Look Back on Happiness

Total Page:16

File Type:pdf, Size:1020Kb

Look Back on Happiness Look Back on Happiness by Knut Hamsun Look Back On Happiness I I have gone to the forest. Not because I am offended about anything, or very unhappy about men's evil ways; but since the forest will not come to me, I must go to it. That is all. I have not gone this time as a slave and a vagabond. I have money enough and am overfed, stupefied with success and good fortune, if you understand that. I have left the world as a sultan leaves rich food and harems and flowers, and clothes himself in a hair shirt. Really, I could make quite a song and dance about it. For I mean to roam and think and make great irons red-hot. Nietzsche no doubt would have spoken thus: The last word I spake unto men achieved their praise, and they nodded. But it was my last word; and I went into the forest. For then did I comprehend the truth, that my speech must needs be dishonest or foolish.... But I said nothing of the kind; I simply went to the forest. You must not believe that nothing ever happens here. The snowflakes drift down just as they do in the city, and the birds and beasts scurry about from morning till night, and from night till morning. I could send solemn stories from this place, but I do not. I have sought the forest for solitude and for the sake of my great irons; for I have great irons which lie within me and grow red-hot. So I deal with myself accordingly. Suppose I were to meet a buck reindeer one day, then I might say to myself: "Great heavens, this is a buck reindeer, he's dangerous!" But if then I should be too frightened, I might tell myself a comforting lie and say it was a calf or some feathered beast. You say nothing happens here? One day I saw two Lapps meet. A boy and a girl. At first they behaved as people do. "Boris!" they said to each other and smiled. But immediately after, both fell at full length in the snow and were gone from my sight. After a quarter of an hour had passed, I thought, "You'd better see to them; they may be smothered in the snow." But then they got up and went their separate ways. In all my weatherbeaten days, I have never seen such a greeting as that. Day and night I live in a deserted hut of peat into which I must crawl on my hands and knees. Someone must have built it long ago and used it, for lack of a better,--perhaps a man who was in hiding, a man who concealed himself here for a few autumn days. There are two of us in the hut, that is if you regard Madame as a person; otherwise there is only one. Madame is a mouse I live with, to whom I have given this honorary title. She eats everything I put aside for her in the nooks and corners, and sometimes she sits watching me. When I first came, there was stale straw in the hut, which Madame by all means was allowed to keep; for my own bed I cut fresh pine twigs, as is fitting. I have an ax and a saw and the necessary crockery. And I have a sleeping bag of sheepskin with the wool inside. I keep a fire burning in the fireplace all night, and my shirt, which hangs by it, smells of fresh resin in the morning. When I want coffee, I go out, fill the kettle with clean snow, and hang it over the fire till the snow turns to water. Is this a life worth living? There you have betrayed yourself. This is a life you do not understand. Yes, your home is in the city, and you have furnished it with vanities, with pictures and books; but you have a wife and a servant and a hundred expenses. Asleep or awake you must keep pace with the world and are never at peace. I have peace. You are welcome to your intellectual pastimes and books and art and newspapers; welcome, too, to your bars and your whisky that only makes me ill. Here am I in the forest, quite content. If you ask me intellectual questions and try to trip me up, then I will reply, for example, that God is the origin of all things and that truly men are mere specks and atoms in the universe. You are no wiser than I. But if you should go so far as to ask me what is eternity, then I know quite as much in this matter, too, and reply thus: Eternity is merely unborn time, nothing but unborn time. My friend, come here to me and I will take a mirror from my pocket and reflect the sun on your face, my friend. You lie in bed till ten or eleven in the morning, yet you are weary, exhausted, when you get up. I see you in my mind's eye as you go out into the street; the morning has dawned too early on your blinking eyes. I rise at five quite refreshed. It is still dark outdoors, yet there is enough to look at-- the moon, the stars, the clouds, and the weather portents for the day. I prophesy the weather for many hours ahead. In what key do the winds whistle? Is the crack of the ice in the Glimma light and dry, or deep and long? These are splendid portents, and as it grows lighter, I add the visible signs to the audible ones, and learn still more. Then a narrow streak of daylight appears far down in the east, the stars fade from the sky, and soon light reigns over all. A crow flies over the woods, and I warn Madame not to go outside the hut or she will be devoured. But if fresh snow has fallen, the trees and copses and the great rocks take on giant, unearthly shapes, as though they had come from another world in the night. A storm-felled pine with its root torn up looks like a witch petrified in the act of performing strange rites. Here a hare has sprung by, and yonder are the tracks of a solitary reindeer. I shake out my sleeping bag and after hanging it high in a tree to escape Madame, who eats everything, I follow the tracks of the reindeer into the forest. It has jogged along without haste, but toward a definite goal-- straight east to meet the day. By the banks of the Skiel, which is so rapid that its waters never freeze, the reindeer has stopped to drink, to scrape the hillside for moss, to rest a while, and then moved on. And perhaps what this reindeer has done is all the knowledge and experience I gain that day. It seems much to me. The days are short; at two, I am already strolling homeward in the deep twilight, with the good, still night approaching. Then I begin to cook. I have a great deal of meat stored in three pure-white drifts of snow. In fact I have something even better: eight fat cheeses of reindeer milk, to eat with butter and crisp-bread. While the pot is boiling I lie down, and gaze at the fire till I fall asleep. I take my midday nap before my meal. And when I waken, the food is cooked, filling the hut with an aroma of meat and resin. Madame darts back and forth across the floor and at length gets her share. I eat, and light my cutty-pipe. The day is at an end. All has been well, and I have had no unpleasantness. In the great silence surrounding me, I am the only adult, roaming man; this makes me bigger and more important, God's kin. And I believe the red-hot irons within me are progressing well, for God does great things for his kin. I lie thinking of the reindeer, the path it took, what it did by the river, and how it continued on its journey. There under the trees it has nibbled, and its horns have rubbed against the bark, leaving their marks; there an osier bed has forced it to turn aside; but just beyond, it has straightened its path and continued east once more. All this I think of. And you? Have you read in a newspaper, which disagrees with another newspaper, what the public in Norway is thinking of old-age insurance? II On stormy days I sit indoors and find something to occupy my time. Perhaps I write letters to some acquaintance or other telling him I am well, and hope to hear the same from him. But I cannot post the letters, and they grow older every day. Not that it matters. I have tied the letters to a string that hangs from the ceiling to prevent Madame from gnawing at them. One day a man came to the hut. He walked swiftly and stealthily; his clothes were ordinary and he wore no collar, for he was a laboring man. He carried a sack, and I wondered what could be in it. "Good morning," we said to each other. "Fine weather in the woods." "I didn't expect to find anybody in the hut," said the man. His manner was at once forceful and discontented; he flung down the sack without humility.
Recommended publications
  • A Narrative Inquiry of the Experiences of Seven Latina Administrative Leaders in Higher Education
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUSB ScholarWorks California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 5-2017 "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION Sharon Pierce California State University - San Bernardino, [email protected] Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Community College Education Administration Commons, Community College Leadership Commons, and the Higher Education Administration Commons Recommended Citation Pierce, Sharon, ""TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION" (2017). Electronic Theses, Projects, and Dissertations. 553. https://scholarworks.lib.csusb.edu/etd/553 This Dissertation is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION A Dissertation Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Doctor of Education in Educational Leadership by Sharon Pierce June 2017 "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION A Dissertation Presented to the Faculty of California State University, San Bernardino by Sharon Pierce June 2017 Approved by: Dr.
    [Show full text]
  • Ruth Walsh Part I
    Tales for the Bush Vidal, Mary Theresa (1815-1873) A digital text sponsored by Australian Cooperative Digitisation Project 1840-45 University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ozlit/ © University of Sydney Library, State Library of NSW, National Library of Australia and Monash University Library. The texts and Images are not to be used for commercial purposes without permission Source Text: Prepared from the print edition published by D.L. Welch Sydney 1845 All quotation marks retained as data All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. Author First Published 1845 Australian Etexts women writers short stories 1840-1869 prose fiction 28th October 1997 Creagh Cole Coordinator Final Checking and Parsing Tales For The Bush “According to his mercy he saved us, by the washing of regeneration, and renewing of the Holy Ghost; which he shed on us abundantly through Jesus Christ our Saviour; that being justified by his grace, we should be made heirs according to the hope of eternal life.”Titus, iii, 5, 6, 7. SYDNEY: PRINTED AND PUBLISHED BY D.L.WELCH, 1845 THOMAS AND ANNE THOMPSON “Remember the sabbath day, to keep it holy.” Exodus, xx. 8. CHAPTER I THOMAS and Anne Thompson were among those who determined to leave England for New South Wales. They had been married eight years; their family was increasing, and labor becoming scarcer and scarcer. They heard of other families emigrating and that they easily got high wages, and lived in plenty: so they thought with their four children they would do so also.
    [Show full text]
  • PHRASAL VERBS in USE English Phrasal Verbs in Use Advanced Is a Vocabulary Book for Advanced Advanced Learners
    McCarthy and O’Dell McCarthy and ENGLISH PHRASAL VERBS IN USE English Phrasal Verbs in Use Advanced is a vocabulary book for advanced Advanced learners. It is primarily designed as a self-study reference and practice book but it can also be used for classroom work. The book covers many phrasal verbs useful to ENGLISH students preparing for the Cambridge CAE, CPE and IELTS examinations. English Phrasal Verbs in Use Advanced ENGLISH • 60 easy-to-use two-page units: phrasal verbs are presented and explained on left-hand pages with a range of different practice exercises on right-hand PHRASAL VERBS pages. • Presents and explains approximately 1,000 phrasal verbs in typical contexts PHRASAL VERBS using short texts, dialogues, tables and charts. • Includes error warnings to help students avoid making common mistakes. 60 units of vocabulary • Provides valuable information about register, usage and collocation to help reference and practice students develop more natural-sounding English. • Includes a comprehensive, student-friendly answer key and promotes good IN USE Self-study and learning habits through study tips and follow-up tasks. classroom use • Contains a Mini dictionary with easy-to-understand definitions and cross IN USE references to units in the book. Also available Edition Second Second Edition ENGLISH COLLOCATIONS IN USE ADVANCED CAMBRIDGE PHRASAL VERBS DICTIONARY ENGLISH VOCABULARY IN USE ADVANCED Advanced Advanced Michael McCarthy NEW NEW NEW COVER COVER COVER Felicity O’Dell ISBN XX ISBN XX ISBN XX Better Learning is our simple
    [Show full text]
  • O N Lin E 3 0 Th a N N Iversary Canad A's L Arg Est LG B T F Ilm Festival
    30th Anniversary Canada’s Presenting Partner Lead Sponsor Largest LGBT Film Festival Online Ontario-wide Oct. 1 – 11, 2020 insideout.ca #InsideOut30 CONGRATULATIONS Table of Contents 2020 INSIDE OUT Welcome Letters 4 About Inside Out 10 FINANCING FORUM PARTICIPANTS! Board, Committees and Staff List 11 Accessibility and Tickets 12 Ticketing FAQs 13 ADOLESCENT LAST SUMMER WITH IRA Funders and Sponsors 14 Kyle Reaume, Sam Rosati Emily McCann Lesser, Gary Jaffe, Members and Donors 16 Katie Ennis Galas and Special Presentations 20 ALL THAT SHE WANTS MOKA Spotlight on Canada 26 Nigel DeFriez, Maria Krovatin, Moka Dawkins, Emily Gioskos, Icons 34 Barbara Gruska Laura Bornacelli International Showcase 42 Shorts and Episodic 70 DEAR STRAIGHT MEN PINK CARNATIONS Awards and Jury 104 Sam Sorrenti, Santana Doran Lisa Buchanan, Adam Myatt Short Film Mentorship Program 106 FOLLOWERS POLARIZED 30th Anniversary Online Exhibition 107 Tim Marshall, Christina Radburn, Shamim Sharif, Hanan Kattan Inside Out Merchandise 108 Frances Wang-Ward Thank You 109 Film Index 110 GLITTER AND DOOM THE VIRIDIAN Tom Gustafson, Cory Krueckeberg Blake Mawson, Natalie Urquhart GYPSY BOY THE YOUNG KING Dee Koppang O’Leary, Kevin Loader, Larin Sullivan, Kim Bailey, Mikey Walsh, James Graham Isabel Marden HAWA HAWAII YOU CANNOT ERASE ME Amirah Tajdin, Wafa Tajdin, Tyler Rabinowitz, Jeremy Truong Sahar Yousefi Welcome Welcome Toronto, 1990: The founders of the Inside/Out Collective In our current climate, film is really the safest way to travel, and gather to form Toronto’s LGBTQ film festival. Were they this year’s lineup provides a unique opportunity to escape dreaming about what that festival might be in 2020? Did they into the many complicated queer worlds accessed through picture audiences streaming out onto King Street, queued up the brilliant minds of our filmmakers, icons, and peers.
    [Show full text]
  • O N Lin E 3 0 Th a N N Iversary Canad A's L Arg Est LG B T Q + F Ilm Festival
    30th Anniversary Canada’s Presenting Partner Lead Sponsor Largest LGBTQ+ Film Festival Online Ontario-wide Oct. 1 – 11, 2020 insideout.ca #InsideOut30 CONGRATULATIONS Table of Contents 2020 INSIDE OUT Welcome Letters 4 About Inside Out 10 FINANCING FORUM PARTICIPANTS! Board, Committees and Staff List 11 Accessibility and Tickets 12 Ticketing FAQs 13 ADOLESCENT LAST SUMMER WITH IRA Funders and Sponsors 14 Kyle Reaume, Sam Rosati Emily McCann Lesser, Gary Jaffe, Members and Donors 16 Katie Ennis Galas and Special Presentations 22 ALL THAT SHE WANTS MOKA Spotlight on Canada 28 Nigel DeFriez, Maria Krovatin, Moka Dawkins, Emily Gioskos, Icons 36 Barbara Gruska Laura Bornacelli International Showcase 44 Shorts and Episodic 72 DEAR STRAIGHT MEN PINK CARNATIONS Awards and Jury 108 Sam Sorrenti, Santana Doran Lisa Buchanan, Adam Myatt Short Film Lab Showcase 110 FOLLOWERS POLARIZED 30th Anniversary Online Exhibition 111 Tim Marshall, Christina Radburn, Shamim Sharif, Hanan Kattan Inside Out Merchandise 112 Frances Wang-Ward Thank You 113 Film Index 116 GLITTER AND DOOM THE VIRIDIAN Tom Gustafson, Cory Krueckeberg Blake Mawson, Natalie Urquhart GYPSY BOY THE YOUNG KING Dee Koppang O’Leary, Kevin Loader, Larin Sullivan, Kim Bailey, Mikey Walsh, James Graham Isabel Marden HAWA HAWAII YOU CANNOT ERASE ME Amirah Tajdin, Wafa Tajdin, Tyler Rabinowitz, Jeremy Truong Sahar Yousefi Welcome Welcome Toronto, 1990: The founders of the Inside/Out Collective In our current climate, film is really the safest way to travel, and gather to form Toronto’s LGBTQ film festival. Were they this year’s lineup provides a unique opportunity to escape dreaming about what that festival might be in 2020? Did they into the many complicated queer worlds accessed through picture audiences streaming out onto King Street, queued up the brilliant minds of our filmmakers, icons, and peers.
    [Show full text]
  • Nightbird30655.Pdf
    Chasing the Nightbird Chasing the Nightbird Krista Russell Published by PEACHTREE PUBLISHERS 1700 Chattahoochee Avenue Atlanta, Georgia 30318-2112 www.peachtree-online.com Text © 2011 by Krista Russell All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photo- copy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Cover design by Maureen Withee Book design by Melanie McMahon Ives Manufactured in June 2011 in Melrose Park, Illinois, by Lake Book Manufacturing in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Russell, Krista. Chasing the Nightbird / by Krista Russell. p. cm. Summary: In 1851 New Bedford, Massachusetts, fourteen-year-old Cape Verdean sailor Lucky Valera is kidnapped by his estranged half-brother and forced to work in a mill, but while Lucky is plotting his escape he meets a former slave and a young Quaker girl who influence his plans. ISBN 978-1-56145-597-3 / 1-56145-597-0 [1. Sailors--Fiction. 2. Fugitive slaves--Fiction. 3. Abolitionists--Fiction. 4. Conduct of life--Fiction. 5. Cape Verdean Americans--Fiction. 6. Massachusetts--History--1775-1865- -Fiction.] I. Title. PZ7.R915454Ch 2011 [Fic]--dc22 2011002665 To my husband Robby for his unwavering support, enthusiasm, and editorial advice, and to my sons Anders and Graham, who inspire me in more ways than I can list. Lark’s Head New Bedford, Massachusetts, 1851 f it were true that seagulls possessed the souls of dead sailors, Lucky Valera wondered which of his former ship- imates was diving at him from the June morning sky.
    [Show full text]
  • A Narrative Inquiry of the Experiences of Seven Latina Administrative Leaders in Higher Education
    California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 5-2017 "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION Sharon Pierce California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Community College Education Administration Commons, Community College Leadership Commons, and the Higher Education Administration Commons Recommended Citation Pierce, Sharon, ""TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION" (2017). Electronic Theses, Projects, and Dissertations. 553. https://scholarworks.lib.csusb.edu/etd/553 This Dissertation is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION A Dissertation Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Doctor of Education in Educational Leadership by Sharon Pierce June 2017 "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION A Dissertation Presented to the Faculty of California State University, San Bernardino by Sharon Pierce June 2017 Approved by: Dr. Enrique Murillo, Jr., Committee Chair, Education Dr. Edna Martinez, Committee Member Dr.
    [Show full text]
  • Urban Elementary General Education Teachers' Perceptions of The
    Urban Elementary General Education Teachers’ Perceptions of the Inclusion of Students with High-Incidence Disabilities by Chunita Simms-Pilgrim B.A. in English, May 2000, The George Washington University M.Ed. in Master Teacher Program, August 2003, Regent University A Dissertation submitted to The Faculty of The Graduate School of Education and Human Development of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Education May 19, 2019 Dissertation directed by Elisabeth K. Rice Associate Professor of Special Education and Disability Studies The Graduate School of Education and Human Development of The George Washington University certifies that Chunita Simms-Pilgrim has passed the Final Examination for the degree of Doctor of Education as of February 12, 2019. This is the final and approved form of the dissertation. Urban Elementary General Education Teachers’ Perceptions of the Inclusion of Students with High-Incidence Disabilities Chunita Simms-Pilgrim Dissertation Research Committee: Elizabeth K. Rice, Associate Professor of Special Education and Disability Studies, Dissertation Director Lionel C. Howard, Associate Professor of Education Research, Committee Member Karen H. Ihrig, Assistant Professor of Special Education and Disability Studies, Committee Member ii © Copyright 2019 by Chunita Simms- Pilgrim All rights reserved. iii Dedication This is for my children: Sally, Charlie, and Lucy my parents, my siblings, my dearest Michelle Dickey, my best friend LaKeisha Johnson, my beloved Arie Harrington and Jacqueline Williams, and My Lord and Savior who makes all things possible. iv Acknowledgements This dissertation has been a journey and would not have reached its destination without the guidance and direction of Dr.
    [Show full text]
  • The Life and Times of Davin Pearson
    The life and times of Davin Pearson Davin Pearson June 25, 2013 Abstract Under the premise that fact is stranger and funnier than any fictional work, this book presents a stream-of-consciousness slice of life in the true story of Davin Pearson’s life. The jokes contained within represent the taking place of true events. To protect the identities of the people in the book all of their names except mine have been changed. Thanks go out to my mother for correcting typographical errors in this document. Time spent in Ward Y Ward Y is a Psych. ward and is the logical next step for people who come from the Ward X Psych. ward. This book details my time in Ward Y. As time goes by, I will add more chapters to this book, including my time up to my addmission to Ward X and beyond. 2012-10-05 Friday 5th October After getting in the van to leave Corsair Bay. Roscoe: Roscoe P. Coltrane1 speaking. Davin: (to Roscoe) I’ve got your seat. Roscoe: You have. Davin: The early bird gets the worm! Back from Corsair bay: Outside the ward. Davin: (to Shazza) Can I have a smoke Shazza? Davin: (to Valerie) Can I have a smoke Valerie? Valerie: You can’t ask both of us or you’ll get two smokes! In the kitchen back at the ward. Mandy: How many pieces of bread do you want? Davin: 4 slices please. Mandy: Well you can have Polish sausage from China or Chinese sausage from Poland?!? 2012-10-06 Saturday 6th October 12:30 U.F.C.
    [Show full text]
  • Legendary LGBTQ Icon to Perform in Ann Arbor
    Congresswoman Rashida Tlaib Walks the Walk: In the Pride Parade and Beyond – PAGE 8 The Spirituality of Stonewall – PAGE 10 Legendary LGBTQ Icon to Perform in Ann Arbor PRIDESOURCE.COM JUNE 20, 2019 | VOL. 2725 | FREE VOL. 2725 • JUNE 20, 2019 • ISSUE 1116 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] 12 Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 x 105 [email protected] News & Feature Writers Michelle Brown, Ellen Knoppow, Jason Michael, Drew Howard, Jonathan Thurston 6 CREATIVE 8 Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, Michelle E. Brown, Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith Cartoonists Paul Berg Contributing Photographers Andrew Potter, Andrew Cohen ADVERTISING & SALES Director of Sales Jan Stevenson, 734.293.7200 x 101 [email protected] Sales Representatives 14 Ann Cox, 734.293.7200 x 103 26 [email protected] National Advertising Representative NEWS OPINION Rivendell Media, 212.242.6863 10 Parting Glances MEMBER OF Michigan Press Assoication National LGBT Media Association 6 Michigan Pride: Proud of What? 10 Viewpoint: The Spirituality of Stonewall National Gay & Lesbian Chamber Q Syndicate 7 Stronger Together Women and LGBTQ 11 Creep of the Week: Grayson Fritts Conference 8 Rashida Tlaib Walks the Walk: In the Pride LIFE Parade and Beyond 16 Melissa Etheridge Has Your Medicine 9 NextGen: Take Pride in Your Vote 19 Cool Cities Ann Arbor 12 Oak Park Approves Rainbow Flag, Sets Policy 22 Happenings for Future Requests “Between The Lines Newspaper” 25 Crossword Puzzle Cover: Melissa Ehteridge In Ann Arbor 12 LGBT Choir Honors the Musical Legacy of Follow us @YourBTL John Bradford Bohl 26 Hear Me Out Email your op–eds to Our rate cards are available online.
    [Show full text]
  • Lockdown (Alternative) Songbook 1. Me and Bobby Mcgee 2. Midnight
    Lockdown ( Alternative ) Songbook 1. Me and Bobby McGee 2. Midnight Hour 3. Ripple 4. Down by the water 5. Drift away 6. Pancho & Lefty 7. All these things that Ive done 8. Pachelbel (Memories/Altogether now/Go west) 9. Copperhead Road 10. Bad Romance 11. Speed of the sound of loneliness 12. In Hell Ill be in good company 1. Have you ever seen the rain. 2. Nobody knows you when youre down and out 3. Norwegian Wood 4. 39 5. Harvest Moon 6. May you never 7. Malt and barley blues 8. White flag 9. Bo Diddley Beat Medley 10. Mr Rock n Roll 11. Doctor my eyes 12 . So long Marianne App.1 Percolating Blues App.2 Anyway the wind blows Issue: 1 19/02/21 1 Me and Bobby McGee - Kris Kristopherson Intro: G / / / / / D7 /, D7 / / / / / G /, G G Busted flat in Baton Rouge, heading for the train D7 Feelin' nearly faded as my jeans D7 Bobby thumbed a diesel down just before it rained D7 G Took us all the way to New Orleans G I pulled my harpoon out of my dirty red bandana C I was blowing sad while Bobby sang the blues D C G With them windshield wipers slappin' time, and Bobby clapping hands D7 G G7 We finally sang off every song that driver knew C G G7 Freedom's just another word for nothin' left to lose D7 C C7 Nothin', ain't worth nothin' but its free G C Feelin' good was easy, Lord, when Bobby sang the blues D7 C Feelin' good was good enough for me G 2,3,4,(Key Change) A Good enough for me and Bobby McGee A From the coal mines of Kentucky to the California sun A E7 Bobby shared the secrets of my soul E7 Standing right beside me Lord through everything
    [Show full text]
  • TREE of CLUES: a Packet for Popheads
    TREE OF CLUES: a packet for popheads Written by Kevin Kodama 1. This song talks about French perfume before moving into a brief electric guitar solo. For ten points each, [A] Name this bubblegum pop song that features bouncing synths while noting how its title figures "call my name". A lot of liquid is sucked through a straw in the intro to this song. ANSWER: "Hillside Boys" <Hard> ​ ​ [B] "Hillside Boys" is by this German artist, who released her debut album Clarity in 2019. This singer belts "Even if ​ ​ I'll end up in shatters / Baby it doesn't matter" in her song "Heart to Break". ANSWER: Kim Petras <Easy> ​ ​ [C] Many Kim Petras songs feature this euphoric vocal motif, sometimes more hidden than others. Some fans traced the origin of this motif to Ariana Grande's "Touch It", but that was probably just a coincidence. ANSWER: woo-ah! <Mid> ​ ​ 2. Name these songs where pop stars express their desire for people to buy them things. For ten points each, [A] Marina Diamandis asks if you'd "buy a big diamond ring for me" in this hit from Electra Heart. This song's signature pulsing synth bass comes in after the lyrics "you can count on me to misbehave". ANSWER: "Primadonna" <Easy> ​ ​ [B] Carly Rae Jepsen describes herself as "rich, but I always want him to pay" in a remix of this song. In this song, Carly boasts that she's "pretty but has never sent a pic" and "always sells out the show". ANSWER: "Lalala" <Hard> ​ ​ [C] The singer of this track asks the listener to "give me all of your attention" and "give me summer in the Hamptons".
    [Show full text]