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Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
Barry Humphries (1934 - ) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
The Inventory of the John Antrobus Collection #728
The Inventory of the John Antrobus Collection #728 Howard Gotlieb Archival Research Center I ANTROBUS, JOHN September, 1977 Outline of Inventory I. MANUSCRIPTS A. Television Scri:Ets B. Radio Scripts c. Film Scri:Et D. Novel E. Stage Plays F. Prose G. Poems and Song Lyrics H. Spike Milligan File I. Prayers and Affirmations J. Play E.!, Maggie Antrobus II. TAPE RECORDINGS III. PRINTED MATERIALS A. Playbills and Reviews B. Book Reviews c. Miscellani IV. PHOTOGRAPHS V. ART WORK VI. CONTRACTS VI'I. CORRESPONDENCE A. Sir Bernard Miles B. General I ANTROBUS, JOHN / Page 2. Box 1 I. MANUSCRIPTS A. Television Scripts 1. "Abolish House of Commons," Carbon typescript, 5 p. (//1) 2. "Absent Without Leave," - An idea for "Z Cars." (112) a. Typescript with ho1o. correction, 1 p. b. Typescript, 2 p., with 3 carbon copies. 3. "Across the Sea to Ireland." a. Typescript with holo. corr., p. 1-40, with carbon of p. 37-40. (113) b. Typescript with hole. corr., p. 4- 48. (#4)· c. Typescript with holo. corr., p. 22-27, with carbon copies (#5) d. Typescript with holo. corr., p. 25-26; with carbon copies (#6) e. Production notes by Joan Littlewood. Typescript with bolo. notations, 6 p. (#7) 4. "Adam Faith Show." Carbon typescript. 8 p. (2 copies) (//8) 5. "Advertising Religion." Carbon typescript, 5 p. (//9) 6. "An Apple A Day." a. As stage play: carbon typescript with bolo. corr. and holograph, 23 p. on 22 leaves. (#10) b. As stage play: typescript mimeo., 27 p. (#11) c. As TV play: typescript mimeo. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
Revue Française De Civilisation Britannique, XXVI-1 | 2021 BBC Drama and the Politics of Production 1955-66 2
Revue Française de Civilisation Britannique French Journal of British Studies XXVI-1 | 2021 The BBC and Public Service Broadcasting in the Twentieth Century BBC Drama and the Politics of Production 1955-66 Les Fictions à la BBC et la politique de la production (1955-1966) Joy Leman Electronic version URL: http://journals.openedition.org/rfcb/7642 DOI: 10.4000/rfcb.7642 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference Joy Leman, “BBC Drama and the Politics of Production 1955-66 ”, Revue Française de Civilisation Britannique [Online], XXVI-1 | 2021, Online since 05 December 2020, connection on 05 January 2021. URL: http://journals.openedition.org/rfcb/7642 ; DOI: https://doi.org/10.4000/rfcb.7642 This text was automatically generated on 5 January 2021. Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. BBC Drama and the Politics of Production 1955-66 1 BBC Drama and the Politics of Production 1955-66 Les Fictions à la BBC et la politique de la production (1955-1966) Joy Leman Introduction 1 The British Broadcasting Corporation’s name suggests an institution encompassing a national entitlement, for every citizen. However, history shows an uneven development in terms of representation of certain groups, both inside and outside the organisation, a development linked also to changes in society. In this article I shall look at the BBC during the growth period of the 1950s and 1960s, focussing on interlinked issues of class and gender in employment, production processes, and representation. -
Brilliant Creatures
A STUDY GUIDE BY PAULETTE GITTINS http://www.metromagazine.com.au ISBN: 978-1-74295-471-4 http://www.theeducationshop.com.au ‘They made us laugh, made us think, made us question, made us see Australia differently... are A two-part documentary By Director PAUL CLARKE and Executive Producers MARGIE BRYANT & ADAM KAY and Series Producer DAN GOLDBERG Written and presented by HOWARD JACOBSON SCREEN AUSTRALIA and 2014 © ATOM SCREEN EDUCATION THE ABC present a Serendipity and Mint Pictures production A STUDY GUIDE BY PAULETTE GITTINS 2 Introduction remarkable thing’ The story of the Australia they left in the sixties, and the impact they would have on the world stage is well worth reflecting on. Robert Hughes: firebrand art critic. Clive James: memoirist, broadcaster, poet. But why did they leave? What explains their spectacular success? Was it because they were Australian that they Barry Humphries: savage satirist. were able to conquer London and New York? And why does it matter so much to me? Germaine Greer: feminist, libertarian. asks our narrator. This is a deeply personal journey for Exiles from Australia, all of them. Howard Jacobson, an intrinsic character in this story. Aca- demic and Booker Prize winner, he reflects on his own ex- perience of Australia and how overwhelmed he was by the positive qualities he immediately sensed when he arrived ith these spare, impeccably chosen in this country. Why, he asks us, would Australians ever words, the voice-over of Howard Jacob- choose to exile themselves from such beauty and exhilara- son opens the BBC/ABC documentary tion? What were they sailing away to find? Brilliant Creatures and encapsulates the essence of four Australians who, having In wonderfully rich archive and musical sequences that Wsailed away from their native shores in the 1960’s, achieved reflect a fond ‘take’ on the era, director Paul Clarke has spectacular success in art criticism, literature, social cri- also juxtaposed interviews from past and present days. -
Of Thetheatre Richard Lester’S
VOICE Journal of the Alex Film Society Vol. 12, No. 1 May 6, 2006, 2 pm & 8 pm 05/06 of theTHEATRE Richard Lester’s By Jim Elyea In late 1963, A Hard Day’s Night It was one of those serendipitous pairings of the right was intended by United Artists to be done fast and group, The Beatles, and the right director, Richard cheap to exploit the fame of The Beatles in the British Lester. Lester, an American, had worked in England market in the few months before it faded. The idea for many years, first in television, then in films. In behind making the picture was that even if the movie the six and a half weeks of shooting, Richard Lester didn’t do particularly well, United Artists Records defined forever how the world thought of The Beatles. would be able to make a tidy sum on the deal by No matter what else is written about or shown of those issuing the soundtrack album. This was, of course, four lads from Liverpool, it is the characters that we see before their appearances on “The Ed Sullivan Show” in A Hard Day’s Night that are The Beatles to us all. in February of 1964, when they became literally overnight sensations in America. Walter Shenson A documentary style was settled upon, which involved was talked into producing this quickie comedy. When hand-held cameras for much of the shooting, and Shenson then met with director Richard Lester and the using of available light whenever possible. Lester mentioned the idea of the movie to him, Lester literally constantly grabbed the camera, and shot what he leapt on his chair at the Hilton Coffee Shop and said, wanted to at the moment. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
Willowbrook Hospice
WILLOWBROOK HOSPICE Quality Account 2018/19 The Quality Account demonstrates the quality of our services and our commitment Care on our to continually strive TherapiesHolistic Wards to do our best. Clinics Support for Children & Families Education & Training Together we are Willowbrook Fundraising Volunteers Facilities Finance Shops & Lottery “Support, Fun, Warmth and Laughter” (Patients) www.willowbrook.org.uk Registered Charity Number: 1020240 Welcome... to Willowbrook Hospice Quality Accounts 2018/2019 I just want to say a huge thank you for all the “Thank you for the Tree of Light wonderful care you have given me during my Service at Lowe House Church. We stay at Willowbrook. were pleased to offer our support for Willowbrook. It was a poignant You have all been so kind and compassionate. and heartwarming evening.” I feel like I have made a lot of new friends. You are an amazing team and I’ve never been treated so well in any hospital. You have certainly made my last few months a happy caring time. “Please accept this donation Thank you again, you all deserve medals. for the love and care you gave to our friend.” “People who have not experienced what it is like in a hospice could never understand how wonderful you all are! “I had a lovely man knock on my door last The care, love and professionalism of every week fundraising for Willowbrook. member of your team is all encompassing to I have my own charities so said no to him each person who comes through your door. and regretted as soon as I closed the door. -
Oxford Modern Australian Usage Nicholas Hudson Jthe Book Is a Delight, and Very Useful'
& OXFORD Special book offer OxFORD MoDERN AusTRALIAN UsAGE Nicholas Hudson JThe book is a delight, and very useful'. -Frank Jackson, Professor of Philosophy, Institute of Advance Studies, ANU. Whether you use it to solve a Scrabble dispute, to win a fight about spelling or to compose a stinging letter to the editor, Oxford Modern Australian Usage will aid and comfort you. Thanks to Oxford University Press, we have 20 copies, each worth $19.95, to give away. Just put your nam e and address on the back of an envelope and address it to Eurel<a Street/ Oxford Modern A ustralian Usage Giveaway PO Box 553, Richmond Vic 3121. For books on ... AUSTRALIAN * pol itics and social BOOK REVIEW change * gender iss ues * media * environment * fiction , second-hand ... coming up in Nove mbe r: David Malouf on The Ox ford Companion to Australian Music Trish Goddard on Understanding Troubled Min ds Justi ne Ettler on John Birmingham's The New International is a The Tasmanian Babes Fiasco new, co-operatively-owned-and run bookshop located in John Marsden on Th e Inn er Principal Melbourne's Trades Hall. Come and try out ou r coffee a symposium on gangsters and gatekeepers shop, pick up information on r program of eve nts, book an essay by lvor lndyk on the role of the critic nches and speake rs, ond ro wse amongst Melbourne's est selection of criti al, independent writing. Volume 7 Number 9 EURI:-KA STRI:-Er November 1997 A magazine of public affairs, the arts and theology 32 TRAHISON DES CLERCS Andrew Hamilton charts the growing antipathy to refugees' rights in Howard CoNTENTS government policies.