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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
ACRONYM 13 - Round 6 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
ACRONYM 13 - Round 6 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. This album was conceived after the master tapes to the album Cigarettes and Valentines were stolen. A letter reading "I got a rock and roll girlfriend" is described in a multi-part song at the end of this album. A teenager described in this albumis called the "son of rage and love" and can't fully remember a figure he only calls (*) "Whatsername." A "redneck agenda" is decried in the title song of this album, which inspired a musical centered onthe "Jesus of Suburbia." "Boulevard of Broken Dreams" appears on, for 10 points, what 2004 album by Green Day? ANSWER: American Idiot <Nelson> 2. In 1958, Donald Duck became the first non-human to appear in this TV role, which was originated by Douglas Fairbanks and William C. DeMille. James Franco appeared in drag while serving in this role, which went unfilled in 2019 after (*) Kevin Hart backed out. The most-retweeted tweet ever was initiated by a woman occupying this role, which was done nine other times by Billy Crystal. While holding this role in 2017, Jimmy Kimmel shouted "Warren, what did you do?!" upon the discovery of an envelope mix-up. For 10 points, name this role whose holder cracks jokes between film awards. ANSWER: hosting the Oscars [accept similar answers describing being the host of the Academy Awards; prompt on less specific answers like award show host or TV show host] <Nelson> 3. As of December 2019, players of this game can nowmake Dinosaur Mayonnaise thanks to its far-reaching 1.4 version update, nicknamed the "Everything Update." Every single NPC in this game hates being given the Mermaid's Pendant at the Festival of the Winter Star because it's only meant to be used for this game's (*) marriage proposals. -
TREE of CLUES: a Packet for Popheads
TREE OF CLUES: a packet for popheads Written by Kevin Kodama 1. In one song by this artist, a background clicking noise slows down as she sings “I found another way / To caress my day”. One of this artist’s videos is a single shot of her as both a giant goddess and tiny dancers that slowly zooms out. A track by this artist that she described as “a medieval march through the destruction of a relationship” laments “I never thought that you would be the one to tie me down”. This artist asks “Why don’t I do it for you” in a video that showcases her pole-dancing skills, and she explained a part of her name as “a selection of letters that sounded... masculine and strong”. For ten points, name this artist who released “Cellophane” for her 2019 album MAGDALENE. ANSWER: FKA twigs (accept Taliah Debrett Barnett) 2. This song’s heavily ad-libbed bridge includes the James Brown-inspired lyric “Good God! I can’t help it!”. In the music video for this song, the artist crawls on the ground sporting white polka dotted lipstick. This song begins with a series of tongue clicking and a breathy “yeah” along with some funky guitars. The video for this song uses pink, purple, and blue lighting in a scene where the artist runs between a male flirt and Tessa Thompson. This song’s artist describes herself as “an emotional sexual bender”, which is a nod to her pansexuality. For ten points, name this top r/popheads track of 2018, a Janelle Monae song that was the lead single for the album Dirty Computer. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
The Last Comedy
v*? - at \ The Banff Centre for Continuing Education T h e B a n f f C e n t r e As The Banff Centre embarks on its seventh decade, it carries with it a new image as an internationally renowned centre of creativity. presents The Centre continues to stress the imagina tion's role in a vibrant and prosperous soci ety. It champions artists, business leaders and their gift of creativity. It brings profes The Last sionals face to face with new ideas, catalyses achievement, experiments with disciplinary boundaries. It takes Canadians and others to the cutting edge - and beyond. Comedy The Banff Centre operates under the authority of The Banff Centre Act, Revised by Michael Mackenzie Statutes of Alberta. For more information call: Arts Programs 762-6180 Gallery Information 762-6281 Management Programs 762-6129 Directed by - Jean Asselin Conference Services 762-6204 Set and Costume Design by - Patrick Clark Lighting Design by - Harry Frehner Set and Costume Design Assistant - Julie Fox* Lighting Design Assistant - Susann Hudson* Arts Focus Stage Manager - Winston Morgan+ Our Centre is a place for artists. The Assistant Stage Manager - Jeanne LeSage*+ Banff Centre is dedicated to lifelong Production Assistant - David Fuller * learning and professional career develop ment for artists in all their diversity. * A resident in training in the Theatre Production, We are committed to being a place that Design and Stage Management programs. really works as a catalyst for creative +Appearing through the courtesy of the Canadian activity — a place where artistic practices Actors' Equity Association are broadened and invigorated. There will be one fifteen minute intermission Interaction with a live audience is an important part of many artists’ profession al development. -
'Like an American, but Without a Gun'?: Canadian National Identity
. Volume 17, Issue 2 November 2020 ‘Like an American, but without a gun’?: Canadian national identity and the Kids in the Hall Melissa Beattie, Independent Scholar, USA Abstract: Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the series is perceived. Keywords: Canadian national identity and media, Discursive national identity, Fan studies, Representation, Audiences Introduction and literature review Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the corpus is perceived. This is relevant when viewed in context of Edwardson’s (2008) work on the development of Canadian national identity through its cultural industries. Though his book looks at all of the cultural industries, Edwardson’s negative view of globalisation with regard Page 3 Volume 17, Issue 2 November 2020 to television in particular views the push for transnational television success as leading to the diminishing of Canadian-focused content in favour of what would appeal to a predominantly-American audience. -
Families Find Legal Hurdles a Challenge
Mich. Supreme Court I have lived 59 of my years as a member of Detroit’s rainbow community. Upholds Partner Benefits “I suspect I shall do so for the remainder of life, so please mark your desk ‘Captain Buffalo’ Tackles calendars accordingly. Homophobia On The Force – Charles” Alexander Michigan Mommy Issues Families Find Legal Hurdles A Challenge WWW.PRIDESOURCE.COM MAY 9, 2013 | VOL. 2119 | FREE COLOR 2 BTL | May 9, 2013 www.PrideSource.com COVER Story 4 Michigan mommy issues Cover photo: Julia Music and her son, Quinn. This vote shows that marriage doesn’t belong to a particular party or ideology, Rhode IslandMarriage Equality’s I have lived 59 of my years as a 10th State Mich. Supreme Court member of Detroit’s rainbow community. “I suspect I shall do so for the remainder of Upholds Partner Benefits life, so please mark your desk and increasingly, the public and politicians calendars accordingly. ‘Captain Buffalo’ Tackles – Charles ”Alexander Homophobia On The Force alike realize that only marriage provides loving couples and families with the “protection they need and deserve. Michigan Mommy – Chad Griffin, HRC, pg. 12 Issues Families Find Legal Hurdles A ChallengeMAY 9, 2013 | VOL. 2119 | FREE WWW.PRIDESOURCE.COM News Join The Conversation @ PrideSource.comCool Cities 6 Michigan Supreme Court upholds Royal Oak benefits for unmarried partners HELP WANTED ” CoolCOOL CITIES CitiesPRIDE SEASON 6 Annual women’s golf outing June 1 Lansing 10 Quick Michigan Pride Preview 12 Illinois GOP Chair resigns, cites support for same-sex marriage as a reason 12 RI now 10th state to allow same- sex marriage OPINION 8 How special my ‘nothing special’ 9 Parting Glances 11 Creep of the Week LIFE YOUR NEIGHBORHOOD • YOUR MARKET Unity Michigan Coalition Pride Season Volunteers PinpointThis Week’s your ad Cooldollars Cities: where Pride Across The State 14 Homophobia on the force they will do the most good . -
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and Comic Jason Stuart
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and comic Jason Stuart. Encyclopedia Copyright © 2015, glbtq, Inc. Courtesy JasonStuart. Entry Copyright © 2002, glbtq, Inc. com. Reprinted from http://www.glbtq.com Stand-up comedy is a form of entertainment where one performer stands in front of an audience and tries to make common cause with that audience by pointing out the ridiculous and humorous in the universal problems of everyday life. Stand-up comics balance on a fine edge between the funny and the offensive. They can be social critics, prodding audiences to look at the unfairness and inequality in life and to rise above them with a laugh. They can also be part of that unfairness by using humor to make fun of women, gays, and ethnic groups, allowing some members of their audiences to feel superior to those who are the butts of the joke. The dilemma is well expressed by Henry Machtey on the Gay Comedy Links website: "Stand-up comedy. Cracking jokes. Are you going to aim those jokes at people who are less powerful? or people who are more powerful?" Too often, gay men have been the objects of hostile humor. Queer jokes, like female jokes and ethnic jokes, have long been a staple of straight stand-up comics looking for an easy laugh from audiences eager to assert their own heterosexuality in a world where it is often dangerous to be gay. At the same time, however, perhaps long before the all-male Greek theater of the fourth century B.C.E., audiences have also had a fascination with gender-bending. -
A Narrative Inquiry of the Experiences of Seven Latina Administrative Leaders in Higher Education
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUSB ScholarWorks California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 5-2017 "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION Sharon Pierce California State University - San Bernardino, [email protected] Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Community College Education Administration Commons, Community College Leadership Commons, and the Higher Education Administration Commons Recommended Citation Pierce, Sharon, ""TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION" (2017). Electronic Theses, Projects, and Dissertations. 553. https://scholarworks.lib.csusb.edu/etd/553 This Dissertation is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION A Dissertation Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Doctor of Education in Educational Leadership by Sharon Pierce June 2017 "TAKING OUR SEAT AT THE TABLE": A NARRATIVE INQUIRY OF THE EXPERIENCES OF SEVEN LATINA ADMINISTRATIVE LEADERS IN HIGHER EDUCATION A Dissertation Presented to the Faculty of California State University, San Bernardino by Sharon Pierce June 2017 Approved by: Dr. -
Tthhheee Tttaaattttttooooo
A9 | Monday, April 11, 2005 The Bristol Press TTHHEE TTAATTTTOOOO BRISTOL PRESS MAKING A PERMANENT IMPRESSION SINCE 1994 VOLUME 11 No. 11 ‘Hollow Men’ fill Iraq War protesters feel lucky By STEVEN DUREL University senior involved with the world, many calling for a and food from various organi- The Tattoo the Progressive Student timetable for the removal of zations. The Tent People even a TV humor void Alliance. American troops from Iraq, a entertained local religious lead- Amidst the ocean of green Marching in front of the nation which now possesses its ers who stopped by to let the By STEFAN KOSKI hats and balloons of St. Capitol at noon, the demon- own multi-ethnic government protesters know that their The Tattoo Patrick’s Day in Hartford last strators chanted and carried and military. Many Coalition efforts were much appreciated. month, there were also banners signs condemning the invasion. countries, most notably Spain, Despite the overall sense of Ever since “Saturday Night Live” premiered on NBC in 1975, a and cries of discontent. Rallying together an hour have removed their forces from solidarity among the anniver- host of other sketch comedy shows have been launched with Gathering around the state later, the protesters denounced Iraq and others, like Italy and sary demonstrations, the pro- mixed success. The most notable of these include Fox’s “Mad TV” Capitol, dozens of dissatisfied the war, making reference to the Ukraine, have recently testers themselves seemed less and Canada’s “The Kids in the Hall.” protesters marked the second the more than 100,000 lives lost made requests to leave the area than optimistic about how the Comedy Central has introduced many of these sketch comedy anniversary of the invasion of in the past two years. -
Running Head: POPULAR PEDAGOGY in CANADIAN TELEVISION
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brock University Digital Repository Running head: POPULAR PEDAGOGY IN CANADIAN TELEVISION Popular Pedagogy in Canadian Television: A Feminist Critical Discourse Analysis of Trailer Park Boys Andrew Haddow, B.A. (Hons.) Department of Graduate Studies in Education Submitted in partial fulfillment of the requirements for the degree of Master of Education Faculty of Education, Brock University St. Catharines, Ontario © Andrew Haddow, 2017 POPULAR PEDAGOGY IN CANADIAN TELEVISION Abstract This major research paper studied the representations of masculinity in the Canadian television program Trailer Park Boys from the perspective of public pedagogy and education. Motivated by a desire to expose how patriarchal discourses are learned through everyday practices and texts, a methodology of feminist Critical Discourse Analysis (CDA) was formulated. Trailer Park Boys is a long-running mockumentary series set in a fictional trailer park near Halifax, Nova Scotia. It focuses on a cast of male characters with exaggerated personalities, and is satirical in tone. Prior to the main analysis of this paper, a collection of relevant literature was conducted and an opportunity to address a lack of gender-focused studies of Canadian television, including Trailer Park Boys, was noted. This study used the feminist CDA method to analyze what masculinities were reinforced as normal or abnormal in Seasons 3 and 9 of the program, based on the understanding that popular culture is a site of everyday learning. After the data was collected episode-by-episode, it became apparent that the themes of family, authority, and sexuality were helpful in understanding what relationship Trailer Park Boys had with traditional representations of heteronormative masculinity. -
Ruth Walsh Part I
Tales for the Bush Vidal, Mary Theresa (1815-1873) A digital text sponsored by Australian Cooperative Digitisation Project 1840-45 University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ozlit/ © University of Sydney Library, State Library of NSW, National Library of Australia and Monash University Library. The texts and Images are not to be used for commercial purposes without permission Source Text: Prepared from the print edition published by D.L. Welch Sydney 1845 All quotation marks retained as data All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. Author First Published 1845 Australian Etexts women writers short stories 1840-1869 prose fiction 28th October 1997 Creagh Cole Coordinator Final Checking and Parsing Tales For The Bush “According to his mercy he saved us, by the washing of regeneration, and renewing of the Holy Ghost; which he shed on us abundantly through Jesus Christ our Saviour; that being justified by his grace, we should be made heirs according to the hope of eternal life.”Titus, iii, 5, 6, 7. SYDNEY: PRINTED AND PUBLISHED BY D.L.WELCH, 1845 THOMAS AND ANNE THOMPSON “Remember the sabbath day, to keep it holy.” Exodus, xx. 8. CHAPTER I THOMAS and Anne Thompson were among those who determined to leave England for New South Wales. They had been married eight years; their family was increasing, and labor becoming scarcer and scarcer. They heard of other families emigrating and that they easily got high wages, and lived in plenty: so they thought with their four children they would do so also.