DOCSLIB.ORG

NIGEL KELLAWAY Catalogue of Major Works 1981 - 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NIGEL KELLAWAY Catalogue of Major Works 1981 - 2019 NIGEL KELLAWAY Catalogue of Major Works 1981 - 2019 2019 ARCADIA (a.work in development) Artists: Nigel Kellaway (composer and co-devisor), Katia Molino, Michael Bell. Supported by the Department of Performance Studies and the Bundanon Estate. 2017 PRINCE BETTLIEGEND: a cabaret/musical revue from Terezin Artists: Ian Maxwell, Lisa Peschel, Joseph Toltz, Nigel Kellaway, Robert Jarman, Katia Molino, Yana Taylor, Gideon Payten-Griffths, Kevin Hunt, Dylan Tonkin, Martin Kinnane, James Gastineau-Hills, Candela Serra, Kali Rose Gillen, Jack Purdon, Euan Chaffey, Carla Dobbie, Ned Green, Oscar Peterson, Winston Weng. As part of the OUT OF THE SHADOWS: REDISCOVERING JEWISH MUSIC AND THEATRE festival, Seymour Centre, Sydney. SHOT IN THE DARK (a work in development) Artists: Nigel Kellaway (composer and co-devisor), Nikki Heywood, Amanda Stewart, Michael Bell, Benjamin Au. Supported by the Department of Performance Studies and the Bundanon Estate. 2016 GLORIAS Co-created (composer, director and conductor) with THE oPERA PROJECT INC. Artists: Katia Molino, Nikki Heywood, Kathy Cogill, Benjamin Au, Michael Bell, Nigel Kellaway, Phil Downing. Powerhouse Museum, Sydney. 2014 16 SHORT SCENES ON THE DIECHTERLIEBE Performance installation, created and performed at SITEWORKS, Bundanon Estate, NSW. 2013 BRIEF SYNOPSIS: a beautiful naked woman “of a certain age” brutally stabs a young man to death Co-created (composer, director and performer) with THE oPERA PROJECT INC. Artists: Katia Molino, David Buckley, Nigel Kellaway, Heidrun Lohr, Richard Montgomery, Steve Meyer, Laura Moore, Catherine Upex, Ashley Kurrle, Benjamin Au, Clytie Smith, Gary Dryza, Hans Bildstein. Performance Space at Carriageworks, Sydney. 2011 LA CASA DI SIGNORI Co-writer and Director Artists: Marisa Mastrocola, Aaron Entresz, Jason James, Nigel Kellaway. Peacock Theatre, Salamanca Arts Centre, Hobart. 2009 THE RAMEAU PROJECT Co-created, directed and performed with THE oPERA PROJECT INC. Actors: Nikki Heywood (replacing Regina Heilmann), Nigel Kellaway, Annette Tesoriero (mezzo-soprano). Instrumental ensemble: Heloise Pyne, Katrina Papallo, Catherine Upex, Steve Meyer, Ashley Kurrle, Michael Bell. Director and Composer: Nigel Kellaway. Lighting: Simon Wise. Costumes: Nigel Kellaway and Annemarie Dalziel. Dramaturg: Bryoni Trezise. Presented as artists in residence, Performance Space at Carriageworks, Sydney. 2008 THE RAMEAU PROJECT Further development of a new work with THE oPERA PROJECT INC. Actors: Regina Heilmann, Nigel Kellaway, Annette Tesoriero (mezzo-soprano). Instrumental ensemble: 2 violins, 2 ‘celli, double-bass and piano Director and Composer: Nigel Kellaway. Lighting: Simon Wise. 2007 SINGING THE SPACE Directed the launch by Marie Bashir, Governor of NSW, of PERFORMANCE SPACE in their new venue at CARRIAGEWORKS, Sydney. Artists including Amanda Stewart, Annette Tesoriero, Timothy Chung, Catherine Tabrett, Vic Simms, Morganics, Brotha Black, Wire MC, Leichhardt Espresso Choir, Marlene Cummins, the Impact Hummers, Michelle Outram, Block Harmony, Ben Walsh Drumming Company, Clare Britton, Heidrun Lohr and Gail Priest. Artistic Consultant: Annette Tesoriero. Lighting: Simon Wise. Sound: Nicholas Wishart SLEEPERS WAKE! Wachet Auf! Co-created, directed and performed with THE oPERA PROJECT INC. Writers: Virginia Baxter, Jai McHenry, Amanda Stewart, Josephine Wilson. Composer and solo actor: Nigel Kellaway. Muiscians: Margaret Howard (violin), Catherine Tabrett ('cello), Michael Bell (piano). Lighting: Simon Wise. Performance Space at Carriageworks, Sydney. 2006 THE RAMEAU PROJECT Commenced development on a new work with THE oPERA PROJECT INC. Performers: Regina Heilmann, Nigel Kellaway (director), Brian Fuata, Dean Walsh, Peretta Anggerek (countertenor), Didier Frederic (baritone), Clive Birch (bass), Nigel Ubrihien (harpsichord and musical director). Developed as artists in residence at the Department of Performance Studies, University of Sydney. 2005 32 SHORT SCENES ON THE DICHTERLIEBE Co-created with Rosalind Crisp a full evening work for dancer and pianist with music by Robert Schumann. Created in residence at the Centre Nationale de la Danse, Paris and premiered at Performance Space, Sydney. 2004 THE AUDIENCE AND OTHER PSYCHOPATHS Co-created, directed and performed with THE oPERA PROJECT INC. Performers: Katia Molino, Nigel Kellaway, Karen Cummings. Co-writer: Amanda Stewart. Composer: Stephen Adams. Video Artist: Peter Oldham. Lighting: Simon Wise. Co-production with Performance Space, Sydney as part of NEW MARDI GRAS. STRANGERS IN THE THEATRE Directed and performed solo work as part of ARTRAGE and PRIDE festival, at The Bakery, Perth, WA. PRELOVED Co-created and performed with a briefly re-united SYDNEY FRONT, short work for the 21st Birthday celebrations of the Performance Space, Sydney. 2003 ANOTHER NIGHT : MEDEA Co-created, directed and performed with THE oPERA PROJECT INC. Performers: Regina Heilmann, Nigel Kellaway, Peretta Anggerek (countertenor), Michael Bell (piano), Nigel Ubrihien (harpsichord), Margaret Howard (baroque violin), Catherine Yabrett (viola da gamba). Lighting designer: Simon Wise. Costume designer: Annemaree Dalziel. Performance Space, Sydney. CANTATA Created, directed and performed with STOPERA Inc . Featuring two French Baroque works (Medee by Louis-Nicolas Clerembault and Pigmalion by Jean-Philippe Rameau). Principal performers: Dina Panozzo, Nigel Kellaway, Rebecca Collins, Judith Dodsworth, Louise Page. Harpsichodist and Conductor, Nigel Ubrihien. Street Theatre, Canberra ACT. 2002 KISS MY FIST Consulting director for production featuring writer/performers Karl Velasco, Shelley O’Donnell, Brian Fuata and Hannah Furmage. A Performance Space/ Gay and Lesbian Mardi Gras production. ENTERTAINING PARADISE Co-created, directed and performed with THE oPERA PROJECT INC. Performers: Regina Heilmann, Nigel Kellaway, Andrew Morrish, Peretta Anggerek (countertenor), Michael Bell (piano). Lighting designer: Simon Wise. Costumes: Annemaree Dalziel. A co-production with Performance Space, Sydney. WOMAN IN TRANSIT Consulting director for a work-in-process showing of a new work by Rakini Devi. Performance Space, Sydney. I LOVE YOU xxx Director of solo show for Alicia Talbot. Performance Space, Sydney. 2001 LITTLE GEORGE Created and directed for THE SONG COMPANY. Paddington United Church, Sydney. AN INTERVIEW WITH THE VIRTUAL GODDESS Directed and co-performed with Rakini Devi, a work in progress presentation. Perth Institute for Contemporary Arts, WA. EL INOCENTE Co-created, directed and performed with THE oPERA PROJECT INC. Performers: Regina Heilmann, Nigel Kellaway, Katia Molino, Lynne Murray. Composer: Richard Vella. Lighting and video design: Simon Wise. Costumes: Annemaree Dalziel and Nigel Kellaway. Performance Space, Sydney. THE BERLIOZ - OUR VAMPIRES OURSELVES Toured with THE oPERA PROJECT INC. to Salamnca Arts Centre (Long Gallery) Hobart and Brisbane Powerhouse for the Live Arts (Powerhouse Theatre), Brisbane. MY LIFE AS A TAX DEDUCTION Solo presentation examining the works personally made and performed at Performance Space in the 20 years since 1981. As part of a series entitled SCAPBOOK LIVE - AS REMEMBERED BY THE ARTIST for the ANTISTATIC DANCE PROGRAM. THE AUDIENCE AND OTHER PSYCHOPATHS Co-created, directed and performed a work-in-progress with THE oPERA PROJECT INC. Performers: Karen Cummings, Nigel Kellaway, Katia Molino. Co-writer: Amanda Stewart. Composer: Stephen Adams. Video Artist: Peter Olham. Lighting design: Simon Wise. Performance Space, Sydney. FA’AFAFINE Directed for URBAN THEATRE PROJECTS. Writer/solo performer: Brian Fuata. Dramaturg: Damien Millar. Composer: Liberty Kerr. Costume design: Carlos Gomes. Lighting and video design: Simon Wise. Performance Space, Sydney. 2000 EL INOCENTE Two development processes and presentations of a new work for THE oPERA PROJECT INC., for production in 2001. STRANGERS IN THE THEATRE and CRISS-CROSS Two short works created and performed for the HITCHCOCK FORUM and CROSS CUTS FORUM , Performance Space, Sydney. 1999 CHOUX CHOUX BAGUETTE REMEMBERS and SONG CYCLE WITH CEMENT MIXER Performed for the Sydney Gay and Lesbian Mardi Gras Festival with Annette Tesoriero, Seymour Centre and Performance Space, Sydney. TRISTAN Co-created, co-directed and performed with THE oPERA PROJECT INC. Performers: Annette Tesoriero, Nigel Kellaway, Jai McHenry, Regina Heilmann, Xu Fengshan and Michael Bell. Writer: Keith Gallasch. Lighting Design: Simon Wise. Music: Schumann and Wagner. The Performance Space, Sydney. THE QUERY Co-directed with John Baylis for URBAN THEATRE PROJECTS. Performers: Xu Fengshan and Rolando Ramos. Writer: Merlinda Bobis. Lighting Design: Simon Wise. Sound Design: Nicholas Wishart. The Performance Space, Sydney. 1998 THIS MOST WICKED BODY Toured a restructured version with pianist Gerard Willems (performing the piano sonatas of Beethoven) and restaurateur Gay Bilson to the Telstra Adelaide Festival. DISTRESSING THE DIVA Created, directed and performed in a work, the culmination of a ten-day workshop process with twelve performers of STOPERA Inc., at the Street Theatre, Canberra, ACT. THE TERROR OF TOSCA Created, directed and performed with THE oPERA PROJECT INC. Performers: Annette Tesoriero, Nigel Kellaway, Xu Fengshan, Jai McHenry, Dean Walsh, Regina Heilmann. Music by Puccini and Kellaway. Costumes by Annemaree Dalziel. Lighting with Simon Wise. The Performance Space, Sydney. 1997 THE SINKING OF THE RAINBOW WARRIOR (Opera by Amanda Stewart and Colin Bright) directed for THE SONG
Load more

Recommended publications
  • Swallow Program
    RIVERSIDE THEATRES PRESENTS NATIONAL THEATRE OF PARRAMATTA BY STEF SMITH THEATRE 21 – 30 APRIL FROM THE FROM LORD FROM FROM HON TROY MAYOR CLR NATIONAL ROBERT GRANT MP PAUL GARRAD THEATRE OF LOVE PARRAMATTA DIRECTORATE DEPUTY PREMIER LORD MAYOR DIRECTOR MINISTER FOR JUSTICE AND PARRAMATTA CITY COUNCIL RIVERSIDE THEATRES POLICE, MINISTER FOR THE As Lord Mayor of Parramatta I am Riverside has always wanted and ARTS, MINISTER PAULA ABOOD, excited to welcome you to the first needed a resident theatre company FOR RACING WAYNE HARRISON AM, production from National Theatre of S. SHAKTHIDHARAN, to be truly a lively and distinctive Welcome to the inaugural Parramatta, Swallow. The launch of ANNETTE SHUN WAH performance venue. We need artists production from National Theatre the theatre company last November in situ interpreting local issues of the of Parramatta, Swallow. marked the culmination of years of A new theatre is cause for day, working with the local community celebration. A new national theatre The NSW Government is proud planning and its debut season of and giving the place a creative heart, is an opportunity to capture the to be part of a multi-year funding performances is highly anticipated. an enquiring mind and a soul that can creative diversity of the nation. As agreement in 2015 that lead to the National Theatre of Parramatta is a take flight. Now we have our own the inaugural production of National dream that was National Theatre of wonderful addition to the cultural National Theatre of Parramatta that Theatre of Parramatta, Swallow Parramatta, becoming a reality. On landscape here in the heart of Global aims to put the nation on stage.
    [Show full text]
  • Lake by Lisa Wilson
    Lake By Lisa Wilson Lake is a stunning and accessible piece of dance theatre that engages audiences with its innovative choreography, original score and impactful theatricality. It takes place on a stage covered with water. This stark and evocative space presents a heightened environment in which an over-arching idea of destruction and renewal plays out within a relationship. Lake is an immersive, hybrid work that merges visual design, video projection, original score and dance theatre. The water covered set amplifies the movement and draws attention to detail of the choreographic content and dramatic structure. The qualities that water represents- distortion of light and depth, its innate movement and contrasting total stillness and sense of solitude, it's illusion of infinite depth- creates striking visual impact. “Don’t think you need to be a dancer to appreciate this work. You just need to be human.’’ Xanthe Coward, XS Entertainment Photo credit: Fen-Lan Chuang TOURED BY PERFORMING LINES 5/245 Chalmers St Redfern NSW 2016 Australia P + 612 9319 0066 www.performinglines.org.au Contact: Michael Sieders [email protected] CREATIVE TEAM Choreography Lisa Wilson Directed Lisa Wilson Performers Kristina Chan Timothy Ohl Hsin-Ju Chiu Composer Matt Cornell Dramaturge Jennifer Flowers Design Bruce McKiven Lighting Design Jason Glenwright Video Producer Chris Golsby Photo credit: Fen-Lan Chuang REVIEW EXCERPTS “Incredible...I’ve never seen a dance piece like it....mesmerising” Doug Kennedy , ABC Radio ‘’Lake has the potential to be a true crossover dance theatre work. I hope it has another life. ‘’ Kathryn Kelly, Realtime Arts VIMEO CLIP http://vimeo.com/50966024 Lake by Lisa Wilson 2 of 12 Performing Lines COMMUNITY ENGAGEMENT Wilson has spent much of her twenty year career engaged in the development of audiences for dance and connecting people with an artistic product they see on stage.
    [Show full text]
  • A Place to Call Home Media
    Australia’s number one drama is back A PLACE TO CALL HOME Holding the secret of James’ attempted Which secrets will come out? Which WAS THE MOST-WATCHED suicide forever linked Sarah’s future with secrets will be buried? the Blighs. AUSTRALIAN DRAMA A Place to Call Home is created by Bevan SERIES OF 2013. Over time, her connection with charming Lee, the man behind iconic Australian widower George Bligh developed into love, shows such as Packed to the Rafters, It was lauded by critics who hailed it and the unexpected romance helped Sarah Always Greener and Winners & Losers. ‘mesmerising’, ‘captivating’ and ‘a class move on from the death of her beloved The cast features MARTA DUSSELDORP act.’ With a combined weekly audience of husband Rene, murdered by the Nazis. 2.2 million viewers each week, it cemented as Sarah Adams, NONI HAZLEHURST as its place in TV history and people’s hearts. This series will see Sarah move into Ash Elizabeth Bligh, BRETT CLIMO as George Park and work to prove herself a fitting Bligh, CRAIG HALL as Dr. Jack Duncan, Last year’s dramatic finale saw the lives of wife-to-be for George, while his mother SARA WISEMAN as Carolyn Bligh, DAVID the Bligh family imploding. Elizabeth plays a devious waiting game BERRY as James Bligh, ARIANWEN After paying off Bert to keep him quiet to see what Regina will unearth about PARKES-LOCKWOOD as Olivia Bligh, about his son James’ sexuality, George Sarah’s past in Europe. ABBY EARL as Anna Bligh, ALDO MIGNONE as Gino Poletti, MATT LEVETT as Andrew was furious when he attempted to extort Little does Sarah know, Elizabeth will Swanson and FRANKIE J.
    [Show full text]
  • Tanja Liedtke Construct APR 2 - 4, 2009 Running Time 60 Minutes
    ON THE BOARDS PRESENTS Tanja Liedtke construct APR 2 - 4, 2009 running time 60 minutes Conceived and directed by Tanja Liedtke Choreographed by Tanja Liedtke in collaboration with Kristina Chan & Paul White Creative Coordinator & Remount Director..........Solon Ulbrich Performers..........................................................Kristina Chan, Alessandra Mattana & Paul White Set and Lighting Design.....................................Ben Cobham & Geoff Cobham, Bluebottle Sound Design.....................................................DJ TR!P Dramaturgy consultant......................................Joshua Tyler Photography.......................................................Chris Herzfeld Producer.............................................................Performing Lines Production Manager & Lighting Operator...........Natasha James Stage Manager & Sound Operator.....................Blair Ryan construct was originally developed with funding from the Australia Council for the Arts, Arts SA and the Keir Foundation; with commissioning funds from The Southbank Centre (London) and Tanja Farman (through the National Endowment of Science, Technology and the Arts); and with support from CultureLab City of Melbourne and the Adelaide Festival Centre. A note from Solon Ulbrich, Creative Coordinator for construct It is a true pleasure to bring construct to On the Boards. I am very proud to see Tanja's engaging dance theatre at this adventurous and inspiring venue. construct was Tanja's final work, and all involved cherish this opportunity to share her captivating ideas, clearly expressed in the language of dance. The creative process for this work forged an ongoing creative relationship with the stunning original cast of collaborators you see performing on this tour. I am personally indebted to the dancers for their dedication and commitment to Tanja's vision. My thanks also to Fenn Gordon and Performing Lines, our producers, Lane and all the team at On the Boards, whose tireless ongoing efforts make it possible to share Tanja's work with you.
    [Show full text]
  • DS Infinity Program Lowres.Pdf
    2012 SEASON Melbourne 24 February – 6 March Arts Centre Melbourne, State Theatre with Orchestra Victoria Sydney 5 – 25 April Opera Theatre, Sydney Opera House with Australian Opera and Ballet Orchestra Media Sponsor Principal Sponsor Cover and above: Lana Jones Photography Georges Antoni TEL0262_AB_297x210_v07_OL.indd 1 25/10/11 5:32 PM Andrew Killian Photography Georges Antoni note from the artistic director Since its very first season, The Australian To complete the evening, Warumuk – Ballet has been a champion of new Australian in the dark night reunites The Australian work. Two homegrown ballets (Rex Reid’s Ballet with Bangarra Dance Theatre. Our Melbourne Cup and Ray Powell’s Just for Fun) two companies have been having a most were in that inaugural program, and over the passionate artistic “affair” since our first past 50 years we have built a huge catalogue joint production in 1997, when Stephen Page of original works. created Rites. Since then, Bangarra and TAB have shared the stage in London, New York Infinity starts our year of celebration and Paris, and it is such a joy to have the looking firmly forward. Three brand-new opportunity to be together again in this exciting works, three commissioned scores, three 50th anniversary year. With music by David different explorations of our contemporary Page, costumes by Jennifer Irwin and set Australian dance culture – each work exploring designs by Jacob Nash, Warumuk - in the dark the importance of dance in our country’s night draws on the beautiful Aboriginal stories creative landscape. of the night sky to create a work celebrating our Graeme Murphy has been provoking and unique Australian culture.
    [Show full text]
  • Jennifer Irwin Apdg
    JENNIFER IRWIN APDG Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Her work includes over 85 ballets as well as some of the largest scale spectacular productions ever staged in Australia including the Opening and Closing Ceremonies for the Sydney 2000 Olympic Games and the Official Ceremony marking the Centenary of Australian Federation 2001. In 2004, Jennifer designed the costumes for the International Box office sensation ‘Dirty Dancing’ the musical, still playing to packed audiences…breaking all pre box office sales of any show ever staged in the history of London’s West End. Her work has been stage live in over 60 countries, over 350 cities, venues including the Lincoln Centre NYC, City Centre NYC, Brooklyn Academy of Music NYC, The Kennedy Centre Washington, The Royal Opera House, Covent Garden London, Command performances at the Royal Palace Madrid and many at the Sydney Opera House. WEB LINKS TO COSTUME DESIGN IMAGES IF WORK DANCE https://plus.google.com/photos/106455240802866785053/albums/6162988251887439697 THEATRE https://plus.google.com/photos/106455240802866785053/albums/5891720573007576385 OPERA https://plus.google.com/photos/106455240802866785053/albums/5891714730933258001 OLYMPICS https://plus.google.com/photos/106455240802866785053/albums/5891716308858485489 Most Recent commissions & nominations 2019 WEST SIDE STORY Opera Australia 2019 MADAME BUTTERFLY Opera Australia 2018 MERRY WIDOW Opera Queensland 2018 MERRY WIDOW
    [Show full text]
  • By Becky Mode
    BY BECKY MODE 11 OCT – 16 NOV 2019 Based on characters created by Becky Mode and Mark Setlock WELCOME Becky Mode’s hilarious play for a solo performer has been on my to do list for a very long time. I know we had a huge success with it in 2002 and I was pleased to see it had been a smash recently on Broadway. I felt we could do a version that swapped the gender – after all actors of both genders are out of work giving the material a fresh perspective – and have the play set in familiar surroundings with foodie references we recognise. I was excited by this idea and by the idea that Becky Mode’s fabulous play is a universal story. In the hands of Kate Champion as director and the astonishing Contessa Treffone performing as Sam and an amazing creative team, I know we are in very safe hands. Enjoy FULLY COMMITTED, you’ll be glad you booked early! Mark Kilmurry Artistic Director DIRECTOR’S NOTE Have you ever lost your temper with a As our fascination with food grows stranger on a phone call? They’re not evermore fetishised, the competition to giving you the information or solution you be seen in elite restaurants has become so desperately need? Has it made you increasingly ridiculous. It is only food of behave in ways you normally wouldn’t? course, but in the end, it’s so much more. How do you think that stranger must feel It’s ego, it’s prestige, it’s power.
    [Show full text]
  • ~Lagf8lll COMPANIES INC- Brooklyn Academy of Music
    October 2001 2001 Next Wave Fest'va I Brooklyn PhilHarmontc Denise Green, For Merce 2000 BAM Next Wave Festival sponsor: PHiliP MORRIS ~lAGf8lll COMPANIES INC- Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Alan H. Fishman Chairman, Campaign for BAM Karen Brooks Hopkins President Joseph V. Melillo Executive Producer presents Cloudstreet Company B Belvoir / Black Swan Theatre Approximate BAM Harvey Lichtenstein Theater running time: Oct 2-6, 2001 at 6:30pm 5 hours with one Oct 7 at 2pm 45 minute meal break and one Adapted by Nick Enright and Justin Monjo 20 minute From the novel by Tim Winton intermission Directed by Neil Armfield Set design Robert Cousins Costume design Tess Schofield Lighti ng design Mark Howett Composer lain Grandage Sound design Gavin Tempany Choreography Kate Champion Assistant director Anatoly Frusin Assistant designer/costume supervisor Georgina 'Babs' Yabsley American stage manager Kim A. Beringer Next Wave Down Under is presented in partnership with the Australia Council for the Arts, the Department of Foreign Affairs and Trade through the Australia International Cultural Council, and the Australian Film Commission. Support is provided by The Australian Consulate-General. Qantas Airways is the official airline for Next Wave Down Under. Opening night support is provided by Jacob's Creek Wines and Wyndham Estate Wines. Cloudstreet is presented with the financial support of the Australia Council and Queensland government. This presentation of Cloudstreet is supported by the Commonwealth through the Cultural Development The actors in Programme of the Department of Communications, Information Cloudstreet are Technology and the Arts. National and international tour produced by Arts appearing with the Projects Australia.
    [Show full text]
  • Walking in Sydney Looking for Dancing an Auto-Ethnographic Mapping of the Place of Independent Dance
    Walking in Sydney Looking for Dancing An Auto-ethnographic Mapping of the Place of Independent Dance Julie-Anne Long A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy School of English, Media and Performing Arts The University of New South Wales May, 2010 ii Abstract Walking in Sydney Looking for Dancing applies a self-reflexive auto-ethnographic fieldwork methodology to the previously uncharted world of the independent dance sector in Sydney. At my own historical point, I map the places and spaces where independent dance-making and presentation occurs, while also remembering the sites where dancers used to work. The starting-point for this research was a concern, shared by many in the performing arts, that the small-to-medium dance sector in Australia had been in a state of crisis for at least a decade. This thesis applies and demonstrates the relevance of complexity theory to an understanding of the way in which the independent dance sector as a unique self-organizing system, adapts, survives and repositions itself in times of crisis. This thesis examines the decreasing number of independent dance studios in Sydney over the past two decades and argues for the importance of these places for supporting innovative dance practices and the community networks that support them. It analyses the way in which the construction of arts precincts has altered independent artists’ perceptions of their identity and their sense of belonging within the community, and in which these precincts dictate certain kinds of interaction between artists and institutions. Underpinning my view of material places and animated spaces where dance is made and presented are the conceptual tools of Michel de Certeau’s notions of place and space, and of strategy and tactics, together with Michel Foucault’s idea of heterotopia.
    [Show full text]
  • DREW CRAWFORD Selected List of Work 2018
    Dr. DREW CRAWFORD drewcrawford.com.au Music for the head, heart, soul & hips SELECTED PERFORMANCES/PUBLICATIONS C composer P producer SD sound designer A arranger MD musical director THEATRE 2015 BRAM STOKER’S DRACULA devised by Peter Adams. Workshop presentation by Adelaide Festival Centre/Adelaide Cabaret Festival. C JUMPY by April de Angelis, dir. Pamela Rabe for Melbourne Theatre Company/Sydney Theatre Company. C/P/SD 2007 LULIE THE ICEBERG by Richard Tulloch. Kim Carpenter’s Theatre of Image. C/P 2004 FLASH BLAK by Merv Bishop & William Yang, dir. William Yang. Sydney Opera House Presents as part of Message Sticks Indigenous Arts Festival. C/P 2002 THE TAMING OF THE SHREW dir. Des James. Bell Shakespeare Company. C/P 2001 A POOR STUDENT by Nick Enright, dir Director Jennifer Hagan. Marian St Theatre. C/P/SD 1999 THE LITTLE CHERRY ORCHARD, dir. Anatoly Frusin. Company B, Belvoir St Theatre. C/P 1998 CLOUDSTREET, dir. director Neil Armfield. Company B, Belvoir St Theatre for Sydney & Perth Festivals. C (assistant) MUSIC-THEATRE 2015 PERCUSSION OF THE STARS devised by Liesel Badorek. SOH Babies Proms/CDP C 2011 BOHEMIAN DECONSTRUCTION for Opera Australia and Polyopera. Libretto by David Finnigan via Twitter. C 2009 TENEBRAE III The Song Company (Roland Peelman); dir. Shaun Parker SD 2008 AFTER THE EARTHQUAKE Kropka Theatre (Poland) C/P 2006 THE DEVIL FINDS WORK FOR IDLE HANDS TO DO, dir. Anatoly Frusin. Music Theatre Sydney. C TENEBRAE II The Song Company (Roland Peelman); dir. Kate Champion SD 2004 ‘Disgrace’, the first 72-minute part (of three) of my opera EUGENE AND ROIE performed in concert, January 17, as part of the Sydney Festival 2004.
    [Show full text]
  • A Study Guide by Marguerite O'hara
    © ATOM 2011 A STUDY GUIDE BY MARGUERITE O’HARA http://www.metromagazine.com.au ISBN-13-978-1-74295-111-9 http://www.theeducationshop.com.au 2 1: TANJA LIEDTKE SELFPORTRAIT 2: SILOUHETTE FALLING 3: TANJA BATHROOM DANCE 4: TANJA IN MIRROR BYJULIANCROTTI 5: TWELFTH FLOOR SET CRY LIKE BIRDS CHALK BYJULIANCROTTI 3 1 LIFE IN MOVEMENT Dance, dance, otherwise we are lost. – Pina Bausch 5 Introduction The sudden death in 4 2007 of dancer and choreographer Tanja at twenty-nine. It is a portrait of an immense sense of loss felt by those Liedtke brings life into artist and a celebration of a life and of closest to her. sharp focus. A film contemporary dance, an art form to which Tanja Liedtke made such an im- For all these reasons, the film would about moving creatively portant contribution. It is also a story be a valuable resource for middle, through life and loss, about grief and loss. senior and tertiary students of all the Life in Movement is a Performing Arts, not just Dance, for portrait of an obsessive The footage, descriptions and discus- the insights it offers into a number of artist at work and the sions of contemporary dance in this themes that are central to any crea- film will be especially interesting to tive process leading to performance. impact her life and death students of performing arts such as These include: has on her collaborators. Dance, Drama and Music; however o The creative process (generating, this is essentially a film about the realising and responding) Curriculum Guidelines creative processes of an artist, about o The collaborative nature of perfor- the intensity of focus and passionate mance SCREEN EDUCATION © ATOM 2011 © ATOM SCREEN EDUCATION While Life in Movement is a film about dedication needed to bring new and o The role of a choreographer or a dancer and choreographer, it is challenging works to an audience.
    [Show full text]
  • Media Release March 2012 Belvoir and Force Majeure Present
    Media Release March 2012 Belvoir and Force Majeure present Food By STEVE RODGERS Directors KATE CHAMPION & STEVE RODGERS Set & Costume Designer ANNA TREGLOAN Lighting Designer MARTIN LANGTHORNE Composer & Sound Designer EKREM MULAYIM Assistant to the Directors DANIELLE MICICH With FAYSSAL BAZZI KATE BOX EMMA JACKSON BELVOIR ST THEATRE | DOWNSTAIRS 26 APRIL – 20 MAY From the mind of theatrical marvel Steve Rodgers, Food is a story about obsession, sex and how we nourish ourselves. ‘Food, as the title suggests, is a play about food and cooking, but it’s also very much about sex, and how our relationship with both can define us, and occupy so much of our breathing time,’ Rodgers explains. ‘Food and sex are beautiful things – both necessary for our survival but potentially dangerous to our hearts… At their best – experienced with love they are the definition of communion.’ Rodgers will co-direct Food with acclaimed choreographer Kate Champion (Never Did Me Any Harm, The Age I’m In), Artistic Director of Force Majeure. This will be the first time Champion has directed a piece which has started its life as a script. Together Rogers and Champion will craft communion between the audience and the characters as they come together around the dining table. Force Majeure strives to break down boundaries between different art forms. Their productions’ are based around a collective of multi-disciplined artists including dancers, actors, writers, filmmakers and composers. The result is challenging and relevant work, combining striking imagery with theatricality to make immediate impact. Food will use elements and imagery from theatre and movement to complete an immersive experience in the intimate Downstairs Theatre.
    [Show full text]