50 Years of Defining Contemporary Dance

Total Page:16

File Type:pdf, Size:1020Kb

50 Years of Defining Contemporary Dance 50 YEARS OF DEFINING CONTEMPORARY DANCE “It’s not every year that a Sydney icon celebrates its golden jubilee, which is why it’s a big deal that Sydney Dance Company is turning 50.” Time Out Sydney ii 2019 Impact Report 2019 Impact Report 1 Contents 2019 at a glance 4 Chair’s Report 6 Executive Director’s Report 9 Artistic Director’s Report 10 The Company 13 The Dancers 14 On Stage 16 New Breed 24 On the Road 28 Our Reach 30 A Golden Year 32 Wharf Renewal 37 Training the Future 38 PPY19 Revealed 40 Our Community 42 Your Impact 46 Thank You 48 Our Performance 50 Sydney Dance Company 2019 52 Our Partners 54 2 2019 Impact Report On Stage 15 works, 73 performances, National tour International tour and 38,632 total attendances, 6 Australian states and territories, 4 countries, 12 performances 2019 at 10 world premieres 12 Australian towns and cities a glance 47,918 km travelled by 82 days on the road 1,950 hotel and apartment nights land and air 437 Airline tickets 24 Coaches and hire cars 17 Choreographic and music 227 Taxis commissions Training the Future Revenue 7 School Matinees with 12,324 4,321 attendances Number of young people 2,792 Students from NSW, and teachers engaged including 1,510 from across Australia Western Sydney Our online community YouTube views Instagram, Facebook, YouTube, Weibo, WeChat, LinkedIn 66.66% of total revenue self generated Work provided for 154 people 197,644 559.7K 73% artists and 27% administrators In 2019 we held a total of 3,669 adult classes, with a total of 78,247 dance class attendees. The total face to face engagement was 128,239 people. 4 2019 Impact Report 2019 Impact Report 5 Chair’s Report Mid way through 2019 I was humbled to take over the pandemic and the future of the performing arts, along reins as Chair of Sydney Dance Company in our 50th with many other industries, will be significantly impacted. anniversary year, having served on the Board since 2015 Sydney Dance Company is positioned to withstand the and as Deputy Chair since 2018. My sincere thanks go headwinds of this challenge, but it will certainly bring to my predecessor Karen Moses, for her outstanding additional pressures throughout 2020 and into 2021. leadership over the seven years she served on the My sincere thanks go to the NSW Government Board and with three of those as Chair. Her clearsighted for their ongoing support of Sydney Dance Company. guidance and stewardship has helped position us for the We are enormously grateful for the investment they are challenges in front of us. making in Walsh Bay and in furnishing the Company with Sydney Dance Company’s 50th birthday year temporary premises in this once-in-a-generation period. was a milestone both on and off the stage. It gave us a The Australian Federal Government continues moment to pause and take stock. To reflect on what has to support Sydney Dance Company through the Australia been achieved over that time and to focus on what the Council for the Arts and we thank them for that valuable future looks like. We undertook that 2019 would be a year assistance. Government support of the arts is vital for that marked not just a celebration of the past 50 years, the cultural life of Australia to flourish and Sydney Dance but an establishment of the foundations of the next five Company is proud to be a flag bearer as we tour the decades. As the company celebrated its artistic legacy world. I was thrilled to be able to join the company in with a diverse program of new Australian work, we were Europe and see first-hand the extraordinary response also busy with ongoing activity around the renewal of our the dancers received. Standing ovations and sold out home at Walsh Bay. performances at every stop! The revitalisation of the Walsh Bay Arts Sydney Dance Company exists as a company Precinct will be a landmark turning point for the driven to create new work as well as increase access Performing Arts in Sydney. As one of the original tenants to dance to the broadest possible range of people. in the precinct – who helped the area come alive and be Our efforts in the areas of commissioning new work, synonymous with theatre, dance and music – we know education, outreach and training would not be possible that our future will be bright and expansive from our re- without the support of the donor family and corporate imagined home there. partners who share the vision with us. Thank you. This A great number of people have rallied behind ongoing support is essential to the sustainability of this that vision for the future and I do want to thank them for company and is truly and warmly appreciated. their leadership as over the course of 2019 we continued To Anne and Rafael, the talented management, detailed work on the development, in lock step with the staff and dancers of Sydney Dance Company, we do NSW Government; The Neilson Foundation, Simon and not exist without your dedication, tenacity and creativity. Catriona Mordant, The Wales Family Foundation, Jane and Thanks to your collective contribution, truly in 2019 our Andrew Clifford, Carla Zampatti and Julian and Lizanne art reached new heights of international acclaim and Sydney Dance Company Knights. Each has made a significant contribution to excellence. It has been a journey over many years to Board Directors 2019 our Capital Campaign and along with many others, their achieve these outcomes and Anne and Rafael are a collective support means we look to a future where our formidable combination. This is an arts organisation of artists will create their work in fit for purpose and world which all Australians should rightly feel proud. Brett Clegg (Chair) class facilities. To my fellow Board members, I extend my Pamela Bartlett Sydney Dance Company had a busy year sincerest gratitude. We are fortunate to have such a David Baxby (appointed 12/8/19) across 2019 with an extensive performance schedule as diverse and capable set of individuals around the table, all Jillian Broadbent AC well as the far-reaching education and access activities of whom demonstrate great commitment and passion for Peter Brownie (resigned 03/6/19) which traverse the nation. Our open dance class advancing the cause of Sydney Dance Company. As we David Friedlander (appointed 14/10/19) programs continue to provide a valuable participation confront the impacts from Covid-19 on our organisation, Kiera Grant (resigned 02/12/19) pathway for thousands of attendees. Despite operating in the alignment and capability among this group is a Mark Hassell temporary premises at Ultimo, the team has continued to great asset. All of us are committed to seeing through Sandra McCullagh (appointed 12/8/19) ensure that Sydney Dance Company remains accessible the current period of disruption and protecting what is Catriona Mordant AM for as many people as possible. special about Sydney Dance Company – so we can come Karen Moses (Chair - resigned 12/8/19) It was pleasing to end the year with a surplus through to the other side shining, and as hungry as ever Beau Neilson (resigned 29/4/19 of $825,139 which is comprised of an annual operational to make Australia and the world that much more vibrant, Paris Neilson (appointed 12/8/19) surplus of $10,850 in addition to a surplus result for the providing inspiration to our audiences at a time when it is Emma-Jane Newton Capital Campaign, noting the bulk of our outflows for that never more needed. Chrissy Sharp project will take place in 2020. It is sobering to note that Carla Zampatti AC these results are being posted during the global Covid-19 Brett Clegg, Chair 6 2019 Impact Report 2019 Impact Report 7 Executive Director’s Report It was a great pleasure to lead Sydney Dance Company It is exciting to watch the progress of works and we are into its 50th Anniversary and to work so closely with looking forward to returning to expanded premises at Rafael and the Board to deliver a program that both the end of 2020. Our sincere thanks go to our Capital reflected on the past and looked to the future. Rafael’s Campaign donors and the NSW Government for their vision for the year focused on Australian voices on shared investment in Sydney Dance Company’s future. the stage and it was wonderful to see 10 incredible Our thanks also go to the Federal new choreographic commissions brought to life Government for its support through the Australia across the year. Council for the Arts, who in partnership with the The company delivered 73 performances NSW Government, provide a base of support for the to audiences across Australia and Europe. Featuring company which we were able to leverage and grow to a diverse range of choreographic and composition ensure we could deliver the breadth of activity the year voices, the program absolutely shone a spotlight on encompassed. In the current climate of the Covid-19 the contemporary dance landscape in Australia. Over pandemic, the importance of Government support for the course of the year Sydney Dance Company directly the Arts has never been more keenly felt. employed 154 people, and contracted many more, to There are many people who work tirelessly create and deliver performances ranging in scale from a behind the scenes at Sydney Dance Company to bring 250 seat theatre at Sydney’s Carriageworks through to every performance to life, to greet each class attendee, international stages in halls of 2,000 seats.
Recommended publications
  • New Breed 2016 Meet the New Breed of Australian Dance Creators
    MEDIA RELEASE August 01, 2016 For immediate release NEW BREED 2016 MEET THE NEW BREED OF AUSTRALIAN DANCE CREATORS 29 November – 10 December 2016, Carriageworks Sydney Dance Company and Carriageworks announce four up-and-coming Australian choreographers commissioned to create new works for the acclaimed New Breed initiative thAt supports AustrAliA’s next generation of dance-makers. NEW BREED is made possible by Co-presented by two of Australia’s most dynamic arts organisations – Carriageworks and Sydney Dance Company – with generous support from THe Balnaves Foundation, New Breed 2016 will provide Australian cHoreograpHers RacHel Arianne Ogle (Perth), SHian Law (Melbourne), Jesse Scales (Hobart) and RicHard Cilli (Perth) with an invaluable opportunity to work with Australia’s finest contemporary dancers on the creation of a newly commissioned dance piece. THe four new works created by the New Breed 2016 cHoreograpHers will be presented at Sydney’s premier multi-arts precinct, Carriageworks, from 29 November to 10 December 2016. Sydney Dance Company and Carriageworks’ New Breed initiative made its debut in November 2014, supporting five young Australian cHoreograpHers througH the creation and presentation of unique new dance works. Two sold out seasons in 2014 and 2015 ensued. Following the New Breed program, Adelaide-based New Breed 2014 cHoreograpHer Gabrielle Nankivell was the recipient of the 2015 Tanja Liedtke FellowsHip for her work Wildebeest. Wildebeest will now be part of Sydney Dance Company’s stunning new double bill Untamed, performed alongside Artistic Director Rafael BonacHela's latest work, Anima. New Breed 2015 premiered to mucH acclaim in LudwigsHaven, Germany and to meet the demand for tickets in Australia, the Sydney season was extended.
    [Show full text]
  • Nutcracker – the Story of Clara the AUSTRALIAN BALLET EDUCATION
    TEACHER’S RESOURCE KIT SECONDARY SCHOOLS Nutcracker – The Story of Clara THE AUSTRALIAN BALLET EDUCATION Contents 05/ Synopsis 08/ The Creatives 10/ Spotlight on Nutcracker – The Story of Clara with Artistic Director David McAllister 11/ The Music 12/ Invitation to the Dance: Graeme Murphy on the origins of his Nutcracker 15/ Curricular activities TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 2 THE AUSTRALIAN BALLET EDUCATION Leanne Stojmenov. Photography Justin Ridler. Nutcracker – The Story of Clara Choreography Graeme Murphy Creative associate Janet Vernon Concept Graeme Murphy and Kristian Fredrikson Music Piotr Ilyich Tchaikovsky Set and costume design Kristian Fredrikson Original lighting design John Drummond Montgomery recreated by Francis Croese Film collage Philippe Charluet TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 3 THE AUSTRALIAN BALLET EDUCATION Leanne Stojmenov and Kevin Jackson. Photography Justin Ridler TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 4 THE AUSTRALIAN BALLET EDUCATION Nutcracker – The Story of Clara Amelia Soh, Natasha Kusen and artists of the Australian Ballet. Photography Daniel Boud SYNOPSIS ACT I During a sweltering Christmas Eve in Melbourne in the late During a troubled sleep Clara descends into hallucination. 1950s, the ageing Clara, once a famous Russian ballerina, She dreams that she encounters herself as a child and once struggles home through the scorching heat with her meagre again is terrified by shadows in the night. Then, as the clock shopping. All she can afford is a few provisions and a tiny strikes midnight on this final Christmas, she witnesses the death Christmas tree, which she places on a table. The music of of the man she loved and is caught in the destructive chaos of Tchaikovsky’s The Nutcracker from her radio fills her with the Russian Revolution.
    [Show full text]
  • Sydneydancecompany.Com Sydney Dance Company Pre-Professional Year 2015 Prospectus
    1 Photo of Sydney Dance Company Dancers Todd Sutherland and Janessa Dufty by Wendell Teodoro SYDNEYDANCECOMPANY.COM SYDNEY DANCE COMPANY PRE-PROFESSIONAL YEAR 2015 PROSPECTUS CONTENTS Message from Artistic Director Rafael Bonachela & Patron Darcey Bussell 3 About Pre-Professional Year & Course Outcomes 4 Reasons to join Sydney Dance Company’s Pre-Professional Year 5 Course Overview 6 Sample Weekly Schedule 7 Evaluation and Assessment Procedure 8 Teaching Faculty 9-10 About Sydney Dance Company 11 How to Apply 12 2 MESSAGE FROM RAFAEL BONACHELA Now in its second year, Sydney Dance Company’s Pre-Professional Year provides a strong training ground for the next generation of contemporary dance professionals. As one of the most recognised and respected contemporary dance companies in Australia, it’s wonderful to be able to connect with students and provide them with invaluable training opportunities, knowledge and professional experience so that they can then go and launch rewarding careers in the creative industries. As a dancer and choreographer, I know how important it is to have the best training opportunities available in order to reach your career goals. Sydney Dance Company thrives on an ethos of excellence and the Pre-Professional Year will allow you to develop your skills to the highest artistic and technical standards alongside our professional Company. Course Director Linda Gamblin will guide and nurture you throughout the year alongside our outstanding teaching team. Their diverse expertise and teaching methods will encourage you to reach your true potential as an artist. I’m looking forward to working with students as they develop into sound professionals – whether it’s as performers, choreographers, teachers or creatives – there are endless possibilities with the Pre-Professional Year course and we can’t wait to explore them with you.
    [Show full text]
  • Workshop Word JFH Apr 2016 TW
    Sydney Dance Company April School Holidays 2016 — Sydney Dance Jazz, Theatre Jazz JFH &Company Hip Hop April School 2 days $165 Holidays 2016 For Ages— 8—18 Contemporary & Lyrical 2 days $165 For Ages 8—18 Timetable Sydney Ages 8 & 9 Elementary Dance Thursday 14 April Friday 15 April 9.30am-10.00am Registration Company 10.00am-11.15am JAZZ with Jess JAZZ with Jess 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm HIP HOP with Jayden HIP HOP with Jayden 12.45pm-1.30pm Lunch break Lunch break 1.30pm-2.45pm JFH with Elysha JFH with Elysha 2.45pm-4.00pm THEATRE JAZZ with Veronica THEATRE JAZZ with Veronica Ages 10 & 11 Intermediate Thursday 14 April Friday 15 April 9.30am-10.00am Registration January 10.00am-11.15am HIP HOP with Jayden HIP HOP with Jayden 11.15am-11.30am Morning recess SchoolMorning recess Holidays 11.30am-12.45pm JAZZ with Jess JAZZ with Jess 12.45pm-1.30pm Lunch break Lunch break 2016 1.30pm-2.45pm THEATRE JAZZ with Veronica THEATRE JAZZ with Veronica 2.45pm-4.00pm JFH with Elysha JFH with Elysha 2 days $165 Contemporary Ages 12 & 13 Intermediate/Advanced Lyrical Thursday 21 April Friday 22 April Theatre Jazz 9.30am-10.00am Registration Hip Hop 10.00am-11.15am JAZZ with Amy JFH with Lauren 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm JFH with Heath JAZZ with Amy 12.45pm-1.30pm Lunch break Lunch breakFor ages 8 to 18 1.30pm-2.45pm HIP HOP with Thomas THEATRE JAZZ with Veronica 2.45pm-4.00pm THEATRE JAZZ with Leslie HIP HOP with Thomas Ages 14-18 Intermediate/Advanced Thursday 21 April Friday 22 April 9.30am-10.00am Registration 10.00am-11.15am JFH with Heath JAZZ with Amy 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm JAZZ with Amy JFH with Lauren 12.45pm-1.30pm Lunch break Lunch break 1.30pm-2.45pm THEATRE JAZZ with Leslie HIP HOP with Thomas 2.45pm-4.00pm HIP HOP with Thomas THEATRE JAZZ with Leslie Faculty - Juniors Veronica George – Theatre Jazz Jayden Rodrigues – Hip Hop Veronica is a professional Musical Theatre performer.
    [Show full text]
  • Developing Health Promoting Sports Clubs Through Organisational Change
    University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2019 Developing Health Promoting Sports Clubs through Organisational Change Amy Carrad University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Carrad, Amy, Developing Health Promoting Sports Clubs through Organisational Change, Doctor of Philosophy thesis, School of Health and Society, University of Wollongong, 2019. https://ro.uow.edu.au/ theses1/729 Research Online is the open access institutional repository for the University of Wollongong.
    [Show full text]
  • NP 2013.Docx
    LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books.
    [Show full text]
  • 1-Day-Intensive-2015
    Sydney Dance Company July School Holidays 29th June or 6th July __ 1 Day Intensive $80 Yoga/Pilates Ballet Class Contemporary Repertoire For ages 14—18 An introduction from Linda Gamblin Course Director, Pre-Professional Year Sydney Dance Company’s one-day intensive for senior dance students will give you a great insight into how we spend our days in the full-time Pre-Professional Year Course giving you food for thought as you continue to explore the wonderful world of dance. Meticulous training in classical and contemporary technique, including intense pilates and yoga practice is the best foundation for developing as a dancer. In this one day intensive you will learn Sydney Dance Company repertoire choreographed by Rafael Bonachela along with exploring improvisation skills and task work, which extends the dancer to become the artist. Timetable _________________________________________________________________________ Ages 14 to 18 Intermediate Monday 29 June 9.30am – 10.00am Registration 10.00am-11.15am Yoga / Pilates with Jolie Brook 11.15am-11.30am Recess 11.30am – 12.45pm Ballet Class with Linda Gamblin 12.45pm-1.30pm Lunch 1.30pm – 4.30pm Contemporary Workshop with Thomas Bradley Includes Technique, Task Work, Improvisation & Sydney Dance Company Repertoire (2 One Another) _________________________________________________________________________ Ages 14 to 18 Intermediate Monday 6 July 9.30am – 10.00am Registration 10.00am-11.15am Yoga / Pilates with Jolie Brook 11.15am-11.30am Recess 11.30am – 12.45pm Ballet Class with Paul Knobloch 12.45pm-1.30pm Lunch 1.30pm – 4.30pm Contemporary Workshop with Thomas Bradley Includes Technique, Task Work, Improvisation & Sydney Dance Company Repertoire (2 One Another) __________________________________________________________________________ Faculty _________________________________________________ _______________________________________ Linda Gamblin - Ballet Thomas Bradley - Contemporary Linda Gamblin has enjoyed a prestigious classical dance Thomas originally comes from Cootamundra, regional career.
    [Show full text]
  • Darkemu-Program.Pdf
    1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers.
    [Show full text]
  • Frame of Mind William Forsythe | Rafael Bonachela
    MEDIA RELEASE March 26, 2015 AUSTRALIAN PREMIERE SEASON SYDNEY DANCE COMPANY’S FRAME OF MIND WILLIAM FORSYTHE | RAFAEL BONACHELA NINE MELBOURNE SHOWS ONLY MAY 6 TO 16, BOOK NOW! ★★★★ ½ - It’s sublime. – Sunday Telegraph Astonishing… powerful, personal and poetic… quite simply, breathtaking. – Limelight Magazine ★★★★ - It’s a delight…a potent blend of technique, daring and playfulness. - SMH Could be seen again and again without exhausting its possibilities. - The Australian ★★★★ - Passionate… precise… breath-stealing. – The Guardian Sydney Dance Company The Wharf, Pier 4, 15 Hickson Road, Sydney, NSW 2000, Australia MEDIA RELEASE March 26, 2015 As part of its Australian premiere season, Sydney Dance Company is set to presen t a limited run of its acclaimed double bill, Frame of Mind, at Southbank Theatre, Melbourne . This is an exceptional opportunity to experience two mesmerising danceworks - legendary American choreographer William Forsythe’s acclaimed masterpiece Quintett, and Rafael Bonachela’s newly created Frame of Mind, direct from its world premiere Sydney performances. Created in 1993, William Forsythe’s Quintett is one of the most renowned contemporary dance works of the 20th Century. This highly poetic and powerful work, developed in collaboration with Ballet Frankfurt dancers Dana Caspersen, Stephen Galloway, Jacopo Godani, Thomas McManus and Jone San Martin, was a final love letter to Forsythe’s wife, dancer Tracy-Kai Maier, who succumbed to cancer in 1994, aged 32. Quintett is set to a hauntingly beautiful soundtrack by renowned post-minimalist British composer, Gavin Bryars; his iconic 1975 composition, Jesus's Blood Never Failed Me Yet. Inspired by a grainy, chance recording of a homeless man singing, the looped vocals begin as a barely audible, distant melody, and acquire a slowly evolving, growing orchestral accompaniment, which with its insistent optimism, tinged with tragedy, creeps under the skin and magnifies the intense poignancy of the choreography.
    [Show full text]
  • Ilíl 11II Que Quer Qucj Pe*Io.S Actos Ma.Js Reprováveis, Foi Tradições Do Sempre* Contestação Do Sr
    r-7^ -í æ'*¦?- .i-? *:'•¦ ** 'íí^"- * æ"* ** ¦:*¦ - t'"''^ ¦ -r— SEDE SOCIAL ASSIGNATURA NA Doze -mezes. 30|ooo Avenida Rio Branco Seis mezes . i6$ooo - 128, 130, 132 Um mez . 3$ooo . í NUMERO AVULSO 100 us. *\«' ' " ' ' '-! t JM. "3^ \jp - "¦!'" ANNO — N? 10.072 Jornal Indopeiiclonto. .k XXVIÜ RIO ÜE JANEIRO, SABBADO, 4 DE DE político, MAIO 1912 litoi-urlo e noticioso do rosto do cujas rugas n. pressão pai, aos mais exaltados luctadores daquel- disciplina, a esse desvio da» attribui- tarde, ouvir a continuação da farto. Factos e obra é que todos recla- guida que representa o sentimento da opi- da fronte revelam uma idéa tenaz, *a para respeitável legião- O governo é ções militares, a esse rebaixamento, réplica do Sr. Severino Vieira á toam. nião nacional, no protesto contra o reco- uma idéa elle fazer trium-' das exercito, nhecimento Ilíl 11II que quer quCj pe*io.s actos ma.js reprováveis, foi tradições do sempre* contestação do Sr. Luiz Vianna. Esse tardio movimento em defesa da traudulento do Sr. Raymíindi e triumpho escolhe a 1 phar, para cujo descendo, dia a dia, na confiança do obediente á lei e collaborador leaPda* Federação não passa de film. sem valor, de Miranda, como o fez no seio da carne de sua carne, um com- própria pe-('povo, e, entre elles, destaca-se o de grandeza* do regimen.'. Caso haja- numero, o Senado ele- de <]ue, .para aos atirarem poeira aos olhos, missão, porque essa'é a expressão rcil da .. .1 will speak as liberal daço do seu próprio coração monstruosos fuzilamentos do Satelli- Aprazia-lhe o despertar dessas agi- lançam mão os freis Thomazes da política verdade.
    [Show full text]
  • Newsletter - July 2009
    Tanja Liedtke Foundation Newsletter - July 2009. www.tanja-liedtke-foundation.org Australian Dance Awards 2009 Tanja Liedtke’s work construct won two major awards at the Australia In this edition: Dance Awards, held in Melbourne on June 7th 2009 – Outstanding Achievement in Choreography and Outstanding Australian Dance Awards Achievement in Independent Dance. The audience at the 2009 Victorian Arts Centre’s State Theatre celebrated the ongoing success construct on tour of Tanja’s work, and as her partner and creative associate Sol Twelfth Floor on tour Ulbrich, who accepted the awards on Tanja’s behalf, noted, “It’s a ...and more moment to stand and share with everyone in the dance community. A big moment to acknowledge Tanja”. The work received an additional award with Kristina Chan receiving the award for Outstanding Achievement by a female dancer. Kristina and Tanja were friends from 1999 when they both joined the Australian Dance Theatre as young dancers. Since that time, with Tanja as choreographer, they created several works together in collaboration with other artists such as Paul White, who was also nominated for Outstanding Performance by a male dancer in construct. Sol Ulbrich - remount Director, construct, Paul White & Kristina Chan performers, construct. construct on tour On the 17th of June Tanja’s construct began its Australian national tour taking in Canberra, Frankston, Lismore, Caloundra, Toowoomba, Brisbane, Hobart and finishing in Adelaide. This tour is part of the Australia Council’s Mobile States initiative and is produced and managed by Performing Lines. The touring cast consists of original members Kristina Chan and Paul White, who will be joined by Lisa Griffiths in the role that Tanja created for herself when the work premiered in 2007.
    [Show full text]
  • Gender Inequity in Achievement and Acknowledgment in Australian Contemporary Dance
    Edith Cowan University Research Online Theses : Honours Theses 2009 Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance Quindell Orton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Dance Commons, and the Gender and Sexuality Commons Recommended Citation Orton, Q. (2009). Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance. https://ro.ecu.edu.au/theses_hons/1331 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1331 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]