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Brooklyn Academy of Music 1996 Next Wave Festival I:)AIVIOIII Brooklyn Academy of Music 1996 Next Wave Festival Jim Dine, The Heart of BAM, 1996, Woodcut, 26-1/4" x 19-3/8" Furioso BAM 1996 Next Wave Festival and 135th Anniversary Season are sponsored by Philip Morris Companies Inc. The Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Harvey Lichtenstein President & Executive Producer presents urloso• BAM Opera House October 23, 1996 at 7pm October 24-26 at 8pm Running time: Meryl Tankard Australian Dance Theatre approximately Choreography/Direction Meryl Tankard seventy minutes; Set Design Regis Lansac there will be no Costume Design Meryl Tankard intermission Lighting Design Toby Harding Assistant to the Artistic Director Janet Bradley-Bridgman Music by Arvo Part, Elliot Sharp & Henryk Gorecki Cast Vi ncent Crowley Michelle Ryan Sarah-Jayne Howard Solon Ulbrich Mia Mason Gavin Webber Kate Mcl ntosh Ingrid Weisfelt Shaun Parker Steev Zane Operations Supervisor Heather Clarke Stage Manager Felicitas Willems Costume Construction Judith Meschke Head Electrician Toby Harding Head Mechanist Richard Casley-Smith Special support provided by The Harkness Foundations for Dance. Opening night reception sponsored by Interview Magazine, The Donna Karan Company and The Australian Consulate General. The Brooklyn Academy of Music wishes to thank Theatre Development Fund for its support of the 1996 Next Wave Festival. photo, Regis Lansac Sarah Was Ninety Years Old Arvo Part Recorded by the Hilliard Ensemble Digital Elliot Sharp Recorded by the Kronos Quartet Quasi una Fantasia (second string quartet), Op 64 Henryk Gorecki Recorded by the Kronos Quartet I Largo Sostenuto-Mesto II Deciso-Energico; Furioso, Tranquillo-Mesto III Arioso: Adagio Cantabile IV Allegro-Sempre Con Grande Passione E Molto Marcato V Lento-Tranquillissimo Sarah Was Ninety Years Old Arvo Part Recorded by the Hilliard Ensemble Henryk Gorecki Quasi una Fantasia used by arrangement with Boosey and Hawkes, Inc., publisher and copyright owner. Arvo Part Sarah Was Ninety Years Old used by arrangement with European American Music Distributor Corporation, sole US and Canadian agent for Universal Edition Vienna, publisher and copyright owner. Elliot Sharp Digital used by arrangement with Zoar Music/Elliot Sharp. The Australian Dance Theatre holds a special place in the history of modern dance in Australia. The company was the first full-time professional modern dance company in Australia, formed in Adelaide in 1965. With Meryl Tankard's appointment as Artistic Director of Australia's longest running modern dance company, the company changed its name to Meryl Tankard Australian Dance Theatre, in recognition of Tankard's tremendous artistic achievements. Her appointment in 1993 marked the beginning of a new era for the company. With design col­ laborator and Associate Artist, Regis Lansac, and a multi-talented group of ten dancers, singers and actors, she has continued to develop her very theatrical choreographic style, earning the respect of audiences and critics alike. The company tours nationally and internation­ ally and in 1994 performed to sell-out houses and standing ovations at the prestigious German Dance Festival, Nordrhein-Westfalen Internationales Tanzfestival. The company was invited back to Germany in November 1995 and received rave reviews from the German critics, including, "Rarely do we see dance of this caliber," (Bernd Krause, Reutlingerl, and "This choreography is the most beautiful we have seen in Furth for a long time," (Lupus, Erlanger TagblatO. The 1997 company schedule includes a European tour of Furioso and Songs with Mara to Germany, Belgium and Denmark and a "Made to Move" National Tour to Sydney, Perth, Melbourne and Brisbane, a new work in Adelaide prior to a regional tour and a major new work for the Barossa Music Festival. photos, Regis Lansac Meryl Tankard has enjoyed an unprecedented career; her visionary style of dance theater has placed her at the forefront of dance in Australia and has resulted in accolades around the world. Beginning her career as a member of the Australian Ballet, Tankard later moved to Europe where she performed for six years as soloist with the acclaimed Pina Bausch Tanztheater, creating roles in Cafe Muller, Kontakthof, Arien, Kuscheitslegende, 1980, Walzer and Bandoneon. In 1980, she played the lead role in Quak fur Donald mit Ueben Gruss on ZDF TV filmed in Munich and Disneyland, Los Angeles and in 1982 she cowrote and performed Sydney an der Wupper, a 45 minute film which was awarded the Gold Film Band at the Berlin Film Festival, 1983. In 1983, Tankard performed with the Linsay Kemp Company touring to Genoa, Bari and Caracas. photo, Regis Lansac Tankard returned to Australia in 1984 and worked creatively in a variety of areas including film and television-she appeared in the Australian Television series Dancing Daze and performed in Robyn Archer's TV pro­ duction, Pack of Women. From 1984 to 1988 she performed as a guest artist with the Pina Bausch Tanztheater in Los Angeles, New York, Toronto, Ottawa, Montreal, Stockholm, Athens and throughout Germany. In 1989 she became the Artistic Director of her own company, the Meryl Tankard Company, based in Canberra. In 1993 Tankard was appointed Artistic Director of Meryl Tankard Australian Dance Theatre. Since 1984 she has created over 15 works-Echo Point, Traveling Ught, VX 18504, Banshee, Nuti, Kikimora, Court of Flora, Two Feet, Chants de Mariage I & II, Songs with Mara, Furiosa, Aurora, 0 Let Me Weep, Possessed and Rasa. As well as extensive touring in Australia, Tankard has taken her company to Tokyo, Indonesia, Italy, China and Germany. Tankard was awarded the 1993 Sidney Myer Performing Arts Award, the 1993 Green Room Awards in the dance categories of Direction, Design and Management for Nuti and Kikimora, the 1994 Betty Pounder Award for Original Choreography for Nuti and The Age Performing Arts Award for Best Collaboration for Orphee et Eurydice in 1995. In 1995she was the subject of a one hour documentary for Australian television, The Black Swan, which was awarded Best of Show for the Dance on Camera Film Festival in New York. Meryl Tankard Australian Dance Theatre Major Sponsor South Australian Patron Mrs. Patricia Wynn SOUTHG.. ~ ..J~ Board of Directors Justice Margaret Nyland (Chair) Beverley Brown Sponsors Julie Meeking Living Health Anna O'Connor Adelaide Hilton Nicholas Storer Red Ochre Grill Adam Wynn Thomsons Barristers & Solicitors Finsbury Press Artistic Director Meryl Tankard Coopers & Lybrand Associate Artist Regis Lansac Workcover Corporation Assistant to the Artistic Director John and Gwen Slade Janet Bradley-Bridgman Friends of Meryl Tankard Australian Dance Theatre Company Members Victor Bramich Meryl Tankard Australian Dance Theatre grate­ Vincent Crowley fully acknowledges the assistance of the South Sarah-Jayne Howard Australian Department for the Arts and Cultural Mia Mason Development and the Major Organizations Fund Kate Mel ntosh of the Australia Council, the Federal Shaun Parker Government's Arts Funding and Advisory Body. Michelle Ryan Gavin Webber Ingrid Weisfelt Steev Zane Development Administration General Manager Christian Haag Finance Controller Sue Tauss Administration Manager Glenys Gotthardt Production Supervisor Heather Clarke Stage Manager Felicitas Willems Honorary Archivists Meg Denton & Maxine Ewart.
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