Full Listing of Sunday Night Shows from 1955 to 1974
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Es Top Hits Ges Covers
U K ‐ Singles ‐ Chart The # 1‐ Hits 1952 ‐ 1959 9 14.11.1952 86 xx Al Martino: Here In My Heart 1 16.01.1953 xx xx 1 23.01.1953 xx xx 1 30.01.1953 xx xx 5 06.02.1953 xx xx 4 13.03.1953 xx xx Jo Stafford: You Belong Kay Starr: Comes A-Long Eddie Fisher: Outside Of Perry Como: Don't Let Guy Mitchell: She Wears To Me A-Love Heaven The Stars Get In Your Eyes Red Feathers 1 10.04.1953 xx xx 1 17.04.1953 xx xx 18 x 24.04.1953 xx xx 1 26.06.1953 xx xx 1 14.08.1953 xx xx The Stargazers: Broken Lita Roza: (How Much Is) Frankie Laine: I Believe Eddie Fisher & Sally Mantovani: The "Moulin Wings That Doggie In The Sweetland: I'm Walking Rouge" Theme Window Behind You 6 11.09.1953 xx xx 2 23.10.1953 xx xx 2 a 06.11.1953 xx xx 8 13.11.1953 xx xx Guy Mitchell: Look At Frankie Laine: Hey Joe David Whitfield: Answer Frankie Laine: Answer Me That Girl Me U K ‐ Singles ‐ Chart The # 1‐ Hits 1952 ‐ 1959 9 08.01.1954 xx xx 6 x 12.03.1954 xx xx 9 16.04.1954 xx xx 1 30.04.1954 xx xx 10 02.07.1954 26 xx Eddie Calvert: Oh Mein The Stargazers: I See The Doris Day: Secret Love Johnnie Ray: Such A David Whitfield: Cara Mia Papa Moon Night 1 10.09.1954 xx xx 3 17.09.1954 xx xx 5 x 08.10.1954 25 xx 2 05.11.1954 xx xx 1 26.11.1954 4 xx Kitty Kallen: Little Things Frank Sinatra: Three Don Cornell: Hold My Vera Lynn: My Son My Rosemary Clooney: This Mean A Lot Coins In The Fountain Hand Son Ole House 5 03.12.1954 xx xx Winifred Atwell: Let's Have Another Party 3 x 07.01.1955 xx xx 3 14.01.1955 17 xx 3 18.02.1955 xx xx 7 11.03.1955 xx xx 2 29.04.1955 1 2 Dickie Valentine: -
CBC Times 500507.PDF
Miss Verna E. Weber, BERGEN, Alta. PRAIRIE REGION SCHEDULE May 7·13, 1950 Issued Each Week by the Canadian Broadcasting Corporation VOLUME III No. 19 ISSUED AT WINNIPEG. APRrt 28 !Ie PER COPY SI.OO PER YEAR This Week: Land Of Supposing (Page 2) * Edmund Hockridge (Page 3) * Variety Time (Page 4) * English Composers (Page 5) * Sir Basil Brooke (Page 6) * PEECII anu dr;lmatirs ha"e been BETH S LocIU:l\DII::'!> (."()n~llll1in~ intf.'TE"SlS since her girl. hood days in Regina. and she wa~n't far into her teens when she ht>gan applying her skill to radio work in Calgary and \Vinnipcg. SIlt' went to Toronto in 1946 and h currently heard as "~Iom" in Alan and .\le. and IIdl'n ~Ianning in Bract' \'oljage. * * * Beth Lockerbie. on our ('O\er this wt.'ck, has onf' of tIle wannl'St voit.'t's in Canadian mdio. a thor· ough Unin''TSity training in speech :md dramatics, and a \Va)' with chiJdH'n. So it is not surprising that her current acth·ities should inc,.'luul:' the widely contrasting roles of "Mmll" in thE' wt"t"kly family drama series Alan and Me, and thl' young heroine of the ~10nda)--to-Frid:lY Jaytimf' drama BrULe \ ·oyage. She also appcl.lrs frequently ill the Stage series, Bllckingham 1'1lealre und Forel Theatre, and Toronto theatre-gm'rs have seen her in the sta~{(' productions of various drama grullps. Beth Lockerbie She has been interested in all phases of dramatics sinec her childhood in I\egiua, enrolling Thert~ she clividt'd lll:'r time hctwL"{'n l!ipeech classes, nipeg chool of Radio" Dramatics-~hrough which in the drama :\nd speech COurse at Regina College, stage work with amateur groups, and organizing she produc(.'d student.;' radio features for three and continuing at Emerson College in Boston, n and directing one of the first radio schools in the ye-ars. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Boosey & Hawkes
City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures...................................................................................................................................... -
The Annual 12 Night Party
President: Vice President: No. 485 - December 2013 Simon Russell Beale CBE Nickolas Grace Price 50p when sold Cutting the cake at the Vic-Wells’ 12th Night Party 2011 - Freddie Fox 2012 - Janie Dee 2013 - Clive Rowe ... but who will be there in 2014 to do this important operation? Why not come along and find out? As you can see, there is a very special cake made for the occasion and the guests certainly enjoy the ceremony. We make sure that everybody will get a slice to enjoy. Don’t be left out, book now! The Annual 12th Night Party Our annual Twelfth Night Party will be held at the Old Vic on Saturday, 4th January 2014 from 5.00pm to 6.30pm in the second circle bar area. Tickets are £6 for Members and £7.50 for Non-Members. Please write for tickets, enclosing a stamped, self-addressed envelope, to: Ruth Jeayes, 185 Honor Oak Road, London SE23 3RP (0208 699 2376) Stuttgart Ballet at Sadler’s Wells Report by Richard Reavill The Stuttgart Ballet is one of the world’s major international ballet companies, but it does not often visit the UK. It did make a short trip to Sadler’s Wells in November with two p r o g r a m m e s a n d f i v e performances over four days. The first one, Made in Germany, featured excerpts from works choreographed in Germany for t h e c o m p a n y . T h o u g h presented in three groups with two intervals, (like a triple bill), there were thirteen items, mostly pas-de-deux and solos, and only one piece, given last, for a larger group of dancers. -
A (Very Personal) History of Barnet and District AC
A (very personal) history of Barnet and District AC In early 2017 the club magazine Editor wrote to me, saying: “I'd like there to be some things in the next issue relating to the club's 50 anniversary/history etc. Would you be able/willing to contribute something?” Without hesitation I said yes, and here it is. I have chosen to write three parallel intertwined stories. They are the main points in the development of the club in the early years, illustrated with some results and reports from those days from the relevant club magazines, and interspersed with some observations on my own short running career once I arrived on the scene (thankfully for you that was not until 1982!). There are thousands of results and reports, and I have tried to select items of interest and/or relevance. I have tried to not dwell on, or comment too often on, the ‘but things were different/better in them days’ aspect of athletics. I leave you to interpret the content as you wish. Considerable license has been taken in editing down mag reports to their core detail. STEVE CHILTON (with thanks to Brian Fowler and all the club magazine editors) 1 Early days Barnet and District AC was formed in 1967, after a merger of Hampstead Harriers with Barnet AC. Unfortunately, I have not been able to find copies of the club mags from the years before 1974, so the first 6 years are something of a mystery (I copied all Brian Strong’s club mags from 1973 onwards a while ago, at the time I was editor, as he was editor for many of the early years). -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
A Review of Famous Songs of the Past
Daily Sparkle CD - A Review of Famous Songs of the Past “Fascinating Facts” May 2018 Track 1 My Very Good Friend The Milkman Johnny Burke was a lyricist, widely regarded as one of the finest writers of popular songs in America between the 1920s and 1950s. In 1934, he and Harold Spina wrote "My Very Good Friend, the Milkman" which was a novelty hit for Fats Waller. Fats Waller (May 21, 1904 – December 15, 1943), born Thomas Wright Waller, was a jazz pianist, organist, composer, singer, and comedic entertainer. Waller was one of the most popular performers of his era, finding critical and commercial success in his homeland and in Europe. He was also a prolific songwriter and many songs he wrote or co-wrote are still popular, such as "Honeysuckle Rose", "Ain't Misbehavin'" and "Squeeze Me”. He was once ‘kidnapped’ by friends of Al Capone where he was taken at gunpoint to Al Capone’s birthday party where he was the surprise guest. Once he’d realised the gangsters weren’t going to kill him he played for 3 days earning thousands of dollars in tips! He enjoyed success touring the United Kingdom and Ireland in the 1930s. He appeared in several feature films and short subject films, most notably Stormy Weather in 1943, which was released July 21, just months before his death. Track 2 Hound Dog Hound Dog is a twelve-bar blues song by Jerry Leiber and Mike Stoller. It was recorded by Willie Mae "Big Mama" Thornton in 1952. The song has been recorded more than 250 times with the best-known version being the July 1956 recording by Elvis Presley. -
Northern Ireland Seabird Report 2014
This is the second edition of the Northern Ireland Seabird Report, covering 2014. This report is the published outcome of the work of the Northern Ireland Northern Ireland Seabird Network – a network of volunteers, researchers and organisations – coordinated by the BTO Seabird Coordinator, and funded by NIEA. Seabird Report 2014 FRONT COVER IMAGES: EDMUND FELLOWES & JOHN W. PROUDLOCK British Trust for Ornithology Head Office: The Nunnery, Thetford Norfolk IP24 2PU Tel: +44 (0)1842 750050 Fax: +44 (0)1842 750030 www.bto.org Registered Charity No 216652 (England & Wales) SC039193 (Scotland) Registered Company No 357284 ISBN No 978-1-908581-50-1 Northern Ireland Seabird Report 2014 NI Seabird Steering Group Dave Allen (Allen & Mellon Environmental) Kendrew Colhoun (RSPB) Kerry Leonard (BTO) Neil McCulloch (NIEA) Andrew Upton (National Trust) Shane Wolsey (BTO) Report editors Kerry Leonard and Shane Wolsey This report is the published outcome of the work of the Northern Ireland Seabird Network – a network of volunteers, researchers and organisations – coordinated by the BTO Seabird Coordinator, and funded by NIEA. British Trust for Ornithology The Nunnery Thetford Norfolk IP24 2PU www.bto.org [email protected] +44 (0) 1842 750050 Registered Charity No.216652 (England & Wales) No.SC039193 (Scotland). Company Limited by Guarantee No. 357284 (England & Wales) February 2015 ©British Trust for Ornithology & Northern Ireland Environment Agency ISBN 978-1-908581-50-1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. -
Are We Still Rolling?
Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone. -
Austerity Fashion 1945-1951 Bethan Bide .Compressed
Austerity Fashion 1945-1951 rebuilding fashion cultures in post-war London Bethan Bide Royal Holloway, University of London Thesis submitted for the degree of Doctor of Philosophy Figure 1: Second-hand shoes for sale at a market in the East End, by Bob Collins, 1948. Museum of London, IN37802. 2 Declaration of authorship I Bethan Bide hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Bethan Bide 8 September 2017 3 Abstract This thesis considers the relationship between fashion, austerity and London in the years 1945 to 1951—categorised by popular history as a period of austerity in Britain. London in the late 1940s is commonly remembered as a drab city in a state of disrepair, leading fashion historians to look instead to Paris and New York for signs of post-war energy and change. Yet, looking closer at the business of making and selling fashion in London, it becomes clear that, behind the shortages, rubble and government regulation, something was stirring. The main empirical section of the thesis is divided into four chapters that explore different facets of London’s fashionable networks. These consider how looking closely at the writing, making, selling and watching of austerity fashion can help us build a better understanding of London fashion in the late 1940s. Together, these chapters reveal that austerity was a driving force for dynamic processes of change— particularly in relation to how women’s ready-to-wear fashions were made and sold in the city—and that a variety of social, economic and political conditions in post- war Britain changed the way manufacturers, retailers and consumers understood the symbolic capital of London fashion. -
Theatre Archive Project: Interview with Michael Grade
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Michael Grade – interview transcript Interviewer: Sue Barbour 29 April 2009 Chief Executive of ITV. ATV; Billy Cotton and his Band; Blackpool variety; Bernie Delfont, Baron Delfont; Delfont and Toko; dressing rooms; Foster's Agency; GAC (Buddy Howe); Lew and Leslie Grade Ltd; Leslie Grade; Lew Grade, Baron Grade; The Grade Organisation; Laurel and Hardy; London Palladium; Billy Marsh; Moss Empires; Val Parnel; running orders; Richard Tauber; Bob Williams; Cissie Williams. SB: This is Sue Barbour from the University of Sheffield interviewing Michael Grade, son of Leslie Grade and nephew of Lew Grade and Bernard Delfont. First of all, Michael, I would like to ask you if you are in agreement for this interview to be used for the British Library Theatre Project and for future generations to learn about Variety Theatre. MG: Absolutely. Very happy. SB: Well, first of all, I would like to ask you….Where were you born and brought up? MG: I was born in London in 1943. I was brought up in London. We lived for a short time in Bournemouth at the end of the war, but mostly in London. SB: Oh right. And what I wanted to ask you was… what were your earliest recollections of you coming from a show business family? MG: From a very, very early age I can remember events that I couldn’t place the date of but clearly when I was four, five or six I can remember Richard Tauber, the great tenor, coming to tea with Uncle Bernie and Auntie Carol, as I called them and falling through the deck chair in the garden of the house.