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Denver Cmc Photography Section Newsletter
MARCH 2018 DENVER CMC PHOTOGRAPHY SECTION NEWSLETTER Wednesday, March 14 CONNIE RUDD Photography with a Purpose 2018 Monthly Meetings Steering Committee 2nd Wednesday of the month, 7:00 p.m. Frank Burzynski CMC Liaison AMC, 710 10th St. #200, Golden, CO [email protected] $20 Annual Dues Jao van de Lagemaat Education Coordinator Meeting WEDNESDAY, March 14, 7:00 p.m. [email protected] March Meeting Janice Bennett Newsletter and Communication Join us Wednesday, March 14, Coordinator fom 7:00 to 9:00 p.m. for our meeting. [email protected] Ron Hileman CONNIE RUDD Hike and Event Coordinator [email protected] wil present Photography with a Purpose: Conservation Photography that not only Selma Kristel Presentation Coordinator inspires, but can also tip the balance in favor [email protected] of the protection of public lands. Alex Clymer Social Media Coordinator For our meeting on March 14, each member [email protected] may submit two images fom National Parks Mark Haugen anywhere in the country. Facilities Coordinator [email protected] Please submit images to Janice Bennett, CMC Photo Section Email [email protected] by Tuesday, March 13. [email protected] PAGE 1! DENVER CMC PHOTOGRAPHY SECTION MARCH 2018 JOIN US FOR OUR MEETING WEDNESDAY, March 14 Connie Rudd will present Photography with a Purpose: Conservation Photography that not only inspires, but can also tip the balance in favor of the protection of public lands. Please see the next page for more information about Connie Rudd. For our meeting on March 14, each member may submit two images from National Parks anywhere in the country. -
The Positive and Negative Effects of Photography on Wildlife
Gardner-Webb University Digital Commons @ Gardner-Webb University Undergraduate Honors Theses Honors Program 2020 The Positive and Negative Effects of Photography on Wildlife Joy Smith Follow this and additional works at: https://digitalcommons.gardner-webb.edu/undergrad-honors Part of the Photography Commons The Positive and Negative Effects of Photography on Wildlife An Honors Thesis Presented to The University Honors Program Gardner-Webb University 10 April 2020 by Joy Smith Accepted by the Honors Faculty _______________________________ ________________________________________ Dr. Robert Carey, Thesis Advisor Dr. Tom Jones, Associate Dean, Univ. Honors _______________________________ _______________________________________ Prof. Frank Newton, Honors Committee Dr. Christopher Nelson, Honors Committee _______________________________ _______________________________________ Dr. Bob Bass, Honors Committee Dr. Shea Stuart, Honors Committee I. Overview of Wildlife Photography The purpose of this thesis is to research the positive and negative effects photography has on animals. This includes how photographers have helped to raise awareness about endangered species, as well as how people have hurt animals by getting them too used to cameras and encroaching on their space to take photos. Photographers themselves have been a tremendous help towards the fight to protect animals. Many of them have made it their life's mission to capture photos of elusive animals who are on the verge of extinction. These people know how to properly interact with an animal; they leave them alone and stay as hidden as possible while photographing them so as to not cause the animals any distress. However, tourists, amateur photographers, and a small number of professional photographers can be extremely harmful to animals. When photographing animals, their habitats can become disturbed, they can become very frightened and put in harm's way, and can even hurt or kill photographers who make them feel threatened. -
2005 Annual Report
RESULTS Matter 2005 Annual Report The E.W. Scripps Company Mission The E.W.The Company Scripps 2005 Annual Report The E.W. Scripps Company strives for excellence in the products and services we produce and responsible service to the communities in which we operate. Our purpose is to continue to engage in successful, growing enterprises in the fields of information and entertainment. The company intends to expand, develop and acquire new products and services, and to pursue new market opportunities. Our focus shall be long-term growth for the benefit of shareholders and employees. P.O. Box 5380 Cincinnati, Ohio 45201 www.scripps.com The E. W. Scripps Company 2005 Annual Report Board of Directors RESULTS do matter and they’re what The E.W. Scripps 123456 Company is all about. Millions of engaged media consumers, and the advertisers and merchants who want to reach them, turn to 7 8 9 10 11 12 Scripps every day for a growing range of innovative information services that excel at delivering outstanding results. 1 William R. Burleigh, 70 3 Paul K. Scripps, 60 6 David A. Galloway, 62 8 Ronald W. Tysoe, 52 11 Jarl Mohn, 54 Chairman of the company since May 1999 and Chairman Retired Vice President/ Corporate Director; Vice Chairman, Trustee, Mohn of the Executive Committee since October 2000. He joined Newspapers, The E.W. retired President and Federated Department Family Trust; retired the Board of Directors in 1990. He served as President and Scripps Company. CEO, Torstar Corp. Stores Inc. Director President & Chief Chief Executive Officer from May 1996 until September 2000 Director since 1986. -
Conservation Photography Wilderness Values Wilderness Education Tanzania, Italy, Russia, Guianas INTERNATIONAL Journal of Wilderness
Conservation Photography Wilderness Values Wilderness Education Tanzania, Italy, Russia, Guianas INTERNATIONAL Journal of Wilderness APRIL 2005 VOLUME 11, NUMBER 1 FEATURES INTERNATIONAL PERSPECTIVES (continued) EDITORIAL PERSPECTIVES 31 The Ruaha National Park, Tanzania 3 Can We Let Wilderness Just Be Wilderness? BY SUE STOLBERGER BY CHAD P. DAWSON 35 Wilderness Is More Than “Nature” SOUL OF THE WILDERNESS BY FRANCO ZUNINO 4 A Wilderness Challenge BY MICHAEL FROME 38 Plant Community Monitoring in Vodlozhersky National Park, Karelia, Russia STEWARDSHIP BY RALPH DUNMORE 8 Conservation Photography Art, Ethics, and Action BY CRISTINA MITTERMEIER WILDERNESS DIGEST 43 Announcements and Wilderness Calendar SCIENCE AND RESEARCH 14 A GIS–based Inductive Study of Wilderness Values Book Reviews BY GREGORY BROWN and LILIAN ALESSA 46 The Enduring Wilderness: Protecting Our Natural Heritage through the Wilderness Act PERSPECTIVES FROM THE ALDO LEOPOLD by Doug Scott WILDERNESS RESEARCH INSTITUTE REVIEW BY JOHN SHULTIS, IJW BOOK EDITOR 19 The Fire Effects Planning Framework BY ANNE BLACK 46 Wildland Recreation Policy: An Introduction, 2nd ed. by J. Douglas Wellman and Dennis B. Propst REVIEW BY CHAD DAWSON EDUCATION AND COMMUNICATION 21 Wilderness Education 46 Wildlife Tourism: Impacts, Management The Ultimate Commitment to Quality and Planning Wilderness Stewardship edited by Karen Higginbottom BY GREG HANSEN and TOM CARLSON REVIEW BY SARAH ELMELIGI INTERNATIONAL PERSPECTIVES 26 Conservation Planning in the Tropics FRONT COVER A photographer’s dream day at Mount McKinley, Lessons Learned from the Denali National Park, Alaska. Photo by Cathy Hart. Guianan Ecoregion Complex INSET Cristina Mittermeier looking a dung beetle in the eye, BY G. JAN SCHIPPER Tembe Elephant Reserve, KwaZulu Natal, South Africa. -
Dilbert": a Rhetorical Reflection of Contemporary Organizational Communication
UNLV Retrospective Theses & Dissertations 1-1-1998 "Dilbert": A rhetorical reflection of contemporary organizational communication Beverly Ann Jedlinski University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Jedlinski, Beverly Ann, ""Dilbert": A rhetorical reflection of contemporary organizational communication" (1998). UNLV Retrospective Theses & Dissertations. 957. http://dx.doi.org/10.25669/3557-5ql0 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS Uns manuscript has been reproduced from the microfilm master. UMI fifans the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afifrct reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wiH be noted. -
Biographies Artists’ Biographies
ARTISTS’ BIOGRAPHIES ARTISTS’ BIOGRAPHIES ABRAHAM OGHOBASE ANGELA BENZ Born 1979 in Lagos, lives and works in Lagos, Nigeria. “The social, political and economic situation of society plays a pivotal role in my work. I am an aspiring photographer whose life, love and passion is photography. I am originally from Johannesburg, but after completing my first I am interested in using photography to explore the way people live and how they are affected by the different systems that exist, and how year as a photography student, I decided to locate to Cape Town to continue with my studies, and I am currently in my final year. I have a conditions evolve to meet or take advantage of certain needs. For example, with this series Jam I explore how rural-urban drift, among other great love for people, and try to convey this as much as possible through my photography with photojournalism and portrait photography. My things, has led to inflated rents in Lagos and congested living spaces. My exploration of identity through self portraiture in Nigeria and abroad, photographic aim is being inspired by the many different talents, trends and Cultures that surround me. for example, is often a function of how I am perceived as a photographer, an artist, a black male, a Nigerian, and so on, which in turn is based on social and cultural points of view that have their roots in history.” ANNA ENGELHARDT ADI BENSMAÏA We call home-less people vagrants, tramps, drifters (or ‘Bergies’) and rarely take note of them. They are generally considered a nuisance and are nothing more then part of our faceless cityscape. -
Conservation Photography
New Jersey School of Conservation 1 Wapalanne Rd. Branchville, NJ 07826 Phone: 973-948-4646 Fax: 973-948-5131 Conservation Photography Subject Description Capturing images of the natural world is one of the most pleasurable and rewarding ways students can express their feelings about the environment, artistically. For many students who struggle with drawing, painting and other methods for creating art, photography provides a workable medium that allows them to be creative and expressive. The advent of digital photography has opened a new door into visual creativity, providing tools for self expression that were formally unavailable to all but the most accomplished artisan. This session introduces the students to the artistic power and potential of photography to change the way we interact with the natural environment, through the creation of inspirational images of the natural world. Objectives Students will understand the importance of photography in helping to protect and preserve the environment. Photography will be a tool to encourage students to see the natural world through ‘new’ eyes. Students will be able to analyze the qualities of a given photo and articulate what makes a photograph get someone’s attention. Students will demonstrate the application of the elements of composition in their own nature photographs. Background Information See attached photography information sheet Materials Example photographs to scatter around the table If printing and matting: Digital Cameras (1 for every pair of students) Card Reader Batteries and Memory Cards for the cameras Photo Printer Clipboards Photo Paper Pencils Matte board Photography Tips and Techniques Sheet Double sided tape or glue Photography Challenge Field Sheet Procedure 1. -
Science Service and the Origins of Science Journalism, 1919-1950 Cynthia Denise Bennet Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 Science Service and the origins of science journalism, 1919-1950 Cynthia Denise Bennet Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the History of Science, Technology, and Medicine Commons, Journalism Studies Commons, and the United States History Commons Recommended Citation Bennet, Cynthia Denise, "Science Service and the origins of science journalism, 1919-1950" (2013). Graduate Theses and Dissertations. 13079. https://lib.dr.iastate.edu/etd/13079 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Science Service and the origins of science journalism, 1919-1950 by Cynthia D. Bennet A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPY Major: History of Technology and Science Program of Study Committee: Amy Sue Bix, Major Professor James T. Andrews David B. Wilson Charles Dobbs Pamela Riney-Kehrberg Iowa State University Ames, Iowa 2013 Copyright © Cynthia D. Bennet, 2013. All rights reserved. ii DEDICATION For my husband Greg—this wouldn't mean anything without you, and for Cosette, Willie, -
Guide to the Mahan Collection of American Humor and Cartoon Art, 1838-2017
Guide to the Mahan collection of American humor and cartoon art, 1838-2017 Descriptive Summary Title : Mahan collection of American humor and cartoon art Creator: Mahan, Charles S. (1938 -) Dates : 1838-2005 ID Number : M49 Size: 72 Boxes Language(s): English Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Mahan, Charles S., 1938 - Acquisition Information: Donation. Access Conditions: None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/for more information. Preferred Citation: Mahan Collection of American Humor and Cartoon Art, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Biographical Note Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002). University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. University of South Florida Library Links, 10(3), 2-3. Scope Note In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. -
V. T. Hamlin Essential to Comics History, Seminal Strips That Are Unique One Day at a Time
A COMPLETE YEAR OF COMICS LOAC ESSENTIALS is an important series that reprints, reproduced one per page, allowing us to have an in yearly volumes, the rare daily newspaper strips that are experience similar to what newspaper buyers had many decades ago—reading the comics V. T. Hamlin essential to comics history, seminal strips that are unique one day at a time. ALLEY creations in their own right, while also significantly OOP contributing to the advancement of the medium. P From the prehistoric kingdom 1939 of Moo to the 20th Century P and back to Ancient Greece, V. T. Alley Oop slips into the Hamlin timestream and encounters the mighty Ulysses, Hercules, the giant Cyclops, and the beautiful Helen of Troy. The First Time Travel Adventure USA $24.99/Different in Canada T HE L IBRARYOF AMERICAN COMICS ESSENTIALS ALLEY OOP BY V. T. Hamlin THE1939LIBRARY OF AMERICAN COMICS IDW PUBLISHING ESSENTIALS San Diego EDITED AND DESIGNED BY Dean Mullaney ASSOCIATE EDITOR Bruce Canwell Published by: IDW Publishing ART DIRECTOR Lorraine Turner a Division of Idea and Design Works, LLC 5080 Santa Fe Street INTRODUCTION Michael H. Price San Diego, CA 92109 CONTRIBUTING EDITOR Jared Gardner www.idwpublishing.com MARKETING DIRECTOR Beau Smith Distributed by Diamond Book Distributors Thanks to Joseph Ketels for his expert production assistance. 1-410-560-7100 Special thanks Randy Scott and the Michigan State University Comic Art Collection, the Ohio State University’s Billy Ireland Cartoon Library & ISBN: 978-1-61377-829-6 Museum, Karen Paulik Witt at the University of Missouri Libraries, First Printing, December 2013 VOLUME 4 Rick Norwood, Justin Eisinger, and Alonzo Simon. -
Wildlife Photography Tips & Tutorials: the Complete Guide | Nature
START HERE TUTORIALS INSPIRATION EQUIPMENT POST PRODUCTION EBOOKS " WORKSHOPS & TOURS POTY COMPETITION # Wildlife Photography Tips & Tutorials: The Complete Guide 46 HOME » PHOTOGRAPHY TUTORIALS » WILDLIFE » WILDLIFE SHARES ! PHOTOGRAPHY TIPS & TUTORIALS: THE COMPLETE GUIDE ! ! " WILL NICHOLLS COMMENT # Wildlife photography is an incredibly popular pastime that $ gets you outdoors and amongst the natural world. It’s also Popular Tutorials one of the more difficult genres of photography, and that’s where Nature TTL is here to help with a wealth of wildlife How to Upload photography tutorials. Photos to Facebook at the Best We have hundreds of tutorials on our website that are Quality completely free for you to read! They’re written by Possible professional wildlife photographers from around the world, and cover everything you could possibly ask about this addictive pursuit. We’re calling this The Complete Guide to Wildlife What’s the Photography, because we really have covered everything! Best Camera Take a look at the following wildlife photography tutorials to for Landscape get started and develop your skillset today. Photography? Table of Contents How to Photograph Ducks, Geese What is Wildlife Photography? and Other Wildfowl Firstly, what actually is wildlife photography? It’s a genre of photography that captures animals living in the wild. How to Stack Sometimes this involves human-wildlife conflicts, which is a Star Photos to particularly “hot” area of conservation photography right Reduce Noise now. in Photoshop What it doesn’t involve is domesticated animals, but documentary photography following wild animals that have been taken captive would fall under the remit of wildlife Stay Updated photography. -
Florida Wild Carlton Ward Jr Is a Conservation Photographer And
1143 Michigan Blvd. Dunedin, FL 34698 727.298.3322 www.dfac.org 9/11/15 – 10/18/15 Gamble Family Gallery Carlton Ward Jr: Florida Wild Carlton Ward Jr is a conservation photographer and eighth-generation Floridian based in Tampa. His work is exhibited widely and published in Audubon, Smithsonian, Geo, Nature Conservancy and National Geographic. Carlton began his career with six expeditions to the Congo rainforests of Gabon with the Smithsonian Institution, resulting in his award-winning book, The Edge of Africa with a foreword by Colin Powell and exhibit with the United Nations in New York. With training in ecology and photojournalism, Carlton advocates combing art with science to inspire hearts and minds. He is a founding Fellow of the International League of Conservation Photographers (iLCP) and in 2007 wrote Conservation Photography, the fi rst thesis on the emerging fi eld. His current purpose is to protect Florida’s nature and culture through art. His 2009 book, Florida Cowboys, won a silver medal in the Florida Book Awards and Popular Photography featured him for working to save vanishing America. Carlton is a National Geographic Explorer and Explorers Club Fellow. He founded Florida Wildlife Corridor in 2010 and in 2012 led a 100-day, 1000-mile expedition from Everglades National Park to the Okefenokee Swamp in southern Georgia. The journey continued in 2015 with a 70-day, 1000-mile trek from the Everglades Headwaters near Orlando to Gulf Islands National Seashore near Pensacola, bringing new attention to a statewide vision to keep Florida wild. CarltonWard.com Instagram @CarltonWard Facebook @CarltonWardPhotography Twitter @CarltonWard 1143 Michigan Blvd.