DOCSLIB.ORG

James Thomas Fields of Ticknor & Fields1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
James Thomas Fields of Ticknor & Fields1 JAMES THOMAS FIELDS OF TICKNOR & FIELDS1 Per JAMES T. FIELDS (Boston MA: Houghton Mifflin, 1881, page 102): “I like to see him [Thoreau] come in, he always smells of the pine woods.” 1817 December 31, Wednesday: James Thomas Fields was born in Portsmouth, New Hampshire. 1. “It was part of his reputation that he was generous with his authors.” HDT WHAT? INDEX JAMES T. F IELDS JAMES T. F IELDS 1830 During this year 1,700 titles were being printed in America, of which almost half were reprints of books published overseas. 1831 James Thomas Fields went to work at the age of 14 in the Old Corner Bookshop in Boston. 1838 James Thomas Fields was hired by the Boston bookselling firm of William D. Ticknor, which would become Ticknor, Reed & Fields in 1854 and Fields, Osgood & Company in 1868. 1832-1834 Allen & Ticknor 1834-1843 William D. Ticknor 2 Copyright Austin Meredith HDT WHAT? INDEX JAMES T. F IELDS JAMES T. F IELDS 1843-1849 William D. Ticknor & Co. 1849-1854 Ticknor, Reed & Fields 1854-1868 Ticknor and Fields 1868-1871 Fields, Osgood & Co. 1871-1878 James R. Osgood & Co. September 13, Thursday: James Thomas Fields delivered an Anniversary Poem before the Mercantile Library Association of Boston (he would print this at the firm of his employer William D. Ticknor at the corner of Washington and School Streets). ANNIVERSARY POEM Early in September, Jones Very had felt within himself the gradual coming of a new will, somewhat like his old wicked self-will but different in that “it was not a feeling of my own but a sensible will that was not my own,” a will “to do good.” There was “a consciousness which seemed to say —‘That which creates you creates also that which you see or him to whom you speak.’” By Thursday, September the 13th, Very was convinced that he had acquired an “identification with Christ.” Moved entirely by this spirit within, he began to declare to all about him at Harvard College that the coming of Christ was at hand. That evening he went to the study of the Reverend Henry Ware, Jr., who was working up his alarmed response to Waldo Emerson’s address at the Divinity School, a response directed against Emerson’s “doctrine of the Divine Impersonality,” which he was scheduled to deliver at the Divinity Hall Chapel on September 23d. Ignoring theology students who happened to be in the professor’s study, Very proceeded to parse Matthew chapter 24 to the professor and to insist that what he was offering was eternal, revealed truth. Ware could not agree with Very’s parsing of the chapter, so Very pulled out his big gun: “You are doing your own will, and not the will of your Father.”2 1842 James Thomas Fields was made a junior partner the Boston bookselling firm of William D. Ticknor, which would become Ticknor, Reed & Fields in 1854 and Fields, Osgood & Company in 1868. 1832-1834 Allen & Ticknor 1834-1843 William D. Ticknor 1843-1849 William D. Ticknor & Co. 1849-1854 Ticknor, Reed & Fields 2. Which although it was true enough to be painful –for in fact the Reverend Professor Henry Ware, Jr. was one of these “heroic champion of the consensual reality” types– or false enough –for in fact the Reverend Professor Ware Junior was trudging along as un-clumsily as he could in the theological footprints of his father, the Reverend Professor Ware Senior– definitely was not a helpful thing to point out. “Stack of the Artist of Kouroo” Project 3 HDT WHAT? INDEX JAMES T. F IELDS JAMES T. F IELDS 1854-1868 Ticknor and Fields 1868-1871 Fields, Osgood & Co. 1871-1878 James R. Osgood & Co. 1849 James Thomas Fields’s POEMS were published in Boston by the firm in which he was becoming a junior partner, the firm of William D. Ticknor & Co. JAMES T. FIELD’S POEMS Ellery Channing’s THE WOODMAN, AND OTHER POEMS (Boston: James Munroe & company). THE WOODMAN, &C., &C. This volume would be in Henry Thoreau’s personal library. He would include a portion of “Baker Farm” and a portion of “Walden Spring” in WALDEN, and a portion of “Old Sudbury Inn” in his journal for the autumn of this year. TIMELINE OF WALDEN BAKER FARM. Thy entry is a pleasant field, Which some mossy fruit trees yield Partly to a ruddy brook, By gliding musquash undertook, And mercurial trout 4 Copyright Austin Meredith HDT WHAT? INDEX JAMES T. F IELDS JAMES T. F IELDS Darting about. Cell of seclusion, Haunt of old time, Rid of confusion, Empty of crime, Landscape! where the richest element Is a little sunshine innocent; In thy insidious marsh, In thy cold opaque wood, Thy artless meadow, And forked orchard's writhing mood, Still Baker Farm! There lies in them a fourfold charm. Alien art thou to God and Devil! Man too forsakes thee, No one oms to revel On thy rail-fenced lea, Save gleaning Silence gray-headed, Who drains the frozen apple red, Thin jar of winter’s jam, Which he will with gipsy sugar cram. And here a Poet builded, In the completed years, For behold a trivial cabin That to destruction steers. Should we judge it was built? Rather by kind nature spilt To interfere with circumstance, And put a comma to the verse And west trends blue Fairhaven bay, O’er whose stained rocks the white pines sway, And south slopes Nobscot grand, And north the still Cliffs stand. Pan of unwrinkled cream, May some Poet dash thee in his churn, And with thy beauty mad, Verse thee in rhymes that burn; Thy beauty, — the beauty of Baker Farm! In the drying field, And the knotty tree, In hassock and bield, And marshes at sea! Thou art expunged from to-day, Rigid in parks of thy own, Where soberly shifts the play, And the wind sighs in monotone. Debate with no man hast thou, With questions art never perplexed, As tame at the first sight as now, In thy plain, russet gabardine dressed. I would hint at thy religion, Hadst thou any, Piny fastness of wild pigeon, Squirrel's litany,. Never thumbed a gilt Prayer Book, Here the cawing, sable rook! Art thou orphan of a deed, Title that a court can read, Or dost thou stand For the entertaining land, That no man owns, Pure grass and stones? Idleness is in the preaching, Simpleness is all the teaching, “Stack of the Artist of Kouroo” Project 5 HDT WHAT? INDEX JAMES T. F IELDS JAMES T. F IELDS Churches in the steepled woods, Galleries in green solitudes, Fretted never by a noise, Eloquence that each enjoys. Here humanity may trow, It is feasible to slough The corollary of the village, Lies, thefts, clothes, meats, and tillage! Come, ye who love, And ye who hate, Children of the Holy Dove, And Guy Faux of the State, And hang conspiracies, From the tough rafters of the trees! Still Baker Farm! So fair a lesson thou dost set, Commensurately wise, Lesson no one may forget. Consistent sanctity, Value that cannot be spent, Volume that cannot be lent, Passable to me and thee, For Heaven thou art meant! WALDEN SPRING. Whisper ye leaves your lyrics in my ear, Carol thou glittering bird thy summer song, And flowers, and grass, and mosses on the rocks, And the lull woods, lead me in sober aisles, And may I seek this happy day the Cliffs, When fluid summer melts all ores in one, Both in the air, the water; and the ground. And so I walked beyond the last, gray house, And o’er the upland glanced, and down the mead, Then turning went into the oaken copse,— Heroic underwoods that take the air With freedom, nor respect their parent’s death. Yet a few steps, then welled a cryptic spring, Whose temperate nectar palls not on the taste, Dancing in yellow circles on the sand, And carving through the ooze a crystal bowl. Here sometime have I drank a bumper rare, Wetting parched lips, from a sleek, emerald leaf, Nursed at the fountain's breast, and neatly filled The forest-cup, filled by a woodland hand, That from familiar things draws sudden use, Strange to the civic eye, to Walden plain. And resting there after my thirst was quenched, Beneath the curtain of a civil oak, That muses near this water and the sky, I tried some names with which to grave this fount. And as I dreamed of these, I marked the roof, Then newly built above the placid spring, Resting upon some awkward masonry. In truth our village has become a butt For one of these fleet railroad shafts, and o'er Our peaceful plain, its soothing sound is — Concord, Four times and more each day a rumbling train Of painted cars rolls on the iron road, Prefigured in its advent by sharp screams That Pandemonium satisfied should hear. The steaming tug athirst, and lacking drink, The railroad eye direct with fatal stroke Smote the spring's covert, and by leaden drain Thieved its cold crystal for the engine's breast. Strange! that the playful current from the woods, Should drag the freighted train, chatting with fire, And point the tarnished rail with man and trade. 6 Copyright Austin Meredith HDT WHAT? INDEX JAMES T. F IELDS JAMES T. F IELDS OLD SUDBURY INN. Who set the oaks Along the road? Was it not nature's hand, Old Sudbury Inn! where I have stood And wondered at the sight, The oaks my delight? And the elms, All boldly branching to the sky, And the interminable forests, Old Sudbury Inn! that wash thee nigh On every side, With a green and rustling tide: The oaks and elms, And the surrounding woods, And Nobscot rude, Old Sudbury Inn! creature of moods, That I could find Well suited to the custom of my mind.
Load more

Recommended publications
  • Willa Cather and American Arts Communities
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J.
    [Show full text]
  • Full Press Release
    Press Contacts Michelle Perlin 212.590.0311, [email protected] aRndf Patrick Milliman 212.590.0310, [email protected] THE LIFE OF HENRY DAVID THOREAU THROUGH THE LENS OF HIS REMARKABLE JOURNAL IS THE SUBJECT OF A NEW MORGAN EXHIBITION This Ever New Self: Thoreau and His Journal June 2 through September 10, 2017 New York, NY, April 17, 2017 — Henry David Thoreau (1817–1862) occupies a lofty place in American cultural history. He spent two years in a cabin by Walden Pond and a single night in jail, and out of those experiences grew two of this country’s most influential works: his book Walden and the essay known as “Civil Disobedience.” But his lifelong journal—more voluminous by far than his published writings—reveals a fuller, more intimate picture of a man of wide-ranging interests and a profound commitment to living responsibly and passionately. Now, in a major new exhibition entitled This Ever New Self: Thoreau and His Journal opening June 2 at the Morgan Library & Museum, nearly one hundred items Benjamin D. Maxham (1821–1889), Henry D. Thoreau, have been brought together in the most comprehensive Daguerreotype, Worcester, Massachusetts, June 18, 1856. Berg Collection, New York Public Library. exhibition ever devoted to the author. Marking the 200th anniversary of his birth and organized in partnership with the Concord Museum in Thoreau’s hometown of Concord, Massachusetts, the show centers on the journal he kept throughout his life and its importance in understanding the essential Thoreau. More than twenty of Thoreau’s journal notebooks are shown along with letters and manuscripts, books from his library, pressed plants from his herbarium, and important personal artifacts.
    [Show full text]
  • The Library of Robert Morris, Civil Rights Lawyer & Activist
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons @ Boston College Law School Boston College Law School Digital Commons @ Boston College Law School Boston College Law School Faculty Papers 6-21-2018 The Library of Robert Morris, Civil Rights Lawyer & Activist Laurel Davis Boston College Law School, [email protected] Mary Sarah Bilder Boston College Law School, [email protected] Follow this and additional works at: https://lawdigitalcommons.bc.edu/lsfp Part of the Civil Rights and Discrimination Commons, Legal Biography Commons, Legal History Commons, Legal Profession Commons, Political History Commons, and the United States History Commons Recommended Citation Laurel Davis and Mary Sarah Bilder. "The Library of Robert Morris, Civil Rights Lawyer & Activist." (2018). This Article is brought to you for free and open access by Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law School Faculty Papers by an authorized administrator of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. The Library of Robert Morris, Antebellum Civil Rights Lawyer & Activist∗ Laurel Davis** and Mary Sarah Bilder*** Contact information: Boston College Law Library Attn: Laurel Davis 885 Centre St. Newton, MA 02459 Abstract (50 words or less): This article analyzes the Robert Morris library, the only known extant, antebellum African American-owned library. The seventy-five titles, including two unique pamphlet compilations, reveal Morris’s intellectual commitment to full citizenship, equality, and participation for people of color. The library also demonstrates the importance of book and pamphlet publication as means of community building among antebellum civil rights activists.
    [Show full text]
  • Katie Mcgettigan, Royal Holloway, University of London Henry
    Katie McGettigan, Royal Holloway, University of London Henry Wadsworth Longfellow and the Transatlantic Materials of American Literature Abstract This article uses Longfellow’s experience in the transatlantic literary market to analyze how British publishers constructed antebellum American literature as a cultural commodity, and an aesthetically valuable tradition through their material texts. Longfellow’s correspondence with publishers John Walker, George Routledge and David Bogue, and Bogue’s illustrated editions of Evangeline and Hyperion reveal that British reprints manifested overlapping discourses of authorization and value. Publishers used the materiality of their texts to legitimize their reprinting, but also to champion Longfellow’s poetry, American letters more widely, and Longfellow’s vision of a cosmopolitan American literature. The essay then traces this dialogue between British books and the emergence of American literature in Longfellow’s The Courtship of Miles Standish, in which transatlantic circulations and British books are integral to the founding of America and American writing. Ultimately, this essay repositions British reprints as complex acts of reception that intervened in debates over the nature of American literature, and argues for a re-centering of American literary history around material transatlantic exchange. Immensely popular in America and Britain, Henry Wadsworth Longfellow was an exceptional figure in the antebellum transatlantic literary marketplace, and the best-selling poet of any nationality in Victorian Britain (St Clair 2004, 391). The London National Review reported that Longfellow appeared “every where and in every form, - in complete editions on the counters of the regular booksellers, in stacks of little shilling volumes on railway bookstalls, and in gorgeously-bound and profusely-illustrated volumes on drawing- 1 room tables” (1859, 198).
    [Show full text]
  • James Thomas Fields Papers: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/tf2z09n5tc No online items James Thomas Fields Papers: Finding Aid Finding aid prepared by Huntington Library staff and updated by Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. James Thomas Fields Papers: mssFI 1 Finding Aid Descriptive Summary Title: James Thomas Fields Papers Dates: 1767-1914 Bulk dates: 1850-1914 Collection Number: mssFI Creator: Fields, James Thomas Extent: 5,438 items in 74 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org Abstract: The collections consist primarily of letters, as well as poems and manuscripts, from various American and British authors to American editor, publisher, and poet James Thomas Fields (1817-1881), mostly relating to publication of their manuscripts by his firm Ticknor and Fields and in The Atlantic Monthly. The collection also includes letters to Fields's wife Annie Fields (1834-1915) concerning literary matters. Language of Material: The records are in English. Access The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, please visit the Huntington's website: www.huntington.org. Processing Information The collection was processed and a summary report first created in 1976, and revised in 1983.
    [Show full text]
  • James Thomas Fields Papers Addenda: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/tf6p3004vs No online items James Thomas Fields Papers Addenda: Finding Aid Finding aid prepared by Huntington Library staff and updated by Diann Benti. Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. James Thomas Fields Papers mssFI Addenda 1 Addenda: Finding Aid Descriptive Summary Title: James Thomas Fields Papers Addenda Dates: 1838-1901 Collection Number: mssFI Addenda Creator: Fields, James Thomas Fields, Annie Adams Extent: Approximately 500 pieces in 13 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org Abstract: This collection of papers of American editor, publisher, and poet James Thomas Fields (1817-1881) and his wife, Annie (Adams) Fields (1834-1915), consists of notebooks and loose papers containing their poetry, essays, notes for speeches, a few scattered diary entries, and memoranda. Language of Material: The records are in English. Access The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, please visit the Huntington's website: www.huntington.org. Processing Information In March 2000, an initial EAD-encoded finding aid was created for this collection and then updated in 2004. In January 2015, Diann Benti created a new EAD-encoded finding aid for the collection. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities.
    [Show full text]
  • George Ticknor (1791 - 1871), 1 His Contributions to Hispanism, and a Special Friendship
    058-02/2020EN ISSN 2688-2949 (online) ISSN 2688-2965 (print) George Ticknor (1791 - 1871), 1 his Contributions to Hispanism, and a Special Friendship Rolena Adorno (Yale University) José M. del Pino (Dartmouth College) Abstract: This study is dedicated to George Ticknor (1791-1871), a pioneer of Hispanism in the United States who laid the foundations for Harvard University’s modern languages program. Over the course of two articles, the study examines Ticknor’s intellectual, academic and pedagogical career—which culminated with the publication of his seminal History of Spanish Literature (1849)—, as well as his friendship with Thomas Jefferson, with whom Ticknor shared a passion for books and learning, for academic reform, as well as for Spanish letters and their introduction to American universities. Keywords: Ticknor, Hispanism, Spanish literature, modern languages, pedagogy, Harvard University © Rolena Adorno and José M. del Pino George Ticknor (1791-1871), his Contributions to Hispanism, and a Special Friendship Estudios del Observatorio/Observatorio Studies. 058-02/2020EN ISSN: 2688-2949 (online) 2688-2965 (print) doi: 10.15427/OR058-02/2020EN Instituto Cervantes at FAS - Harvard University © Instituto Cervantes at the Faculty of Arts and Sciences of Harvard University 2 © Rolena Adorno and José M. del Pino George Ticknor (1791-1871), his Contributions to Hispanism, and a Special Friendship Estudios del Observatorio/Observatorio Studies. 058-02/2020EN ISSN: 2688-2949 (online) 2688-2965 (print) doi: 10.15427/OR058-02/2020EN Instituto Cervantes at FAS - Harvard University © Instituto Cervantes at the Faculty of Arts and Sciences of Harvard University George Ticknor: The Journey toward History of Spanish Literature (1849)1 José M.
    [Show full text]
  • The Sculptor's Funeral
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of 2016 Buried in Plain Sight: Unearthing Willa Cather’s Allusion to Thomas William Parsons’s “The Sculptor’s Funeral” Melissa J. Homestead University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, and the Reading and Language Commons Homestead, Melissa J., "Buried in Plain Sight: Unearthing Willa Cather’s Allusion to Thomas William Parsons’s “The cS ulptor’s Funeral”" (2016). Faculty Publications -- Department of English. 182. http://digitalcommons.unl.edu/englishfacpubs/182 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Studies in American Fiction 43:2 (2016), pp. 207–229. doi 10.1353/saf.2016.0010 Copyright © 2016 by Johns Hopkins University Press. Used by permission. digitalcommons.unl.edu Buried in Plain Sight: Unearthing Willa Cather’s Allusion to Thomas William Parsons’s “The Sculptor’s Funeral” Melissa J. Homestead University of Nebraska-Lincoln n January 1905, Willa Cather’s story “The Sculptor’s Funeral” appeared in McClure’s Magazine and shortly thereafter in her first book of fiction,The Troll Garden, a collec- Ition of stories about art and artists. In the story, the body of sculptor Harvey Mer- rick arrives in his hometown of Sand City, Kansas, on a train from Boston, accompa- nied by his friend and former student, Henry Steavens.
    [Show full text]
  • 'Uncle Tom's Cahin'
    Greatest Book of Its Kind': A Puhlishing History of 'Uncle Tom's Cahin' MICHAEL WINSHIP HE GREATEST BOOK of Its Kind.' Do you know it? Have you read it? Even if you have not, I suspect that you Tare familiar with many of its characters and scenes. Angelic littie Eva, whose dying is so memorable. Mischievous Topsy, who explains herself with phrases such as 'I spect I grow'd' and 'I spects 'cause I's so wicked!' Cruel Simon Legree, the slave driver who has Uncle Tom whipped to death. And noble Uncle Tom himself, who accepts his fate and thus proves his humanity through Christian humility. 'The Greatest Book of Its Kind.' This is how John P. Jewett, the original publisher of Uncle Tom's Cabin in book form, described it in his advertisements.' But it is a curious phrase—one that seems to raise more questions than it answers. In what way is it great? Of what kind is it? I suppose that Jewett was himself imable to answer these questions, for in many ways Uncle Tom's Cabin was unlike An earlier version of this essay was delivered as the James Russell Wiggins Lecture in the History of the Book in American Culture on September 24, 1999. Unpublished material is quoted here by permission of the Harriet Beecher Stowe Center, Hartford, Conn.; the Houghton Library, Harvard University, Cambridge, Mass.; the Houghton Mifflin Com- pany, Boston, Mass.; and the Schlesinger Library, Radcliffe Institute, Harvard University, Cambridge, Mass. I. This phrase was used in various advertisements for Uncle Tom's Cabin, including one printed at the back of the first printing of the cheap, one-volume 'edition for the million' of Uncle Tom's Cabin produced in late 1852.
    [Show full text]
  • Literary Boston: 1794–1862 Meets Here Starting in 1855
    22) 60 School Street: The Parker House. The Saturday Club Literary Boston: 1794–1862 meets here starting in 1855. First addresses below are current. Addresses in parentheses 23) 30 School Street (10 School Street): New England refer to the same locations as they were designated in the years Magazine (1831–35), published here by E. R. Broaders in specified. Some current addresses may be approximate. 1831. 1) 62 Charles Street South (formerly 62 Carver Street): 24) 310 Washington Street (corner of Marlborough & Milk Edgar Allan Poe born here on January 19, 1809. The Streets): Old South Meeting House. Phillis Wheatley joins building was razed in 1959. the church here in 1771. 2) Central Burying Ground, on Boston Common near 25) 280 Washington Street (134 Washington Street): The Boylston Street: Charles Sprague, the banker-poet of North American Review (1815–1940) published here in 1841 Boston, buried here in 1875. by James Munroe and Company. 3) Frog Pond, on Boston Common: Associated with the 26) 1 Devonshire Place (11 Devonshire Street): The Literary Boston literati by Edgar Allan Poe who called them and Catholic Sentinel published here by Patrick Donahoe Frogpondians. and Henry L. Devereux in 1835. 4) 39 Beacon Street: Henry Wadsworth Longfellow and 27) 1 Federal Street (Federal Street & Franklin Place): The Fanny Appleton got married here in 1843. Federal Street Theatre here from 1793–1852. Also called 5) 13 Chestnut Street: Julia Ward Howe lived here 1862– The Boston Theatre and, later, The Odeon. 1866. 28) 77 Franklin Street (5 Franklin Place, in the Tontine 6) 54 Pinckney Street: Nathaniel Hawthorne lived here Crescent): Residence of Judith Sargent Murray, 1794–1819.
    [Show full text]
  • Washington Irving's Writings on the Rise and Fall of Spain
    Notes 1 “My King, My Country, and My Faith”: Washington Irving’s Writings on the Rise and Fall of Spain 1. The World Displayed, or, A curious collection of voyages and travels, selected from the writers of all nations: in which the conjectures and interpolations of several vain editors and translators are expunged, every relation is made concise and plain, and the division of countries and kingdoms are clearly and distinctly noted: illustrated and embellished with variety (London: Printed for J. Newbery, at the Bible and Sun, in St. Paul’s Church-Yard, 1759). 2. Rolena Adorno, “Washington Irving’s Romantic Hispanism and Its Columbian Legacies,” in Spain in America: The Origins of Hispanism in the United States, edited by Richard L. Kagan (Urbana and Chicago: University of Illinois Press, 2002), pp. 49–105. I am extremely indebted to this and two other essays by Rolena Adorno, “Early Anglo-American Hispanism in the ‘Columbian Encounter’ of Washington Irving and Martín Fernández de Navarrete,” which appeared in the Pre-Actas of the Conference “El hispanismo anglonorteamericano: Aportaciones, problemas y perspec- tivas sobre Historia, Arte y Literatura españolas (siglos XVI–XVIII)” (Córdoba: Universidad de Córdoba, 1997), pp. 5–40, and the revised version that appeared in the book of the same title, edited by José Manuel de Bernardo Ares (Córdoba: Publicaciones Obra Social y Cultural Cajasur, 2001). Adorno’s essay appears on pp. 87–106. See also Stanley T. Williams, The Life of Washington Irving, 2 vols. (New York: Oxford University Press, 1935), and The Spanish Background of American Literature, 2 vols.
    [Show full text]
  • Ralph Waldo Emerson: a Bicentenary Exhbition University Libraries--University of South Carolina
    University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 2003 Ralph Waldo Emerson: A Bicentenary Exhbition University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Ralph Waldo Emerson: A Bicentenary Exhbition, 2003". http://scholarcommons.sc.edu/rbsc_pubs/40/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Thomas Cooper· Library University of South Carolina 2003 , d-z.-.... ~- ':::".~~ ;,-~~, /r~ , $FLb ae:&~ - L!AcA...?~-'$. -;r~~ ~ ~ . ' . ,:.) L~ / - .J ~ c-r:c~- ¢J A{;;_. ,-h-? ,-y~'-) '{d-- k/:/d -tf'- ~ 4'~~ '~. U~-h~4~ ~- --, ~ ¢ H ~ #1'.-.' ~~'" . ,~,,/ ., .L ~/ . ~/v~?, ......---'-" ~r . -f!' ~~ . h~ . ~ . ~ k~. ' ~-?:~c:/ . --~~. ~ .. ~~-~,-.e-/ P'/ 1At41.-:;--i, ~ ~~ 4.., u-e:,f"~4 o£ . " RALPH WALDO EMERSON (1803-1882) a bicentenary exhibition from the Joel Myerson Collection of Nineteenth-Century American Literature Joel Myerson Thomas Cooper Library University of South Carolina 2003 Foreword I am very pleased to introduce this catalogue, which provides a permanent record
    [Show full text]