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Broadcasting & Convergence
1 Namnlöst-2 1 2007-09-24, 09:15 Nordicom Provides Information about Media and Communication Research Nordicom’s overriding goal and purpose is to make the media and communication research undertaken in the Nordic countries – Denmark, Finland, Iceland, Norway and Sweden – known, both throughout and far beyond our part of the world. Toward this end we use a variety of channels to reach researchers, students, decision-makers, media practitioners, journalists, information officers, teachers, and interested members of the general public. Nordicom works to establish and strengthen links between the Nordic research community and colleagues in all parts of the world, both through information and by linking individual researchers, research groups and institutions. Nordicom documents media trends in the Nordic countries. Our joint Nordic information service addresses users throughout our region, in Europe and further afield. The production of comparative media statistics forms the core of this service. Nordicom has been commissioned by UNESCO and the Swedish Government to operate The Unesco International Clearinghouse on Children, Youth and Media, whose aim it is to keep users around the world abreast of current research findings and insights in this area. An institution of the Nordic Council of Ministers, Nordicom operates at both national and regional levels. National Nordicom documentation centres are attached to the universities in Aarhus, Denmark; Tampere, Finland; Reykjavik, Iceland; Bergen, Norway; and Göteborg, Sweden. NORDICOM Göteborg -
Media Development 2013
DR Audience Research Media Development 2013 The DR Audience Research Department's annual report on the use of electronic media in Denmark Media Development 2013 page 2 ISBN 978-87-995081-2-9 Media Development 2013 page 3 Preface · page 4 Streaming has become mainstream Chapter 1 · page 6 Biggest drop in TV viewing ever Chapter 2 · page 12 Commercial radio: Local outstrips national Chapter 3 · page 18 The net is getting bigger on small screens Chapter 4 · page 24 Three things viewers want Chapter 5 · page 30 Netflix is the sixth-largest TV channel in Denmark Chapter 6 · page 36 Women have embraced the smartphone Chapter 7 · page 40 The future in teenage ears Chapter 8 · page 44 #danishuseofhashtags Chapter 9 · page 48 Barnaby, Beverly Hills 90210 or binge-watching? Chapter 10 · page 54 Tweens – between games and social media Media Development 2013 Preface page 4 Streaming has become mainstream 2013 will be remembered as the year streaming became fixed in the minds of Danes – and their media consumption. By Lars Thunø Audience Research Manager, DR Audience Research Media Development 2013 Preface page 5 With Netflix at the forefront, High usability has been an Danish and foreign streaming important factor in the increased services left their mark on the distribution of streaming Danish media landscape in 2013. services. The services have While Spotify had already taken quite simply been easy for all a large share of Danish music demographic groups to access. consumption, the headlines in Combined with the widespread 2013 were all about streaming use of smartphones and tablets, of TV. -
'Spillet Om Virkeligheten'
’Spillet om virkeligheten’ om forhandling og beskyttelse i en iscenesatt virkelighet En deltakende deltakeranalyse av virkelighetshowet Villa Medusa 2001 Ingeborg Rydsaa Hovedfagsoppgave for cand.polit-graden Institutt for medievitenskap Universitetet i Bergen 2003 1. INNLEDNING .................................................................................................................2 1.1 PROBLEMSTILLING OG BEGREPSAVKLARING ..................................................................3 1.1.1 FORHANDLINGSSTRATEGIER OG UTFORMINGEN AV EN TEKST ..........................................4 1.1.2 KORT BESKRIVELSE AV STUDIEOBJEKTET .......................................................................6 1.1.3 SPILL OG STRATEGIER ....................................................................................................6 MODELL 1.1:..........................................................................................................................8 1.1.4 FORKLARING PÅ MODELLEN ...........................................................................................9 1.2 15 MINUTES OF SHAME? – Å TA DELTAKERNE PÅ ALVOR..............................................11 1.3 OPPGAVENS STRUKTUR OG INNHOLD ............................................................................11 2. METODISKE OG ETISKE REFLEKSJONER ..........................................................12 2.1 VALG AV FORSKNINGSOBJEKT OG METODE...................................................................12 2.2 BEGRUNNELSER FOR VALG AV METODE ........................................................................14 -
Nice Start of the New Year
The Best Lifestyle Series in 2016 in Finland was COOKING CANDIDATES from Moskito. Jan 16, 2017 09:05 CET Nice start of the new year When the fireworks from the start of 2017 had calmed down, nice found no reason to stop celebrating. The new year has been filled with successes and awards raining our way. It all started January 2nd when the long-running rating-killer THE FARM premiered on TV2 in Norway with its celebrity version. Although the popular reality series has been named the channels safest bets with between 45 and 50% share for 12 seasons, the premiere of this year’s show beat all records. The first episode had an impressive 876.000 viewers, and this was the second best premiere on the channel ever. The numbers are still very high, and TV2 just confirmed a deal with Strix in Norway that has started the preparations for a new season that will go into production this summer. Last week 5 of the 10 best rated shows on Norwegian television were produced by Strix – being THE FARM on TV2 and ANNO on NRK. THE FARM also premiered in Sweden in its 10th season this January with a strong 22,4% share on TV4. Talking about records, Novemberfilm launched its 6th season of the journalistic factual series INSIDER on the Discovery channel MAX the first week of January. That went really well, but even more interesting is the launch of a female skewing version of the series on FEM the week after became the best premiere on the channel ever with 144.000 viewers. -
Complete International Survivor Seasons
Complete International Survivor Seasons Anthony Bonato, Nicole Eikmeier, Rehan Malik In this document, we compile collected data for the international seasons of Survivor for which voting information is available online. Players are listed in order, with the winners at the top, and the player who was eliminated first at the bottom. A note about the labeling of the seasons. The naming of the seasons is highly inconsistent, but follows the convention from the Wiki pages, from https://survivor.fandom.com/wiki/Main_Page. There are between 11 and 27 players in any given game. We excluded several International seasons of Survivor, we list them here with the reason they were excluded: 1. The page exists, but there is no voting data: Expeditie Robinson 2010-2014, 2017; Expedition Robinson 1998, 2003-2005, VIP; Extreme Azerbaijan; Into the Shangri-La; Koh Lanta: La Guerre des Chefs; Expedition Robinson VIP; Robinson Ekspeditionen 2009, 2015, 2016, 2018; Robinsonekspedisjonen 2008, 2015; Suvivor Slovenija: Filipini 2. The rules are significantly different (in particular when few contestants remain): Las Isla: El Reality 2012-2017 3. There is voting information, but too much of the voting information is unknown: La Selva de los FamoS.O.S. Australian Survivor (2002) Australian Survivor (2016) Name ID OD C CON Name ID OD C CON Robert 5 10 0.714 44 Kristie 11 19 0.767 74 Sciona 1 9 0.652 37 Lee 1 13 0.676 69 Joel 7 8 0.625 35 El 6 13 0.676 69 Katie 3 9 0.652 38 Flick 4 14 0.622 61 Sophie 3 8 0.652 38 Matt 6 12 0.535 30 Jane 9 6 0.625 36 Sam 6 9 0.561 -
The International Extent and Elasticity of Lifestyle Television
Pia Majbritt Jensen MEDIEKULTUR 45 journal of media and communication research The International Extent and Elasticity of Lifestyle Television By Pia Majbritt Jensen Lifestyle is a TV genre that exists predominantly on the screens of Northern Europe and Anglophone countries such as the UK, the USA and Australia. Hence, lifestyle formats are not traded globally but rather trans-nationally within a distinct geo-linguistic region. Nonetheless, lifestyle programming is still produced very differently within this region according to the media systemic conditions of the specific national TV markets and the specific broadcasters and channels in question. As such, the lifestyle genre is indeed tremendously flexible and elastic and can be used in a diverse number of ways, catering for local broadcasters’ image and target groups, local markets’ competitive conditions, media regulations, and history. This article investigates the international extent of the genre and looks into possible explanations for its Anglophone and Northern European bias. Subsequently, the great elasticity of the genre is examined by way of a thorough analysis of the Australian and Danish versions of the program format The Block, which will demonstrate precisely how the genre can be adapted radically differently to suit two diverse broadcasters and their diverse conditions. Introduction This article takes a production perspective on lifestyle programming, a relatively new genre within television entertainment. The lifestyle genre has its historical roots in factual programming genres of the didactic sort but its contemporary, entertainment- skewed version is generally thought to have originated in the 1990s in the UK, from where it has spread internationally, predominantly to the Anglophone and Northern European countries. -
T.C. Kocaeli Üniversitesi Sosyal Bilimler Enstitüsü Iletişim Bilimleri Anabilim Dali Iletişim Bilimleri Bilim Dali
T.C. KOCAELİ ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İLETİŞİM BİLİMLERİ ANABİLİM DALI İLETİŞİM BİLİMLERİ BİLİM DALI BEDEN MODİFİKASYONUN REALITY SHOWLARDAKİ YANSIMASI: MAKEOVER FORMAT PROGRAMLARDA ÜRETİLEN SÖYLEMLERİN BEDEN ÜZERİNDEKİ ETKİLERİ DOKTORA TEZİ Nihan Dönmez KOCAELİ, 2015 T.C. KOCAELİ ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İLETİŞİM BİLİMLERİ ANABİLİM DALI İLETİŞİM BİLİMLERİ BİLİM DALI BEDEN MODİFİKASYONUN REALITY SHOWLARDAKİ YANSIMASI: MAKEOVER FORMAT PROGRAMLARDA ÜRETİLEN SÖYLEMLERİN BEDEN ÜZERİNDEKİ ETKİLERİ DOKTORA TEZİ Nihan Dönmez Danışman: Prof. Dr. Nigar Pösteki KOCAELİ, 2015 İÇİNDEKİLER ÖZET ...................................................................................................................... iv ABSTRACT ............................................................................................................ iv ÖNSÖZ .................................................................................................................... v SİMGELER VE KISALTMALAR LİSTESİ............................................................ vi TABLOLAR LİSTESİ ............................................................................................vii ŞEKİLLER LİSTESİ ............................................................................................... ix GİRİŞ ....................................................................................................................... 1 1.BÖLÜM TARİHSEL SÜREÇTE BEDEN ALGISI VE BEDEN KAVRAYIŞLARI 1.1.Beden Kavramı ve Kuramsal Temelleri ...........................................................