Poster Data Compiled by Michael Erlewine
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A Cultural Justice Approach to Popular Music Heritage in Deindustrialising Cities
International Journal of Heritage Studies ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rjhs20 A cultural justice approach to popular music heritage in deindustrialising cities Zelmarie Cantillon , Sarah Baker & Raphaël Nowak To cite this article: Zelmarie Cantillon , Sarah Baker & Raphaël Nowak (2020): A cultural justice approach to popular music heritage in deindustrialising cities, International Journal of Heritage Studies, DOI: 10.1080/13527258.2020.1768579 To link to this article: https://doi.org/10.1080/13527258.2020.1768579 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 27 May 2020. Submit your article to this journal Article views: 736 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rjhs20 INTERNATIONAL JOURNAL OF HERITAGE STUDIES https://doi.org/10.1080/13527258.2020.1768579 A cultural justice approach to popular music heritage in deindustrialising cities Zelmarie Cantillon a,b, Sarah Baker c and Raphaël Nowak b aInstitute for Culture and Society, Western Sydney University, Parramatta, Australia; bGriffith Centre for Social and Cultural Research, Griffith University, Brisbane, Australia; cSchool of Humanities, Languages and Social Science, Griffith University, Gold Coast, Australia ABSTRACT ARTICLE HISTORY Deindustrialisation contributes to significant transformations for local Received 2 April 2020 communities, including rising unemployment, poverty and urban decay. Accepted 10 May 2020 ‘ ’ Following the creative city phenomenon in cultural policy, deindustrialis- KEYWORDS ing cities across the globe have increasingly turned to arts, culture and Cultural justice; popular heritage as strategies for economic diversification and urban renewal. -
JANE LEE HOOKER Twitter.Com/Janeleehooker Jane Lee Hooker Is a Band of five Women from New York City Who Take Traditional Blues on a Fast and Rough Ride
917-843-5943 Alan Rand 2014 janeleehooker.com photo by facebook.com/JaneLeeHooker janeleehooker.bandcamp.com JANE LEE HOOKER twitter.com/JaneLeeHooker Jane Lee Hooker is a band of five women from New York City who take traditional blues on a fast and rough ride. Their self-released debut, “No B!,” was released in November. Notable stages they’ve graced include Pappy & Harriet’s [email protected] (Pioneertown, CA), Dogfish Head Brewery (Rehoboth Beach, DE), the Harrisburg Midtown Arts Center (Harrisburg, PA), Ojai Deer Lodge (Ojai, CA), and the Wonderbar (Asbury Park, NJ). Back home in NYC, they can be seen at the Knitting Factory, Mercury Lounge, Bitter End and Rock Shop, among other places. The band’s calling cards are songs by Muddy Waters, Howlin’ Wolf, Johnny Winter, Big Mama Thornton, and other blues greats—all fed through double lead guitars, a heavy rhythm section, and soul-scouring vocals. These women are by no means new to the game. Between the five band members, they have decades of experience playing, recording and touring both nationally and internationally. Individually, the members of Jane Lee Hooker have played for thousands of fans while sharing bills with the likes of Motorhead, MC5, Lynyrd Skynyrd, and Deep Purple, among others. And they’ve played more club gigs in more cities than even they can believe. So how’d this gang of pros finally find each other? Guitarists Hightop and Tina honed their mutual love of blazing dual leads during their time together in Helldorado in the 90s. From there, Hightop joined Nashville Pussy, Tina joined Bad Wizard, and both women toured the world. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ P --------- / CP060727 / CP060727 20th Anniversary Notes: The original art, done by Gary Grimshaw for ArtRock Gallery, in San Francisco Benefit: First American Tour 1969 Artist: Gary Grimshaw Promoter: Artrock Items: Original poster / CP060727 / CP060727 (11 x 17) Performers: : Led Zeppelin ------------------------------ GBR-G/G 1966 T-1 --------- 1966 / GBR G/G CP010035 / CS05131 Free Ticket for Grande Ballroom Notes: Grande Free Pass The "Good for One Free Trip at the Grande" pass has more than passing meaning. It was the key to distributing the Grande postcards on the street and in schools. Volunteers, mostly high-school-aged kids, would get a stack of cards to pass out, plus a free pass to the Grande for themselves. Russ Gibb, who ran the Grande Ballroom, says that this was the ticket, so to speak, to bring in the crowds. While posters in Detroit did not have the effect that posters in San Francisco had, and handbills were only somewhat better, the cards turned out to actually work best. These cards are quite rare. Artist: Gary Grimshaw Venue: Grande Ballroom Promoter: Russ Gibb Presents Items: Ticket GBR-G/G Edition 1 / CP010035 / CS05131 Performers: 1966: Grande Ballroom ------------------------------ GBR-G/G P-01 (H-01) 1966-10-07 P-1 -- ------- 1966-10-07 / GBR G/G P-01 (H-01) CP007394 / CP02638 MC5, Chosen Few at Grande Ballroom - Detroit, MI Notes: Not the very rarest (they are at lest 12, perhaps as 15-16 known copies), but this is the first poster in the series, and considered more or less essential. -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow. -
Grande Ballroom, The: Detroitrsquo;S Rock Lsquo;Nrsquo; Roll Palace (Landmarks) Online
6Wgt8 (Download) Grande Ballroom, The: Detroitrsquo;s Rock lsquo;nrsquo; Roll Palace (Landmarks) Online [6Wgt8.ebook] Grande Ballroom, The: Detroitrsquo;s Rock lsquo;nrsquo; Roll Palace (Landmarks) Pdf Free Leo Early *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #367803 in Books 2016-10-03 2016-10-03Original language:English 9.00 x .31 x 6.00l, .4 #File Name: 1626197814240 pages | File size: 70.Mb Leo Early : Grande Ballroom, The: Detroitrsquo;s Rock lsquo;nrsquo; Roll Palace (Landmarks) before purchasing it in order to gage whether or not it would be worth my time, and all praised Grande Ballroom, The: Detroitrsquo;s Rock lsquo;nrsquo; Roll Palace (Landmarks): 4 of 4 people found the following review helpful. An excellent book Detroit classic rockBy Georgia glassI have been reading books on classic rock for almost 20 years now and I found this book just excellent. It has a brief, but interesting introduction to the history of the Grande before it starts discussing it's classic rock roots. The chapters are formatted into brief stories in chronological order that were well written and included quotes from people who were there and pictures interspersed. The formatting of the chapters into these mini stories made the book very easy to read and I did not even use a bookmark. The writing itself is well done and kept my interest the whole week I quickly devoured this book. Overall, I learned a lot I didn't know (how unfortunate about the historical nomination that didn't happen) and would definitely recommend for anyone interested in classic rock, Detroit history or any mix of the two.3 of 3 people found the following review helpful. -
DKT/MC5 Sonic Revolution
Listen mister, back in my day, blotter was 25 cents a hit and we had to walk two miles uphill to get it! And we liked it! Wayne Kramer is not someone who normally seems into beaming—his image is a little more ferocious than that. But onstage during the second night of the DKT-MC5 tour in Chicago, Kramer busted loose a big fat grin and started jumping up and down at one point. Back in the MC5 days, the band was known for its energetic, physical shows. Having never seen them live, I don't know if they ever jumped for pure joy back then, but that's clearly what Kramer was doing that night. The reunion of the surviving members of the MC5 (guitarist Kramer, bassist Michael Davis and drummer Dennis Thompson)—along with resurrections of the Stooges and the New York Dolls—is showing a renewed interest in these progenitors of punk rock. "It's surprising to me and it should be surprising to Iggy and those guys how much influence and affect our two bands have had on music now," Davis said. "I'm kind of in awe of it. We've had this kind of effect. And it's one thing to do something that people DKT/MC5 admire a lot, and go, 'That was really cool Sonic Revolution: Live At London's 100 stuff,' but to have this much influence is really Club [DVD] surprising to me." 2004 Image He continued: "I thought it was great, but I The DKT/MC5 gig at London's 100 Club never thought it was so foundational to the was the first salvo in what has become a future. -
Michigan in Perspective 2015
Friday, March 13 Best Western Sterling Inn Banquet & Conference Center • 34911 Van Dyke Avenue, Sterling Heights, MI 48312 8 a.m. – 4:45 p.m. Check-In, On-Site Registration, and Exhibits 8 – 9 a.m. Refreshments and Exhibits Break 9 – 10 a.m. Opening Keynote (see below) 10 – 10:15 a.m. Exhibits Break 10:15 – 11:30 a.m. Concurrent Session I (see Breakouts 1 – 5) Opening Keynote - 9 a.m. Belle Isle: People’s Park Alive! • Joel Stone, Detroit Historical Society Often called the crowning jewel of Detroit’s riverfront, Belle Isle has a long and storied history. The island has hosted world-class sporting events, musical performances, and family parties. It has also witnessed massacre, riot, and military incursion. But, if it were not for a few twists of fate, this beloved island could have been a much different place. Come to learn about Belle Isle’s fascinating history and its reawakening. Written in Stone: The Sanilac Petroglyphs Regaining Intellectual Control Dean Anderson, State Historic Preservation Office • Over Your Collections Shannon Martin, Ziibiwing Center of Anishinabe Melissa Luberti & Elizabeth Culture and Lifeways • Stacy Tchorzynski, Michigan Thornburg, Troy Historic Village Historical Center/State Historic Preservation Office In December 2013, the collections The Sanilac Petroglyphs are the largest collection of Native American rock staff at the Troy Historic Village was tasked with carvings known in Michigan. Attendees making improvements to their collections policy will learn about the site through and revamping their artifact storage area. This “how archaeological and tribal perspectives. to” discussion will review the process they used Breakout 4 Breakout 1 The speakers will also reveal the current to accomplish their mission, enabling other small plans to preserve and interpret this museums to do the same. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc. -
Leni Sinclair & Lessons from the 60S/70S
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-18-2014 Leni Sinclair & Lessons from the 60s/70s Era Chelsie Noble Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Noble, Chelsie, "Leni Sinclair & Lessons from the 60s/70s Era" (2014). Honors Theses. 2432. https://scholarworks.wmich.edu/honors_theses/2432 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. 6 Leni Sinclair and the Lessons of the Hippie Generation: Teachings from a Minister of Education Chelsie Noble Lee Honors College Thesis Spring 2014 A Prologue I first met Leni Sinclair during my sophomore year at Western Michigan University. I was enrolled in Scott Friesner’s legendary “Vietnam and Rock” course and didn’t quite know what to expect yet from either the course or Scott. Being a product of the honors college, I showed up to new classes with a tinge of nervousness, but mostly a quiet confidence. A couple of lines from that initial class in Dunbar are forever burned in my mind. Firstly, and most importantly, professors that keep students for the full class on the first day are wankers. Secondly, if we never push ourselves to learn from people that are different from ourselves, we are simply masturbating our way through life. -
Price-Of-The-Ticket-Press-Release-2016
WENDY JAMES THE PRICE OF THE TICKET PRESS RELEASE RANDY BOYD (Cobraside Distribution) [email protected] SEAN COONEY (TV/Radio Promo) [email protected] BARNEY PAUL BARNES (Pledge Campaign Manager) [email protected] IAN J TAYLOR (Website Director thewendyjames.com) [email protected] ALBUM ARRIVES 19/2/16 WENDY JAMES PRESS RELEASE NEW LP ‘THE PRICE OF THE TICKET’ VINYL CD DIGITAL “Wendy James new album ‘The Price Of The Ticket’ is brave and tender, artful and wild, where courage and the dream of love give promise. A wild, moving, shocking, hilarious, raging, exhilarating, giant of an album. A dazzling performance that listeners will delight in, it is intelligent, witty, irresistibly relentless and forthright”. -Village Voice Wendy James new solo LP ’The Price Of The Ticket’ recorded in NYC, mixed in Berkeley CA. The players on this album are a bona-fde line-up from all-time Punk and New Wave bands… Lenny Kaye (The Patti Smith Group) on guitar, Glen Matlock (Sex Pistols) on bass, James Sclavunos (Nick Cave & The Bad Seeds) on drums with tracks 12 and 13 recorded by Wendy James and James Williamson (Iggy and The Stooges), Steve Mackay (Iggy and The Stooges), James Sclavunos (Nick Cave and The Bad Seeds). All songs are written and produced by Wendy James, tracks 12 and 13 are cover versions of songs written Fred ‘Sonic’ Smith (MC5/Sonic’s Rendezvous Band) and Bob Dylan respectively. THE PRICE OF THE TICKET TRACK LISTING 1 PALOMA’S DOWNS 2 INDIGENT BLUES 3 KING RAT 4 LOVE FROM THE 9TH 5 BAD INTENTIONS AND A BIT OF CRUELTY 6 YOU’RE A DIRTBOMB, LESTER 7 SCREAMIN’ BACK WASHINGTON 8 WHY OH WHY DO YOU HURT ME STILL? 9 FAREWELL TO LOVE 10 COWBOY RHYTHM 11 SITUATION NORMAL AT SURFRIDER 12 YOU’RE SO GREAT 13 IT’S ALRIGHT MA PLAYERS: WENDY JAMES VOCALS/RHYTHM GUITAR/KEYS & PIANO LENNY KAYE - RHYTHM/LEAD GUITAR (Patti Smith/Nuggets) GLEN MATLOCK - BASS (Sex Pistols) JAMES SCLAVUNOS - DRUMS (Nick Cave and The Bad Seeds) JAMES WILLIAMSON - GUITAR & BASS. -
MC5's Wayne Kramer, Motorhead and the Sex Pistols Modernize Iconic Sound with Re- Recorded Tracks for Guitar Hero(R) World Tour
MC5's Wayne Kramer, Motorhead and The Sex Pistols Modernize Iconic Sound With Re- Recorded Tracks for Guitar Hero(R) World Tour 40 Years Later, Wayne Kramer, Joined By Jerry Cantrell of Alice and Chains and Gilby Clark Formerly of Guns 'N' Roses, Brings Back 'Kick Out the Jams' for Guitar Hero World Tour SANTA MONICA, Calif., Sept 03, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- Guitar Hero(R) fans will have a unique opportunity to unleash their inner rockstar as they come together and kick out some jams with exclusive re-records by MC5's Wayne Kramer, Motorhead and The Sex Pistols in Activision Publishing, Inc.'s (Nasdaq: ATVI) Guitar Hero(R) World Tour. Just shy of the 40th anniversary of the seminal performance in October 1968 when "Kick Out the Jams" was originally recorded, founder and lead guitarist Wayne Kramer went back into the recording studio with original producer Bruce Botnick to re-record the track exclusively for Guitar Hero World Tour. Featuring the vocals recorded by Rob Tyner in 1968, Wayne Kramer was joined by friends Jerry Cantrell of Alice and Chains and Gilby Clark formerly of Guns 'N' Roses -- at The Woodshed Recorder, studio of composer and ex-Oingo Boingo keyboardist Richard Gibbs -- to update and modernize the sound without taking away from the original visceral garage sound that made MC5 famous and helped start the Punk Rock revolution. Last year when they re-recorded "Anarchy in the U.K." as a Guitar Hero exclusive, fellow Punk Rock band The Sex Pistols - with original members John Lydon on vocals, guitarist Steve Jones, drummer Paul Cook and producer Chris Thomas - also re- recorded "Pretty Vacant" utilizing the original analog sound board (circa 1969) that was built for George Martin at Air Studios, London, England in order to maintain the classic sound.