Riptide Piano Sheet Music with Lyrics

Total Page:16

File Type:pdf, Size:1020Kb

Riptide Piano Sheet Music with Lyrics Riptide piano sheet music with lyrics Continue Riptide Sheet Music for Voice Riptide Sheet Music for Guitar Riptide Sheet Music for Alto Saxophone Riptide Music Sheet for Baritone Horne Riptide Music Sheet Music for Baritone Saxophone Riptide Sheet Music for Bass Clef Instrument Riptide Leaf Music for Bass Rip Rip Tide Music Sheet for Bb Instrument Riptide Music Sheet for C Instrument Riptide Music Sheet Music for Cello Riptide Music Sheet for Clarinet Riptide Music Sheet for Double Bass Riptide Music Sheet for Eb Instrument Riptide Music Sheet for Euphonium Riptide Sheet Music For F Instrument Riptide Music Sheet music for Flute Riptide Sheet Music for French Horn Riptide Music Sheet for Gobo Riptide Music Sheet for Piano Accompaniment Riptide Music Sheet for Recorder Riptide Music Sheet for Soprano Saxophone Riptide Sheet Music for Tenor Saxophone Riptt Leaf Music for Treble Clef Instrument Riptide Music Sheet for Trombone Riptide Music Sheet Music for Trumpet Riptide Music Sheet for Tuba Riptide Music Sheet for Ukulele Riptide Music Sheet for Viola Riptide Sheet Music for Violin Riptide The Violin Sheet 1 Riptide Sheet of Music for Violin 2 Riptide is a contemporary song from singer Vance Joy.It originally featured on the artist's first EP, God Loves You When You're Dancing, which was released in 2013, and on his debut album Dream Your Life Away, which was launched a year later, in 2014.The release date of the single was May 21. According to the Australian singer, the inspiration for the song's title came from a real motel, Riptide, which he used to visit with his family as a child. The track was written by the singer himself, under his real name, James Keogh.Everything began in 2008, at his home in Glen Iris, when Keogh began writing the song. However, it was not until 2012 that he decided to combine the new project with the old one. The song was first promoted to the singer's Facebook account since he noticed that it was... only the first verse and the choir. However, many people are encouraging he has continued his career. The song was written in D flat major and the format in which it was eventually released was a CD as well as a digital download. Riptide was produced by Joy, along with drummer Edwin White, at Red Door Studios, in Brunswick, in just one day. Additional help with the production came from John Castle.The song is a mixture of indie folk and indie pop genres, and it has been dubbed the coming-of-age love story, especially because of pop references and metaphors. The track led to Vance Joy being compared to Jeff Buckley and Paul Kelly, thanks to the song's musical style as well as his vocals. Riptide received mostly positive reviews from music critics. The clip, shot by Dmitry Basil, consists of the texts of the track word by word. It was On April 2, 2013 through YouTube.The single was a major commercial success and reached many important charts. He topped the billboard in the Rock Airplay and Alternative Song charts, and he reached number seven on the U.S. Adult Alternative Songs. It was number two on the US Hot Rock Songs chart and peaked at number 10 on the UK Singles Chart. It was also an international success, present in the charts from Poland, Slovakia, Austria, Belgium, Germany, Israel, Scotland, Canada, Sweden and many others . Riptide has been certified five times platinum in Australia, for sales of over 350,000 copies, platinum in Canada and Sweden, and gold in the UK, Germany and Switzerland.The single has received important international satisfaction and it stands as one of the best contemporary songs. The free Riptide Piano Sheet is available below. Stay tuned for more. 2/24/2015 10:27:44 PM Riptide Honest, who writes these arrangements?? It is advertised as a light piano, but the arrangement is completely unplayable for an intermediate piano student. The melody isn't hard, but it jumps around and aligns it in 6s and then call it easily idiotic. This arrangement is completely counter intuitive and does not provide an easy solution for fingerings. I'm sure sorry Alfred will be investing in some creative and artistic arrangers and not continue to pump out this common crap that seems to have erupted on his computer. Very disappointed. Album Cover Artist: Vance Joy Sheet Music: 1 Sheets Average Rating: 3.78 On average based on 9 ratings. The options for printing and downloading a music sheet can vary. Popular sheet note: Riptide Piano Chords - Step by Step Tutorial on how to play a riptide song on the piano. A light piano lesson for beginners, tabs included. Since its release back in 2012 as the first single of Australian artist Vance Joy's debut EP , God Loves You When You're Dancing, Riptide has become one of the most popular hits of the decade. There is also a touch of irony in the fact that, despite the clearly dark content of the song, it was able to garner huge popularity among schoolchildren and young teens. In fact, the song is almost regularly sing by children during school concerts and functions. However, it is not difficult to assess the cause of this. The song contains a simple and catchy melody, which is easy to pick up plus a steady, sluggish rhythm that has the power of immediate arrest of the listener's attention. Riptide Piano Chords Song is also very popular among entry-level guitarists, keyboardists and piano learners. And this is due to the fact that throughout the verses, choir and bridge, the song uses the same melody and the melody consists of no more than four main chords - Am, G, C and F. Also, the chords (Am, G, C, C) is homogeneous on all the songs, the songs, exception from the part of the bridge where the F chord makes its way. And these chords and chords remain the same regardless of whether you're playing a song on guitar, keyboard or piano. In fact, this simplicity of the chords of the song explains the fact that during the preparation of the song Vance played it on a ukulele, not on a guitar or piano! Let's look at the first verse and pre-chorus, so you can have a better idea of it: Verse 1 am G C C I was afraid of dentists and dark Am G C C I was afraid of beautiful girls and starting conversations Am G C C Oh, all my friends are turning green Am G C You assistant magician in your sleeps, oooooo Am G C (support) and they come unstuck And all the other songs followed by this same steady chord progression, except for just the bridge that goes like this: Bridge Am Am G G I just want, I just want to know C F F If you're going to if you're going to stay am am G G I just need to, I just have to know C C (F) I can't have it , I can't have it any other way (Am) (G) (C) I swear it's designed for the screen (Am) (G) The closest thing to Michelle Pfeiffer (C) What you've ever seen, So, you can see for yourself how easy it would be to play Riptide piano chords and with the melody remains unchanged throughout the course, it will help your singing abilities, too. You will find many piano tutorial and sheet chords of Riptide on the internet, as well as a number of YouTube video tutorials to help you learn how to play a song on the piano. Check them out and you'll be surprised to find what a cinch it is. Riptide: The History of the Song on the Billboard Hot 100, Riptide peaked at 30 after its release. Many critics praised the song's clever and ambiguous lyrics. According to Vance himself, the song grew more like a quirky mish-mash of ideas rather than following any coherent and easy-to-follow storyline. The content of the first verse speaks of a shy-ish boy lacking the flair and confidence to swing conversations with a beautiful girl. According to the artist, the first two lines came to him back in 2008, but he could not go on with the song at the time. Gradually ideas developed, and the song (both lyrics and melody) was finally finished in 2012, four long years after pregnancy. Many biographical references (like assistant magician Vance met while writing the song) found their way into the song as if on their own. Similarly, the reference to Michel Pfeiffer was not caused by any particular stampede or obsession of the famous actress. It again just happened to the songwriter and thus Fifefer made his way into the song. Lyrics, according to the artist, was rather a patch different ideas and words were put together mostly at random. In other words, on the part of the artist there was no conscious effort to link any particular story or experience through the lyrics. Just as soon as the song got together, it sounded right and as such, Vance decided to go further. This unconscious approach is partly evident in the many pop-cultural references that are in the song. For example, it is impossible not to remember the cult film Midnight Cowboy, hearing the lines that talk about a man /cowboy quit his job to come to New York ... And so on.
Recommended publications
  • Tammy & Paul Setlist
    TAMMY & PAUL SETLIST Air - Bach Ain’t Nobody (Love Me Better) - Felix Jaehn All I Need- Radiohead All night long - Lionel Ritchie All the small things - Blink 182 Another Brick In the Wall - Pink Floyd Bad Touch - Bloodhound Gang Better Be Home Soon - Crowded House Blackbird - The Beatles Blister In The Sun - Violent Femmes Brother - Matt Corby Budapest - George Ezra Pachelbel's Canon in D Can You Feel The Love Tonight- Elton John Crazy little thing called love - Queen Don’t Worry Be Happy - Bobby Mcferrin Down Under - Men At Work Drive - Incubus Dreams - Th Cranberries Dreams - Fleetwood Mac Electric feel - MGMT Everywhere- Fleetwood Mac Eternal Flame - The Bangles Fall at your feet - Crowded House Falling Slowly - Glen Hansard & Marketa Irglova Fields of Gold - Eva Cassidy Fire and the Flood - Vance Joy Fix You - Coldplay For You - Angus & Julia Stone Follow Me- Uncle Kracker Gangstas paradise – Coolio Hallelujah - Jeff Buckley Happy Together - The Turtles Heroes - David Bowie Hey Jude - The Beatles Hey Ya - Outkast Ho Hey - The Lumineers Hold - Vera Blue Home - Edward Sharpe The Horses - Darryl Braithwaite I Wanna dance with Somebody - Whitney Housten I Will Wait - Mumford & Sons I'm On Fire- Bruce Springsteen Ignition - R. Kelly Into My Arms - Nick Cave Jungle - Emma Louise Kids - MGMT TAMMY & PAUL SETLIST Little Lion Man - Mumford & Sons Little Talks - Of Monsters & Men Love really hurts without you - Billy Ocean Lover Lover - Jerrod Niemann Magic - Coldplay Maps - Yeah Yeah Yeahs Naive - The Kooks Natural Woman - Aretha Franklin
    [Show full text]
  • The Greater Antilles
    PART I The Greater Antilles Jamaica: The Wages of Love chapter 1 BRANDING on tv, it looked like the others were jogging. Halfway through the Olympic 100-meter final, Usain Bolt— Jamaican hero, fastest man in the world, performing in London before eighty thousand flashbulb-popping fans— pulled away. At six-foot- five, hurtling down the tile- red track, Bolt stretched his stride in a way none of his rivals— compact, muscular men all— could match. One moment, eight Lycra- clad figures were sprinting in a pack. Then there was one: long legs churning, face calm. In Beijing four years before, he’d turned this race, as one oft-quoted account had it, into “a palette on which an emerging and transcendent talent could splash his greatness.”1 Slap- ping his chest before the line, exulting as he crossed— Bolt charmed the world with his brash joie de vivre. Now, as he pulled away, TV replays caught him glancing at the stadium clock: in Beijing, he’d entered his- tory; here, he wanted to make it. And so he did. The clock showed the time— a new Olympic record. And Jamaica’s pride, his nation’s black, yellow, and green flag draped over his broad back, grinned and danced as he circled the stadium, soaking up its warm lights’ love. For most of the few hundred million around the globe watching on TV, the scene showed what the Olympic Games, Visa-sponsored cor- porate dross aside, could still be. Here was a beautiful human, from a little nation, moving with supernal grace on the world stage.
    [Show full text]
  • The Mixtape: a Case Study in Emancipatory Journalism
    ABSTRACT Title of Dissertation: THE MIXTAPE: A CASE STUDY IN EMANCIPATORY JOURNALISM Jared A. Ball, Doctor of Philosophy, 2005 Directed By: Dr. Katherine McAdams Associate Professor Philip Merrill College of Journalism Associate Dean, Undergraduate Studies During the 1970s the rap music mixtape developed alongside hip-hop as an underground method of mass communication. Initially created by disc-jockeys in an era prior to popular “urban” radio and video formats, these mixtapes represented an alternative, circumventing traditional mass medium. However, as hip-hop has come under increasing corporate control within a larger consolidated media ownership environment, so too has the mixtape had to face the challenge of maintaining its autonomy. This media ownership consolidation, vertically and horizontally integrated, has facilitated further colonial control over African America and has exposed as myth notions of democratizing media in an undemocratic society. Acknowledging a colonial relationship the writer created FreeMix Radio: The Original Mixtape Radio Show where the mixtape becomes both a source of free cultural expression and an anti-colonial emancipatory journalism developed as a “Third World” response to the needs of postcolonial nation-building. This dissertation explores the contemporary colonizing effects of media consolidation, cultural industry function, and copyright ownership, concluding that the development of an underground press that recognizes the tremendous disparities in advanced technological access (the “digital divide”) appears to be the only viable alternative. The potential of the mixtape to serve as a source of emancipatory journalism is studied via a three-pronged methodological approach: 1) An explication of literature and theory related to the history of and contemporary need for resistance media, 2) an analysis of the mixtape as a potential underground mass press and 3) three focus group reactions to the mixtape as resistance media, specifically, the case study of the writer’s own FreeMix Radio: The Original Mixtape Radio Show.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • The Self-Referential Narcissism of Youth Behind the Name Vanity Teen
    Since publishing in 2008, we have The self-referential narcissism of been pioneers in featuring the youth behind the name Vanity future faces of fashion, art and Teen alludes to the importance we think Adolescence plays in entertainment that will pave the society. Transcending the wave not only in its respective evocative and refreshing attributes areas, but also echoes the ethos of the modern generation, today’s of today’s society. From the first youth is an extremely fashion and influencers like Cameron Dallas, social conscious audience that Lucky Blue Smith, Paris Brosnan clearly reflects and impacts to current influencers and society’s mood and style. celebrities like Manu Rios and Sundy Jules. VTEEN Cover 2018 INFO Being Spain’s most followed influencer, Manu Rios with over 500,000 followers on Twitter, and 5 million followers on Instagram, Manu Rios has become designers’ favorite including Dior and Calvin Klein. From making the cover of Australian singer-songwriter Vance Joy’s "Riptide", which earned him over 4 million views on YouTube, the Spanish influencer and 21-year-old entertainer's upcoming project includes its role in the fourth season of Netflix’s Spanish thriller teen drama ‘’Elite’’. Manu Rios IG (5.4M followers) ​ Adidas, Antonio Morato, MM& Maison Margiela, Diesel, Tommy Hilfiger. VTEEN Cover 2013 Cameron Dallas INFO Before becoming the American internet personality that he is now, Cameron Dallas ​ began his career in September 2012 by posting vines of himself playing jokes and pranks on his friends and family. By 2014, Dallas had 8.1 million followers on Vine, making him the 11th most followed account,and 11.3 million followers on Twitter.
    [Show full text]
  • ARIA TOP 100 ALBUMS CHART 2018 TY TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 100 ALBUMS CHART 2018 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 THE GREATEST SHOWMAN Soundtrack <P>3 ATL/WAR 7567865927 2 ÷ Ed Sheeran <D> ATL/WAR 9029585903 3 A STAR IS BORN Lady Gaga & Bradley Cooper <P> INR/UMA B002872502 4 BEERBONGS & BENTLEYS Post Malone <P> UNI/UMA B002821802 5 BOHEMIAN RHAPSODY (THE ORIGINAL SOUNDTRACK) Queen <G> VIR/UMA 6798870 6 KAMIKAZE Eminem <G> INR/UMA 7704621 7 SCORPION Drake <G> REP/UMA 6787918 8 GREATEST HITS Queen <P>15 UNI/UMA 2758364 9 BEAUTIFUL TRAUMA P!nk <P>4 RCA/SME 88985474692 10 X Ed Sheeran <D> WAR 2564628590 11 REPUTATION Taylor Swift <P>2 BIG/UMA 3003310 12 ? XXXTentacion <G> CAR/UMA 1210673 13 STONEY Post Malone <G> UNI/UMA 5726167 14 LOVE MONSTER Amy Shark <G> WRC/SME LICK021 15 THE PLATINUM COLLECTION Queen <P> UNI/UMA 2772417 16 SWEETENER Ariana Grande UNI/UMA 6783809 17 SHAWN MENDES Shawn Mendes <G> ISL/UMA 6755089 18 NATION OF TWO Vance Joy <G> LIB/UMA LRCD0001 19 GRAFFITI U Keith Urban <G> CAP/EMI 6741357 20 BLACK PANTHER: THE ALBUM Soundtrack <G> INR/UMA 6736430 21 EVOLVE Imagine Dragons INR/UMA 5768084 22 MAMMA MIA! HERE WE GO AGAIN Soundtrack PDR/UMA 6742623 23 + Ed Sheeran <D> WAR 5249864652 24 GUARDIANS OF THE GALAXY: AWESOME MIX VOL. 1 Soundtrack <P>2 HWR/UMA 8731446 25 CURTAIN CALL: THE HITS Eminem <P>6 INR/UMA 9887893 26 GREATEST HITS...SO FAR!!! P!nk <P>9 SME 19075855342 27 24K MAGIC Bruno Mars <P> ATL/WAR 7567866273 28 MOANA Soundtrack <P> WALT/UMA 8734913 29 THE BEST OF COLD CHISEL: ALL FOR YOU Cold Chisel <P>2 CC/UMA CCC002 30 CHRISTMAS Michael Buble <D>2 RPS/WAR 9362494697 31 REVIVAL Eminem INR/UMA B002776202 32 AMERICAN TEEN Khalid <G> RCA/SME 88985414322 33 ASTROWORLD Travis Scott SME G0100039717811 34 INVASION OF PRIVACY Cardi B ATL/WAR 075679873682 35 THE VERY BEST INXS <P>6 PET/UMA 5335934 36 1989 Taylor Swift <D> BIG/UMA 3799890 37 DAMN.
    [Show full text]
  • Right Arm Resource Update
    RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 4/15/2015 Sister Sparrow & The Dirty Birds “Mama Knows” The first single from The Weather Below, in stores May 19 Full clean cd on your desk, single on PlayMPE Great buzz out of SXSW! Added early at KFMU, KSPN, KRSH, WFIV, WVMP, WSGE, KDBB and KSLU Produced by Ryan Hadlock (Vance Joy, Lumineers, Brandi Carlile) “Frontwoman Arleigh Kincheloe has one of the biggest voices in the soul-funk business. Prepare to be blown away.” - Baltimore Sun On tour all spring and summer Ryan Montbleau Band “Pacing Like Prince” The first single from Growing Light, in stores Tuesday and on your desk now Single available on PlayMPE Added early at WNCS, KFMU, KSPN, WOCM, WCBE, WMVY, KDNK, KSMF, MSPR Catch them on tour now: 4/17 & 18 Boston, 4/21 NYC, 4/22 Washington DC, 4/24 Philadelphia, 4/25 Pittsburgh, 4/26 Columbus, 5/3 Atlanta, 5/5 Asheville, 5/6 Raleigh, 5/7 Charlotte, 5/8 Charlottesville, 5/9 Scranton, 5/22 MAYfest - Cold Spring NY... Ryan Bingham “Hands of Time” The second single from Fear And Saturday Night, available on PlayMPE now Early: WFPK, KUTX, KNBA, WMWV, WFIV, KDBB, WYCE, WOCM, KRSH, KDEC, KDTR Over 20,000 albums sold so far! “It’s clear Bingham has written some of his finest, most emotionally revealing material while squirreled away in his airstream trailer in the California mountains. His dusty, dusky, whiskey imbued voice makes even the most unassuming lyrics seem profound and soulful.” - American Songwriter Grace Potter “Alive Tonight” The first single from Midnight, her first album without The Nocturnals, in stores this summer Big first week including KINK, WEZZ, WZEW, WTMD, WFIV, WJCU, KOHO, KFMU, KSPN, WDST, KSLU, KVNA and KDEC Early at KCSN, WNCS, KMMS, WOCM Headlining at The Fox in Boulder this August Upcoming live dates: 6/5 Mountain Jam, 7/25 Floyd VA, 7/31 Osheaga Music & Arts Festival, 9/12 & 13 Grand Point North Festival, 9/19 Red Rocks (with Galactic), 9/20 Del Mar CA..
    [Show full text]
  • AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
    Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion
    [Show full text]
  • VERA BLUE: the BLUEPRINT VERA BLUE It’S Been a Long Road to Vera Blue’S Debut Album Perennial, but for Label Universal, It’S Still Just the Beginning
    AUGUST 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT VERA BLUE: THE BLUEPRINT VERA BLUE It’s been a long road to Vera Blue’s debut album Perennial, but for label Universal, it’s still just the beginning. alk to a few Vera Blue fans in Her debut album Perennial entered the ST the crowd at Splendour in the ARIA charts at #6 (with the tragic anomaly AT Grass – where the singer popped of Chester Bennington’s death bumping ST TS Tup no less than three times, Linkin Park into the top spots), and she’s S cameoing onstage with Peking Duk and racked up over a million monthly listeners Slumberjack as well as her own epic set on Spotify and counting, showing just – and you’ll fnd any number of diferent how hungry for the full-length her fans things brought them there. One or two had grown. Vera Blue’s true range is may have followed Celia Pavey since clear for the frst time – from the witchy her appearance under her own name beats of potential single ‘Lady Powers’ on The Voice in 2013; plenty will have to the sly and soaring new anthem to been drawn in by the indelible chorus independence, ‘Regular Touch’, which 2015 – 'Hold' on Illy’s 2016 hit ‘Papercuts’, where Vera represents her strongest appeal to 18 million plays on Blue’s haunting, hooky guest vocal was commercial FM yet. Spotify a standout. But mostly it’s simply that she boasts one of the most powerful “It's about having that sense of voices in Australian music, as distinctive contentment and happiness, not as her sheet of luminous red hair, and a needing attention or affection to feel #2 songwriting talent to match that draws complete and of purpose,” she says.
    [Show full text]
  • Our History Is the Future: Mni Wiconi and the Struggle for Native Liberation Nick Estes University of New Mexico - Main Campus
    University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations Fall 11-15-2017 Our History is the Future: Mni Wiconi and the Struggle for Native Liberation Nick Estes University of New Mexico - Main Campus Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons, Indigenous Studies Commons, Political History Commons, and the United States History Commons Recommended Citation Estes, Nick. "Our History is the Future: Mni Wiconi and the Struggle for Native Liberation." (2017). https://digitalrepository.unm.edu/amst_etds/59 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Nick Estes Candidate American Studies Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Jennifer Nez Denetdale, Chairperson Dr. David Correia Dr. Alyosha Goldstein Dr. Christina Heatherton i OUR HISTORY IS THE FUTURE: MNI WICONI AND THE STRUGGLE FOR NATIVE LIBERATION BY NICK ESTES B.A., History, University of South Dakota, 2008 M.A., History, University of South Dakota, 2013 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy PhD, American Studies The University of New Mexico Albuquerque, New Mexico December, 2017 ii DEDICATION For the Water Protectors, the Black Snake Killaz, the Land Defenders, the Treaty Councils, the Old Ones, the Good People of the Earth.
    [Show full text]
  • Amy Shark Releases “I Said Hi” Today—Click Here to Listen
    AMY SHARK RELEASES “I SAID HI” TODAY—CLICK HERE TO LISTEN “I SAID HI” IS THE FIRST SINGLE OFF HER UPCOMING DEBUT ALBUM LOVE MONSTER SET FOR RELEASE JULY 13TH PRE-ORDER AVAILABLE NOW (Los Angeles, CA) —Today, Australian singer-songwriter Amy Shark releases new single “I Said Hi.” The track is the first single off her upcoming debut album entitled Love Monster, which is set for release on July 13th and is available for pre-order now via Wonderlick Recording Company/Sony Music Entertainment Australia/RCA Records. Fans who pre-order the album will receive “I Said Hi” along with breakout song “Adore” as an instant-grat upon purchase. Click HERE to listen. In addition, Amy Shark will be embarking on the second leg of her 2018 North American headlining tour, which will be supported by label mate TOMI. The tour will be making stops in a number of major cities across the U.S. including Detroit, Atlanta, and Dallas and will also include festival appearances at Hangout Music Festival and BottleRock Napa Valley. Amy Shark has also been announced for this year’s Lollapalooza. Tickets for the second leg of Amy Shark’s North American headlining tour are on sale now and can be purchased here. See full list of tour dates below. Recently, Amy Shark performed “Adore” on The Tonight Show Starring Jimmy Fallon. Click HERE to watch. Tour Dates SAT 5/12 The Hollow Albany, NY MON 5/14 The Shelter Detroit, MI TUE 5/15 A&R Music Bar Columbus, OH WED 5/16 20th Century Cincinatti, OH FRI 5/18 Aisle 5 Atlanta, GA SAT 5/19 Hangout Music Festival Gulf Shores, AL MON
    [Show full text]
  • V. 82, Issue 2, September 25, 2014
    Volume 82, Issue 2 Smithfield, RI September 25, 2014 Inside Insight to Summer Abroad Follow Jenna as she reminisces on Summer Abroad in Germany By Jenna Husted its Legacy, which would be transfer credits this Staff Writer to Bryant as an upper level History Mode of Thought and a Political Science or Legal For those of you who are interested in Studies 400 level course. These two classes are studying abroad, but not for a whole semester, held Monday through Friday in Nuremberg, edition or maybe want to earn some class credits over Germany through the University of Erlangen. the summer…listen up! This past summer There are two professors from Creighton who I had the opportunity to go to Germany, split up the time teaching the International the Netherlands, Poland, and Austria over Criminal Law class, while Professor Bryant the course of a month. This program is run (a Legal Studies professor here at Bryant) through Creighton University, located in teaches the Holocaust course. Although this Business: Omaha, Nebraska. Traditionally, this program may sound like it is a lot of class, don’t worry, Members retire from was only for current Law School students, there is plenty of time to travel, shop, and but this was the first year the university experience the German culture. Microsoft board decided to open it up to undergraduates, and One other student, Nathan Hirshbein, it was a success! There were a total of four and I were the only two from Bryant who undergraduates and about thirty Law students went on this trip.
    [Show full text]