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Jascha Horenstein Reference Recordings JASCHA HORENSTEIN REFERENCE RECORDINGS BARTOK BEETHOVEN BRAHMS BRUCH BRUCKNER HINDEMITH JANÁČEK LISZT MAHLER RAVEL SCHOENBERG STRAUSS STRAVINSKY WAGNER Claudio Arrau Ivry Gitlis David Oistrakh Bamberger Symphoniker Pro Musica Orchester Wien London Symphony Orchestra JASCHA HORENSTEIN REFERENCE RECORDINGS CD 1 CD 2 CD 3 CD 4 Gustav Mahler (1860 – 1911) Gustav Mahler (1860 – 1911) Anton Bruckner (1824 – 1896) Paul Hindemith (1895 – 1963) SYMPHONY No. 3 IN D MINOR SYMPHONY No. 3 IN D MINOR SYMPHONY No. 8 IN C MINOR SYMPHONY „MATHIS DER MALER“ Sinfonie Nr. 3, d-Moll Sinfonie Nr. 3, d-Moll Sinfonie Nr. 8, c-Moll 1. I. Concert of Angels / Engelkonzert 9'25 1. I. Kräftig. Entschieden 30'29 1. VI. Adagio 21'14 (1890 Version) Ruhig bewegt. Ziemlich lebhafte Halbe 2. II. Tempo di Menuetto. Sehr mäßig 8'40 1. I. Allegro moderato 13'40 2. II. Entombment / Grablegung 4'57 SYMPHONY No. 1 IN D MAJOR („Titan“) 3. III. Comodo. Scherzando 16'09 2. II. Scherzo: Allegro moderato 14'59 Sehr langsam Sinfonie Nr. 1, D-Dur 4. IV. Sehr langsam. Misterioso 8'52 3. III. Adagio: Feierlich langsam, 3. III. The Temptation of St. Antony / 5. V. Lustig im Tempo und keck im Ausdruck 4'07 2. I. Langsam. Schleppend 16'47 doch nicht schleppend 25'26 Versuchung des Hl. Antonius 15'09 (cont. on disc 2) 3. II. Kräftig bewegt, doch nicht zu schnell 8'13 4. IV. Finale: Feierlich, nicht schnell 22'35 Sehr langsam. Frei im Zeitmaß. Sehr lebhaft 4. III. Feierlich und gemessen, Helen Watts, contralto/Alt (4) ohne zu schleppen 11'35 Pro Musica Orchester, Wien Richard Strauss (1864 – 1949) Highgate School Choir, Orpington Junior Singers (5) 5. IV. Stürmisch bewegt 20'53 conductor / Dirigent: Jascha Horenstein 4. DON JUAN 16'36 Dennis Egan, posthorn / Denis Wick, trombone recorded / aufgenommen: 1954 Tone poem after Nikolaus Lenau for large orchestra London Symphony Orchestra and Chorus Dennis Egan, posthorn / Denis Wick, trombone (1) Tondichtung nach N. Lenau für großes Orchester conductor / Dirigent: Jascha Horenstein London Symphony Orchestra (1) Total time CD 3: 76'43 recorded / aufgenommen: 1961, Live Pro Musica Orchester Wien (2 – 5) Max Bruch (1838 – 1920) conductor / Dirigent: Jascha Horenstein SCOTTISH FANTASIA, Op. 46 Total time CD 1: 68'21 recorded: 1953 (2 – 5), 1961 (1), Live Schottische Fantasie, op. 46 Total time CD 2: 78'54 5. I. Grave. Adagio cantabile 8'39 6. II. Scherzo: Allegro 5'19 7. III. Andante sostenuto 7'44 8. IV. Finale: Allegro guerriero 9'26 David Oistrakh, violin (5 – 8) Orchestre Radio Symphonique, Paris (1 – 3) Bamberger Symphoniker (4) London Symphony Orchestra (5 – 8) conductor / Dirigent: Jascha Horenstein recorded / aufgenommen: 1954 (1 – 4), 1962 (5 – 8) Total time CD 4: 77'19 2 3 CD 5 CD 6 CD 7 Igor Stravinsky (1882 – 1971) Arnold Schoenberg (1874 – 1951) Maurice Ravel (1875 – 1937) Leoš Janáček (1854 – 1928) L’OISEAU DE FEU 7. VERKLÄRTE NACHT, Op. 4 29'07 PIANO CONCERTO IN G MAJOR SINFONIETTA The Firebird / Der Feuervogel Stimulated by Richard Dehmel‘s Konzert für Klavier und Orchester, G-Dur 1. I. Allegretto (Fanfare) 3'26 Suite (1919) „Women and the World“ Angeregt durch 1. I. Allegramente 8'03 2. II. Andante 6'50 1. Introduction – L‘Oiseau de feu et sa danse 3'35 „Weib und Welt“ von Richard Dehmel 2. II. Adagio assai 9'28 3. III. Moderato 6'17 The Firebird and his dance / 3. III. Presto 4'19 4. IV. Allegretto 2'59 Der Feuervogel und sein Tanz 8. CHAMBER SYMPHONY 5. V. Andante con moto 8'28 2. Variation de L‘Oiseau de feu 1'11 IN E FLAT MAJOR, Op. 9 26'26 4. PIANO CONCERTO FOR THE LEFT HAND 18'24 Change of the Firebird / Verwandlung Kammersinfonie, Es-Dur, op. 9 Konzert für Klavier und Orchester TARAS BULBA des Feuervogels für die linke Hand 6. The Death of Andrei/Andrijs Tod 10'11 3. Ronde des princesses (Khorovode) 4'28 Südwestfunk-Sinfonieorchester Baden-Baden 7. The Death of Ostapov/Ostapovs Tod 5'17 Round dance of the princesses / conductor / Dirigent: Jascha Horenstein Béla Bartok (1881 – 1945) 8. The Prophesy and Death of Taras Bulba 8'52 Reigen der Prinzessinnen recorded / aufgenommen: 1956 VIOLIN CONCERTO No. 2, Sz.112 (1938) Prophezeihung und Tod von Taras Bulba 4. Danse infernale du Roi Kachtcheï 4'57 Konzert für Violine und Orchester Nr. 2 Total time CD 5: 76'38 Richard Wagner (1813 – 1883) Infernal dance of King Kashchei / 5. I. Allegro non troppo 14'47 Höllentanz des Königs Kaschtchej 6. II. Andante tranquillo 9'04 LOHENGRIN 5. Berceuse 3'36 7. III. Allegro molto 10'54 9. Prelude/Vorspiel Act 1 8'10 Lullaby / Wiegenlied 6. Finale 3'11 Vlado Perlemuter, piano (1 – 4) TRISTAN UND ISOLDE Ivry Gitlis, violin (5 – 7) 10. Prelude and Isolde‘s Liebestod, Act 3 17'09 Orchestre de la Association des Vorspiel und Isoldes Liebestod Concerts Colonne, Paris (1 – 4) Pro Musica Orchester Wien (5 – 7) Pro Musica Orchester Wien (1 – 8) conductor/Dirigent: Jascha Horenstein Bamberger Symphoniker (9, 10) recorded/aufgenommen: 1955 conductor / Dirigent: Jascha Horenstein recorded / aufgenommen: 1956 (1 – 8), 1954 (9, 10) Total time CD 6: 75'05 Total time CD 7: 77'52 4 5 CD 8 CD 9 CD 10 Johannes Brahms (1833 – 1897) Richard Wagner (1813 – 1883) Ludwig van Beethoven (1770 – 1827) PIANO CONCERTO No. 1 IN D MINOR, Op. 15 1. A FAUST OVERTURE 10'10 SYMPHONY No. 3 IN E FLAT MAJOR, Op. 55 („Eroica“) Konzert für Klavier und Orchester Nr. 1, EINE FAUST-OUVERTÜRE Sinfonie Nr. 3, Es-Dur, op. 55 d-Moll, op. 15 1. I. Allegro con brio 16'43 Franz Liszt (1811 – 1886) 1. I. Maestoso 23'44 2. II. Marcia funebre. Adagio assai 17'12 2. II. Adagio 15'06 A FAUST SYMPHONY 3. III. Scherzo: Allegro vivace 6'07 3. III. Rondo: Allegro non troppo 12'29 In Three Character Portraits (after Goethe) 4. IV. Finale: Allegro molto 12'52 Eine Faust-Sinfonie Claudio Arrau, piano In drei Charakterbildern (nach Goethe) Richard Strauss (1864 – 1949) Orchestre National de la Radiodiffusion- 2. I. Faust 25'23 5. DEATH AND TRANSFIGURATION 23'58 Télévision Fraçaise 3. II. Gretchen 18'33 Tone poem for large orchestra conductor / Dirigent: Jascha Horenstein 4. III. Mephistopheles & Final Chorus 23'33 Tod und Verklärung recorded / aufgenommen: 1962, Live Mephisto & Schlusschor Tondichtung für großes Orchester Gustav Mahler (1860 – 1911) Ferdinand Koch, tenor (2 – 4) Pro Musica Orchestra Wien (1 – 4) KINDERTOTENLIEDER Südwestfunk-Sinfonieorchester Baden-Baden (1 – 4) Bamberger Symphoniker (5) 4. Nun will die Sonn‘ so hell aufgeh‘n 5'44 und Chor (2 – 4) conductor / Dirigent: Jascha Horenstein 5. Nun seh‘ ich wohl, warum so conductor / Dirigent: Jascha Horenstein recorded / aufgenommen: 1955 (1 – 4), 1954 (5) recorded / aufgenommen: 1956 dunkle Flammen 5'08 Total time CD 10: 77'02 6. Wenn dein Mütterlein tritt zur Tür herein 5'04 Total time CD 9: 77'42 7. Oft denk‘ ich, sie sind nur ausgegangen 3'47 8. In diesem Wetter, in diesem Braus 7'09 Heinrich Rehkemper, baritone / Bariton Orchester der Staatsoper Berlin conductor / Dirigent: Jascha Horenstein recorded / aufgenommen: 1928 (first recording) Total time CD 8: 78'23 6 7 Bevor Gustav Mahler und Anton Bruckner ihren Als Kulturmetropole war Berlin in den 1920er Jahren In der Folgezeit dirigierte er an wechselnden Orten dem Pianisten Vlado Perlemuter und die glückliche dauerhaften Platz in den Konzertprogrammen ge- das Zentrum der Welt. Doch die Aufbruchstimmung in Europa, kam sogar bis Australien, und ließ sich Zusammenarbeit mit den funden hatten, war der Dirigent Jascha Horenstein jener Jahre übertrug sich auch auf viele Landesteile 1939, unmittelbar vor Kriegsbeginn, in New York Bamberger Symphonikern, wobei er seine gesam- (1898 – 1973) schon zu einem ihrer wichtigsten Weg- und Städte. In Berlin hatte Horenstein die unge- nieder. Doch zu einer neuen Heimat wurden ihm melten Erfahrungen partnerschaftlich einbringen bereiter geworden. Mit ihnen beginnt deshalb auch wohnten Klangkompositionen von Weill, Krenek, die Vereinigten Staaten wohl nicht. Hauptsächlich konnte. Im Mittelpunkt stehen jedoch die Stu- diese Dokumentation, die viele seiner Referenzauf- Berg, Janáček, Hindemith, Schönberg und anderen musste er sich mit Dirigaten bei Provinzorchestern dio-Produktionen aus Wien und Baden-Baden. Das nahmen in Erinnerung ruft. kennen gelernt. Wohl auch deshalb engagierte das durchschlagen. 1947 kehrte er nach Europa zurück. nach Ernest Bour vor allem durch Hans Rosbaud Geboren wurde Horenstein als 13. von 16 Kindern modern geführte Theater in Düsseldorf ihn 1929 als Zunächst stand er in Paris am Pult, danach in Wien, auf höchsten europäischen Standard gebrachte einer musikliebenden jüdischen Familie in Kiew. Musikdirektor. Eine dortige „Wozzeck“-Inszenierung in Bamberg und ganz besonders erfolgreich in Ba- SWR-Orchester zeigt sich unter Horensteins Leitung Nachdem die Familie 1905 nach Königsberg um- brachte Alban Berg sogar zu einem begeisterten Brief den-Baden, wo der Südwestfunk seinen Sitz hatte, in Bestform. In Wien hingegen haben sich unter dem gesiedelt war, erhielt Jascha auf der Violine seinen an die Intendanz, in dem er diese Aufführung allen dessen Programme der Musik des 20. Jahrhunderts Namen Pro Musica mehrheitlich wohl Musiker der ersten Musikunterricht. Ein weiterer Umzug nach anderen von ihm gesehenen vorzog. einen herausragenden Platz einräumten. Die letzte Wiener Symphoniker zusammengeschlossen, mit de- Wien (1911) bot umfassendere musikalische Studi- Das immer stärkere Auftreten von SA und NSDAP – und vielleicht auch glücklichste – Phase seiner nen das große europäische Konzertrepertoire aufge- enmöglichkeiten – neben anderen auch bei Franz erschwerten jedoch auch in Düsseldorf zunehmend Karriere erlebte Horenstein in London als Dirigent nommen wurde – oft auch mit außergewöhnlichen Schreker. Als dessen Weg 1920 nach Berlin führte, eine freie künstlerische Arbeit. Nach einer Gedenk- des London Symphony Orchestra. Solisten wie Alfred Brendel und Ivry Gitlis.
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