession figures in 2000.
    [Show full text]
  • CHANGING the EQUATION ARTTABLE CHANGING the EQUATION WOMEN’S LEADERSHIP in the VISUAL ARTS | 1980 – 2005 Contents
    CHANGING THE EQUATION ARTTABLE CHANGING THE EQUATION WOMEN’S LEADERSHIP IN THE VISUAL ARTS | 1980 – 2005 Contents 6 Acknowledgments 7 Preface Linda Nochlin This publication is a project of the New York Communications Committee. 8 Statement Lila Harnett Copyright ©2005 by ArtTable, Inc. 9 Statement All rights reserved. No part of this publication may be reproduced or transmitted Diane B. Frankel by any means, electronic or mechanical, including photocopying, recording, or information retrieval system, without written permission from the publisher. 11 Setting the Stage Published by ArtTable, Inc. Judith K. Brodsky Barbara Cavaliere, Managing Editor Renée Skuba, Designer Paul J. Weinstein Quality Printing, Inc., NY, Printer 29 “Those Fantastic Visionaries” Eleanor Munro ArtTable, Inc. 37 Highlights: 1980–2005 270 Lafayette Street, Suite 608 New York, NY 10012 Tel: (212) 343-1430 [email protected] www.arttable.org 94 Selection of Books HE WOMEN OF ARTTABLE ARE CELEBRATING a joyous twenty-fifth anniversary Acknowledgments Preface together. Together, the members can look back on years of consistent progress HE INITIAL IMPETUS FOR THIS BOOK was ArtTable’s 25th Anniversary. The approaching milestone set T and achievement, gained through the cooperative efforts of all of them. The us to thinking about the organization’s history. Was there a story to tell beyond the mere fact of organization started with twelve members in 1980, after the Women’s Art Movement had Tsustaining a quarter of a century, a story beyond survival and self-congratulation? As we rifled already achieved certain successes, mainly in the realm of women artists, who were through old files and forgotten photographs, recalling the organization’s twenty-five years of professional showing more widely and effectively, and in that of feminist art historians, who had networking and the remarkable women involved in it, a larger picture emerged.
    [Show full text]
  • Special Exhibitions of Work by the Following Artists : Paintings by John
    N 6510 S64 1916 NMAA SPECIAL EXHIBITIONS THE ART INSTITUTE OF CHICAGO, DECEMBER 12 1916 TO JANUARY 2, 1917 PAINTINGS BY JOHN W. ALEXANDER SCULPTURE BY CHESTER BEACH PAINTINGS BY CALIFORNIA ARTISTS PAINTINGS BY WILSON IRVINE PAINTINGS BY EDWARD W. REDFIELD PAINTINGS, DRAWINGS AND SKETCHES BY MAURICE STERNE o WQ> SPECIAL EXHIBITIONS OF WORK BY THE FOLLOWING ARTISTS PAINTINGS BY JOHN W. ALEXANDER SCULPTURE BY CHESTER BEACH PAINTINGS BY CALIFORNIA ARTISTS PAINTINGS BY WILSON IRVINE PAINTINGS BY EDWARD W. REDFIELD PAINTINGS, DRAWINGS AND SKETCHES BY MAURICE STERNE THE ART INSTITUTE OF CHICAGO DEC. 12, 1916 TO JAN. 2, 1917 PAINTINGS BY JOHN WHITE ALEXANDER ; JOHN W. ALEXANDER. Born, Pittsburgh. Pennsylvania, 1856. Died, New York, May 31, 1 91 5. Studied at the Royal Academy, Munich, and with Frank Duveneck. Societaire of Societe Nationale des Beaux Arts, Paris; Member of the International Society of Sculptors, Painters and Gravers, London Societe Nouvelle, Paris ; Societaire of the Royal Society of Fine Arts, Brussels ; President of the National Academy of Design, New York; President of the National Academy Association ; President of the National Society of Mural Painters, New York; Ex- President of the National Institute of Arts and Letters, New York ; American Academy of Arts and Letters Vice-President of the National Fine Arts Federation, Washington, D. C. ; Member of the Architectural League, Fine Arts Federation and Fine Arts Society, New York ; Honorary Member of the Secession Society, Munich, and of the Secession Society, Vienna ; Hon- orary Member of the Royal Society of British Artists, of the American Institute of Architects and of the New York Society of Illustrators ; President of the School Art League, New York ; Trustee of the New York Public Library ; Ex-President of the MacDowell Club, New York ; Trustee of the Metropolitan Museum of Art ; Trustee of the American Academy in Rome ; Chevalier of the Legion of Honor, France; Honorary Degree of Master of Arts, Princeton University, 1892, and of Doctor of Literature, Princeton, 1909.
    [Show full text]