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Barry Humphries (1934 - ) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
Brilliant Creatures
A STUDY GUIDE BY PAULETTE GITTINS http://www.metromagazine.com.au ISBN: 978-1-74295-471-4 http://www.theeducationshop.com.au ‘They made us laugh, made us think, made us question, made us see Australia differently... are A two-part documentary By Director PAUL CLARKE and Executive Producers MARGIE BRYANT & ADAM KAY and Series Producer DAN GOLDBERG Written and presented by HOWARD JACOBSON SCREEN AUSTRALIA and 2014 © ATOM SCREEN EDUCATION THE ABC present a Serendipity and Mint Pictures production A STUDY GUIDE BY PAULETTE GITTINS 2 Introduction remarkable thing’ The story of the Australia they left in the sixties, and the impact they would have on the world stage is well worth reflecting on. Robert Hughes: firebrand art critic. Clive James: memoirist, broadcaster, poet. But why did they leave? What explains their spectacular success? Was it because they were Australian that they Barry Humphries: savage satirist. were able to conquer London and New York? And why does it matter so much to me? Germaine Greer: feminist, libertarian. asks our narrator. This is a deeply personal journey for Exiles from Australia, all of them. Howard Jacobson, an intrinsic character in this story. Aca- demic and Booker Prize winner, he reflects on his own ex- perience of Australia and how overwhelmed he was by the positive qualities he immediately sensed when he arrived ith these spare, impeccably chosen in this country. Why, he asks us, would Australians ever words, the voice-over of Howard Jacob- choose to exile themselves from such beauty and exhilara- son opens the BBC/ABC documentary tion? What were they sailing away to find? Brilliant Creatures and encapsulates the essence of four Australians who, having In wonderfully rich archive and musical sequences that Wsailed away from their native shores in the 1960’s, achieved reflect a fond ‘take’ on the era, director Paul Clarke has spectacular success in art criticism, literature, social cri- also juxtaposed interviews from past and present days. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA SEPTEMBER 2018 CONTENT The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance by Barry Humphries. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. ACCESS The Barry Humphries PROMPT files are available by eCallslip request for use in the Special Collections Reading Room: nla.gov.au/nla.cat-vn1119882 ARRANGEMENT This finding aid is divided into three parts encompassing 1. Australian performances: Including Humphries in plays, revues, pantomimes, solo productions, musical theatre. It is specified if the item is held in another file in the PROMPT Collection. 2. Overseas performances: Documenting Humphries in plays, revues, pantomimes, solo productions, musical theatre and television. 3. Other ephemera, which includes: ▪ Exhibitions: Australian and overseas. ▪ Events: Australian and overseas. ▪ Tribute performances: Australian and overseas. ▪ Miscellaneous: Australian and overseas. The arrangement in each sequence is chronological by year and then by month, week or day. -
An Australian Composer Abroad: Malcolm Williamson And
An Australian Composer Abroad: Malcolm Williamson and the projection of an Australian Identity by Carolyn Philpott B.Mus. (Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Tasmania October 2010 Declaration of Originality This dissertation contains no material that has been accepted for a degree or diploma by the University of Tasmania or any other institution, except by way of background information that is duly acknowledged in the text. I declare that this dissertation is my own work and to the best of my knowledge it contains no material previously published or written by another person except where clear acknowledgement or reference is made in the text, nor does it contain any material that infringes copyright. This dissertation may be made available for loan and limited copying in accordance with the Copyright Act 1968. Carolyn Philpott Date ii Abstract Malcolm Williamson (1931-2003) was one of the most successful Australian composers of the latter half of the twentieth century and the depth, breadth and diversity of his achievements are largely related to his decision to leave Australia for Britain in the early 1950s. By the 1960s, he was commonly referred to as the “most commissioned composer in Britain” and in 1975 he was appointed to the esteemed post of Master of the Queen’s Music. While his service to music in Britain is generally acknowledged in the literature, the extent of his contribution to Australian music is not widely recognised and this is the first research to be undertaken with a strong focus on the identification and examination of the many works he composed for his homeland and his projection of an Australian identity through his music and persona. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA SEPTEMBER 2016 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
MICF 2016 Summary Festival Report.8C79.Pdf
! introduction In 2016 the city partied harder than ever before as the Melbourne International Comedy Festival celebrated its 30th anniversary. Featuring a mass of local and international stars, it was one big party and everyone was invited! From the humble beginnings of 56 shows in year one to over 520 shows in 2016, the Melbourne International Comedy Festival has become Australia’s national comedy festival and one of the largest in the world. The Festival has played host to thousands of performers, with millions of people entertained and inspired by their fearless imaginations in the pursuit of free speech and good times. With over 160 venues of all shapes and sizes stretching from east- to-west and north-to-south, Melbourne was again transformed into giant comedy hub. The festivities attracted audiences from near and far, from junior laughter-lovers at The (Very) Big Laugh Out, to late-night hijinks at the Festival Club. The Festival would not be possible without the enthusiasm and great humour of the artists, staff, partners and audiences – may the laughs continue for another 30 years! 2 festival snap shot Celebrating 30 years of laughs, the Melbourne International Comedy Festival offered up 6,416 performances from 2,048 artists – enjoyed by over 760,000 attendees. PROGRAM •! 528 shows in 163 venues across 26 days •! 6,416 performances, including 207 free performances •! 2,048 artists, helped by 1,341 support personnel AUDIENCE •! 763,325 total attendance •! 554,024 paid attendance •! 148,422 people attended free events BOX OFFICE -
June/Main-Template.Asp[24/08/2016, 3:03:26 PM] Unisa News
UniSA News News Home Archives Contacts Media Centre UniSA Home INSIDE UNISA A spotlight on volunteering in the unijam wrap up It kicked off with more than 4,600 registrations and then 30 hours later, unijam2016 had generated 18,217 visits from 55 countries and a total of 314,073 page views. more COMMUNITY HEALTH SCIENCE AND TECHNOLOGY UniSA business and student New weight-loss hope more How to pick the good from initiatives a highlight of the bad health apps more Reconciliation Week more http://w3.unisa.edu.au/unisanews/2016/June/main-template.asp[24/08/2016, 3:03:26 PM] UniSA News INSIDE UNISA INSIDE UNISA COMMUNITY From the Vice Chancellor The latest achievements and Special conversation with more announcements more comedian Barry Humphries more RESEARCH SPOTLIGHT INSIDE UNISA HEALTH Schools' tough approach to 25th birthday gift to 25 high Unfair if rare, should the bad behaviour isn’t working achievers more PBS change the way it lists more cancer drugs? more HUMANITIES COMMUNITY EVENT Radio program gives voice Hong Kong students soak Last chance – only 100 to women fighting against up culture in Adelaide more tickets left more odds more NEW BOOKS IN PICTURES The latest books from UniSA 25th birthday events, pie researchers more challenge and MP visit more top^ Disclaimer | Copyright | Privacy | Web accessibility | CRICOS Provider no 00121B | Contact UniSA Site help | Open Day | UniSA Events Calendar | Read this page http://w3.unisa.edu.au/unisanews/2016/June/main-template.asp[24/08/2016, 3:03:26 PM] UniSA News Latest content revision:Thursday, 9 June 2016 http://w3.unisa.edu.au/unisanews/2016/June/main-template.asp[24/08/2016, 3:03:26 PM] A spotlight on volunteering in the unijam wrap up News Home Archives Contacts Media Centre A spotlight on volunteering in the unijam wrap up Back to story index by Mary-Jane McArdle INSIDE UNISA It kicked off with more than 4,600 registrations and then 30 hours later, unijam2016 had generated 18,217 visits from 55 countries and a total of 314,073 page views. -
The Empty Centre: the Hollowmen and Representations of Techno-Political Elites in Australian Public Life
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Weinert, Kim & Tranter, Kieran (2020) The empty centre:The Hollowmen and representations of techno-political elites in Australian public life. Entertainment and Sports Law Journal, 18(1), Article number: 11. This file was downloaded from: https://eprints.qut.edu.au/205703/ c The Author(s) 2020 This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Creative Commons: Attribution 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.16997/eslj.268 Weinert, KM and Tranter, K. 2020. The Empty Centre: The Hollowmen and Representations of Techno-Political Elites in Australian Public Life. -
Dame Edna Wins Over the Yanks by David Leser
An Australian institution, Dame Edna Everage, is the toast of the US, with her sell-out runs on Broadway and critics’ bouquets. Dame Edna wins over the Yanks & By David Leser Superstar housewife Dame Edna Everage has taken the US by storm on a hugely popular tour. Her alter-ego, Barry Humphries, has hidden behind the glasses and glitz for years, but here we enter the mind of Edna’s complex Left: Dame Edna gets the star treatment in Denver. Above: Edna with two of the Ednaettes, her US tour dance troupe. enver, Colorado, is the at you from time to time. I will. I will ... (pause ably Jewish) housewife, talk-show host, social “Queen of the Plains”, the again) ... In strict proportion to the amount anthropologist, humanitarian, investigative largest city in a 1000 square you’ve paid!” (Bang. Second blow.) journalist, swami, children’s book illustrator, kilometre area. For more The people in front of me are already shak- spin doctor and icon”, has finally made it with than 125 years, it has been ing their heads in disbelief, while the woman her “royal tour” of the US. the cultural and entertain- behind is squealing with laughter, and an old Beginning in San Francisco three years ment capital of a vast region man across the aisle is nodding vigorously into ago, she then moved onto Broadway a once known as the Wild West. his breathing apparatus. year later. There, she played for nine sell- It prides itself on its contradictions: part sleepy “I’m interested in the demographics of my out months and won every major critics’ cow-town, part chic urban enclave. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA MARCH 2018 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. CONTENT The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
The Utopian in a Faithless Age
The Utopian in a Faithless Age Reg Taylor Submitted as part of the requirement for the Degree of Doctor of Philosophy Discipline of English School of Humanities The University of Adelaide August 2014 1 2 Acknowledgment I would like to thank my principal supervisor, Dr Phillip Edmonds, for the unfailing support and encouragement he provided during my candidature. 3 4 Table of Contents Abstract……………………………………………………………………………………4 Statement of Originality………………………………………………………………….6 The Exegesis……………………………………….………………………………………8 5 6 Abstract The Austrian philosopher, Karl Popper, a fugitive of Nazism in the 1930s, once declared that Utopianism “…with the best intentions of making heaven on earth…only succeeds in making it a hell…” (108), and certainly Utopia’s history is littered with failures fuelled largely from within. Yet the host of academic sources, as well as fictional, journalistic and popular history works on the ideal state that I have encountered in my research have been an indication to me of the perennial appeal of the subject, and the place it continues to hold in human imagination in defiance of our ‘faithless age.’ I have set out to write a novel loosely based on one of New Australia’s ‘impractical dreamers,’ Harry Taylor, attempting to set the dilemma of a liberal late-nineteenth century Socialist on his return to Australia within the context of his failed utopian dream and against the backdrop of a small Australian town fast betraying the co-operative nature which first encouraged him to settle there. I have found in many ways my exegesis and novel to cross paths with and echo each other.