University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2009 The Main Chapel of the Durres Amphitheater: Decoration and Chronology Kimberly Bowes University of Pennsylvania,
[email protected] John Mitchell University of East Anglia Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classical Archaeology and Art History Commons Recommended Citation Bowes, K., & Mitchell, J. (2009). The Main Chapel of the Durres Amphitheater: Decoration and Chronology. Mélanges de l’École Française de Rome: Antique, 569-595. Retrieved from https://repository.upenn.edu/ classics_papers/162 At the time of publication, author Kimberly Bowes was affiliated with Cornell University. Currently, she is a faculty member at the Classical Studies Department at the University of Pennsylvania. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/162 For more information, please contact
[email protected]. The Main Chapel of the Durres Amphitheater: Decoration and Chronology Abstract The amphitheater at Durres in central Albania is one of the larger and better preserved amphitheaters of the Roman world, as well as one of the eastern-most examples of the amphitheater form. Nonetheless, it is not for its Roman architecture that the building is best known, but its later Christian decoration, specifically, a series of mosaics which adorn the walls of a small chapel inserted into the amphitheater's Roman fabric. First published by Vangel Toçi in 1971, these mosaics were introduced to a wider scholarly audience through their inclusion in Robin Cormack's groundbreaking 1985 volume Writing in Gold.