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One of a Kind, Unique Artist's Books Heide
ONE OF A KIND ONE OF A KIND Unique Artist’s Books curated by Heide Hatry Pierre Menard Gallery Cambridge, MA 2011 ConTenTS © 2011, Pierre Menard Gallery Foreword 10 Arrow Street, Cambridge, MA 02138 by John Wronoski 6 Paul* M. Kaestner 74 617 868 20033 / www.pierremenardgallery.com Kahn & Selesnick 78 Editing: Heide Hatry Curator’s Statement Ulrich Klieber 66 Design: Heide Hatry, Joanna Seitz by Heide Hatry 7 Bill Knott 82 All images © the artist Bodo Korsig 84 Foreword © 2011 John Wronoski The Artist’s Book: Rich Kostelanetz 88 Curator’s Statement © 2011 Heide Hatry A Matter of Self-Reflection Christina Kruse 90 The Artist’s Book: A Matter of Self-Reflection © 2011 Thyrza Nichols Goodeve by Thyrza Nichols Goodeve 8 Andrea Lange 92 All rights reserved Nick Lawrence 94 No part of this catalogue Jean-Jacques Lebel 96 may be reproduced in any form Roberta Allen 18 Gregg LeFevre 98 by electronic or mechanical means, including photocopying, recording, or information storage retrieval Tatjana Bergelt 20 Annette Lemieux 100 without permission in writing from the publisher Elena Berriolo 24 Stephen Lipman 102 Star Black 26 Larry Miller 104 Christine Bofinger 28 Kate Millett 108 Curator’s Acknowledgements Dianne Bowen 30 Roberta Paul 110 My deepest gratitude belongs to Pierre Menard Gallery, the most generous gallery I’ve ever worked with Ian Boyden 32 Jim Peters 112 Dove Bradshaw 36 Raquel Rabinovich 116 I want to acknowledge the writers who have contributed text for the artist’s books Eli Brown 38 Aviva Rahmani 118 Jorge Accame, Walter Abish, Samuel Beckett, Paul Celan, Max Frisch, Sam Hamill, Friedrich Hoelderin, John Keats, Robert Kelly Inge Bruggeman 40 Osmo Rauhala 120 Andreas Koziol, Stéphane Mallarmé, Herbert Niemann, Johann P. -
Gender Performance in Photography
PHOTOGRAPHY (A CI (A CI GENDER PERFORMANCE IN PHOTOGRAPHY (A a C/VFV4& (A a )^/VM)6e GENDER PERFORMANCE IN PHOTOGRAPHY JENNIFER BLESSING JUDITH HALBERSTAM LYLE ASHTON HARRIS NANCY SPECTOR CAROLE-ANNE TYLER SARAH WILSON GUGGENHEIM MUSEUM Rrose is a Rrose is a Rrose: front cover: Gender Performance in Photography Claude Cahun Organized by Jennifer Blessing Self- Portrait, ca. 1928 Gelatin-silver print, Solomon R. Guggenheim Museum, New York 11 'X. x 9>s inches (30 x 23.8 cm) January 17—April 27, 1997 Musee des Beaux Arts de Nantes This exhibition is supported in part by back cover: the National Endowment tor the Arts Nan Goldin Jimmy Paulettc and Tabboo! in the bathroom, NYC, 1991 €)1997 The Solomon R. Guggenheim Foundation, Cibachrome print, New York. All rights reserved. 30 x 40 inches (76.2 x 101.6 cm) Courtesy of the artist and ISBN 0-8109-6901-7 (hardcover) Matthew Marks Gallery, New York ISBN 0-89207-185-0 (softcover) Guggenheim Museum Publications 1071 Fifth Avenue New York, New York 10128 Hardcover edition distributed by Harry N. Abrams, Inc. 100 Fifth Avenue New York, New York 10011 Designed by Bethany Johns Design, New York Printed in Italy by Sfera Contents JENNIFER BLESSING xyVwMie is a c/\rose is a z/vxose Gender Performance in Photography JENNIFER BLESSING CAROLE-ANNE TYLER 134 id'emt nut files - KyMxUcuo&wuieS SARAH WILSON 156 c/erfoymuiq me c/jodt/ im me J970s NANCY SPECTOR 176 ^ne S$r/ of ~&e#idew Bathrooms, Butches, and the Aesthetics of Female Masculinity JUDITH HALBERSTAM 190 f//a« waclna LYLE ASHTON HARRIS 204 Stfrtists ' iyjtoqra/inies TRACEY BASHKOFF, SUSAN CROSS, VIVIEN GREENE, AND J. -
Kunstmuseum Basel, Museum Für Gegenwartskunst Dundee Contemporary Arts
Kunstmuseum Basel, Museum für Gegenwartskunst Dundee Contemporary Arts LOOK BEHIND US, A BLUE SKY Johanna Billing Support for the exhibition in Basel and its accompanying publication has been provided by the “Fonds für künstlerische Aktivitäten im Museum für Gegenwartskunst der Emanuel Hoffmann-Stiftung und der Christoph Merian Stiftung” Die Ausstellung in Basel und die Publikation wurden unterstützt vom »Fonds für künstlerische Aktivitäten im Museum für Gegenwartskunst der Emanuel Hoffmann-Stiftung und der Christoph Merian Stiftung« Expanded Footnotes CONTENTS INHALTSVERZEICHNIS Projects for Revolution Radio Days; Tour Diary Perfect Pop Pleasures Lightning Never Strikes Here 9 Rob Tufnell Johanna Billing, Helena Jacob Wren Anymore… 92 Holmberg, Annie 178 Karl Holmqvist Fletcher, Tanja Elstgeest, Waiting for Billing and Frédérique Bergholtz Pass the Glue Making †ings Happen 12 Making †ings Happen Maria Lind 126 Volker Zander Polly Staple Polly Staple 103 180 You Make Me Digress More Films about Songs, 40 More Films about Songs, Some Notes on Billing, Åbäke †e Lights Go out, Cities & Circles Cities & Circles Stein, and Repetition 150 the Moon Wanes A Conversation between Ein Gespräch zwischen Malin Ståhl Anne Tallentire Johanna Billing & Helena Selder Johanna Billing & Helena Selder 108 More Texts about Songs 185 & Buildings Forever Changes 70 Forever Changes Getting †ere Magnus Haglund A Possible Trilogy A Conversation between Ein Gespräch zwischen Chen Tamir 155 Jelena Vesie Johanna Billing & Philipp Kaiser Johanna Billing & Philipp -
A Narrative Inquiry of the Experiences of Seven Latina Administrative Leaders in Higher Education
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUSB ScholarWorks California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 5-2017 "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION Sharon Pierce California State University - San Bernardino, [email protected] Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Community College Education Administration Commons, Community College Leadership Commons, and the Higher Education Administration Commons Recommended Citation Pierce, Sharon, ""TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION" (2017). Electronic Theses, Projects, and Dissertations. 553. https://scholarworks.lib.csusb.edu/etd/553 This Dissertation is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION A Dissertation Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Doctor of Education in Educational Leadership by Sharon Pierce June 2017 "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION A Dissertation Presented to the Faculty of California State University, San Bernardino by Sharon Pierce June 2017 Approved by: Dr. -
Ruth Walsh Part I
Tales for the Bush Vidal, Mary Theresa (1815-1873) A digital text sponsored by Australian Cooperative Digitisation Project 1840-45 University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ozlit/ © University of Sydney Library, State Library of NSW, National Library of Australia and Monash University Library. The texts and Images are not to be used for commercial purposes without permission Source Text: Prepared from the print edition published by D.L. Welch Sydney 1845 All quotation marks retained as data All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. Author First Published 1845 Australian Etexts women writers short stories 1840-1869 prose fiction 28th October 1997 Creagh Cole Coordinator Final Checking and Parsing Tales For The Bush “According to his mercy he saved us, by the washing of regeneration, and renewing of the Holy Ghost; which he shed on us abundantly through Jesus Christ our Saviour; that being justified by his grace, we should be made heirs according to the hope of eternal life.”Titus, iii, 5, 6, 7. SYDNEY: PRINTED AND PUBLISHED BY D.L.WELCH, 1845 THOMAS AND ANNE THOMPSON “Remember the sabbath day, to keep it holy.” Exodus, xx. 8. CHAPTER I THOMAS and Anne Thompson were among those who determined to leave England for New South Wales. They had been married eight years; their family was increasing, and labor becoming scarcer and scarcer. They heard of other families emigrating and that they easily got high wages, and lived in plenty: so they thought with their four children they would do so also. -
THE THEM by ALEXIS APFELBAUM
THE THEM by ALEXIS APFELBAUM A thesis submitted to the Graduate School-Camden Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Fine Arts Graduate Program in Creative Writing Written under the direction of Paul Lisicky And approved by ___________________________________ Paul Lisicky Camden, New Jersey. January 2012 i ABSTRACT OF THE THESIS The Them By ALEXIS APFELBAUM Thesis Director: Paul Lisicky My first novel is about Agnes, a 10-year-old girl who is a compulsive liar. The story is set in New Hampshire at an elite overnight summer camp. Agnes is haunted by a life at home with her autistic brother, emotionally absent father and aggressively unhappy mother, but she believes that camp will give her an opportunity to recreate herself. Unfortunately, the person she would like to become is her counselor, Ari, an unhinged sexually promiscuous 17-year-old girl on the verge of making some very large mistakes. Inimitable, hopelessly hopeful, angry and abandoned and yearning for love, Agnes can be seen as an amalgam of characters like Carson McCuller’s Frankie in The Member of the Wedding, Louis Fitzhugh’s Harriet in Harriet the Spy, and Arundhati Roy’s Rahel in The God of Small Things. ii TABLE OF CONTENTS Chapter 1. The New Chapter 2. Ari Chapter 3. What we Know Chapter 4. The Lake Chapter 5. Flags Chapter 6. The Clown and His Dog Chapter 7. What it’s Like to be a Guy Chapter 8. Sailing Away Chapter 9. Sandy Tells the Future Chapter 10. -
Look Back on Happiness
Look Back on Happiness by Knut Hamsun Look Back On Happiness I I have gone to the forest. Not because I am offended about anything, or very unhappy about men's evil ways; but since the forest will not come to me, I must go to it. That is all. I have not gone this time as a slave and a vagabond. I have money enough and am overfed, stupefied with success and good fortune, if you understand that. I have left the world as a sultan leaves rich food and harems and flowers, and clothes himself in a hair shirt. Really, I could make quite a song and dance about it. For I mean to roam and think and make great irons red-hot. Nietzsche no doubt would have spoken thus: The last word I spake unto men achieved their praise, and they nodded. But it was my last word; and I went into the forest. For then did I comprehend the truth, that my speech must needs be dishonest or foolish.... But I said nothing of the kind; I simply went to the forest. You must not believe that nothing ever happens here. The snowflakes drift down just as they do in the city, and the birds and beasts scurry about from morning till night, and from night till morning. I could send solemn stories from this place, but I do not. I have sought the forest for solitude and for the sake of my great irons; for I have great irons which lie within me and grow red-hot. -
With `Rose,' Mercury's Edwards Has a Hit Within `Reach' by DEBORAH EVANS PRICE a Group Called the Mississippi Show Record, and Much to Our Pleasant Sur- Country Roots
ARTISTS & MUSIC With `Rose,' Mercury's Edwards Has A Hit Within `Reach' BY DEBORAH EVANS PRICE a group called the Mississippi Show record, and much to our pleasant sur- country roots. One of the reasons I lad about how difficult it is to move on NASH V 1 LLE- Childhood friends Stoppers," Bass recalls, explaining that prise, she's a huge country fan," says wanted to do business with him is he when a relationship is over, it features often make promises, but few keep the troupe traveled around the state Mercury chairman Luke Lewis. "She has a good head on his shoulders. We Music City newcomer David Nail. them. That's why newcomer Meredith promoting the Mississippi Agriculture came in and sang three or four songs really wanted to be involved with Bass says he initially didn't want Edwards was happily surprised when Museum. "Even back then, everyone and had this really endearing, power- [Edwards], and we figured out we programmers to know Edwards' age longtime pal Lance Bass, now a mem- was just blown away by this girl." ful voice. She had an affinity for coun- could have the luxury of an association for fear they wouldn't take her seri- ber of top -selling pop group `N Sync, Bass made good on his promise to try music, knowledge of the history of with [Bass]. It's important for this ously. "Every person that [responded] made good on his pledge to land her a take Edwards with him when he it, and didn't seem to be to be one of genre to have young people inspired said, `This is a mix between Patsy record deal. -
PHRASAL VERBS in USE English Phrasal Verbs in Use Advanced Is a Vocabulary Book for Advanced Advanced Learners
McCarthy and O’Dell McCarthy and ENGLISH PHRASAL VERBS IN USE English Phrasal Verbs in Use Advanced is a vocabulary book for advanced Advanced learners. It is primarily designed as a self-study reference and practice book but it can also be used for classroom work. The book covers many phrasal verbs useful to ENGLISH students preparing for the Cambridge CAE, CPE and IELTS examinations. English Phrasal Verbs in Use Advanced ENGLISH • 60 easy-to-use two-page units: phrasal verbs are presented and explained on left-hand pages with a range of different practice exercises on right-hand PHRASAL VERBS pages. • Presents and explains approximately 1,000 phrasal verbs in typical contexts PHRASAL VERBS using short texts, dialogues, tables and charts. • Includes error warnings to help students avoid making common mistakes. 60 units of vocabulary • Provides valuable information about register, usage and collocation to help reference and practice students develop more natural-sounding English. • Includes a comprehensive, student-friendly answer key and promotes good IN USE Self-study and learning habits through study tips and follow-up tasks. classroom use • Contains a Mini dictionary with easy-to-understand definitions and cross IN USE references to units in the book. Also available Edition Second Second Edition ENGLISH COLLOCATIONS IN USE ADVANCED CAMBRIDGE PHRASAL VERBS DICTIONARY ENGLISH VOCABULARY IN USE ADVANCED Advanced Advanced Michael McCarthy NEW NEW NEW COVER COVER COVER Felicity O’Dell ISBN XX ISBN XX ISBN XX Better Learning is our simple -
O N Lin E 3 0 Th a N N Iversary Canad A's L Arg Est LG B T F Ilm Festival
30th Anniversary Canada’s Presenting Partner Lead Sponsor Largest LGBT Film Festival Online Ontario-wide Oct. 1 – 11, 2020 insideout.ca #InsideOut30 CONGRATULATIONS Table of Contents 2020 INSIDE OUT Welcome Letters 4 About Inside Out 10 FINANCING FORUM PARTICIPANTS! Board, Committees and Staff List 11 Accessibility and Tickets 12 Ticketing FAQs 13 ADOLESCENT LAST SUMMER WITH IRA Funders and Sponsors 14 Kyle Reaume, Sam Rosati Emily McCann Lesser, Gary Jaffe, Members and Donors 16 Katie Ennis Galas and Special Presentations 20 ALL THAT SHE WANTS MOKA Spotlight on Canada 26 Nigel DeFriez, Maria Krovatin, Moka Dawkins, Emily Gioskos, Icons 34 Barbara Gruska Laura Bornacelli International Showcase 42 Shorts and Episodic 70 DEAR STRAIGHT MEN PINK CARNATIONS Awards and Jury 104 Sam Sorrenti, Santana Doran Lisa Buchanan, Adam Myatt Short Film Mentorship Program 106 FOLLOWERS POLARIZED 30th Anniversary Online Exhibition 107 Tim Marshall, Christina Radburn, Shamim Sharif, Hanan Kattan Inside Out Merchandise 108 Frances Wang-Ward Thank You 109 Film Index 110 GLITTER AND DOOM THE VIRIDIAN Tom Gustafson, Cory Krueckeberg Blake Mawson, Natalie Urquhart GYPSY BOY THE YOUNG KING Dee Koppang O’Leary, Kevin Loader, Larin Sullivan, Kim Bailey, Mikey Walsh, James Graham Isabel Marden HAWA HAWAII YOU CANNOT ERASE ME Amirah Tajdin, Wafa Tajdin, Tyler Rabinowitz, Jeremy Truong Sahar Yousefi Welcome Welcome Toronto, 1990: The founders of the Inside/Out Collective In our current climate, film is really the safest way to travel, and gather to form Toronto’s LGBTQ film festival. Were they this year’s lineup provides a unique opportunity to escape dreaming about what that festival might be in 2020? Did they into the many complicated queer worlds accessed through picture audiences streaming out onto King Street, queued up the brilliant minds of our filmmakers, icons, and peers. -
Björk Reaches Beyond the Binaries
COMMUNICATOR BETWEEN WORLDS: BJÖRK REACHES BEYOND THE BINARIES Edwin F. Faulhaber A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Kimberly Coates, Advisor Robert Sloane ii ABSTRACT Kimberly Coates, Advisor Icelandic pop star Björk has spent her career breaking down boundaries, blurring lines, and complicating binaries between perceived opposites. Examining a variety of both primary and secondary sources, this study looks at the ways that Björk challenges the binary constructions of “high” and “low” art, nature and technology, and feminism and traditional femininity, and also proposes that her uniquely postmodern approach to blurring boundaries can be a model for a better society in general. This study contends that Björk serves as a symbol of what might be possible if humans stopped constructing boundaries between everything from musical styles to national borders, and as a model for how people can focus on their commonalities while still respecting the freedom of individual expression. This is particularly important in the United States of America, a place where despite its infinite potential for cultural pluralism and collaboration, there are as many (or more) divisions between people based upon race, class, gender, and religion as anywhere else in the world. iii Dedicated to Morgaine iv ACKNOWLEDGMENTS I would like to thank my committee, Dr. Kim Coates and Rob Sloane, for all of their suggestions and encouragement while I wrote this thesis. I would also like to thank Dr. Don McQuarie and Gloria Enriquez Pizana for their support and assistance, as well as a host of wonderful professors who laid the groundwork for this thesis by inspiring me along the way: Rob, Kim, Drs. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quali^'^ of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overl^s. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photogr^hs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for ai^r photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Z eeb Road. Ann Arbor. Ml 48105-1346 USA 313.'761-4700 800.521-0600 TWENTIETH-CENTURY AMERICAN COMPOSER, THOMAS PASATIERI; AN EXAMINATION OF STYLE AS ILLUSTRATED BY THE WORKS SET TO THE TEXT OF AMERICAN POET KIT VAN CLEAVE D.M.A.