Judaism in Modern Era Interpretative Studies of Ancient and Current Texts
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Elia Samuele Artom Go to Personal File
Intellectuals Displaced from Fascist Italy © Firenze University Press 2019 Elia Samuele Artom Go to Personal File «When, in 1938, I delivered my last lecture at this University, as a libero docente Link to other connected Lives on the [lecturer with official certification to teach at the university] of Hebrew language move: and literature I would not have believed...»: in this way, Elia Samuele Artom opened Emanuele Menachem the commemoration of his brother-in-law, Umberto Cassuto, on 28 May 1952 in Artom 1 Enzo Bonaventura Florence, where he was just passing through . Umberto Cassuto The change that so many lives, like his own, had to undergo as a result of anti- Anna Di Gioacchino Cassuto Jewish laws was radical. Artom embarked for Mandatory Palestine in September Enrico Fermi Kalman Friedman 1939, with his younger son Ruben. Upon arrival he found a land that was not simple, Dante Lattes whose ‘promise’ – at the center of the sources of tradition so dear to him – proved Alfonso Pacifici David Prato to be far more elusive than certain rhetoric would lead one to believe. Giulio Racah His youth and studies Elia Samuele Artom was born in Turin on 15 June 1887 to Emanuele Salvador (8 December 1840 – 17 June 1909), a post office worker from Asti, and Giuseppina Levi (27 August 1849 – 1 December 1924), a kindergarten teacher from Carmagnola2. He immediately showed a unique aptitude for learning: after being privately educated,3 he obtained «the high school honors diploma» in 1904; he graduated in literature «with full marks and honors» from the Facoltà di Filosofia e 1 Elia Samuele Artom, Umberto Cassuto, «La Rassegna mensile di Israel», 18, 1952, p. -
Catalogue of Manuscripts in the Roth Collection’, Contributed by Cecil Roth Himself to the Alexander Marx Jubilee Volume (New York, 1950), Where It Forms Pp
Handlist 164 LEEDS UNIVERSITY LIBRARY Provisional handlist of manuscripts in the Roth Collection Introduction Dr Cecil Roth (1899-1970), the Jewish historian, was born on 5 March 1899 in Dalston, London, the youngest of the four sons of Joseph and Etty Roth. Educated at the City of London School, he saw active service in France in 1918 and then read history at Merton College, Oxford, obtaining a first class degree in modern history in 1922, and a DPhil in 1924; his thesis was published in 1925 as The Last Florentine Republic. In 1928 he married Irene Rosalind Davis. They had no children. Roth soon turned to Jewish studies, his interest from childhood, when he had a traditional religious education and learned Hebrew from the Cairo Genizah scholar Jacob Mann. He supported himself by freelance writing until in 1939 he received a specially created readership in post-biblical Jewish studies at the University of Oxford, where he taught until his retirement in 1964. He then settled in Israel and divided his last years between New York, where he was visiting professor at Queens’ College in City University and Stern College, and Jerusalem. He died in Jerusalem on 21 June 1970. Roth’s literary output was immense, ranging from definitive histories of the Jews both globally and in several particular countries, to bibliographical works, studies of painting, scholarly research, notably on the Dead Sea scrolls, and biographical works. But his crowning achievement was the editorship of the Encyclopaedia Judaica, which appeared in the year of his death. Throughout his life Roth collected both books and manuscripts, and art objects. -
An Italian Tune in the Synagogue: an Unexplored Contrafactum by Leon Modena∗
Kedem G OLDEN AN ITALIAN TUNE IN THE SYNAGOGUE: AN UNEXPLORED CONTRAFACTUM BY LEON MODENA∗ ABSTRACT Leon Modena, one of the celebrated personalities of Italian Jewry in the early modern period, is known for his extensive, life-long involvement with music in its various theoretical and practical aspects. The article presents additional evidence that has gone unnoticed in previous studies of Modena’s musical endeavors: his adaption of a polyphonic, secular Italian melody, for the singing of a liturgical hymn. After identifying the melody and suggesting a possible date for the compo- sition of the Hebrew text, the article proceeds to discuss it in a broader context of the Jewish musical culture at the turn of the sixteenth and seventeenth centuries, in particular contemporary Jewish views to the use of “foreign” melodies in the syna- gogue. The article concludes with an attempt to situate it as part of Modena’s thought of art music. RÉSUMÉ Léon Modène, une des personnalités célèbres du judaïsme italien du début de la période moderne, est connu pour s’être impliqué de près dans le monde de la musique et ses divers aspects, aussi bien théoriques que pratiques. Le présent article présente un exemple supplémentaire de cette implication, passé inaperçu dans les études antérieures: l’adaptation par Modène d’une mélodie polyphonique profane italienne en un hymne liturgique. Après avoir identifié la mélodie et suggéré la date éventuelle de la composition du texte hébreu, l’article analyse cet hymne dans le contexte plus large de la culture musicale juive au tournant des XVIe et XVIIe siècles, notamment en tenant compte des opinions juives contemporaines sur l’usage de chants «étrangers «dans la synagogue. -
The Masorah of Elijah Ha-Naqdan. an Edition of Ashkenazic Micrographical Notes Elodie Attia
The Masorah of Elijah ha-Naqdan. An Edition of Ashkenazic Micrographical Notes Elodie Attia To cite this version: Elodie Attia. The Masorah of Elijah ha-Naqdan. An Edition of Ashkenazic Micrographical Notes. De Gruyter, 11, x, 164 p., 2015, Materiale Textkulturen, Ludger Lieb, 978-3-11-041792-0. hal- 01394248v2 HAL Id: hal-01394248 https://hal-amu.archives-ouvertes.fr/hal-01394248v2 Submitted on 3 Jan 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License The Masorah of Elijah ha-Naqdan. An Edition of Ashkenazic Micrographical Notes Elodie Attia To cite this version: Elodie Attia. The Masorah of Elijah ha-Naqdan. An Edition of Ashkenazic Micrographical Notes. De Gruyter, 11, x, 164 p., 2015, Materiale Textkulturen, Ludger Lieb, 978-3-11-041792- 0. <https://www.degruyter.com/view/product/455282?rskey=JHZa2H&result=1>. <hal- 01394248> HAL Id: hal-01394248 https://hal-amu.archives-ouvertes.fr/hal-01394248 Submitted on 9 Nov 2016 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. -
Skenè. Journal of Theatre and Drama Studies
Σ 6:2 2020 Jewish Theatres Edited by Piero Capelli Piero Capelli – Foreword Fabrizio Lelli – Italian Jews and Theatre in Early Modern Italy Michela Andreatta – Piety on Stage: Popular Drama and the Public Life of Early Modern Jewish Confraternities Chiara Carmen Scordari – Behind Multiple Masks: Leon Modena’s Diasporic Tragedy L’Ester in Seventeenth-Century Venice Zehavit Stern – The Archive, the Repertoire, and Jewish Theatre: Zygmunt Turkow Performs a National Dramatic Heritage Yair Lipshitz – Nocturnal Histories: Nighttime and the Jewish Temporal Imagination in Modern Hebrew Drama Diego Rotman – Language Politics, Memory, and Discourse: Yiddish Theatre in Israel (1948-2003) Miscellany David Lucking – Stony Limits and Envious Walls: Metamorphosing Ovid in Romeo and Juliet and A Midsummer Night’s Dream Cristina Consiglio – Hamlet Overseas. The Acting Technique of Edwin Booth Special Section Patrick Gray – Shakespeare and the Fall of the Roman Republic: A Reply to Paul A. Cantor Elena Pellone – Will Tosh, Playing Indoors: Staging Early Modern Drama in the Sam Wanamaker Playhouse, London and New York: Bloomsbury (The Arden Shakespeare), 2019, pp. 264 Nicola Pasqualicchio – Andrew Filmer and Juliet Rufford (eds),Performing Architectures: Projects, Practices, Pedagogies, London and New York: Methuen, 2018, pp. 235 Sally Blackburn-Daniels – A Theatrical Performance of Vernon Lee’s The Ballet of the Nations Skenè. Journal of Theatre and Drama Studies S K E N È Journal of Theatre and Drama Studies 6:2 2020 Jewish Theatres Edited by Piero Capelli SKENÈ Journal of Theatre and Drama Studies Founded by Guido Avezzù, Silvia Bigliazzi, and Alessandro Serpieri Executive Editor Guido Avezzù. General Editors Guido Avezzù, Silvia Bigliazzi. -
Report of the Oxford Centre for Hebrew and Jewish Studies 2015–2016
Report of the Oxford Centre for Hebrew and Jewish Studies 2015–2016 Report of the Oxford Centre for Hebrew and Jewish Studies 2017–2018 Report of the Oxford Centre for Hebrew and Jewish Studies Report of the Oxford Centre for Hebrew and Jewish Studies 2017–2018 oxford centre for hebrew and jewish studies oxford centre for hebrew and jewish studies The Clarendon Institute Walton Street Oxford ox1 2hg Tel: 01865 610422 Email: [email protected] Website: www.ochjs.ac.uk The Oxford Centre for Hebrew and Jewish Studies is a company, limited by guarantee, incorporated in England, Registered No. 1109384 (Registered Charity No. 309720). The Oxford Centre for Hebrew and Jewish Studies is a tax-deductible organization within the United States under Section 501(c)(3) of the Internal Revenue Code (Employer Identification number 13–2943469). Copyright © Oxford Centre for Hebrew and Jewish Studies, 2018 All rights reserved issn 1368 9096 Front cover illustration: Clarendon Institute Edited by Dr Jeremy Schonfield Designed by Tony Kitzinger Printed and bound at the Dorset Press, Dorchester Contents President’s Message 8 Highlights of the 2017–2018 Academic Year 10 People 19 Academic Staff 20 Board of Governors 23 Academic Activities of the Centre for Hebrew and Jewish Studies Oxford Seminar in Advanced Jewish Studies: Greek Expanded, Greek Transformed: The Vocabulary of the Septuagint and the Cultural World of the Translators The Vocabulary of the Septuagint and the Cultural World of the Translators Professor Jan Joosten and Professor Teresa Morgan -
Tanakh and Textuality in Early Modern Yiddish Literature
Exegetical Poetics: Tanakh and Textuality in Early Modern Yiddish Literature By Rachel Alexandra Wamsley A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chana Kronfeld, Chair Professor Robert Alter Professor Naomi Seidman Professor Simon Neuberg Professor Elaine Tennant Spring 2015 Exegetical Poetics: Tanakh and Textuality in Early Modern Yiddish Literature © 2015 by Rachel Alexandra Wamsley Abstract Exegetical Poetics: Tanakh and Textuality in Early Modern Yiddish Literature by Rachel Alexandra Wamsley Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Chana Kronfeld, Chair This dissertation examines Yiddish literature (1500-1950) as an alternative, even transgressive, vehicle for the transmission of the Hebrew Bible and classical rabbinic interpretation. In biblical works for popular audiences—which included women, children, and even non-Jews—Yiddish enjoyed a relative freedom from literary and doctrinal regulation. Through this freedom to improvise on the biblical canon, I argue, early Yiddish literature discloses hermeneutic and poetic practices inadmissible in contemporary Hebrew literature: humanist textual criticism, ambiguous or subversive midrash, the vivid portrayal of non-Jewish subjectivities. By reading this cultural palimpsest as a single multilingual and transnational history, I access those unsanctioned and clandestine practices in Jewish biblical transmission suppressed in the Hebrew sources. At the same time, the material evidence offered by my work with early Yiddish and Hebrew books sheds light on the entanglement of religious authority and textual transmission. Recent scholarly attention has focused on the social history of the printing house (in contrast to the printing press) as the site of an evolving textual culture in the early modern period. -
F Ine J Udaica
F INE J UDAICA . PRINTED BOOKS AND MANUSCRIPTS K ESTENBAUM & C OMPANY TUESDAY, JUNE 20TH, 2006 K ESTENBAUM & COMPANY . Auctioneers of Rare Books, Manuscripts and Fine Art Portrait of Rebecca Gratz, painted by Thomas Sully (Courtesy of The Rosenbach Museum & Library. Philadelphia). For Autograph Letters and other items associated with Rebecca Gratz and her immediate family members, see Page 50 Catalogue of F INE JUDAICA . PRINTED BOOKS & MANUSCRIPTS Including: The Prof. Abraham J. Karp Collection of Hebrew Manuscripts Illustrated Books from the Library of Jacobo Furman, Santiago, Chile Books & Autograph Letters by Several Members of the Gratz Family, Philadelphia To be Offered for Sale by Auction on Thursday, 20th June, 2006 at 3:00 pm precisely ——— Viewing Beforehand on: Sunday, 18th June - 10:00 am - 6:00 pm Monday, 19th June - 10:00 pm - 6:00 pm Tuesday, 20th June - 10:00 am - 2:30 pm This Sale may be referred to as: “Olcott” Sale Number Thirty-Three Illustrated Catalogues: $35 • $42 (Overseas) KESTENBAUM & COMPANY Auctioneers of Rare Books, Manuscripts and Fine Art . 12 West 27th Street, 13th Floor, New York, NY 10001 • Tel: 212 366-1197 • Fax: 212 366-1368 E-mail: [email protected] • World Wide Web Site: www.Kestenbaum.net K ESTENBAUM & COMPANY . Chairman: Daniel E. Kestenbaum Operations Manager: Georgina Keenan Client Accounts: S. Rivka Morris Press & Public Relations: Jackie Insel Printed Books: Rabbi Eliezer Katzman Rabbi Bezalel Naor Ceremonial & Graphic Art: Aviva J. Hoch (Consultant) Catalogue Art Director Photography: Anthony Leonardo Auctioneer: Harmer F. Johnson (NYCDCA License no. 0691878) ❧ ❧ ❧ For all inquiries relating to this sale please contact: Daniel E. -
Catalogue of the Bill Williams Library
CATALOGUE OF THE BILL WILLIAMS LIBRARY Created by Lawrence Rabone Edited by Marton Ribary Note on use: Titles are arranged in thematic sections given in bold after all entries. The section indicates the physical location of the individual entry in the collection. Catalogue of the Bill Williams Library Centre for Jewish Studies The University of Manchester A Abella, Irving M., and Harold Martin Troper. None Is Too Many: Canada and the Jews of Europe, 1933-1948. Toronto, Canada: Lester & Orpen Dennys, 1983. Jewish History: Britain. Abraham bar, Hayya. The Meditation of the Sad Soul. Translated by Geoffrey Wigoder. The Littman Library of Jewish Civilization. edited by David Goldstein and Louis Jacobs London: Routledge & Kegan Paul, 1969. Religion, Philosophy, Thought. Abrahams, Israel. The Book of Delight and Other Papers. Philadelphia: Jewish Publication Society of America, 1912. Religion, Philosophy, Thought. ———. By-Paths in Hebraic Bookland. Philadelphia: The Jewish Publication Society of America, 1920. Religion, Philosophy, Thought. ———. Jewish Life in the Middle Ages. London: Macmillan & Co., 1896. General Jewish History. ———. A Short History of Jewish Literature: From the Fall of the Temple (70 C.E.) to the Era of Emancipation (1786 C.E.). London: T. Fisher Unwin, 1906. Literature. ———. Some Permanent Values in Judaism. Four Lectures. Oxford: Clarendon Press, 1924. Religion, Philosophy, Thought. Abrahams, Israel, and Claude G. Montefiore. Aspects of Judaism: Being Eighteen Sermons. London and New York: Macmillan, 1895. Religion, Philosophy, Thought. Abrahams, Israel, and Cecil Roth. Jewish Life in the Middle Ages. New Edition, Enlarged and Revised on the Basis of the Author's Material by Cecil Roth. ed. London: Edward Goldston, 1932. -
Report of the Oxford Centre for Hebrew and Jewish Studies 2019–2020
report of the oxford centre for hebrew and jewish studies 2019–2020 Report of the Oxford Centre for Hebrew and Jewish Studies Report of the Oxford Centre for Hebrew and Jewish Studies 2019–2020 oxford centre for hebrew and jewish studies Contents oxford centre for hebrew and jewish studies The Clarendon Institute Walton Street President’s Message 8 Oxford Highlights of the 2019–2020 Academic Year 10 ox1 2hg Tel: 01865 610422 People Email: [email protected] Academic Staff 19 Website: www.ochjs.ac.uk Board of Governors 22 The Oxford Centre for Hebrew and Jewish Studies is a company, limited by Academic Activities of the Centre for Hebrew and Jewish Studies guarantee, incorporated in England, Registered No. 1109384 (Registered Charity No. 309720). The Oxford Centre for Hebrew and Jewish Studies is a tax-deductible Oxford Seminar in Advanced Jewish Studies organization within the United States under Section 501(c)(3) of the Internal Revenue Between Sacred and Profane – Jewish Musical Cultures in Code (Employer Identification number 13–2943469). Early Modern Europe Dr Diana Matut 25 Early Modern Ashkenazi Cantors: Identity and Transformation Matthew Austerklein 26 A Blind Organist and Yohanan Alemanno ‘About to Faint’: Changes in the Jewish Conceptualization of Music at the Turn of the Sixteenth Century Dr Alexandre Cerveux 29 Kol Mekadesh Shevi’i: Resounding Synagogue and Home in Early Modern Ashkenaz Dr Naomi Cohn Zentner 30 Two Tribes: Jewish and Roma Popular Musicians in Eighteenth- century Hungary Dr David Conway 32 Ottoman Musical -
F Ine J Udaica
F INE J UDAICA . THE LIBRARY OF THE LATE PROFESSOR ABRAHAM J. KARP K ESTENBAUM & C OMPANY TUESDAY, APRIL 5TH, 2005 K ESTENBAUM & COMPANY . Auctioneers of Rare Books, Manuscripts and Fine Art Professor Abraham J. Karp (1921-2003) Catalogue of F INE J UDAICA . THE LIBRARY OF THE LATE PROFESSOR ABRAHAM J. KARP And The Remaining Books & Manuscripts from the Estate of a Veteran New York Antiquarian Hebrew Book-Seller. With Additions; Paintings & other Graphic Art To be Offered for Sale by Auction on Tuesday, 5th April, 2005 at 3:00 pm precisely ——— Viewing Beforehand on Sunday, 3rd April: 10:00 am–5:30 pm Monday, 4th April: 10:00 am–6:00 pm Tuesday, 5th April: 10:00 am–2:30 pm A Digital Image of Many Lots Offered in This Sale is Available Upon Request This Sale may be referred to as “Hampstead” Sale Number Twenty Eight. Illustrated Catalogues: $35 • $42 (Overseas) KESTENBAUM & COMPANY Auctioneers of Rare Books, Manuscripts and Fine Art . 12 West 27th Street, 13th Floor, New York, NY 10001 • Tel: 212 366-1197 • Fax: 212 366-1368 E-mail: [email protected] • World Wide Web Site: www.Kestenbaum.net K ESTENBAUM & COMPANY . Chairman: Daniel E. Kestenbaum Operations Manager : Margaret M. Williams Client Accounts: S. Rivka Morris Press & Public Relations: Jackie Insel Printed Books, Manuscripts & Autographed Letters: Rabbi Eliezer Katzman Rabbi Bezalel Naor Ceremonial Art: Aviva J. Hoch (Consultant) Catalogue Art Director & Photographer: Anthony Leonardo Auctioneer: Harmer F. Johnson (NYCDCA License no. 0691878) ❧ ❧ ❧ For all inquiries relating to this sale please contact: Daniel E. Kestenbaum ❧ ❧ ❧ ORDER OF SALE Printed Books: Lots 1 - 303 Autographed Letters & Manuscripts: Lots 304 - 325 Graphic Arts: Lots 326 - End of Sale Front Cover Illustration: The Tanya, First Edition. -
The Sephardic Italian Jewish Theological Seminary of Sabato Morais
University of Pennsylvania ScholarlyCommons Scholarship at Penn Libraries Penn Libraries 5-2015 Heralds of Duty: The Sephardic Italian Jewish Theological Seminary of Sabato Morais Arthur Kiron University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/library_papers Part of the Jewish Studies Commons, and the Library and Information Science Commons Recommended Citation Kiron, A. (2015). Heralds of Duty: The Sephardic Italian Jewish Theological Seminary of Sabato Morais. The Jewish Quarterly Review, 105 (2), 206-249. http://dx.doi.org/10.1353/jqr.2015.0013 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/library_papers/102 For more information, please contact [email protected]. Heralds of Duty: The Sephardic Italian Jewish Theological Seminary of Sabato Morais Abstract The institutional history of the Jewish Theological Seminary has mostly been told in relation to the emergence of the Conservative movement of Judaism in the United States and in relation to the Jüdisch- Theologisches Seminar after which it was named, founded by Zecharias Frankel in 1854. The biography and religious outlook of the first president of the Jewish Theological Seminary, a Sephardic Italian Jew named Sabato Morais (1823-1897), are mined as sources for exploring an alternative account. This essay argues for ideological and institutional discontinuity between the Jewish Theological Seminary (JTS), founded in 1886 and the re-organized seminary incorporated under the name "The Jewish Theological Seminary of America (JTSA) in 1902. Morais’s program of rabbinical education was not solely a response to American conditions of religious reform and insular orthodoxy; nor was it a moderate compromise between the two.