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New Breed 2016 Meet the New Breed of Australian Dance Creators
MEDIA RELEASE August 01, 2016 For immediate release NEW BREED 2016 MEET THE NEW BREED OF AUSTRALIAN DANCE CREATORS 29 November – 10 December 2016, Carriageworks Sydney Dance Company and Carriageworks announce four up-and-coming Australian choreographers commissioned to create new works for the acclaimed New Breed initiative thAt supports AustrAliA’s next generation of dance-makers. NEW BREED is made possible by Co-presented by two of Australia’s most dynamic arts organisations – Carriageworks and Sydney Dance Company – with generous support from THe Balnaves Foundation, New Breed 2016 will provide Australian cHoreograpHers RacHel Arianne Ogle (Perth), SHian Law (Melbourne), Jesse Scales (Hobart) and RicHard Cilli (Perth) with an invaluable opportunity to work with Australia’s finest contemporary dancers on the creation of a newly commissioned dance piece. THe four new works created by the New Breed 2016 cHoreograpHers will be presented at Sydney’s premier multi-arts precinct, Carriageworks, from 29 November to 10 December 2016. Sydney Dance Company and Carriageworks’ New Breed initiative made its debut in November 2014, supporting five young Australian cHoreograpHers througH the creation and presentation of unique new dance works. Two sold out seasons in 2014 and 2015 ensued. Following the New Breed program, Adelaide-based New Breed 2014 cHoreograpHer Gabrielle Nankivell was the recipient of the 2015 Tanja Liedtke FellowsHip for her work Wildebeest. Wildebeest will now be part of Sydney Dance Company’s stunning new double bill Untamed, performed alongside Artistic Director Rafael BonacHela's latest work, Anima. New Breed 2015 premiered to mucH acclaim in LudwigsHaven, Germany and to meet the demand for tickets in Australia, the Sydney season was extended. -
Swallow Program
RIVERSIDE THEATRES PRESENTS NATIONAL THEATRE OF PARRAMATTA BY STEF SMITH THEATRE 21 – 30 APRIL FROM THE FROM LORD FROM FROM HON TROY MAYOR CLR NATIONAL ROBERT GRANT MP PAUL GARRAD THEATRE OF LOVE PARRAMATTA DIRECTORATE DEPUTY PREMIER LORD MAYOR DIRECTOR MINISTER FOR JUSTICE AND PARRAMATTA CITY COUNCIL RIVERSIDE THEATRES POLICE, MINISTER FOR THE As Lord Mayor of Parramatta I am Riverside has always wanted and ARTS, MINISTER PAULA ABOOD, excited to welcome you to the first needed a resident theatre company FOR RACING WAYNE HARRISON AM, production from National Theatre of S. SHAKTHIDHARAN, to be truly a lively and distinctive Welcome to the inaugural Parramatta, Swallow. The launch of ANNETTE SHUN WAH performance venue. We need artists production from National Theatre the theatre company last November in situ interpreting local issues of the of Parramatta, Swallow. marked the culmination of years of A new theatre is cause for day, working with the local community celebration. A new national theatre The NSW Government is proud planning and its debut season of and giving the place a creative heart, is an opportunity to capture the to be part of a multi-year funding performances is highly anticipated. an enquiring mind and a soul that can creative diversity of the nation. As agreement in 2015 that lead to the National Theatre of Parramatta is a take flight. Now we have our own the inaugural production of National dream that was National Theatre of wonderful addition to the cultural National Theatre of Parramatta that Theatre of Parramatta, Swallow Parramatta, becoming a reality. On landscape here in the heart of Global aims to put the nation on stage. -
New Breed 2019 August 2019
Media Release For immediate release Sydney Dance Company and Carriageworks, in conjunction with The Balnaves New Breed 2019 Foundation, announce four Australian choreographers commissioned to create works for the acclaimed New Breed initiative that supports Australia’s next generation of choreographers. Meet the new breed of ‘★★★★ Full of a wonderful sense of adventure, but also with the choreographic and Australian dance theatrical nous to pull off an eclectic and consistently satisfying night of dance.’ – TimeOut creators Co-presented by Carriageworks and Sydney Dance Company – with the generous support of The Balnaves Foundation, New Breed 2019 will provide Australian choreographers Josh Mu (Melbourne), Lauren Langlois (Melbourne), Ariella Casu (Sydney) and Davide Di 28 Nov – 7 Dec Giovanni (Sydney) with an invaluable opportunity to work with Australia’s leading Carriageworks, Sydney contemporary dance company on a newly commissioned dance piece. Showcasing a rich diversity of choreographic ideas, this talented group of emerging choreographers will create brand new pieces on members of Sydney Dance Company. These four new works will comprise the New Breed 2019 season from 28 November to 7 December. The New Breed initiative made its debut in November 2014, supporting five emerging Australian choreographers through the commissioning and presentation of new dance work. Four sold out seasons in 2014, 2015, 2016, 2017 and 2018 ensued. The sixth instalment in the New Breed initiative will see Carriageworks, Sydney Dance Company and The Balnaves Foundation continue their commitment to the future of Australian contemporary dance, by supporting independent choreographers Josh Mu, Lauren Langlois, Ariella Casu and Davide Di Giovanni. From August, these dance makers will benefit from the extensive support of all the departments of Sydney Dance Company in readiness for their premiere season at Carriageworks, later this year. -
Newsletter - July 2009
Tanja Liedtke Foundation Newsletter - July 2009. www.tanja-liedtke-foundation.org Australian Dance Awards 2009 Tanja Liedtke’s work construct won two major awards at the Australia In this edition: Dance Awards, held in Melbourne on June 7th 2009 – Outstanding Achievement in Choreography and Outstanding Australian Dance Awards Achievement in Independent Dance. The audience at the 2009 Victorian Arts Centre’s State Theatre celebrated the ongoing success construct on tour of Tanja’s work, and as her partner and creative associate Sol Twelfth Floor on tour Ulbrich, who accepted the awards on Tanja’s behalf, noted, “It’s a ...and more moment to stand and share with everyone in the dance community. A big moment to acknowledge Tanja”. The work received an additional award with Kristina Chan receiving the award for Outstanding Achievement by a female dancer. Kristina and Tanja were friends from 1999 when they both joined the Australian Dance Theatre as young dancers. Since that time, with Tanja as choreographer, they created several works together in collaboration with other artists such as Paul White, who was also nominated for Outstanding Performance by a male dancer in construct. Sol Ulbrich - remount Director, construct, Paul White & Kristina Chan performers, construct. construct on tour On the 17th of June Tanja’s construct began its Australian national tour taking in Canberra, Frankston, Lismore, Caloundra, Toowoomba, Brisbane, Hobart and finishing in Adelaide. This tour is part of the Australia Council’s Mobile States initiative and is produced and managed by Performing Lines. The touring cast consists of original members Kristina Chan and Paul White, who will be joined by Lisa Griffiths in the role that Tanja created for herself when the work premiered in 2007. -
Gender Inequity in Achievement and Acknowledgment in Australian Contemporary Dance
Edith Cowan University Research Online Theses : Honours Theses 2009 Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance Quindell Orton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Dance Commons, and the Gender and Sexuality Commons Recommended Citation Orton, Q. (2009). Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance. https://ro.ecu.edu.au/theses_hons/1331 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1331 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
Internationales Solo-Tanz- Theater Festival
vhs stuttgart :: Presse- und Öffentlichkeitsarbeit :: TREFFPUNKT Rotebühlplatz Katrin Molnar :: [email protected] :: 0049/(0)711/1873-826 Internationales Solo-Tanz- Press Release 18.03.2012 Theater Festival 16th International Solo-Dance-Theatre Festival Stuttgart Stuttgart A Homage to Tanja Liedtke eine Hommage an Tanja Liedtke The Winners Have Been Selected The 6 winners of the 16th International Solo-Dance-Theatre Festival Stuttgart are the crème de la crème: this year, 24 dancers and choreographers were chosen for the com- petition from 316 applications and 11 of them entered the finale which took place on sunday evening. At 10 p.m. the winners were announced. They were awarded for their extraordinary performances. 1st prize in choreography Rodrigue Ousmane with „Leda“ 2nd prize in choreography Eran Gisin with „Emotions, job, emotions, once a day“ 3rd prize in choreography Verena Wilhelm with „Fire and Forget I“ 1st prize in dance Eleesha Drennan with „Whiskers“ 2nd prize in dance Hugo Marmelada with „Stepping over stones“ 3rd prize in dance Cass Mortimer Eipper with „Body Song“ Audience prize Hugo Marmelada (choreography and dance) with „Stepping over stones“ The finale was also reached by: Emma Sandall (choreography) with „Body Song“ Michael Miler (choreography) and Noa Algazi (dance) with „ME-ror“ Paolo Mangiola (choreography) and Fukiko Takase (dance) with „Nuclear Romances“ The International Solo-Dance-Theatre Festival has been held by the vhs stuttgart since TREFFPUNKT Rotebühlplatz Lernen.Bildung.Kultur 2006. It enables young dancers and contemporary choreographers to present their Koordination: vhs stuttgart pieces to an international top-class jury and an enthusiastic audience. -
Shaun Parker & Company
Choreographic Workshop 2016 Education Resource Pack PresentedSHAUN by FORM DancePARKER Projects and Shaun & Parker COMPANY & Company Contents 1. Introduction 2. Curriculum links 3. About Shaun Parker & Company 4. About Shaun Parker 5. Introducing the dancers 6. Background on Shaun Parker’s creative process 7. Workshop Descriptions 8. Ideas for further choreographic development 9. Suggestions for discussions 10. Q & A with Shaun Parker 11. Article and Interview with Shaun Parker 12. Special interviews with the Company dancers 13. Copyright and Credits 1. Introduction The Choreographic Workshop provides secondary dance students with the unique opportunity to develop their choreographic skills under the guidance of industry professionals. Led by Artistic Director Shaun Parker and his dancers, the practical workshop introduces choreographic tools and tasks taken from the Company’s production The Yard. Students will experience new ways to generate interesting movement material that can be used for solo, duet and group formations. This process will investigate dramaturgy also. In other words, what can abstract movement say about the human condition? What does the choreography mean? This pack has been designed to provide you with the background information on Shaun Parker & Company and The Yard and will provide an overview of the workshop you will participate in. It will also include additional processes to consider, as well as extra exercises and choreographic ideas that you can work on back at school. 2. Curriculum Links 3. About Shaun Parker & Company Shaun Parker and Company is one of Australia’s leading contemporary dance companies; it is an innovator and pusher of boundaries. Its work takes place on the stages of major international festivals as a result of its artistic and dramaturgical rigour but resonates just as strongly in public spaces, regional Australia and among high school students. -
Paul White & Narelle Benjamin
Paul White & Narelle Benjamin Cella and metamorphose over time, bearing insight to ABOUT THE ARTIST the physiological world we inhabit and natural Narelle Benjamin symmetry that surrounds us. Narelle is a Sydney based artist, whom has Touring Team & Roles danced and choreographed with many Australian 2 Performers companies and independent artists over the 1 Lighting Designer/Operator years. Load in / out crew needed Narelle was the recipient of the Australia 3 day Bump In Set and LX Council Dance Fellowship for 2014-2015, with ½ day Bump Out her somatic research as part of this fellowship creatively informing the making of Cella. Patron notification / warnings Haze In 2010 Narelle premiered In Glass at Sydney Opera House for Spring Dance Festival, then Dance Massive 2011. In Glass was awarded the 2011 Australian Dance Award for Outstanding FULL CREDITS Achievement in Independent Dance. Choreography/Performers: Narelle Benjamin, Paul White Narelle presented Hiding in Plain Sight Concept: Narelle Benjamin at Performance Space, Carriageworks in Composer: Huey Benjamin with additional music 2014, winning Outstanding Achievement in from The Necks and Colleen Choreography, 2015 Australian Dance Awards. Lighting Design: Karen Norris Costumes: Justine Shih Person Paul White Producer: Jen Leys Paul is one of Australia’s most highly regarded and awarded dance artists. His career as TECHNICAL a performer and artistic collaborator has SPECIFICATIONS included working with some of the artform’s most renowned companies and directors such as Tanztheater Wuppertal Pina Bausch, Meryl STAGING REQUIREMENTS Tankard, Lloyd Newson (DV8 Physical Theatre), Black tarkett, high gloss if possible Tanja Liedtke, and Garry Stewart (Australian Black box, intimate theatre performance space Dance Theatre). -
Sydney Opera House Annual Report 2006-2007
WORLD HERITAGE FOR LIVING PLACE THE WORLD SYDNEY OPERA HOUSE TRUST AnnuaL report 2006-07 Who We Are Key Dates CONTENTS The Hon. Frank Sartor, MP Sydney Opera House is a global One of the most popular visitor 1957 Jørn Utzon wins Sydney Opera House design competition (January) Who We Are 1 Minister for Planning, Minister for Redfern Waterloo landmark, part of our nation’s DNA attractions in Australia, Sydney and Minister for the Arts and provides a central element Opera House sees more than Key Dates 1 1959 Work begins on Stage 1 – building the of the emotional heart of the city 4 million people visiting the site foundations despite Utzon’s protest that Highlights 2006/07 2 Sir, we have the pleasure of presenting the Annual Report of of Sydney. The focal point of our each year. Some 1.2 million people plans were not finalised (March) the Sydney Opera House for the year ended 30 June 2007, for Chairman’s Message 4 magnificent harbour, it is a place attend performances and over 1966 Jørn Utzon resigns (February) presentation to Parliament. This report has been prepared in CEO’s Message 6 of excitement and of warmth, 328,000 people take a guided tour accordance with the provisions of the Annual Reports (Statutory 1973 First guided tours of Sydney Opera House Vision and Goals 8 of welcome and wonder, where to explore the magic inside of one of Bodies) Act 1984 and the Public Finance and Audit Act 1983. ( July) Key Outcomes 2006/07 and art and architecture uniquely the most recognised buildings in the 1973 First performance in Sydney Opera House Objectives 2007/08 9 combine to enchant and enliven world. -
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ACKNOWLEDGEMENTS This research has been a lengthy and complex process. We have always stated publicly that this work was for the dance field and it has been carried out in collaboration with the field. We have had support from so many people throughout the process and without this we could not have completed the work. Firstly, we would like to thank Janet Archer, Theresa Beattie, Ellie Hartwell and Tania Wilmer in the dance strategy department of Arts Council England. Without their support this work would not have been possible. Tania Wilmer carried out many of the interviews for the illustrations that pepper the report and we are immensely grateful to her for her rigour and hard work. We are also grateful to those who agreed to be interviewed and gave so generously of their time. There were many Arts Council staff who sourced and contributed data but Jonathan Treadway, Amanda Rigali, Delia Barker and Rebecca Dawson deserve special mention. Regional dance officers provided valuable local data and information and their input through the Dance Practice Group meetings was always valuable. Terry Adams and Claire Cowles (the ‘Survey Monkey’ queen) provided invaluable research backup to us throughout the process and their rigour is evident in the survey data as well as in the analysis of the Arts Council England data. The Steering Group (listed in Appendix One) supported the process, guided us wisely and challenged us when necessary. Their support for the consultation events was also greatly valued. The strategic agencies provided ongoing access to data, Foundation for Community Dance (FCD) staff carried out an analysis of jobs advertised and Sean Williams and his team at Council for Dance Education and Training (CDET) carried out research on the private sector for us that has helped to create a better picture of this sector. -
Life in Movement Flier.Pdf (Format PDF / 593 KB )
Life in Movement A4 flyer.xpd:Layout 1 18/9/12 2:49 PM Page 1 “This film is a moment of triumph” - Patrick McDonald, The Advertiser “An unforgettable documentary” - Julie Rigg, Movietime ARTS 1 x 56’ and 1 x 79’ HD Life in Movement A4 flyer.xpd:Layout 1 18/9/12 2:49 PM Page 2 ARTS 1 x 56’ and HD 1 x 79’ “To see [Tanja’s] process, of creating art through these videos and the interviews they had with her – it’s a unique documentary. I’ve rarely seen an artistic process captured in film like this – it’s so enlightening, so inspirational. You see the commitment that goes into it. I was left asking myself: ‘Man, am I doing everything I possibly can – am I giving my all in everything I do?’ It was one of the great strengths of the film. I was very moved by it all.” Trevor Groth Director of Programming, Sundance Film Festival In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, funny and generous. Eighteen months after Tanja’s death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. -
Meryl Tankard: an Original Voice
Meryl Tankard: an original voice. A book by Michelle Potter Meryl Tankard is one of Australia’s most original and daring artists—‘a choreographer of zany brilliance’ wrote dance critic Neil Jillett and ‘a woman of total theatre’ according to opera designer and director Stefanos Lazaridis. Meryl Tankard, an original voice traces Tankard’s life from her earliest journeys in the back of an FJ Holden between Darwin and Melbourne to her exploits as an independent choreographer working between Australia and the rest of the world. It examines her career with the Australian Ballet and with Pina Bausch, looks at the companies she has directed in Canberra and Adelaide and explores the nature of her contribution to Australian and international dance. ISBN: 9780646591445 (pbk) 210 pages, includes bibliography and index, unillustrated Published in Canberra, December 2012 Price in Australia: $30 (includes postage and packing). Please enquire for overseas prices and prices for bulk orders before placing a firm order. HOW TO ORDER Please send your order via the contact box on the website http://michellepotter.org. Be sure to include your name and mailing address. Enquiries may also be made via the contact box. When sending your order, please also pay by direct transfer. Bank: St George BSB: 112‒908 Account number: 150829762 Account name: Dr Michelle A Potter ‘Shouts’ from some who have read the book: ‘It has a sense of drama but also balance, and it brings Meryl and her work to life’; ‘The best and most comprehensive study of Tankard I have read’. This is a self-published initiative.