French Canadian Literature by Julie Rodgers, National University of Ireland, Maynooth
French Canadian Literature By Julie Rodgers, National University of Ireland, Maynooth 1. General Reference Texts Danielle Constantin, *Masques et Mirages, NY, Lang, 192 pp., is a study of works by three different authors, one of whom falls within the domain of French Canadian Literature. The three texts examined from the point of view of narrative methods and textual strategies are Julio Cortázar, Rayuela (1963), Georges Perec, La Vie mode d’emploi (1978), and Yolande Villemaire, La Vie en prose (1980). Lise Gauvin, Écrire pour qui? L’Écrivain Francophone et ses publics, Karthala, 2007, 180 pp., looks at the status of Francophone authors, the relationship between author and public, the conditions from which Francophone writers emerge, in particular, that of cultural hybridity, and how these unique conditions might influence the development of new literary techniques. *Les Voix du temps et de l’espace, ed. Jeanette den Toonder, Quebec, Nota Bene, 374 pp., pays homage to Jaap Lintvelt, founder of the Centre d’Études Canadiennes de l’Université de Groningen, who has recently taken retirement. The contributors to this collection worked in close collaboration with Lintvelt to produce a text which covers the key areas of his research in the field of Quebec literature, most notably the representation of space in the Quebec novel and its relationship to the theme of travel. Elena Brandusa Steicuic, La Francophonie au féminin, Iasi, Universitas XXI, 142 pp., is a collection of articles and interviews focusing on the work of 11 Francophone women writers from Canada to the Maghreb to Western and Eastern Europe. La Francophonie au féminin forms a critical itinerary of the shared preoccupations of Francophone women writers, looking at common themes in Francophone literature, such as memory, space, language, identity, origins, and exile, but from a specifically female point of view.
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