Junior Seventh Level -.:: GEOCITIES.Ws
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Grading Information 2019
Irish Judo Association Email: [email protected] Website: www.irishjudoassociation.ie GRADING INFORMATION 2019 Date: 1st January 2019 Version: Final 0 | P a g e TABLE OF CONTENTS INTRODUCTION ................................................................................................................ 3 MESSAGE FROM THE PRESIDENT ........................................................................................ 3 GRADING PRINCIPLES .......................................................................................................... 4 GRADING AUTHORITY ......................................................................................................... 4 RECORD KEEPING ................................................................................................................ 4 ELIGIBILITY TO GRADE ......................................................................................................... 5 SUMMARY OF VALID GRADING PATHWAYS ....................................................................... 9 CORE TECHNICAL GRADING PATHWAY ............................................................................. 10 ADVANCED GRADING PATHWAYS..................................................................................... 10 Competition Grading Pathway ....................................................................................... 10 Advanced Technical Pathway ......................................................................................... 11 Contribution Pathway .................................................................................................... -
WPB Judo Academy Parents and Judoka Handbook
WPB Judo Academy 2008 Parents and Judoka Handbook Nage-Waza - Throwing Techniques O-soto-otoshi O-soto-gari Ippon-seio-nage De-ashi-barai Tai-otoshi Major Outer Drop Major Outer One Arm Shoulder Advancing Foot Body Drop Throw Sweep O-uchi-gari Ko-uchi-gari Ko-uchi-gake Ko-soto-gake Ko-soto-gari Major Inner Reaping Minor Inner Reaping Minor Inner Hook Minor Outer Hook Minor Outer Reap Uki-goshi O-goshi Tsuri-goshi Floating Hip Throw Major Hip Throw Lifting Hip Throw Osae-Waza - Holding Techniques Kesa-gatame Yoko-shiho-gatame Kuzure-kesa-gatme Scarf Hold Side 4 Quarters Broken Scarf Hold Nage-Waza - Throwing Techniques Morote-seio-nage O-goshi Uki-goshi Tsuri-goshi Koshi-guruma Two Arm Shoulder Major Hip Throw Floating Hip Throw Lifting Hip Throw Hip Whirl Throw Sode-tsuri-komi-goshi Tsuri-komi-goshi Sasae-tsuri-komi-ashi Tsubame-gaeshi Okuri-ashi-barai Sleeve Lifting Pulling Lifting Pulling Hip Lifting Pulling Ankle Swallow’s Counter Following Foot Hip Throw Throw Block Sweep Shime-Waza - Strangulations Nami-juji-jime Normal Cross Choke Ko-soto-gake Ko-soto-gari Ko-uchi-gari Ko-uchi-gake Minor Outer Hook Minor Outer Reap Minor Inner Reap Minor Inner Hook Osae-Waza - Holding Techniques Kansetsu-Waza - Joint Locks Gyaku-juji-jime Reverse Cross Choke Kami-shiho-gatame Kuzure-kami-shiho-gatame Upper 4 Quarters Hold Broken Upper 4 Quarters Hold Ude-hishigi-juji-gatme Cross Arm Lock Tate-shiho-gatame Kata-juji-jime Mounted Hold Half Cross Choke Nage-Waza - Throwing Techniques Harai-goshi Kata-guruma Uki-otoshi Tsuri-komi-goshi Sode-tsuri-komi-goshi -
Un Documento Inquietante
UN DOCUMENTO INQUIETANTE Abbiamo ripreso un album fotografico (1904) di Yamashita in America (1903 – 1906) pubblicato dalla Massachusetts Amherst University. Yoshiaki (Yoshitsugu) Yamashita, Album Fotografico 1904. Special Collections and University Archives, W.E.B. Du Bois Library, University of Massachusetts Amherst .Gift of Caroline Watson, December 2007 Questa serie di immagini può essere servita da riferimento per l'insegnamento e forse nutriva la segreta speranza di costituire la base illustrata di un libro. Non siamo al corrente della diffusione della stampa nel Giappone del 1900. Riteniamo che i libri giapponesi dell'epoca fossero rari e costosi rispetto alla produzione americana. L'impresa del manuale di judo per l'Occidente verrà perseguita da Yokoyama Sakujiro (1869 – 1912), con Judo-kyohan pubblicato (nel 1915) dopo la sua morte. L'album in questione è conservato insieme ad altri 4 documenti e al biglietto da visita del Maestro. Il signor Robert S. Cox, curatore dell'archivio dell'Università del Massachusetts Amherst, ce ne ha mandato copia. I am glad you found the Yoshiaki Yamashita Photo album on our website. I scanned all four of the pieces of paper that were included in the album for you, including the instructions on judo throws and the list of katas, holds, and throws. If you have any comments or things to add, please let me know. This is a wonderful little collection and I'd be glad to hear from someone who knows more about the subject than I! All best wishes from Amherst, Rob Co (Sono felice che abbiate trovato l'album fotografico di Yoshiaki Yamashita sul nostro sito. -
JUDO Requirements
Elkhorn JUDO Requirements Rank Name Min. Age Min. Classes Test Fee Juichikyu White Jukyu White/Yellow 5 7 $40.00 Kyukyu Yellow 6 14 $50.00 Hachikyu Green Stripe 6 20 $50.00 Nanakyu Green 7 20 $60.00 Rokkyu Blue Stripe 7 20 $60.00 Gokyu Blue 8 32 $70.00 Yonkyu Brown Stripe 9 40 $70.00 Sankyu Brown III 10 40 $80.00 Nikyu Brown II 11 52 $80.00 Ikkyu Brown I 12 52 $80.00 Shodan Black 13 52 $375.00 Eligibility for promotion shall be based upon the following general requirements, not necessarily in this order: a) Moral character, attitude, and maturity b) Competitive ability c) Technical proficiency d) General experience, contributions, and time in grade e) Recommendation by candidate’ s instructor f) Must have knowledge and demonstrate the skills of the previous rank g) Participate in class activities h) Basic Judo etiquette i) Basic Judo hygiene REDUCTIONS OF TIME IN GRADE BY CONTRIBUTION (FOR COMPETITORS AND NON- COMPETITORS) A student may reduce their time in grade buy participating Judo special events. A maximum of 30% reduction will be allowed. Reductions will be as follows: 5% for participation in a Judo seminar 5% for participation in a Judo tournament 5% for winning in Judo tournament over an opponent of equal rank 10% for winning in Judo tournament over an opponent of higher rank White - 11th Kyu (Juichikyu) ! MINIMUMS Age: 5 Number of classes: 7 BASICS A. Demonstrate posture - Shizentai (natural posture) B. Demonstrate adequate body control (Taisabaki) Changing direction and position while maintaining a balanced and controlled posture 1. -
Programma Judo
FESIK Settore JUDO NORMATIVE E PROGRAMMI TECNICI PER ESAMI DI PASSAGGIO KYU E DAN FESIK e DA Settore JUDO Programmi di Esame 5° KYU (CINTURA GIALLA) SHISEI – Posizione di guardia Shizen-tai Migi-shizen-tai Hidari-shizen-tai Jigo-tai Migi-jigo-tai Hidari-shizen-tai UKEMI – Cadute Ushiro-ukemi Koho-kaiten Migi-yoko-ukemi Hidari-yoko-ukemi Mae-maware-ukemi (migi e hidari) Zenpo-kaiten-ukemi (migi e hidari) SHINTAI – Spostamenti Tai sabaki Ayumi-ashi Tsugi ashi Tsuri-ashi KUMI-KATA – Prese al judogi Dimostrazione di alcune prese FONDAMENTALI Kuzushi Tsukuri Kake YAKUSOKU-GEIKO – Esercizio convenuto Kakari-geiko Uchi-komi NAGE-WAZA – Tecnica delle proiezioni Hiza-guruma Sasae-tsurikomi-ashi Uki-goshi O-soto-gari O Uchi Gari KATAME-WAZA – Tecnica delle immobilizzazioni Hon-kesa-gatame Kuzure-kesa-gatame Makura-kesa-gatame Ushiro-kesa-gatame Kata-gatame Pagina 2 di 17 FESIK e DA Settore JUDO Programmi di Esame 4° KYU (CINTURA ARANCIONE) NAGE-WAZA – Tecnica delle proiezioni O-goshi De ashi barai Morote-seoi-nage Ippon-seoi-nage Ko-soto-gari Ko-uchi-gari Koshi-guruma BOGYO – Difese Dimostrazione di quattro difese da attacco tra quelle in Elenco allegato HAIRI KATA – Creazione delle oppurtunità Dimostrazione di almeno 2 hairi kata tra quelle in Elenco allegato KAESHI WAZA – Tecniche di contrattacco Dimostrazione di 2 tecnica di contrattacco RENRAKU-WAZA – Concatenazione di tecniche Dimostrazione di almeno due concatenazione tra quelle in Elenco allegato KATAME-WAZA – Tecnica delle immobilizzazioni Yoko-shiho-gatame Kuzure-yoko-shiho-gatame Kami-shiho-gatame -
Aatecnica E Tatica Alto Rendimento PIERANTOZZI Maringa13
23/09/13 TECNICA e TATICA no Judo de Alto Rendimento Maringa 25/08/13 Emanuela Pierantozzi Exercise and Sport Sciences Course, University of Genoa 1 OVERVIEW Lecture: • Sucessful judoka • Kumi kata (grip fight) • Nage waza (standing fight) • Ne waza (mat fight) Pratical Lesson: • Kumikata exercises • Nage waza exercises • Ne waza exercises Técnica e Tática no Judô de Alto Rendimento – Maringa (Pierantozzi) 2 1 23/09/13 What does it make a successful judoka? Técnica e Tática no Judô de Alto Rendimento – Maringa (Pierantozzi) 3 What does it take to get there in judo? • Genetic factors? • Physiological factors? • Psychological factors? • Emotional skills? • Technical and tactical skills? • The right steps at the right age? • The right planning for training? • The right planning for competitions? • Access to international judo camps and competitions (resources)? • Access to qualitative coaching? • Sponsor (money)? • Acces to long term education? Técnica e Tática no Judô de Alto Rendimento – Maringa (Pierantozzi) 4 2 23/09/13 Science and Magic of sport However many athletes have all these elements they can’t acheve the highest level in the judo career. Técnica e Tática no Judô de Alto Rendimento – Maringa (Pierantozzi) 5 WHAT DOES THE RESEARCH SAY ? Research shows that athletes with an integrated lifestyle are more likely to achieve their sporting goals, cope better with stresses such as injury and retirement, and have more confidence in what the future will hold after sport. In my experience I am deeply agree! Técnica e Tática no Judô de Alto Rendimento – Maringa (Pierantozzi) 6 3 23/09/13 JUDO SUCCESSFUL ATHLETE (COMPETITION) • Judo players have to be capable of manteing concentration and motivation over 5 to 7 fights in a day, 5 to 10 competitions in a year and continuously over 2 years of time for the Olympic qualification. -
Junior First (1St) Degree – Yellow
Junior Fourth (4th) Degree – Orange Requirements (Minimum) Age – 7 Name __________________ Time in Previous Degree – 3 months Date Started ____________ Class Attendance – 24 classes Date Completed __________ Promotions Points – 7 points (see point calculation sheet) Previous Degree Requirements All of this Degree Requirements signed off by a Sensei General Information 1. Name the three divisions of standing techniques (Tachi Waza) in English and Japanese. Hand techniques – Te Waza Hip techniques – Koshi Waza Foot techniques – Ashi Waza 2. Name the three divisions of mat techniques (Ne Waza) in English and Japanese. Holding techniques – Osaekome Waza Choking techniques – Shime Waza Joint locking techniques – Kansetsu Waza 3. Name the two divisions of sacrifice techniques (Sutemi Waza) in English and Japanese. Back falling sacrifice techniques – Ma Sutemi Waza Side falling sacrifice techniques – Yoko Sutemi Waza 4. How can you help during Judo class? Judo Vocabulary 1. To Float = Uki 11. Entry methods into mat work = Hairi 2. Lower Prop = Sasae Kata 3. Lift = Tsuri 12. Fifth class (Kyu) Judo rank = Gokyu 4. Pull = Komi 13. Third degree black belt = Sandan 5. Defense (to an attack) = Bogyo 14. Floating hip throw = Uki Goshi 6. Escape (from a hold down) = Fusegi 15. Foot stop throw (Lower Prop Lift Pull 7. Back falls = Koho Ukemi Foot) = Sasae Tsuri Komi Ashi 8. Front falls = Zempo Ukemi 16. Sweeping hip throw = Harai goshi 9. Decision! (referee’s call for judges decision) = 17. Modified Side corners hold = Kuzure Hantei!! Yoko Shiho Gatame -
TARTALOM. Első Rész. a Judoról Általában
TARTALOM. Lap A fordító előszava VII A szerző előszava XIX Első rész. A judoról általában. I. A jiujitsu és a judo 3 II. A judo eredete és fejlődése 5 1. Kitoryu (A kito-iskola) 8 2. Tenshin shinyoryu (A tenshin shinyo-iskola) .... 9 3. A kodokanjudo-iskola 10 III. A judo célja 13 1. A judo, mint testfejlesztési módszer 13 2. A judo, mint az ellenfél legyőzésének eszköze .... 14 3. A judo, mint a lélek és a jellem fejlesztője 15 IV. A gyakorlóhely 19 a) A gyakorló-gyékény 19 b) A gyakorlótér méretei 19 c) A padló 20 d) A gyakorló-terem falai 21 „. 137 Lap V. A gyakorló-ruha 21 a) A gyakorló-kabát . 22 b) A gyakorló-nadrág 23 c) Az öv 23 VI. A gyakorló-ruha részei 23 VII. Hogyan kell megfogni az ellenfél ruháját 25 1. Hogyan kell megfogni a gallért? 25 2. Hogyan kell megfogni az ellenfél kabátujját? .... 26 3. Hogyan kell megfogni a kabát alsórészét? ..... 26 4. Hogyan kell megfogni az övet? 27 5. A ruha megfogásának általános szabályai 27 VIII. Ledobás esetén miként óvhatjuk meg magunkat az esetleges sérülésektől ? 28 1. A kéz és a kar szerepe a leesésnél 29 2. Hogyan essünk? 31 IX. A fontosabb testállások 32 1. Természetes állások 32 a) Rendes, természetes állás 32 /;) Természetes állás a jobb lábon 33 c) Természetes állás a bal lábon 33 2 Védelmi állások 34 a1) Rendes védelmi állás 34 b1) Védelmi állás a jobb lábon 34 c1) Védelmi állás a bal lábon 35 X. Üdvözlés a küzdelem előtt 35 XI. Hogyan kell oldalvást lépni ? 36 XII. -
Nokido Ju-Jitsu & Judo Student Handbook
Nokido Ju-Jitsu & Judo Student Handbook North Port, Florida Shihan Earl DelValle HISTORY OF JU-JITSU AND NOKIDO JU-JITSU Ju-Jitsu (Japanese: 柔術), is a Japanese Martial Art and a method of self defense. The word Ju- Jitsu is often spelled as Jujutsu, Jujitsu, Jiu-jutsu or Jiu-jitsu. "Jū" can be translated to mean "gentle, supple, flexible, pliable, or yielding." "Jitsu" can be translated to mean "art" or "technique" and represents manipulating the opponent's force against himself rather than directly opposing it. Ju-Jitsu was developed among the samurai of feudal Japan as a method for defeating an armed and unarmed opponent in which one uses no weapon. There are many styles (ryu) and variations of the art, which leads to a diversity of approaches, but you will find that the different styles have similar, if not the same techniques incorporated into their particular style. Ju-Jitsu schools (ryū) may utilize all forms of grappling techniques to some degree (i.e. throwing, trapping, restraining, joint locks, and hold downs, disengagements, escaping, blocking, striking, and kicking). Japanese Ju-Jitsu grew during the Feudal era of Japan and was expanded by the Samurai Warriors. The first written record of Ju-Jitsu was in 1532 by Hisamori Takeuchi. Takenouchi Ryu Ju-Jitsu is the oldest style of Ju-jitsu and is still practiced in Japan. There are hundreds of different Ju-Jitsu styles that have been documented and are practiced today, one of which is our modern style of Ju-Jitsu, Nokido Ju-Jitsu. Ju-Jitsu is said to be the father of all Japanese Martial Arts. -
WD PG Kyu Grading Syllabus
Western University Judo Club Kyu Grading Syllabus A Trail Form White Belt To Brown Belt Western University Judo Club Kyu Grading Syllabus 5th Kyu YELLOW Belt KIHON (Basics) REI (Bow) Ritsu-rei: Standing bow Za-rei: Sitting bow SHISEI (Postions) Shizen-hon-tai: Basic natural guard (Migi/Hidari-shizen-tai: Right/Left) Jigo-hon-tai: Basic defensive guard (Migi/Hidari-jigo-tai: Right/Left) SHINTAI (walks, movements) Tsuri-ashi: Feet shuffling (in common with Ayumi-ashi, Tsugi-ashi and Tai-sabaki) Ayumi-ashi: Normal walk, “foot passes foot” (Mae/Ushiro: Forwards/Backwards) Tsugi-ashi: Walk “foot chases foot” (Mae/Ushiro, Migi/Hidari) Tai-sabaki: Pivot (90/180°, Mae-Migi/Hidari, Ushiro-Migi/Hidari); KUMI-KATA: Grips (Hon-Kumi-Kata, Basic grip, Migi/Hidari-K.-K., Right/Left) WAZA: Technique KUZUSHI, TSUKURI, KAKE: Unbalancing, Positioning, Throw (Phases of the techniques) HAPPO-NO-KUZUSHI: The eight directions of unbalancing UKEMI (Break-falls) Ushiro-ukemi: Backwards break-fall Yoko-ukemi: Side break-fall (Migi/Hidari-yoko-ukemi) Mae-ukemi: Forward break-fall Mae-mawari-ukemi: Rolling break-fall Zempo-kaiten-ukemi: Leaping rolling break-fall KEIKO (Training exercises) Uchi-komi: Repetitions of entrances (lifting) Butsukari: Repetitions of impacts (no lifting) Kakke-ai: Repetitions of throws Yakusoku-geiko: One technique each without any reaction from Uke Kakari-geiko: One attacking, the other defending using the gentle way Randori: Free training exercise Shiai: Competition fight 2 Western University Judo Club Kyu Grading Syllabus NAGE-WAZA -
This Is Not a Drill by Bill Myers in Judo Practice We Often Confuse Terminology
This is Not a Drill by Bill Myers In judo practice we often confuse terminology. We have a few things we can usually agree on, as follows: Uchikomi: Fitting in. Repeating a throw’s off-balancing (kuzushi) and entry (tsukuri). Done standing still. Moving uchikomi: same as uchikomi, except done moving. Nagekomi: Throwing practice. Essentially uchikomi, but throwing (kake) at the end. Sutegeiko: Moving throwing practice. Tori throws uke, who provides an agreed upon level of resistance to tori. This is like a one-sided, light randori. Light randori: relaxed practice of throwing techniques focusing on speed, timing, and technique. Defense against throws relies on body movement (tai sabaki) and counter throws. Hard randori: strong, muscular practice focusing on power, speed, timing, and technique. Defense against throws relies on stiff arms, body movement (tai sabaki), and counter throws. This is close to competition (shiai), but without the adrenaline and referees. Drill: Uhhhh, yeah. Here’s where the disagreement really begins. Now, you may disagree with some of the finer points of the above definitions, but they would generally fit into what most people would give for a definition. Some people lump uchikomi and moving uchikomi together. Some people always do nagekomi and call it uchikomi. That’s not the important part. The interesting part gets to talking about what a drill is. If you look up drill in the dictionary, it says something along the lines of “instruct thoroughly by repetition in a skill”. From that, you might think that uchikomi, moving uchikomi, or nagekomi would fit into the definition, but not so fast. -
Kyu Grading Syllabus Summary
Western University Judo Club Kyu Grading Syllabus 5th Kyu 4th Kyu 3rd Kyu 2nd Kyu 1st Kyu Extra MOROTE SEOI NAGE KUCHIKI DAOSHI MOROTE GARI KATA GURUMA UKI OTOSHI UCHI MATA SUKASHI ERI SEOI NAGE KIBISU GAESHI SEOI OTOSHI SUKUI NAGE SUMI OTOSHI YAMA ARASHI TE WAZA KATA SEOI NAGE TAI OTOSHI TE GURUMA OBI OTOSHI IPPON SEOI NAGE O GOSHI HARAI GOSHI HANE GOSHI TSURI GOSHI DAKI AGE KOSHI WAZA UKI GOSHI TSURIKOMI GOSHI KOSHI GURUMA UTSURI GOSHI USHIRO GOSHI SODE TSURIKOMI GOSHI DE ASHI BARAI SASAE TSURIKOMI ASHI UCHI MATA ARAI TSURIKOMI ASHI O GURUMA O UCHI GAESHI HIZA GURUMA OKURI ASHI BARAI ASHI GURUMA O SOTO GURUMA O SOTO GAESHI ASHI WAZA KO UCHI GARI KO SOTO GARI O SOTO OTOSHI KO SOTO GAKE UCHI MATA GAESHI O UCHI GARI O SOTO GARI TOMOE NAGE HIKIKOMI GAESHI URA NAGE MA SUTEMI WAZA SUMI GAESHI TAWARA GAESHI UCHI MAKIKOMI UKI WAZA YOKO GAKE O SOTO MAKIKOMI SOTO MAKIKOMI TANI OTOSHI KANI BASAMI * UCHI MATA MAKIKOMI YOKO OTOSHI KAWAZU GAKE * DAKI WAKARE YOKO SUTEMI WAZA YOKO GURUMA HARAI MAKIKOMI YOKO WAKARE YOKO TOMOE NAGE HON KESA GATAME KATA GATAME SANKAKU GATAME KUZURE KESA GATAME KAMI SHIHO GATAME YOKO SHIHO GATAME KUZURE KAMI SHIHO GATAME OSAE KOMI WAZA KUZURE YOKO SHIHO GATAME USHIRO KESA GATAME TATE SHIHO GATAME MAKURA KESA GATAME KUZURE TATE SHIHO GATAME KATA JUJI JIME HADAKA JIME OKURI ERI JUME TSUKKOMI JIME RYO TE JIME NAMI JUJI JIME KATA HA JIME SODE GURUMA JIME KATA TE JIME SHIME WAZA GYAKU JUJI JIME SANKAKU JIME DO JIME * UDE HISHIGI JUJI GATAME UDE HISHIGI HARA GATAME UDE GARAMI UDE HISHIGI UDE GATAME UDE HISHIGI ASHI GATAME UDE