Aretha Franklin Collection of Greatest Song Mp3, Flac, Wma

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Aretha Franklin Collection Of Greatest Song mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Blues Album: Collection Of Greatest Song Released: 1999 Style: Soul, Rhythm & Blues, Gospel, Funk MP3 version RAR size: 1149 mb FLAC version RAR size: 1733 mb WMA version RAR size: 1953 mb Rating: 4.1 Votes: 343 Other Formats: MP1 DTS AA VQF DMF MP4 DXD Tracklist 1 –Aretha Franklin A Rose Is Still A Rose 4:26 2 –Aretha Franklin A Deeper Love 4:35 3 –Aretha Franklin I Say A Little Prayer 3:36 4 –Aretha Franklin Baby I Love You 2:44 5 –Aretha Franklin With George Michael Freeway Of Love 5:53 6 –Aretha Franklin I Knew You Were Waiting (For Me) 4:00 7 –Aretha Franklin Jump To It 4:16 8 –Aretha Franklin With Eurythmics Sisters Are Doin' It For Themselves 4:53 9 –Aretha Franklin Willing To Forgive 4:12 10 –Aretha Franklin With Luther Vandross Doctor's Order 4:35 11 –Aretha Franklin Get It Right 4:15 12 –Aretha Franklin Jimmy Lee 5:47 13 –Aretha Franklin With Michael McDonald Ever Changing Times 4:55 14 –Aretha Franklin Who's Zoomin' Who 4:43 –Aretha Franklin With Bonnie Raitt & Gloria (You Make Me Feel Like) A Natural 15 5:07 Estefan Woman /Live/ 16 –Aretha Franklin With Mariah Carey Chain Of Fools /Live '98/ 4:24 Notes CD comes with a 4-page (second and third page a white colour) booklet in a standard jewel case with black tray Barcode and Other Identifiers Matrix / Runout: not readable Other versions Category Artist Title (Format) Label Category Country Year Aretha Greatest Moments (CDr, Not On Label none none 1999 Franklin Comp, Unofficial) (Aretha Franklin) Related Music albums to Collection Of Greatest Song by Aretha Franklin Aretha Franklin - Sweet Passion Aretha Franklin - Aretha / Get It Right Aretha Franklin - Aretha Franklin's Greatest Hits Aretha Franklin - Love Me Right Aretha Franklin - Respect (Oxygen Remix) Aretha Franklin - Ten Years Of Gold Aretha Franklin - Eurythmics And Aretha Franklin - Sisters Are Doin' It For Themselves.

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Aretha Franklin (Sweet Sweet Baby) Since You've Been Gone / Ain't No Way Mp3, Flac, Wma
Aretha Franklin (Sweet Sweet Baby) Since You've Been Gone / Ain't No Way mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: (Sweet Sweet Baby) Since You've Been Gone / Ain't No Way Country: US Released: 1968 Style: Soul MP3 version RAR size: 1994 mb FLAC version RAR size: 1927 mb WMA version RAR size: 1129 mb Rating: 4.9 Votes: 309 Other Formats: ASF VQF MP4 MP1 AHX MP3 DMF Tracklist Hide Credits (Sweet Sweet Baby) Since You've Been Gone A 2:18 Written-By – Aretha Franklin, Ted White Ain't No Way B 4:12 Written-By – Carolyn Franklin Companies, etc. Distributed By – Atlantic Record Sales Published By – 14th Hour Music Published By – Cotillion Music Pressed By – Plastic Products Notes From Atlantic LP 8176. Barcode and Other Identifiers Matrix / Runout (Side A Label): A-13635-PL Matrix / Runout (Side B Label): A-13657-PL Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Aretha (Sweet Sweet Baby) Since You've 45-2486 Atlantic 45-2486 US 1968 Franklin Been Gone (7", Single, Pla) Aretha (Sweet Sweet Baby) Since You've OS 13058 Atlantic OS 13058 US Unknown Franklin Been Gone / Ain't No Way (7", RE) Aretha (Sweet Sweet Baby) Since You've 45-2486 Atlantic 45-2486 US 1968 Franklin Been Gone (7", Single) Aretha (Sweet Sweet Baby) Since You've AT 2486X Atlantic AT 2486X Canada 1968 Franklin Been Gone (7", Single) Aretha (Sweet Sweet Baby) Since You've 584172 Atlantic 584172 UK 1968 Franklin Been Gone (7", Single, Sol) Related Music albums to (Sweet Sweet Baby) Since You've Been Gone / Ain't No Way by Aretha Franklin 1.
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Cash Box Takes a Look at the Artists, Music and Trends That Will Make Their GREGORY S
9 VOL. LV, NO. 36, MAY 2, 1992 STAFF BOX GEORGE ALBERT President and Publisher KEITH ALBERT Vice President/General Manager FRED L GOODMAN Editor In Chief CAMILLE GOMPASIO Director, Coin Machine Operations LEEJESKE New York Editor MARKETING LEON BELL Director, Los Angeles MARK WAGNER Director, Nashville KEN PIOTROWSKI (LA) EDITORIAL INSIDE THE BOX RANDY CLARK, Assoc. Ed. (LA) COVER STORY f BRYAN DeVANEY, Assoc. Ed. (LA) BERNETTA GREEN (New York) New For ’92 STEVE GIUFFRIDA (Nashville) CORY CHESHIRE, Nashville Editor Cash Box takes a look at the artists, music and trends that will make their GREGORY S. COOPER—Gspel,(Na^vfe) CHART RESEARCH marks on the industry this year. From the worlds of pop, rock, r&b, rap, CHERRY URESTI (LA) JIMMY PASCHAL (LA) jazz, country, gospel and others, we provide our readers with a look into RAYMOND BALLARD (LA) MIA TROY (LA) the near future and discover who the next stars will be. There's also a special COREY BELL (LA) JOHN COSSIBOOM (Nash) section on the new technologies that will affect the products and services CHRIS BERKEY (Nash) PRODUCTION that both industry insiders and consumers will be using soon. JIM GONZALEZ Ad Director —see page 11 CIRCULAVON NINATREGUB, Manager CYNTHIA BANTA Madonna + Millions = Maverick PUBLICATION OFFICES Superstar Madonna, her longtime manager Freddy DeMann and Time NEW YORK 157 W.57th Street (Suite 503) New Warner Inc., have formed Maverick, a multi -media entertainment company. York, NY 10019 Phone:(212)586-2640 Maverick will encompass many facets of entertainment including records, Fax: (212) 582-2571 HOLLYWOOD music publishing, film, merchandising and book publishing.
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MUSIC TRADE MAGAZINE KAY KNIGHT Nashville Editor Editorial KAREN WOODS, Assoc
MAGAZINE TRADE MUSIC THE 9 STAFF BOX GEORGE ALBERT President and Polisher ROBERT LONG VOL Ull, NO. #6, JUNE 23, 1990 Vice PresidentAJrban Marketing KEITH ALBERT Vice President/General Manager JIM SHARP Director, Nashville Operations PASIG CAMILLE COM j Director, Coin Machine Operations Marketing JIM WARSINSKE (LA.) MIKE GORDON (LA ) KEITH GORMAN Editor LEEJESKE BOX New York Editor THE MUSIC TRADE MAGAZINE KAY KNIGHT Nashville Editor Editorial KAREN WOODS, Assoc. Ed. (N. Y.j 8 KIMMY WIX, Assoc. Ed. (Nash.) ERNEST HARDY, Assoc. Ed. (LA) TONYSABOURNIN, Assoc. Ed., Latin (N. Y.) SHELLY WEISS, Assoc. Ed., Publishing (LA.) BERNETTA GREEN (NX) CONTENTS WILMA MELTON (Nash.) ALEX HENDERSON (LA.) 8 MUSIC PUBLISHING 1990 SPECIAL ISSUE Chart Research Interviews with26the movers and shakers of the publishing industry, and more, so much more. SCOTT M. SALISBURY 27 BY SHELLY WEISS Coordinator (LA.) 28 JOHN DECKER (Nash.) 30 C J. (War Flower)(LAJ 31 TERESA CHANCE (Nash.) 32 COLUMNS JEFF KARP (LA.) NATHAN W.(DXF) HOLSEY (LA.) 4 East Coasting / To long-box or not to long-box, that is the question, and Karen Woods has the answer. Production 4 London Calling / Chrissy Iley, Dusty Springfield and a whole shirtload of cats, plus a catty comment about the JIM GONZALEZ Beach Ball. Art Director 5 Faces On Top, by Ernest Hardy; Child's Play, by Alex Henderson; Doug Stone, by Kay Knight. Circulation New / NINATREGUB, Manager 6 Retail News / Retail for the visually impaired, by C.J. and Jeff Karp. CYNTHIA BANTA ; 7 Indie Focus / Hey, chief, that's indie, not in die, with Alex Henderson.
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WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
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Here Are Things I Needed to Say.” the Album Was Released in the U.S
BURT BACHARACH Biography Six decades into one of songwriting’s most successful and honored careers – marked by 48 Top 10 hits, nine #1 songs, more than 500 compositions and a landmark 49-year run on the charts, Burt Bacharach’s music continues to set industry records and creative standards. “At This Time,” his 2005 album, which won the Grammy for Best Pop Instrumental Album, breaks new ground with Bacharach’s first-ever lyrical collaborations, supplementing the melodies which reflect the pioneering Bacharach sound. He says it is the “most-passionate album” of his career as “At This Time” marks the first time Bacharach takes on social and political issues in his music. Bacharach’s global audiences span several generations, and he is viewed as the unique combination of one of the greatest composers of all time and the ultra-cool cult hero of the contemporary music set who often has several songs on various music charts in many countries simultaneously. His many concerts are SRO, as he tours the United States and the world conducting orchestras and with his own musicians and singers performing his music. Along with Bob Dylan, John Lennon and Paul McCartney and Paul Simon, Bacharach is a legend of popular music. A recipient of three Academy Awards and seven Grammy Awards (including the 1997 Trustees Award with collaborator Hal David), he revolutionized the music of the 1950s and 60s and is regularly bracketed with legendary names, ranging from Cole Porter, to Sir George Martin, as one of a handful of visionaries who pioneered new forms of music from the second half of the 20th Century and into the 21st Century.
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Reggie Dozier Epk 7
R REGGIE DOZIER LEGENDARY ENGINEER 3 Grammy Awards 7 Grammy Nominations Masterful Engineering Five Decades For five decades, Grammy Award winning song sung by Diana Ross and Lionel Richie Recording and Mixing Engineer, Reggie was nominated for an Academy Award. The Dozier has been behind the recording console song shot to #1 on the Billboard charts, and creating musical history with legendary artists went on to be the best selling single of 1981. at Warner Brothers, 20th Century Fox, United A few of the world renowned artists he has Artists, Universal Pictures, Motown, Atlantic, worked with include: Stevie Wonder, Michael A&M Records, ABC, and Capitol Records. Jackson, Diana Ross, Gladys Knight, Lionel Since he first pushed the record button in Richie, Johnny Mathis, Aretha Franklin, Phil 1958 he has made a noteworthy contribution Collins, Natalie Cole, Justin Timberlake, as one of the founding architects of popular Beyonce, Kenny Rogers, Miles Davis, Patti commercial music recording methods in the La-Belle, Brian McKnight, Outkast, Mary J. United States. For his engineering work on Blige, The Four Tops, B.B. King, Marvin Outkast's album Speakerboxx/The Love Gaye, the Isley Brothers, and the Temptations. Below, he was awarded the 2004 Grammy for Outstanding Engineering. For Universal Reggie Dozier is at the pinnacle of his Pictures, he engineered the soundtrack for the celebrated career and busy with an exciting motion picture Endless Love. The classic title mix of hand selected music projects. TEL 909.319.5723 / EMAIL [email protected] Type to enter text Type to enter text Credits Payne & Pleasure Genie Louisiana Hot Sauce Freda Payne Bobby Lyle The Jazz Crusaders 1975 1977 1996 Bondage Love Is What We The Best of Johnnie Angelo Bond Came Here For Taylor 1975 Garland Green Johnnie Taylor 1977 1997 Chango Chango Sweet Passion Future Flight 1975 Aretha Franklin Future Flight 1978 1981 One for the Road Greg Perry Lawrence Hilton- In Our Lifetime 1976 Jacobs [Expanded Love Man Lawrence-H.
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Ballad Opera in England: Its Songs, Contributors, and Influence
BALLAD OPERA IN ENGLAND: ITS SONGS, CONTRIBUTORS, AND INFLUENCE Julie Bumpus A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 7, 2010 Committee: Vincent Corrigan, Advisor Mary Natvig ii ABSTRACT Vincent Corrigan, Advisor The ballad opera was a popular genre of stage entertainment in England that flourished roughly from 1728 (beginning with John Gay's The Beggar's Opera) to 1760. Gay's original intention for the genre was to satirize not only the upper crust of British society, but also to mock the “excesses” of Italian opera, which had slowly been infiltrating the concert life of Britain. The Beggar's Opera and its successors were to be the answer to foreign opera on British soil: a truly nationalistic genre that essentially was a play (building on a long-standing tradition of English drama) with popular music interspersed throughout. My thesis explores the ways in which ballad operas were constructed, what meanings the songs may have held for playwrights and audiences, and what influence the genre had in England and abroad. The thesis begins with a general survey of the origins of ballad opera, covering theater music during the Commonwealth, Restoration theatre, the influence of Italian Opera in England, and The Beggar’s Opera. Next is a section on the playwrights and composers of ballad opera. The playwrights discussed are John Gay, Henry Fielding, and Colley Cibber. Purcell and Handel are used as examples of composers of source material and Mr. Seedo and Pepusch as composers and arrangers of ballad opera music.
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THE LIRICHE DA CAMERA of FRANCESCO SANTOLIQUIDO DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree
THE LIRICHE DA CAMERA OF FRANCESCO SANTOLIQUIDO DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctorate of Musical Arts in the Graduate School of The Ohio State University By Abra K. Bush, M.M. ***** The Ohio State University 2003 Dissertation Committee: Approved by Dr. J. Robin Rice, Advisor Professor Eileen Davis ___________________________ Advisor Dr. Graeme Boone School of Music Graduate Program Copyright by Abra Kathleen Bush 2003 ii ABSTRACT Italian composer Francesco Santoliquido (b. 1883; d. 1971) wrote approximately twenty-six songs, or Liriche da camera, and numerous other compositions throughout the first three decades of the twentieth century. Santoliquido’s songs are worthy of study; they are full of lyricism and infused with elements of “Debussian,” “Straussian,” and Arabic influences. Santoliquido was born on August 6, 1883 in San Giorgio at Cremona, near Naples. He studied composition in Rome at Liceo di Santa Cecilia with Giacomo Setaccioli (b. 1868; d. 1925) and Stanislao Falchi (b. 1851; d. 1922). Four years after receiving his diploma in 1908, Santoliquido moved to Tunis, just as his career was beginning to gain momentum. He primarily resided in the village of Hammamet. In 1921, he returned to Italy, settling in Anacapri, where he remained until his death on August 26, 1971. Francesco Santoliquido composed music in a number of genres. In addition to his songs, Santoliquido’s musical output includes four operas, a mimmodramma (or ballet), several symphonies and orchestral suites, chamber music, and works for solo piano. Even with his limited popularity, Santoliquido’s music was performed during in his lifetime in cities from Zagreb to Manhattan.
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HIS FAMILY Excerpt
Hamilton Investigation & Security HIS Series, Book 5.5 Blake & Elizabeth Three Chapter Excerpt Sheila Kell Prologue THE CRACKLING FLAMES of the campfire had nearly died down when the real conversation began. Blake Hamilton’s sons, along with foster son, Jake Cavanaugh, sat on the ground contemplating their futures without their big brother. With graduation from high school around the corner, Jesse had been accepted at the University of Maryland, and they were celebrating with a camping trip. It was only on the back of their Silver Spring, Maryland property, but they were alone. Or at least they thought they were. Blake didn’t mean to be a voyeur. He’d actually come looking for his daughter, Emily, who hadn’t been happy her brothers got to camp out, and she wasn’t permitted to join them. To her, there was no such thing as a “guys’ night” for her brothers. He’d spotted her behind some bushes with Trent McKenzie, the son he wished with all his heart he could claim publicly. But he’d made a deal with Trent’s mother which allowed him to see the boy grow up even though he had to keep silent about his origins. It constantly wrenched his heart out when his wife turned Trent away, increasing the suffering from his mistake. No. Not a mistake. Trent had never been a mistake. The two were peeking in on the group of campers, so his interest has been piqued as to what the topic happened to be and whether it would be deemed appropriate for her ears.
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2020 Raising the Bar Volume 16, Issue 6
The newsletter of the Raising the Bar Young Lawyers Committee 7/1/2020 Volume 16, Issue 6 Looking for Targeted Hit the Bullseye with Contacts? Contact Laurie Mokry at [email protected] or 312.698.6259 Committee Leadership In This Issue Chair Feature Articles Shannon M. Nessier Hanson Bridgett LLP The Future Engagement Committee........................................... 2 San Francisco, CA Strange Times, Unexpected Allies Vice Chair Stephanie M. Wurdock What Young Lawyers Can Learn from the Collaboration of Sturgill Turner Barker & Moloney Plaintiffs’ and Defense Lawyers’ Organizations Dealing with Lexington, KY COVID-19 .............................................................................................. 3 Second Vice Chair Article of Note Catherine Ava Kopiec Rogers Townsend & Thomas PC Cultivating Effective Communication While Working Columbia, SC Remotely .............................................................................................. 5 Editors Leadership Note Natalie Baker The Chair’s Corner Medical Research Consultants Houston, TX The Struggle Is Real .......................................................................... 7 DRI Young Lawyers Member Spotlight Darin M. Williams Allison Griffith ..................................................................................... 8 Laner Muchin, Ltd. Chicago, IL Membership Minute Membership Remains Strong Despite Challenges .................. 9 Co Editors Ashlyn M. Capote Timeout for Wellness Goldberg Segalla LLP Tips for Staying Sane in the Pandemic .....................................10
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Table of Contents Pagan Songs and Chants Listed Alphabetically By
Vella Rose’s Pagan Song Book August 2014 Edition This is collection of songs and chants has been created for educational purposes for pagan communities. I did my best to include the name of the artists who created the music and where the songs have been recorded (please forgive me for any errors). This is a work in progress, started over 12 years ago, a labor of love, that has no end. There are and have been many wonderful artists who have created music for our community. Please honor them by acknowledging them if you include their songs in your rituals or song circles. Many of the songs are available on the web, some additional resources are included in Appendix A to help you find them. Blessings and thanks to all. NOTE: Page numbers only works to 170 – then something went wrong and I can’t figure it out, sorry. Table of Contents Pagan Songs and Chants Listed Alphabetically By Title p. 2 - 160 Appendix A – Additional Resources p. 161 Appendix B – Song lists from select albums p. 163 Appendix C – Songs and Chants for Moons and Sabbats Appendix D – Songs and Chants for Winter and Yule Appendix E – Songs for Goddesses Index – Alphabetical listings by First Lines (verses and chorus) 1 Vella Rose’s Pagan Song Book August 2014 Alphabetical Listing of Songs by Title A Circle is Cast By Anna Dempska, Recorded on “A Circle is Cast” by Libana (1988). A circle is cast, again, and again, and again, and again. (repeats) ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** Air Flies to the Fire Recorded on “Good Where We Been” by Shemmaho.
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Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
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