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Christopher / Cristóbal Martínez Christopher / Cristóbal Martínez Art and Technology Program | San Francisco Art Institute 800 Chestnut St., San Francisco, CA 94133 Email: [email protected] Education May 2015 Ph.D., Rhetoric/Composition/Linguistics, Arizona State University, Tempe, AZ May 2011 M.A., Media Arts and Sciences, Arizona State University, Tempe, AZ Dec 2002 B.F.A., Painting, Arizona State University, Tempe, AZ Dec 2002 B.A., Studio Art, Arizona State University, Tempe, AZ Doctoral Dissertation May 2015 Tecno-Sovereignty: An Indigenous Theory and Praxis of Media Articulated Through Art, Technology, and Learning Academic Appointments 2018 – Current Art and Technology Program Chair, San Francisco Art Institute, San Francisco, CA 2020 – Current Associate Professor of Art and Technology, San Francisco Art Institute, San Francisco, CA 2018 – 2020 Assistant Professor of Art and Technology, San Francisco Art Institute, San Francisco, CA 2017 – 2018 Distinguished Visiting Faculty, San Francisco Art Institute, San Francisco, CA 2016 – 2017 Postdoctoral Fellow: Indigenous Art, Digital Design, and Education, Herberger Institute for Design and the Arts | Mary Lou Fulton Teachers College, Arizona State University, Tempe, AZ 2010 – 2013 Instructor, School of Transborder Studies, Arizona State University, Tempe, AZ Professional Appointments 1997 - 2008 Environmental Graphic Designer, Office of the University Architect, Facilities Management, Arizona State University, Tempe, AZ Christopher / Cristóbal Martínez Curriculum Vitae 2 Artist Appointments 2018 – Current Artist, Red Culebra: Experimental Electronic Music Ensemble, San Francisco, CA 2009 - Current Artist, Postcommodity: Indigenous Interdisciplinary Artist Collective, Los Angeles | San Francisco, CA 2003 - Current Director and Artist, Radio Healer: Indigenous-led Performance Art Collective, Phoenix, AZ 2008 - 2014 Music | Sound Composer, Burning Wagon Productions: Xicanx Art Collective, San Francisco, CA Consultancies 2019 Consultant in Collaboration with Liz Lerman: Beethoven 250th Anniversary, Carnegie Hall, New York, NY 2017 Consultant, Mentor-Fellows Program Native Arts and Cultures Foundation, Vancouver, WA Art Gallery 2016 - Current Bockley Gallery, Minneapolis, MN Awards, Honors, Internships and Fellowships 2021 YBCA 100 Creative Cohort, Yerba Buena Center for the Arts, San Francisco, CA 2019 – 2020 Student Alliance Professor of the Year, San Francisco Art Institute, San Francisco, CA 2018 – 2019 Harker Fellowship, Harker Fund, The San Francisco Foundation, San Francisco, CA 2018 – 2019 Student Alliance Professor of the Year, San Francisco Art Institute, San Francisco, CA 2019 Fine Prize, The Fine Foundation, 57th Carnegie International, Pittsburgh, PA 2017 Art of Change Fellowship, Ford Foundation, New York, NY 2017 USArtist International Grant Mid Atlantic Art Foundation, Baltimore, MD 2016 Artist Research and Development Grant, Arizona Commission on the Arts, Phoenix, AZ 2014 - 2015 Center for Games and Impact Research Fellowship Arizona State University, Tempe, AZ Christopher / Cristóbal Martínez Curriculum Vitae 3 2014 - 2015 Community Inspiration Award Native Arts and Culture Foundation, Vancouver, WA 2014 - 2015 Social Practice Project Grant, Musagetes, Guelph, Ontario 2013 Artist Grant, Art Matters, New York, NY 2012 - 2014 National Science Foundation Graduate Research Assistantship, Arizona State University, Tempe, AZ 2011 - 2012 Center for Games and Impact Research Fellowship Arizona State University, Tempe, AZ 2012 Creative Capital Visual Arts Award, Creative Capital, New York, NY 2010 Painters and Sculptors Grant, Joan Mitchell Foundation, New York, NY 2010 Award for Excellence in Contemporary Art, Elly Kay Fund, Tucson, AZ 2010 New Work Project Grant, Harpo Foundation, Chicago, IL 2009 - 2011 Najafi Phoenix Country Day School Fellowship, Najafi Companies, Phoenix, AZ 2008 - 2010 Doctoral Enrichment Fellowship, Graduate College, Arizona State University, Tempe, AZ 2009 Internship, Engineering Adaptive Learning Systems, SMALLab K-12 Embodied and Mediated Learning Group, School of Arts, Media and Engineering, and Intel Corporation, Arizona State University, Tempe, AZ 2009 p.a.v.e. The Performing Arts Venture Experience grant, Arizona State University, Tempe, AZ 2008 Internship, data2music / Data Sonification Research and Development, Intel Corporation, Phoenix, AZ 2008 p.a.v.e. The Performing Arts Venture Experience grant, Arizona State University, Tempe, AZ 2008 Artist Grant, Multi-Arts Production (MAP) Fund, New York, NY 2008 Edson Student Entrepreneurship Initiative, Arizona State University, Tempe, AZ 1992 Presidents Medal, Bronze Award, Lattie F. Coor, Arizona State University, Tempe, AZ Christopher / Cristóbal Martínez Curriculum Vitae 4 Websites Cristóbal Martinez – Artist Website http://www.CristobalMartinez.NET Postcommodity – Artist Collective Website http://www.Postcommodity.com Radio Healer – Artist Collective Website http://www.RadioHealer.com Red Culebra – Artist Collective Website http://www.RedCulebra.com Select Art Exhibitions 2021 When Dreams Are Reality (Martinez, C.), Telematic Arts, SOMA Gallery, San Francisco, CA 2021 Time Holds All the Answers (Postcommodity), Forthcoming Solo Exhibition, Fall 2021 Remai Modern, Saskatoon, Canada 2021 I’ll see you on the other side (Postcommodity), Forthcoming Public Art Commission, Fall 2021 University of Arizona, Tucson, AZ 2020 Let Us Pray for the Water Between Us (Postcommodity), In “When Home Won’t Let You Stay: Art and Migration,” Minneapolis Institute of Art, Minneapolis, MN 2020 Some Reach While Others Clap (Postcommodity), LAXArt, Los Angeles, CA 2019 The Point of Final Collapse (Postcommodity), San Francisco Art Institute, San Francisco, CA 2019 Repellent Fence, Photo Documentation (Postcommodity), In “how the light gets in,” Johnson Museum of Art, Cornell University, Ithica, NY 2019 With Each Incentive (Postcommodity), Art Institute of Chicago, Chicago, IL 2019 It Exists in Many Forms (Postcommodity), Desert X, Coachella Valley, CA 2019 Gallup Motel Butchering (Postcommodity), In “2019 Honolulu Biennial,” Honolulu Museum of Art, Honolulu, HI 2018 From Smoke and Tangled Waters, We Carried Fire Home (Postcommodity), In “57th Carnegie International,” Carnegie Museum of Art, Pittsburgh, PA 2018 And Golden Light (Postcommodity), In “Califas: Art of the US-Mexico Borderlands,” Richmond Art Center, Richmond, CA Christopher / Cristóbal Martínez Curriculum Vitae 5 2018 Repellent Fence, Ephemera (Postcommodity), In Nature’s Nation: American Art and Environment Princeton Art Museum, Princeton, NJ 2018 Coyotaje, Sonic Excerpt (Postcommodity), In “Hyperobjects,” Ballroom Marfa, Marfa, TX Art in General, New York, NY 2018 Repellent Fence, Ephemera (Postcommodity), In “You had to be there,” Swissnex, San Francisco, CA 2018 And Golden Light (Postcommodity) In “Interior Landscapes,” 516 ARTS, Albuquerque, NM 2018 A Very Long Line and Coyotaje (Postcommodity), Art Gallery of York University, Toronto, Canada 2017 Con Frascos Embrujados Me Ensangrente las Manos. Escucha Cuando Me Chingé Solo Con Tierra y Viento (Martinez, C.), In “Entre irse y quedarse,” La Galería Mérida, Mérida, Mexico 2017 Pollination (Postcommodity), In “Contact: Local to Global,” New Mexico Museum of Art, Santa Fe, NM 2017 Repellent Fence, Ephemera (Postcommodity), In “In Around Beyond,” Fort Mason Center for Arts and Culture, San Francisco Art Institute, San Francisco, CA 2017 A Very Long Line (Postcommodity), Colorado Springs Fine Art Center at Colorado College, Colorado Springs, CO 2017 Repellent Fence, Ephemera (Postcommodity), In “I am you, you are too,” Walker Art Center, Minneapolis, MN 2017 A Very Long Line (Postcommodity), Esker Foundation, Calgary, Canada 2017 Blind / Curtain (Postcommodity), In “documenta14,” Neue Gallery, Kassel, Germany 2017 The Ears Between Worlds are Always Listening (Postcommodity), In “documenta14,” Aristotle’s Lyceum, Athens, Greece 2017 Coyotaje (Postcommodity), Art in General, New York, NY Christopher / Cristóbal Martínez Curriculum Vitae 6 2017 A Very Long Line (Postcommodity), In “2017 Whitney Biannual,” Whitney Museum of American Art, New York, NY 2017 Repellent Fence, Ephemera (Postcommodity), Bockley Gallery, Minneapolis, MN 2017 Repellent Fence (Postcommodity), In “Land Art – Broken Ground New Beginnings,” Museum of Fine Art, Florida State University, Tallahassee, FL 2017 Con Frascos Embrujados Me Ensangrente las Manos. Escucha Cuando Me Chingé Solo Con Tierra y Viento (Martinez, C.), In “Atomic Culture: Future Now/Futura Ahora,” Loisaida Center, New York, NY 2017 It’s My Second Home, But I have a Very Spiritual Connection With This Place (Postcommodity), In “Resistance After Nature,” Haverford Cantor Fitzgerald Gallery, Haverford PA 2016 Die to Survive Again (Radio Healer), In “This Machine Kills _____,” Fine Art Complex 1101, Tempe, AZ 2016 Gallup Motel Butchering (Postcommodity), In “Screens and Thresholds,” Presentation House Gallery, Vancouver, Canada 2016 A Very Long Line (Postcommodity), Center for Contemporary Arts, Santa Fe, NM 2016 31°20'8.42”N / 109°29'47.62”W, 109°29'47.62”W (31°20'54.74”N, 31°19'11.38”N) (Postcommodity), In “Border Art,” Idyllwild Arts, Idyllwild, CA 2016 Gallup Motel Butchering (Postcommodity), In “Visions Into Infinite Archives,” SOMArts Cultural Center, San Francisco, CA 2015 Repellent Fence / Valla Repelente (Postcommodity), US/Mexico Border, Douglas, AZ, U.S., Agua Prieta, Sonora, Mex. 2015 Gallup Motel Butchering (Postcommodity), In “Ende Tymes Festival of Noise and Abstract Liberation,”
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