(Iowa City, Iowa), 2018-03-01

Total Page:16

File Type:pdf, Size:1020Kb

(Iowa City, Iowa), 2018-03-01 The Daily Iowan THURSDAY, MARCH 1, 2018 THE INDEPENDENT NEWSPAPER OF THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 DAILY-IOWAN.COM 50¢ News Police find no suspicious activity at Currier To Know After reports of 'loud bangs' near Currier Residence Hall, officers confirmed no shots were fired. 80HOURS INSIDE: The weekend in arts & entertainment Thursday, March 1, 2018 Currier Hall was cleared by officers late the DI, except that an alert was on its way. Event Info Wednesday after reports of “loud bangs” near The UI Public Safety defines Hawk Alerts Baking a mother’s When: Friday-March 18, 7:30 p.m. Thursdays-Saturdays; 2 p.m. Sundays Where: Riverside Theater, 213 N. Gilbert love on death row Cost: $12-$30 the residential building. as: “… triggered by an event that is currently BY SARAH STORTZ | [email protected] Around 11 p.m. Wednesday, Daily Iowan occurring on or imminently threatening the The sweet, crispy scent of an apple pie in a small theater, al- The piece has received critical acclaim since its release, in- most welcoming an audience home with an appetizing meal. cluding winning the Smith Prize from the National New Play In contrast to the popular tradition of the festive dessert, one Network. Shortly after receiving the honor, Fawcett discovered reporters heard from students via texts, UI campus. UI [Public Safety] initiates Hawk mother will mark a final goodbye in her next baking project. that she was pregnant, which immediately changed her per- Riverside Theater, 213 N. Gilbert St, will present the original spective on her work. play Apples in Winter beginning Friday. “What became intellectual became emotional, since I was be- Snapchats, and calls of a hectic scene inside Alerts for any significant emergency or dan- With only one character, the play focuses on a mother named coming a mother,” Fawcett said. Miriam, who is an avid baker. Miriam’s son has been assigned Beth Wood, the show’s director originally comes from Cleve- from his opioid addiction. For his last meal, he has asked his land, where she is the associate artistic director of Cleveland mother to bake him an apple pie. Public Theater. She was invited to direct the play, and she quick- Currier Hall. Police were in the dorm’s hall- gerous situation occurring on the campus in- Baking in the prison, Miriam muses about raising her child ly becoming enamored with the script. and how he met his downfall for the duration of the show. “I’m really attracted to plays that are really about complex Playwright Jennifer Fawcett earned an M.F.A. in playwriting human emotion, because as human beings, we have different, ways, while RAs informed their residents to volving an immediate threat to the health or at the University of Iowa. Since then, her work has been per- 800 emotions going on at once,” Wood said. “This script really formed in several parts of the United States. Beyond her writ- brought that to life in a really interesting way. I’m also a fan of ing, Fawcett is a cofounder of the Working Group Theater, a the way the language is constructed. The way Jennifer has con- group based in Iowa City that collaborates with artists around structed the language and the journey are really intricate.” stay inside. safety of students and employees.” the world to produce original plays. Typically working with a full cast of actors, Wood was able to Fawcett was influenced to compose this piece by a class she make new ventures while directing her first one-woman show. took at the university, where she learned about “bad mothers.” “It’s such an interesting challenge as a director,” Wood said. Around 11:20 p.m., students were reporting to At 11:52 p.m., 50 minutes after DI reporters She has also observed the behavior of criminals and how their “You can’t rely on two people communicating to find pace and families are often victimized. change. You really have to find that within the text and also the “I was really interested in a mother grappling that, where individual’s emotional journey.” she’s both grieving and figuring out her own responsibility, if Marquetta Senters, the actor portraying Miriam, takes full DI staffers that they heard the scene was clear. first heard about the situation, a second Hawk there is any,” Fawcett said. SEE APPLES, 5B At 11:24 p.m., the first Hawk Alert of the Alert was sent to students stating no shots night said “HAWK ALERT Reports of loud were fired and there was no suspicious activity. bangs at Currier Hall, unsubstantiated pos- “Currier Hall has been cleared by officers; sible shots fired. Officers are on scene. Situa- resume normal activity. No shots were fired or tion is secure.” any suspicious activity,” the update said. Ben Allan Smith/The Daily Iowan Prior to this report, the UI Department of Iowa City and University of Iowa police respond to loud bangs at Currier Apple pie on death Public Safety had no information to give to — Grace Pateras Residence Hall on Wednesday evening. PHOTO BY NICK ROHLMAN row DESIGN BY ALLIE WILKERSON On the web On the air Events calendar Get updates about local arts & Tune in to KRUI 89.7 FM at 5 p.m. on Want your event to be printed in The Daily Iowan entertainment events on Twitter Thursdays to hear about this weekend and included in our online calendar? To submit a @TheDailyIowanAs her sonin arts & entertainment. awaits listing,the visit dailyiowan.com/pages/calendarsubmit. death penalty, Miriam muses about raising her child and how he met his downfall while she bakes him an apple pie for his last meal. Riverside Theater will portray this In praise of women filmmakers mother’s story beginning Friday. 80 HOURS FilmScene’s program ‘Women’s March’ showcases films made by women. One win down, four to go Iowa men’s basketball needed a win to keep faint NCAA Tour- nament hopes alive, and that’s exactly what the Hawkeyes McCaffery got when they beat Illinois, 96-87, on Wednesday. Jordan Bohannon went off for 25 points, and Iowa shot 41 free throws en route to the victory, but the Illini kept it close throughout and gave the Hawkeyes a scare at the end. Sports, 6A Supplemental Instruction proves to increase retention and grades The academic support pro- gram, which offers tutoring in 20 of the UI’s hardest classes, has grown significantly in use over the last year and has proven to improve grades File photo/The Daily Iowan and result in fewer students dropping the classes. Offi- The theater at FilmScene is seen on Dec. 9, 2015. All this month, FilmScene will feature films by women directors. cials hope to allocate more resources to the program in BY BROOKLYN DRAISEY mix of new releases, classic cinema, and films are doing in film. the future. News, 3A [email protected] with local ties, along with discussions and Q & “We want to do something as members of A sessions with filmmakers. the industry and as an arthouse theater, we Women’s basketball FilmScene will celebrate every day of Wom- Program director Rebecca Fons, who has want to do something that sort of supports fe- heads to Indy en’s History Month with quite a few unique been with FilmScene since November 2017, male voices,” she said. Heading into the Big Ten films. started working on “Women’s March” right Finding films made by women wasn’t an Tournament on a hot streak, Starting today, FilmScene, 118 E. College away. She said the Harvey Weinstein scandal issue, but narrowing down the list was, Fons the Hawkeyes have North- St., will present “Women’s March,” a program and the #MeToo movement were hot topics at said. FilmScene collaborated with Bijou on western in their path to try showcasing films made by women. Every day, the time, which made her more determined to to end the streak. After an every show time, and every screen will show a shine a light on the wonderful things women SEE WOMEN, 2A undefeated month of Febru- ary, Iowa wants to take that momentum into March, as postseason basketball starts up. Sports, 6A UI first responder English/Creative Iowa mothers take matters into their own hands After the Parkland shooting, Writing majors mothers in the Keosauqua remembers Nov. 1, 1991 public-school system raised $5,000 to buy devices for 50 classrooms that will help Michael Weinstock was a UI sophomore when he volunteered surge in Lit City keep children safe in the as an EMT in response to the 1991 shooting. Years later, he was event of an active shooter. News, 3A a responder on 9/11. The UI started the undergraduate English/ Big Tens just over the Creative Writing Program in horizon for wrestling As the Big Ten Championships the fall of 2016. The program approach, there are a number has seen a surge in number of of Hawkeye lightweights with the opportunity to become students in two years. conference champions. Spen- cer Lee, Brandon Sorensen, BY AADIT TAMBE and Michael Kemerer all have [email protected] tough paths to a gold medal, but it’s still entirely possible. The English/Creative Writing Program has seen And that’s not even getting a surge in student enrollment since its inception into the heavyweights. in the fall of 2016. It is one of the most diverse pro- Sports, 6A grams, attracting many out-of-state students and international students. The program has 526 undergraduate students WEATHER enrolled in just its second year.
Recommended publications
  • The Greater Antilles
    PART I The Greater Antilles Jamaica: The Wages of Love chapter 1 BRANDING on tv, it looked like the others were jogging. Halfway through the Olympic 100-meter final, Usain Bolt— Jamaican hero, fastest man in the world, performing in London before eighty thousand flashbulb-popping fans— pulled away. At six-foot- five, hurtling down the tile- red track, Bolt stretched his stride in a way none of his rivals— compact, muscular men all— could match. One moment, eight Lycra- clad figures were sprinting in a pack. Then there was one: long legs churning, face calm. In Beijing four years before, he’d turned this race, as one oft-quoted account had it, into “a palette on which an emerging and transcendent talent could splash his greatness.”1 Slap- ping his chest before the line, exulting as he crossed— Bolt charmed the world with his brash joie de vivre. Now, as he pulled away, TV replays caught him glancing at the stadium clock: in Beijing, he’d entered his- tory; here, he wanted to make it. And so he did. The clock showed the time— a new Olympic record. And Jamaica’s pride, his nation’s black, yellow, and green flag draped over his broad back, grinned and danced as he circled the stadium, soaking up its warm lights’ love. For most of the few hundred million around the globe watching on TV, the scene showed what the Olympic Games, Visa-sponsored cor- porate dross aside, could still be. Here was a beautiful human, from a little nation, moving with supernal grace on the world stage.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • The Mixtape: a Case Study in Emancipatory Journalism
    ABSTRACT Title of Dissertation: THE MIXTAPE: A CASE STUDY IN EMANCIPATORY JOURNALISM Jared A. Ball, Doctor of Philosophy, 2005 Directed By: Dr. Katherine McAdams Associate Professor Philip Merrill College of Journalism Associate Dean, Undergraduate Studies During the 1970s the rap music mixtape developed alongside hip-hop as an underground method of mass communication. Initially created by disc-jockeys in an era prior to popular “urban” radio and video formats, these mixtapes represented an alternative, circumventing traditional mass medium. However, as hip-hop has come under increasing corporate control within a larger consolidated media ownership environment, so too has the mixtape had to face the challenge of maintaining its autonomy. This media ownership consolidation, vertically and horizontally integrated, has facilitated further colonial control over African America and has exposed as myth notions of democratizing media in an undemocratic society. Acknowledging a colonial relationship the writer created FreeMix Radio: The Original Mixtape Radio Show where the mixtape becomes both a source of free cultural expression and an anti-colonial emancipatory journalism developed as a “Third World” response to the needs of postcolonial nation-building. This dissertation explores the contemporary colonizing effects of media consolidation, cultural industry function, and copyright ownership, concluding that the development of an underground press that recognizes the tremendous disparities in advanced technological access (the “digital divide”) appears to be the only viable alternative. The potential of the mixtape to serve as a source of emancipatory journalism is studied via a three-pronged methodological approach: 1) An explication of literature and theory related to the history of and contemporary need for resistance media, 2) an analysis of the mixtape as a potential underground mass press and 3) three focus group reactions to the mixtape as resistance media, specifically, the case study of the writer’s own FreeMix Radio: The Original Mixtape Radio Show.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • ARIA TOP 100 ALBUMS CHART 2018 TY TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 100 ALBUMS CHART 2018 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 THE GREATEST SHOWMAN Soundtrack <P>3 ATL/WAR 7567865927 2 ÷ Ed Sheeran <D> ATL/WAR 9029585903 3 A STAR IS BORN Lady Gaga & Bradley Cooper <P> INR/UMA B002872502 4 BEERBONGS & BENTLEYS Post Malone <P> UNI/UMA B002821802 5 BOHEMIAN RHAPSODY (THE ORIGINAL SOUNDTRACK) Queen <G> VIR/UMA 6798870 6 KAMIKAZE Eminem <G> INR/UMA 7704621 7 SCORPION Drake <G> REP/UMA 6787918 8 GREATEST HITS Queen <P>15 UNI/UMA 2758364 9 BEAUTIFUL TRAUMA P!nk <P>4 RCA/SME 88985474692 10 X Ed Sheeran <D> WAR 2564628590 11 REPUTATION Taylor Swift <P>2 BIG/UMA 3003310 12 ? XXXTentacion <G> CAR/UMA 1210673 13 STONEY Post Malone <G> UNI/UMA 5726167 14 LOVE MONSTER Amy Shark <G> WRC/SME LICK021 15 THE PLATINUM COLLECTION Queen <P> UNI/UMA 2772417 16 SWEETENER Ariana Grande UNI/UMA 6783809 17 SHAWN MENDES Shawn Mendes <G> ISL/UMA 6755089 18 NATION OF TWO Vance Joy <G> LIB/UMA LRCD0001 19 GRAFFITI U Keith Urban <G> CAP/EMI 6741357 20 BLACK PANTHER: THE ALBUM Soundtrack <G> INR/UMA 6736430 21 EVOLVE Imagine Dragons INR/UMA 5768084 22 MAMMA MIA! HERE WE GO AGAIN Soundtrack PDR/UMA 6742623 23 + Ed Sheeran <D> WAR 5249864652 24 GUARDIANS OF THE GALAXY: AWESOME MIX VOL. 1 Soundtrack <P>2 HWR/UMA 8731446 25 CURTAIN CALL: THE HITS Eminem <P>6 INR/UMA 9887893 26 GREATEST HITS...SO FAR!!! P!nk <P>9 SME 19075855342 27 24K MAGIC Bruno Mars <P> ATL/WAR 7567866273 28 MOANA Soundtrack <P> WALT/UMA 8734913 29 THE BEST OF COLD CHISEL: ALL FOR YOU Cold Chisel <P>2 CC/UMA CCC002 30 CHRISTMAS Michael Buble <D>2 RPS/WAR 9362494697 31 REVIVAL Eminem INR/UMA B002776202 32 AMERICAN TEEN Khalid <G> RCA/SME 88985414322 33 ASTROWORLD Travis Scott SME G0100039717811 34 INVASION OF PRIVACY Cardi B ATL/WAR 075679873682 35 THE VERY BEST INXS <P>6 PET/UMA 5335934 36 1989 Taylor Swift <D> BIG/UMA 3799890 37 DAMN.
    [Show full text]
  • Our History Is the Future: Mni Wiconi and the Struggle for Native Liberation Nick Estes University of New Mexico - Main Campus
    University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations Fall 11-15-2017 Our History is the Future: Mni Wiconi and the Struggle for Native Liberation Nick Estes University of New Mexico - Main Campus Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons, Indigenous Studies Commons, Political History Commons, and the United States History Commons Recommended Citation Estes, Nick. "Our History is the Future: Mni Wiconi and the Struggle for Native Liberation." (2017). https://digitalrepository.unm.edu/amst_etds/59 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Nick Estes Candidate American Studies Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Jennifer Nez Denetdale, Chairperson Dr. David Correia Dr. Alyosha Goldstein Dr. Christina Heatherton i OUR HISTORY IS THE FUTURE: MNI WICONI AND THE STRUGGLE FOR NATIVE LIBERATION BY NICK ESTES B.A., History, University of South Dakota, 2008 M.A., History, University of South Dakota, 2013 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy PhD, American Studies The University of New Mexico Albuquerque, New Mexico December, 2017 ii DEDICATION For the Water Protectors, the Black Snake Killaz, the Land Defenders, the Treaty Councils, the Old Ones, the Good People of the Earth.
    [Show full text]
  • ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2019 TY TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2019 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 THE GREAT EXPANSE Hilltop Hoods <G> HTH/UMA 7723449 2 A PLACE WE KNEW Dean Lewis <P>2 ISL/UMA 7739314 3 THE KIDS ARE COMING - EP Tones and I BAD/SME 19075979252 4 THE VERY BEST INXS <P>6 PET/UMA 5335934 5 LOVE MONSTER Amy Shark <P> WRC/SME LICK021 6 MY CRIMINAL RECORD Jimmy Barnes BDL/UMA BLOOD50 7 THE BEST OF COLD CHISEL: ALL FOR YOU Cold Chisel <P>4 CC/UMA CCC002 8 LAPS AROUND THE SUN Ziggy Alberts CMA/ORCH 192562787328 9 RUN HOME SLOW The Teskey Brothers IVY/UMA IVY486 10 LIFE Conrad Sewell SME G010004055792K 11 FAREWELL The Seekers DEC/UMA 7747211 12 DRINKING FROM THE SUN, WALKING UNDER STARS REST… Hilltop Hoods <P> HTH/UMA HTH007 13 SONGS FROM THE SOUTH: PAUL KELLY'S GREATEST HITS … Paul Kelly GAWD/EMI GAWD029S 14 WOMEN WEED & WORDPLAY Chillinit 420/DIT 5059033014787 15 THE BEST OF The Wiggles <P> ABC/UMA 4794051 16 SOLACE Rufus Du Sol <G> ROS/SME 19075899412 17 CHIAROSCURO Ocean Alley <G> UNFD/ORCH OA001 18 CARESS YOUR SOUL Sticky Fingers <G> SURS/MGM CW012 19 NATION OF TWO Vance Joy <G> LIB/UMA LRCD0001 20 BACKROAD NATION Lee Kernaghan ABC/UMA 7760261 21 THINGS THAT WE DRINK TO Morgan Evans WAR 9362490549 22 BLOOD MOON Cold Chisel CC/UMA CC018 23 YOURS TO KEEP Sticky Fingers SURS/RKT SURESHAKER009 24 DREAM YOUR LIFE AWAY Vance Joy <P>2 LIB/UMA LMCD0247 25 HILDA Jessica Mauboy SME 19075976102 26 BETWEEN US Hayden James FCL FCL262 27 GRAFFITI U Keith
    [Show full text]
  • Live from the Artists Den #1304 "Vance Joy” (TRT 56:46 HDTV, 16:9 Anamorphic Widescreen) Recorded August 17, 2017, the Sunset Center Carmel-By-The-Sea, CA
    Live from the Artists Den #1304 "Vance Joy” (TRT 56:46 HDTV, 16:9 Anamorphic Widescreen) Recorded August 17, 2017, The Sunset Center Carmel-By-The-Sea, CA Photograph by Abe Coloma for Artists Den Entertainment VANCE JOY: LIVE FROM THE ARTISTS DEN Australian singer-songwriter Vance Joy performs a private concert for more than 700 fans at the Sunset Center, Monterey Peninsula’s premier performing arts facility during Monterey Car Week. The set features fan favorites like “Lay It On Me,” “Georgia” and “Mess is Mine,” concluding with an audience-led chorus of the quadruple-platinum single “Riptide.” ARTIST BIO Atlantic recording artist Vance Joy recently released his new single, “Lay It On Me,” his first release since the hugely successful RIAA certified platinum album Dream Your Life Away, which recently surpassed one million in consumption in the US, and featured “Fire and the Flood,” the platinum song “Mess Is Mine,” and the 4x platinum “Riptide.” Based on the success of those songs, Vance Joy was the #1 Most Played Artist at Alternative radio in 2015, the same year he served as direct support on Taylor Swift’s “1989 World Tour.” The following year, his headline tour, the “Fire and the Flood Tour” sold more than 170,000 tickets combined. As an artist, Vance Joy has surpassed one billion cumulative streams across platforms. In addition to being nominated for an MTV VMA for “Artist to Watch,” Vance Joy was the recipient of International Songwriting Competition’s Grand Prize with a perfect score as well as ASCAP’s “Pop Work of the Year” for “Riptide.” VENUE BIO What began as a public school in 1926 has been transformed into a state-of-the-art performing arts venue known as Sunset Center in world renowned Carmel-by-the-Sea, California.
    [Show full text]
  • The Collegian
    The Collegian Volume 115 2017-2018 Article 12 3-6-2018 Volume 115, Number 12 - Tuesday, March 06, 2018 Saint Mary's College of California Follow this and additional works at: https://digitalcommons.stmarys-ca.edu/collegian Part of the Higher Education Commons Recommended Citation Saint Mary's College of California (2018) "Volume 115, Number 12 - Tuesday, March 06, 2018," The Collegian: Vol. 115 , Article 12. Available at: https://digitalcommons.stmarys-ca.edu/collegian/vol115/iss1/12 This Issue is brought to you for free and open access by Saint Mary's Digital Commons. It has been accepted for inclusion in The Collegian by an authorized editor of Saint Mary's Digital Commons. For more information, please contact [email protected]. MORAGA, CALIFORNIA • VOLUME 115, NUMBER 12 • TUESDAY, MARCH 6, 2018 • STMARYSCOLLEGIAN.COM • TWITTER: @SMC_COLLEGIAN • FACEBOOK.COM/SMCCOLLEGIAN Editor-in-Chief of SF Chronicle speaks on campus What’s Inside Audrey Cooper lectures on the importance of news and challenges facing it NEWS NEW MASTER OF ARTS BY KATE ARENCHILD Saint Mary’s begins a Master ASSISTANT NEWS EDITOR of Arts in Intercultural Communications. PAGE 2 “‘Alarmingly enterprising. Startlingly original. Honest and fearless. Spark a revolution.’ These are the words I think of every morning when I wake up and most evenings when I go to bed,” Audrey Cooper said, reminiscing over the famous quote by William Randolph Hearst. On the evening of Monday, Feb. 26, Cooper, the Editor-in-Chief of the San Francisco Chronicle, gave a talk in the Soda Center titled “Fake News and the Future of Media.” Dr.
    [Show full text]
  • AUSTRALIAN SINGLES REPORT VANCE JOY: HIGHER TIDE VANCE JOY on the Eve of His Splendour in the Grass Performance, TMN Spoke to Vance Joy
    JULY 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT VANCE JOY: HIGHER TIDE VANCE JOY On the eve of his Splendour In The Grass performance, TMN spoke to Vance Joy. His new single ‘Lay It On Me’ was added ATB to the Hit Network, Nova, KIIS, and ACE Radio. ance Joy is readying to resume TMN managed to catch Vance ahead of ST his globe-trotting ways following his Splendour In The Grass performance AT ST TS the release of new single 'Lay It last Friday. S On Me', which swiftly entered the TMN Hot 100 at #34 as Australian radio's Australian radio is loving ‘Lay It On Debut album Dream MostV Added track this week. Me’. Why was this the perfect song to Your Life Away has sold more than release right now? 1.7 million copies It was love at first listen for Southern worldwide, 115,00 in Cross Austereo's Hit Network, according Thank you. It's a song that has a bit of Australia. to Irene Hulme, the network's Head of kick and urgency about it I suppose. We Music and Entertainment Partnerships. are about to play a bunch of festivals over the summer in North America, and it feels "Hard to believe considering the like a song that will rejuvenate the current Four singles reached multi-Platinum status in strength of his previous hits, but set a bit and be a fun live song. Australia: ‘Riptide’ (8x Platinum) ‘Fire and the Vance just keeps getting better, this Flood’ (3x Platinum), is a mighty song with an infectious What does it mean to you to have ‘Georgia’ (2x Platinum) such a receptive audience for your and ‘Mess Is Mine’ (2x hook that sticks in your head from Platinum).
    [Show full text]
  • Riptide Piano Sheet Music with Lyrics
    Riptide piano sheet music with lyrics Continue Riptide Sheet Music for Voice Riptide Sheet Music for Guitar Riptide Sheet Music for Alto Saxophone Riptide Music Sheet for Baritone Horne Riptide Music Sheet Music for Baritone Saxophone Riptide Sheet Music for Bass Clef Instrument Riptide Leaf Music for Bass Rip Rip Tide Music Sheet for Bb Instrument Riptide Music Sheet for C Instrument Riptide Music Sheet Music for Cello Riptide Music Sheet for Clarinet Riptide Music Sheet for Double Bass Riptide Music Sheet for Eb Instrument Riptide Music Sheet for Euphonium Riptide Sheet Music For F Instrument Riptide Music Sheet music for Flute Riptide Sheet Music for French Horn Riptide Music Sheet for Gobo Riptide Music Sheet for Piano Accompaniment Riptide Music Sheet for Recorder Riptide Music Sheet for Soprano Saxophone Riptide Sheet Music for Tenor Saxophone Riptt Leaf Music for Treble Clef Instrument Riptide Music Sheet for Trombone Riptide Music Sheet Music for Trumpet Riptide Music Sheet for Tuba Riptide Music Sheet for Ukulele Riptide Music Sheet for Viola Riptide Sheet Music for Violin Riptide The Violin Sheet 1 Riptide Sheet of Music for Violin 2 Riptide is a contemporary song from singer Vance Joy.It originally featured on the artist's first EP, God Loves You When You're Dancing, which was released in 2013, and on his debut album Dream Your Life Away, which was launched a year later, in 2014.The release date of the single was May 21. According to the Australian singer, the inspiration for the song's title came from a real motel, Riptide, which he used to visit with his family as a child.
    [Show full text]