What Is Australia? Perception Versus Reality*
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Barry Humphries (1934 - ) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
National Portrait Gallery of Australia Annual Report 13/14
National Portrait Gallery of Australia Annual Report 13/14 National Portrait Gallery of Australia Annual Report 13/14 © National Portrait Gallery of Australia 2014 issn 2204-0811 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical (including photocopying, recording or any information storage and retrieval system), without permission from the publisher. This report is also accessible on the National Portrait Gallery’s website portrait.gov.au National Portrait Gallery King Edward Terrace Canberra, Australia Telephone (02) 6102 7000 portrait.gov.au 24 September 2014 Senator the Hon George Brandis qc Attorney-General Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the National Portrait Gallery of Australia Board, I am pleased to submit the Gallery’s first independent annual report for presentation to each House of Parliament. The report covers the period 1 July 2013 to 30 June 2014. This report is submitted in accordance with the National Portrait Gallery of Australia Act, 2012 and the Commonwealth Authorities and Companies Act, 1997. The Performance Report has been prepared according to the Commonwealth Authorities (Annual Reporting) Orders 2011. The financial statements were prepared in line with the Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act, 1997. Yours sincerely Dr Helen Nugent ao Chairman national portrait gallery of australia annual report 2013/14 i Contents Chairman’s letter 3 Director’s report 7 Agency overview 13 Accountability and management 17 Performance summary 23 Report against corporate plan 27 Financial statements 49 Appendices 1. -
Ian's Thesis Outline
NOTE: This online version of the thesis uses different fonts than the printed version held in Griffith University Library, and the pagination is slightly different. The content is otherwise exactly the same. ESSENCE AND DECISION. The Case of Coronation Hill. Ian Hamilton Holland B.Sc.(Hons) Syd. U., Grad.Dip.Pub.Pol. UNE. Australian School of Environmental Studies, Faculty of Environmental Sciences, Griffith University. Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy, January 1999. ii Abstract The rise of environmental issues has presented a challenge to decision-making in the area of natural resources policy. This challenge has met with diverse responses, ranging from neo-liberal attempts to incorporate environmental values into economic calculus, through ‘ecological rationalist’ arguments for the special nature of environmental issues, to radical theories of the state’s role in controlling the impact of environmental concerns on capitalist profitability. From this plethora of ideas about how to address environmental concern should emerge some directions that are more promising than others. But which? The Coronation Hill mine case, presented in this thesis, exemplified the complexities of natural resources decision-making in an environmental era. By analysis of the Resource Assessment Commission’s Inquiry into the Coronation Hill proposal, this thesis examines the strengths and weaknesses of the claims of different theoretical approaches. Such use of the single case to explore theory is exemplified by Allison’s work Essence of Decision. The RAC, as a neo-liberal institution, attempted to utilise both Pigouvian and Coasian strategies to address environmental issues. Both types of strategy emerge in the application of contingent valuation to preservation values. -
Brilliant Creatures
A STUDY GUIDE BY PAULETTE GITTINS http://www.metromagazine.com.au ISBN: 978-1-74295-471-4 http://www.theeducationshop.com.au ‘They made us laugh, made us think, made us question, made us see Australia differently... are A two-part documentary By Director PAUL CLARKE and Executive Producers MARGIE BRYANT & ADAM KAY and Series Producer DAN GOLDBERG Written and presented by HOWARD JACOBSON SCREEN AUSTRALIA and 2014 © ATOM SCREEN EDUCATION THE ABC present a Serendipity and Mint Pictures production A STUDY GUIDE BY PAULETTE GITTINS 2 Introduction remarkable thing’ The story of the Australia they left in the sixties, and the impact they would have on the world stage is well worth reflecting on. Robert Hughes: firebrand art critic. Clive James: memoirist, broadcaster, poet. But why did they leave? What explains their spectacular success? Was it because they were Australian that they Barry Humphries: savage satirist. were able to conquer London and New York? And why does it matter so much to me? Germaine Greer: feminist, libertarian. asks our narrator. This is a deeply personal journey for Exiles from Australia, all of them. Howard Jacobson, an intrinsic character in this story. Aca- demic and Booker Prize winner, he reflects on his own ex- perience of Australia and how overwhelmed he was by the positive qualities he immediately sensed when he arrived ith these spare, impeccably chosen in this country. Why, he asks us, would Australians ever words, the voice-over of Howard Jacob- choose to exile themselves from such beauty and exhilara- son opens the BBC/ABC documentary tion? What were they sailing away to find? Brilliant Creatures and encapsulates the essence of four Australians who, having In wonderfully rich archive and musical sequences that Wsailed away from their native shores in the 1960’s, achieved reflect a fond ‘take’ on the era, director Paul Clarke has spectacular success in art criticism, literature, social cri- also juxtaposed interviews from past and present days. -
Inside This Issue
Inside this Issue Volume 49 • Number16 4 The • July Links 1997 between Economic Freedom and Social Cohesion Enemies of economic freedom argue that it damages the ARTICLES REGULAR FEATURES fabric of society, as the rich get richer and the poor get poorer. But what holds society together? And do the poor 1 Editorial really get poorer? Winton Bates The Governments policy-free zone is not only bad policy, 19 Economic Freedom as a Good in Itself but bad politics too Tony Rutherford Classical political freedom and economic freedom tend 3 From the Executive Director to go hand in hand. Not surprisingly, they have a lot in Globalization is not just a buzzword. Its a real and growing force common—not least their subversive tendencies Padraic that might just help rein in the excesses of government spending McGuinness Mike Nahan 4 Muddying the Waters... Most of us gain our information about the natural environment 21 The `R Files from the media. But what happens when they dont get it right? A close examination of the recent dealings of the WA A Perth-based geological consultant examines a recent case in Government over the proposed sale of its major gas pipeline The West Australian Peter Purcell shows just why governments shouldnt get involved in 6 The Pyrrhonist commerce Alan Moran Much as he appreciatesAunty. Brian Tucker has suffered the 23 Black and White slings and arrows of outrageous ABC misrepresentation at first Not many of us have read the Independent Member for hand. Perhaps fair reporting for fair resourcing might hold the Oxleysutterances on Aboriginal cannibalism. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
French Nuclear Testing in the Pacific, 1995-1996, and Its Fallout For
FRENCH NUCLEAR TESTING IN THE PACIFIC, 1995–96, AND ITS FALLOUT FOR FRENCH AUSTRALIANS1 MARGARET BARRETT Demoralised by the reverses of World War II, France in post-war years sought renewed self-respect and military independence through the development of a nuclear capability. Its atomic tests conducted in French Polynesia from 1966 aroused strong opposition in Pacific Rim countries, which applauded an indefinite moratorium declared in 1992. With the Cold War over, nuclear proliferation seemed to have been curbed. But on 13 June 1995 a newly elected French president, Jacques Chirac, announced that a further eight tests would take place before his government signed the projected Comprehensive Test Ban Treaty in 1996. Australians protested vociferously, and even Paris heard the furore. This paper highlights two aspects of the controversy whose importance has been underestimated in other accounts. They are the precedent formed by Australian anti-French sentiment in the 1970s and 1980s, and the personally damaging and long-lasting effects of public acrimony on French Australians in 1995–1996. It is argued here that over-reactions in the Australian community to the renewal of French nuclear testing in the 1990s were understandable given increasing provocation by the French government over a period of thirty years or so. It is also claimed that although a supposedly democratic people might have been expected to treat fellow Australians of French descent more generously, such an outcome was unlikely in the circumstances. In the first part of the paper an inexorable deterioration in once-friendly relations between France and Australia is shown to have resulted from events in the latter part of the twentieth century—in particular the atmospheric testing of nuclear devices at Mururoa Atoll in the early 1970s and the bombing of the Rainbow Warrior in 1985. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA SEPTEMBER 2018 CONTENT The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance by Barry Humphries. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. ACCESS The Barry Humphries PROMPT files are available by eCallslip request for use in the Special Collections Reading Room: nla.gov.au/nla.cat-vn1119882 ARRANGEMENT This finding aid is divided into three parts encompassing 1. Australian performances: Including Humphries in plays, revues, pantomimes, solo productions, musical theatre. It is specified if the item is held in another file in the PROMPT Collection. 2. Overseas performances: Documenting Humphries in plays, revues, pantomimes, solo productions, musical theatre and television. 3. Other ephemera, which includes: ▪ Exhibitions: Australian and overseas. ▪ Events: Australian and overseas. ▪ Tribute performances: Australian and overseas. ▪ Miscellaneous: Australian and overseas. The arrangement in each sequence is chronological by year and then by month, week or day. -
Oxford Modern Australian Usage Nicholas Hudson Jthe Book Is a Delight, and Very Useful'
& OXFORD Special book offer OxFORD MoDERN AusTRALIAN UsAGE Nicholas Hudson JThe book is a delight, and very useful'. -Frank Jackson, Professor of Philosophy, Institute of Advance Studies, ANU. Whether you use it to solve a Scrabble dispute, to win a fight about spelling or to compose a stinging letter to the editor, Oxford Modern Australian Usage will aid and comfort you. Thanks to Oxford University Press, we have 20 copies, each worth $19.95, to give away. Just put your nam e and address on the back of an envelope and address it to Eurel<a Street/ Oxford Modern A ustralian Usage Giveaway PO Box 553, Richmond Vic 3121. For books on ... AUSTRALIAN * pol itics and social BOOK REVIEW change * gender iss ues * media * environment * fiction , second-hand ... coming up in Nove mbe r: David Malouf on The Ox ford Companion to Australian Music Trish Goddard on Understanding Troubled Min ds Justi ne Ettler on John Birmingham's The New International is a The Tasmanian Babes Fiasco new, co-operatively-owned-and run bookshop located in John Marsden on Th e Inn er Principal Melbourne's Trades Hall. Come and try out ou r coffee a symposium on gangsters and gatekeepers shop, pick up information on r program of eve nts, book an essay by lvor lndyk on the role of the critic nches and speake rs, ond ro wse amongst Melbourne's est selection of criti al, independent writing. Volume 7 Number 9 EURI:-KA STRI:-Er November 1997 A magazine of public affairs, the arts and theology 32 TRAHISON DES CLERCS Andrew Hamilton charts the growing antipathy to refugees' rights in Howard CoNTENTS government policies. -
The Effect of Compulsory Voting Laws on Government Spending" (2008)
Clemson University TigerPrints All Theses Theses 7-2008 The ffecE t of Compulsory Voting Laws on Government Spending James Brookie Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Economics Commons Recommended Citation Brookie, James, "The Effect of Compulsory Voting Laws on Government Spending" (2008). All Theses. 419. https://tigerprints.clemson.edu/all_theses/419 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. THE EFFECT OF COMPULSORY VOTING LAWS ON GOVERNMENT SPENDING A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Economics by James Harrison Brookie August 2008 Accepted by: Michael Maloney, Committee Chair Robert Tollison Laura Olson ABSTRACT The United States’ voter turnout is often cited as being disappointingly low. Compulsory voting laws are offered as a possible solution to increase voter turnout and overall political participation. Opponents of the law complain that voters affected will be more politically liberal and in turn seek to enlarge the size and scope of the government. In order to determine whether this is true, a test was run on the effect compulsory voting laws have on the government revenue of 109 nations. The data held that no significant relationship exists between the two variables observed. This paper will discuss compulsory laws and the controversy surrounding them and also offer possible explanations for why the predicted correlation was not found. -
Of a 'Contested Ground' and an 'Indelible Stain'
Of a ‘contested ground’ and an ‘indelible stain’: a difficult reconciliation between Australia and its Aboriginal history during the 1990s and 2000s Lorenzo Veracini This article proposes an interpretative narrative of the evolution of Aboriginal history as a scholarly enterprise during the 1990s and in more recent years.1 The 1990s were characterised by attempts to synthesise the interpretative traditions resulting from pre- vious decades of scholarly activity. In more recent years, the debate has shifted dramatically, dealing specifically with the genocidal nature of white Australia’s policy towards Aboriginal peoples. The most important passages in this process are associated with the 1992 Mabo decision by the Australian High Court and the publication of the Bringing them home report of 1997.2 During the 1990s, the relationship between particular political shifts and related historical writings in Australia was comprehensively transformed and became much more direct. The writing and interpretation of history have commonly been a site for direct political contestation, but in the 1990s political agendas became an informing fea- ture of historiographical debates more than in previous decades.3 One outstanding example of this tendency is John Howard’s successful domination of the political scene — an ascendancy based also on an explicit and unambiguous effort to ‘reconquer’ his- tory for the Liberal camp.4 In this context, an array of conservative opinions has challenged academic discourse. Nonetheless, both academic commentators and Aboriginal people successfully linked the ‘unsurrendered’ character of native title and, later, of Aboriginal sovereignty to both the resistential and the collaborative practices of 1. My review is selective. -
Pauline, Politics and Psychoanalysis: Theorising Racism in Australia
Pauline, Politics and Psychoanalysis THEORISING RACISM IN AUSTRALIA ANDREW WEAR Honours Thesis 1999 Department of Political Science, University of Melbourne Supervisor: Dr Graham Little 1999 Theorising Racism in Australia Andrew Wear Table of Contents Introduction 3 Chapter 1: Psychoanalytic Speculations on Racism 8 Chapter 2: Contemporary Australian Racism 24 Conclusion 41 Bibliography 43 2 1999 Theorising Racism in Australia Andrew Wear Introduction 1996 to 1998 was a dramatic and turbulent time in Australian political life. It was a time in which race - and racism - became the issue. While race has always been an unresolved issue lurking just below the surface of the Australian psyche 1, the rise to prominence of one woman enabled race-based politics to assume momentum not seen for a long time. Pauline Hanson was an unknown political novice when she was expelled from the Liberal Party during the 1996 election campaign. Prime Minister John Howard, seeking to prove his credentials on race, withdrew Liberal Party endorsement for Hanson in the safe Labor seat of Oxley for writing in the Queensland Times that assistance to aborigines had gone ‘too far’ and that: governments shower them with money, facilities and opportunities that only these people can obtain no matter how minute the indigenous blood is that flows through their brains... 2 Appearing as a Liberal on the ballot paper, Hanson secured a swing of 21 percent - the largest anti-Labor swing in the country - and comfortably won the seat. 3 The victory was hailed by many as a case of the hard-working underdog showing up an out of touch establishment.