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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
Issue 17 Ausact: the Australian Actor Training Conference 2019
www.fusion-journal.com Fusion Journal is an international, online scholarly journal for the communication, creative industries and media arts disciplines. Co-founded by the Faculty of Arts and Education, Charles Sturt University (Australia) and the College of Arts, University of Lincoln (United Kingdom), Fusion Journal publishes refereed articles, creative works and other practice-led forms of output. Issue 17 AusAct: The Australian Actor Training Conference 2019 Editors Robert Lewis (Charles Sturt University) Dominique Sweeney (Charles Sturt University) Soseh Yekanians (Charles Sturt University) Contents Editorial: AusAct 2019 – Being Relevant .......................................................................... 1 Robert Lewis, Dominique Sweeney and Soseh Yekanians Vulnerability in a crisis: Pedagogy, critical reflection and positionality in actor training ................................................................................................................ 6 Jessica Hartley Brisbane Junior Theatre’s Abridged Method Acting System ......................................... 20 Jack Bradford Haunted by irrelevance? ................................................................................................. 39 Kim Durban Encouraging actors to see themselves as agents of change: The role of dramaturgs, critics, commentators, academics and activists in actor training in Australia .............. 49 Bree Hadley and Kathryn Kelly ISSN 2201-7208 | Published under Creative Commons License (CC BY-NC-ND 3.0) From ‘methods’ to ‘approaches’: -
On Cue Table of Contents
ON CUE TABLE OF CONTENTS About On Cue and STC 2 Curriculum Connections 3 Cast and Creatives 4 The Director in Conversation 5 Synopsis6 Character Analysis 7 Themes and Ideas 11 Style15 Elements of Production 16 Bibliography 17 Compiled by Lisa Mumford. The activities and resources contained in this document are designed for educators as the starting point for developing more comprehensive lessons for this production. Lisa Mumford is the Education Projects Officers for the Sydney Theatre Company. You can contact Lisa on [email protected] © Copyright protects this Education Resource. Except for purposes permitted by the Copyright Act, reproduction by whatever means in prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. 1 ABOUT ON CUE AND STC ABOUT ON CUE ABOUT SYDNEY THEATRE COMPANY STC Ed has a suite of resources located on our website to In 1980, STC’s first Artistic Director Richard Wherrett defined enrich and strengthen teaching and learning surrounding STC’s mission as to provide “first class theatrical entertainment the plays in the STC season. for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun.” Each school show will be accompanied by an On Cue e-publication which will feature essential information for Almost 40 years later, that ethos still rings true. teachers and students, such as curriculum links, information about the playwright, synopsis, character analysis, thematic STC offers a diverse program of distinctive theatre of vision analysis and suggested learning experiences. and scale at its harbourside home venue, The Wharf; Roslyn Packer Theatre at Walsh Bay; and Sydney Opera House, as its For more in-depth digital resources surrounding productions, resident theatre company. -
KATE BOX | Actor
SHANAHAN KATE BOX | Actor FILM Year Production / Character Director Company 2018 BACK OF THE NET Louise Alston The Steve Jaggi Company Coach Smith 2016 THREE SUMMERS Ben Elton Invisible Republic/Taylor Media Linda 2014 THE DAUGHTER Simon Stone Fate Films Julieanne 2013 THE LITTLE DEATH Josh Lawson See Pictures Roweena 2012 RANDOM 8 Kathryn Millard Frances Austin 2010 ORANGES AND SUNSHINE Jim Loach See-Saw Films Radio Receptionist 2007 THE BLACK BALLOON Elissa Down Black Balloon Productions Elizabeth - Teacher TELEVISION Year Production/Character Director Company 2020 STATELESS Emma Freeman & Dirty Films/ABC Janice Jocelyn Moorhouse 2019 UPRIGHT Matthew Saville & Lingo Pictures Esme Tim Minchin 2019 LES NORTON Various Roadshow Rough Diamond/ABC Lozza Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2019 THE UNLISTED Various Aquarius Films Emma Ainsworth 2019 THE LET DOWN Various Giant Dwarf Nadia 2018 WANTED S3 Jocelyn Moorhouse Matchbox Pictures Maxine Middleton 2018 RIOT Jeffrey Walker ABC/Werner Film Productions Margaret “Marg” McMann 2018 PICNIC AT HANGING ROCK Various FremantleMedia/Foxtel Mrs Bumpher 2016 FUCKING ADELAIDE Sophie Hyde Closer TV Emma 2015 RAKE SEASON 4 Peter Duncan Essential Media & Entertainment Nicole 2015 AUSTRALIA: THE STORY OF US Hugh Ballantyne Essential Media Ella Stack 2014 SOUL MATES Connor Van Vuuren Jungle/ABC Aunty Hazel 2013 OLD SCHOOL Gregor Jordan Matchbox Pictures Kath 2013 -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
Remembering Edouard Borovansky and His Company 1939–1959
REMEMBERING EDOUARD BOROVANSKY AND HIS COMPANY 1939–1959 Marie Ada Couper Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy 2018 School of Culture and Communication The University of Melbourne 1 ABSTRACT This project sets out to establish that Edouard Borovansky, an ex-Ballets Russes danseur/ teacher/choreographer/producer, was ‘the father of Australian ballet’. With the backing of J. C. Williamson’s Theatres Limited, he created and maintained a professional ballet company which performed in commercial theatre for almost twenty years. This was a business arrangement, and he received no revenue from either government or private sources. The longevity of the Borovansky Australian Ballet company, under the direction of one person, was a remarkable achievement that has never been officially recognised. The principal intention of this undertaking is to define Borovansky’s proper place in the theatrical history of Australia. Although technically not the first Australian professional ballet company, the Borovansky Australian Ballet outlasted all its rivals until its transformation into the Australian Ballet in the early 1960s, with Borovansky remaining the sole person in charge until his death in 1959. In Australian theatre the 1930s was dominated by variety shows and musical comedies, which had replaced the pantomimes of the 19th century although the annual Christmas pantomime remained on the calendar for many years. Cinemas (referred to as ‘picture theatres’) had all but replaced live theatre as mass entertainment. The extremely rare event of a ballet performance was considered an exotic art reserved for the upper classes. ‘Culture’ was a word dismissed by many Australians as undefinable and generally unattainable because of our colonial heritage, which had long been the focus of English attitudes. -
Riding a Wave of Production
MEDIA RELEASE: Wednesday 17 February 2021 RIDING A WAVE OF PRODUCTION Cameras roll on Werner Film Production’s new series for Netflix and ZDFE Melbourne: Principal photography on Werner Film Productions’ (WFP) new NETFLIX/ZDFE 10-episode teen surfing drama, Surviving Summer, will commence this month, as production wraps on WFP’s six-part premium news drama for the ABC The Newsreader. The three time Emmy®-nominated, and multi AFI, AACTA and Logie award winning television production company has been in back to back production since the beginning of 2020, and has a rich and diverse advanced development slate. Surviving Summer was created by Joanna Werner and Josh Mapleston (Ready For This, Beat Bugs, Dance Academy) written by Mapleston, Marieke Hardy, Magda Wozniak, Keir Wilkins, Gemma Crofts and Kirsty Fisher and will be shot on location at some of Australia’s most iconic surf beaches in Victoria and is supported by Film Victoria. Sky Katz (Disney Channel’s Raven's Home) stars as the titular character Summer, a fierce Brooklyn teen who is sent Down Under to live with family friends in a tiny coastal town on the Great Ocean Road. Katz stars alongside Brazilian rising star João Gabriel Marinho (Malhação), Australia’s Kai Lewins (Wild Boys) and Savannah La Rain (Content) and in her first foray into acting, five-time Queensland Junior State Surf Champion Lilliana Bowrey. Set up director is Ben Chessell (The Great, Giri/Haji), with Sian Davies (Bloom, The Gloaming) and Charlotte George (Big Smoke) also directing. DOP is Katie Milwright (Upright, Please Like Me) with water and surfing cinematography by Rick Rifici (Breath, Dirt Music). -
Swallow Program
RIVERSIDE THEATRES PRESENTS NATIONAL THEATRE OF PARRAMATTA BY STEF SMITH THEATRE 21 – 30 APRIL FROM THE FROM LORD FROM FROM HON TROY MAYOR CLR NATIONAL ROBERT GRANT MP PAUL GARRAD THEATRE OF LOVE PARRAMATTA DIRECTORATE DEPUTY PREMIER LORD MAYOR DIRECTOR MINISTER FOR JUSTICE AND PARRAMATTA CITY COUNCIL RIVERSIDE THEATRES POLICE, MINISTER FOR THE As Lord Mayor of Parramatta I am Riverside has always wanted and ARTS, MINISTER PAULA ABOOD, excited to welcome you to the first needed a resident theatre company FOR RACING WAYNE HARRISON AM, production from National Theatre of S. SHAKTHIDHARAN, to be truly a lively and distinctive Welcome to the inaugural Parramatta, Swallow. The launch of ANNETTE SHUN WAH performance venue. We need artists production from National Theatre the theatre company last November in situ interpreting local issues of the of Parramatta, Swallow. marked the culmination of years of A new theatre is cause for day, working with the local community celebration. A new national theatre The NSW Government is proud planning and its debut season of and giving the place a creative heart, is an opportunity to capture the to be part of a multi-year funding performances is highly anticipated. an enquiring mind and a soul that can creative diversity of the nation. As agreement in 2015 that lead to the National Theatre of Parramatta is a take flight. Now we have our own the inaugural production of National dream that was National Theatre of wonderful addition to the cultural National Theatre of Parramatta that Theatre of Parramatta, Swallow Parramatta, becoming a reality. On landscape here in the heart of Global aims to put the nation on stage. -
And We Danced Episode 3 Credits
AND WE DANCED WildBear Entertainment, ABC TV and The Australian Ballet acknowledge the Traditional Owners of country throughout Australia and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past and present. EPISODE THREE Executive Producers Veronica Fury Alan Erson Michael Tear Development Producer Stephen Waller INTERVIEWEES Margot Anderson Dimity Azoury Peter F Bahen Lisa Bolte Adam Bull Ita Buttrose AC OBE Chengwu Guo David Hallberg Ella Havelka Steven Heathcote AM Marilyn Jones OBE Ako Kondoo David McAllister AC Graeme Murphy AO Stephen Page AO Lisa Pavane Colin Peasley OAM Marilyn Rowe AM OBE Amber Scott Hugh Sheridan Fiona Tonkin OAM Elizabeth Toohey Emma Watkins Michael Williams SPECIAL THANKS TO David McAllister AC David Hallberg Nicolette Fraillon AM 1 Artists of The Australian Ballet past and present Artists of Bangarra Dance Theatre past and present Orchestra Victoria Opera Australia Orchestra The Australian Ballet School Tony Iffland Janine Burdeu The Wiggles The Langham Hotel Melbourne Brett Ludeman, David Ward ARCHIVE SOURCES The Australian Ballet ABC Archives National Film and Sound Archive Associated Press Getty The Apiary The Wiggles International Arts Newspix Bolshoi Ballet American Ballet Theater FOOTAGE The Australian Ballet Year of Limitless Possibilities, 2020 Brand Film Artists of The Australian Ballet Valerie Tereshchenko, Robyn Hendricks, Dimity Azoury, Callum Linnane, Jake Mangakahia Choreography David McAllister AM Cinematography Brett Ludeman and Ryan Alexander Lloyd Produced by Robyn Fincham and Brett Ludeman Filmed on location at Mundi Mundi Station, via Silverton NSW The Living Desert Sculpture Park, Junction Mine, The Imperial Fine Accommodation, Broken Hill NSW. -
The Physician at the Movies Peter E
The physician at the movies Peter E. Dans, MD Geoffrey Rush, Colin Firth (as Prince Albert/King George VI), and Helena Bonham Carter in The King’s Speech (2010). The Weinstein Company,/Photofest. The King’s Speech helphimrelaxhisvocalcordsandtogivehimconfidencein Starring Colin Firth, Geoffrey Rush, Helena Bonham Carter, anxiousmoments.Heisalsotoldtoputpebblesinhismouth Guy Pearce, and Derek Jacobi. like Demosthenes was said to have done to speak over the Directed by Tom Hooper. Rated R and PG. Running time 118 waves.Allthatdoesismakehimalmostchoketodeath. minutes. His concerned wife, Elizabeth (Helena Bonham Carter), poses as a Mrs. Johnson to enlist the aid of an unorthodox box-officefavoritewithanupliftingcoherentstorywins speechtherapist,LionelLogue,playedwithgustobyGeoffrey the Academy Award as Best Picture. Stop the presses! Rush. Firth deserved his Academy Award for his excellent AThefilm chronicles the transformation of the Duke of York job in reproducing the disability and capturing the Duke’s (ColinFirth),wholookslike“adeerintheheadlights”ashe diffidence while maintaining his awareness of being a royal. stammers and stutters before a large crowd at Wembley Still,itisRushwhomakesthemoviecomealiveandhasthe StadiumattheclosingoftheEmpireExhibitionin1925, best lines, some from Shakespeare—he apologizes to Mrs. J tohisdeliveryofaspeechthatralliesanationatwar fortheshabbinessofhisstudiowithalinefromOthellothat in1939.Thedoctorswhoattendtowhattheycall being“poorandcontentisrich,andrichenough.”Refusingto tongue-tiednessadvocatecigarettesmokingto -
Part 4 Australia Today
Australia today In these pages you will learn about what makes this country so special. You will find out more about our culture, Part 4 our innovators and our national identity. In the world today, Australia is a dynamic business and trade partner and a respected global citizen. We value the contribution of new migrants to our country’s constant growth and renewal. Australia today The land Australia is unique in many ways. Of the world’s seven continents, Australia is the only one to be occupied by a single nation. We have the lowest population density in the world, with only two people per square kilometre. Australia is one of the world’s oldest land masses. It is the sixth largest country in the world. It is also the driest inhabited continent, so in most parts of Australia water is a very precious resource. Much of the land has poor soil, with only 6 per cent suitable for agriculture. The dry inland areas are called ‘the Australia is one of the world’s oldest land masses. outback’. There is great respect for people who live and work in these remote and harsh environments. Many of It is the sixth largest country in the world. them have become part of Australian folklore. Because Australia is such a large country, the climate varies in different parts of the continent. There are tropical regions in the north of Australia and deserts in the centre. Further south, the temperatures can change from cool winters with mountain snow, to heatwaves in summer. In addition to the six states and two mainland territories, the Australian Government also administers, as territories, Ashmore and Cartier Islands, Christmas Island, the Cocos (Keeling) Islands, Jervis Bay Territory, the Coral Sea Islands, Heard Island and McDonald Islands in the Australian Antarctic Territory, and Norfolk Island. -
Law & Disorder
LAW & DISORDER RAKE LAW & DISORDER RAKE SERIES FOUR / 8 X ONE HOUR TV SERIES THURSDAY MAY 19 8.30PM STARRING RICHARD ROXBURGH WRITTEN BY PETER DUNCAN & ANDREW KNIGHT PRODUCED BY IAN COLLIE, PETER DUNCAN & RICHARD ROXBURGH ESSENTIAL MEDIA & BLOW BY BLOW MEDIA CONTACT Kristine Way / ABC TV Publicity T 02 8333 3844 M 0419 969 282 E [email protected] SERIES SYNOPSIS Last seen dangling from a balloon road leading straight to our dark drifting across the Sydney skyline, corridors of power. Cleaver Greene (Richard Roxburgh) Twisting and weaving the stories of crashes back to earth - literally and the ensemble of characters we’ve metaphorically, when he’s propelled grown to love over three stellar through a harbourside window into the seasons, Season 4 of Rake continues unwelcoming embrace of chaos past. the misadventures of dissolute Cleaver Fleeing certain revenge, Cleaver Greene and casts the fool’s gaze on all hightails it to a quiet country town, the levels of politics, the legal system, and reluctant member of a congregation our wider fears and obsessions. led by a stern, decent reverend and ALSO STARS Russell Dykstra, Danielle his flirtatious daughter. Before long Cormack, Matt Day, Adrienne Cleaver’s being chased back to Sin City. Pickering, Caroline Brazier, Kate Box, But Sydney has become a dark Keegan Joyce and Damien Garvey. place: terrorist threats and a loss of GUEST APPEARANCES from Miriam faith in authority have seen it take a Margolyes, Justine Clarke, Tasma turn towards the dystopian. When Walton, John Waters, Simon Burke, Cleaver finally emerges, he will be Rachael Blake, Rhys Muldoon, Louise accompanied by a Mistress of the Siversen and Sonia Todd.