The Collegian

Total Page:16

File Type:pdf, Size:1020Kb

The Collegian The Collegian Volume 115 2017-2018 Article 12 3-6-2018 Volume 115, Number 12 - Tuesday, March 06, 2018 Saint Mary's College of California Follow this and additional works at: https://digitalcommons.stmarys-ca.edu/collegian Part of the Higher Education Commons Recommended Citation Saint Mary's College of California (2018) "Volume 115, Number 12 - Tuesday, March 06, 2018," The Collegian: Vol. 115 , Article 12. Available at: https://digitalcommons.stmarys-ca.edu/collegian/vol115/iss1/12 This Issue is brought to you for free and open access by Saint Mary's Digital Commons. It has been accepted for inclusion in The Collegian by an authorized editor of Saint Mary's Digital Commons. For more information, please contact [email protected]. MORAGA, CALIFORNIA • VOLUME 115, NUMBER 12 • TUESDAY, MARCH 6, 2018 • STMARYSCOLLEGIAN.COM • TWITTER: @SMC_COLLEGIAN • FACEBOOK.COM/SMCCOLLEGIAN Editor-in-Chief of SF Chronicle speaks on campus What’s Inside Audrey Cooper lectures on the importance of news and challenges facing it NEWS NEW MASTER OF ARTS BY KATE ARENCHILD Saint Mary’s begins a Master ASSISTANT NEWS EDITOR of Arts in Intercultural Communications. PAGE 2 “‘Alarmingly enterprising. Startlingly original. Honest and fearless. Spark a revolution.’ These are the words I think of every morning when I wake up and most evenings when I go to bed,” Audrey Cooper said, reminiscing over the famous quote by William Randolph Hearst. On the evening of Monday, Feb. 26, Cooper, the Editor-in-Chief of the San Francisco Chronicle, gave a talk in the Soda Center titled “Fake News and the Future of Media.” Dr. Zhan Li, Dean of THE COLLEGIAN INTERVIEWS the School of Economics and Business AUDREY COOPER Administration, introduced Cooper. He Student reporters must speak highlighted their special connection, truth to those in power. PAGE 3 having both studied at Boston University. Cooper stressed the fact that news keeps OPINION power in check, and with healthy news outlets absent, the country will suffer the AUDREY COOPER is shown here with Zhan Li, the Saint Mary’s Dean of SEBA. (Courtesy of San Francisco Chronicle) NEW PARKING RULES AND consequences. TRAFFIC ENFORCEMENT She began her lecture by explaining the of her news reporters and their children’s citizens think that they are informed from Public Safety did not implement new schools online. Cooper herself had never clicking on “two articles on Facebook.” rules in an effective way. PAGE 4 received more death threats than in that According to Cooper, it is harder to attract Instead of getting period of time. In spite of these experi- consumers of the Chronicle when people carried away in the ences, Cooper is ever the more commit- consume a whole host of other articles political climate, Cooper ted to convincing people that real news from media outlets with a less-than-satis- is important. factory commitment to journalistic ethics. wants the Chronicle to She stressed that “the current tumul- In our current news environment, two remain a steadfastly tuous news environment” is not new. issues concern her specifically. The first William Randolph Hearst, whom Cooper is the “anti-Trump” response that asks objective news source. quoted in the beginning of her lecture, be- people to donate to news rooms, as if sub- gan running the San Francisco Examiner scribing to the New York Times is part of importance of the quote she recited. The after his father won it in a gambling debt. a “resistance” against the President. The revolution one must start is unique to During this time, 250 newspapers were second is the push for the media to adopt SAINT MARY’S NEEDS each individual. She is called to a revolu- created, but they folded immediately af- the same communication tactics as the CONTRACEPTION ON CAMPUS tion against “indifference [and] people ter. While she encouraged us to not think president. Cooper described receiving an Providing birth control to who think news is not something they of our situation as a specifically harsh email in which a reader asked her to no students would not contradict need to pursue anymore.” She is against time in the history of news, we do need to longer refer to the President as “Presi- Catholic values. PAGE 5 the outright antagonism felt towards be worried about the commoditization dent,” because “he likes it and it feeds his the Chronicle as well. She described the of news. ego.” The reader, instead, referred to him CULTURE “doxing” instances of 2016, where people News has become less valuable as more as “the man who sits in the Oval office.” threatened to put the personal addresses and more of it appears. She explained that see SF Chronicle, page 3 MAKING A NAME FOR HIMSELF: Australian artist Vance Joy returns with his second album. PAGE 6 Br. Camillus: a history of the beloved fist-bumper BY HUGO STERN her mother got sick, he and his brother California, including Sacred Heart High CONTRIBUTING WRITER Ricky were sent to live with their godpar- School in San Francisco, San Joaquin High ents, and they went back and forth every School in Fresno, Sunset High School in It was 10 o’clock on the morning of Sat- year, living between their godparents and Hayward, and Saint Mary’s College High urday, March 3, when The Collegian spoke their mother. School in Berkeley. Although the faculty with Br. Camillus in his room inside the He entered Cathedral High School labeled him as “too kind” and “too forgiv- Joseph Alemany Community. in 1943 and graduated in 1946. It was ing,” he connected with the Mexican stu- All around his room were various there that he was first introduced to the dents there through the Spanish language. paintings of the Mother Mary all done by While he was teaching at Sunset High, SPORTS different people: some by famous artists, the Chicano students had organized a one by his Mom, and one by him. In the “Learning to connect walkout to protest the lack of attention MEN’S AND WOMEN’S BASKETBALL moments before the interview began, it deeply with yourself given to them, which was preventing Both teams hope to finish out was quiet, and you could hear the fountain them from getting into university. Br. the postseason strong. While from outside. and others will help Camillus and five other Mexican teachers the women’s team is out of the Br. Camillus is one of the quirkiest char- you discover your supported the protest by putting on an tournament, the men’s team gains acters you can find roaming around Saint passion and gift auction to raise money for scholarships a win over Pepperdine. PAGE 7 Mary’s College, fist-bumping everyone for the Chicano students. The protest in his path. His lectures are like perfor- to the world.” and auction was successful, and that year mance monologues, giving off a surreal some Chicano students were able to at- and almost psychedelic vibe about him. tend Stanford, Mills College, and other Though many know his prominent face, Christian Brothers, who taught there and prestigious schools. many might not know of the rich history inspired him to want to be a Brother and It was also at Sunset that Br. Camillus of his life. an educator himself. After attending East first encountered meditation through the Br. Camillus was born in Los Angeles, Los Angeles Community College, where Jose Silva Mind Control workshop, where California, in 1929, during the Depression he developed a liking for the liberal arts, he had a strong experience and a stronger period. His father, who worked at a water he decided to go through novitiate that desire to teach it to students. He calls and power plant, was put out of work, so sent him to Saint Mary’s College, which meditation “the deepest focus of the mind, he and his family moved down to Mexico looked very different from what it looks much deeper than prayer,” but to him, me- SOFTBALL HOPING FOR A where they found out, he says, that the like today. There were about 700 students diation is a personal, spiritual experience SUCCESSFUL SEASON Depression was even worse there. So (all male, most of them GIs) and about and doesn’t interfere with Catholicism. Coming off a 7-1 win against his mother saved up money from selling 30 Brothers, who were the only teachers In 1975, his old friend Br. Desales Perez Stony Brook, the team is headed clothes she made with her sowing machine then. He graduated and became a Brother (one of the first Latinos in the US to get to a tournament in New Mexico and moved them back to Los Angeles, in 1949. a PhD) asked him to come back to Saint next weekend. PAGE 8 where she got a cleaning job saving five From 1952 onward, he began teaching in Mary’s and to get a PhD of his own. He cents a day for her family to get by. When various high schools throughout Northern see Fist-bumper, page 2 2 THE COLLEGIAN • TUESDAY, MARCH 6, 2018 STMARYSCOLLEGIAN.COM THE INSIDE PAGE New Master of Arts in Intercultural Communication BY ADRIANA AVILA ending the course with the re- Students who are a part of nication. Currently, Imamura is NEWS REPORTER alization that their American this program will be prepared the program director of MAIC. norms and standards were not for a variety of career paths When asked what it is like to Saint Mary’s has a new gradu- the universal guidelines for such as tourism, international be the chair, she said,“Without ate program coming in Fall 2018.
Recommended publications
  • The Greater Antilles
    PART I The Greater Antilles Jamaica: The Wages of Love chapter 1 BRANDING on tv, it looked like the others were jogging. Halfway through the Olympic 100-meter final, Usain Bolt— Jamaican hero, fastest man in the world, performing in London before eighty thousand flashbulb-popping fans— pulled away. At six-foot- five, hurtling down the tile- red track, Bolt stretched his stride in a way none of his rivals— compact, muscular men all— could match. One moment, eight Lycra- clad figures were sprinting in a pack. Then there was one: long legs churning, face calm. In Beijing four years before, he’d turned this race, as one oft-quoted account had it, into “a palette on which an emerging and transcendent talent could splash his greatness.”1 Slap- ping his chest before the line, exulting as he crossed— Bolt charmed the world with his brash joie de vivre. Now, as he pulled away, TV replays caught him glancing at the stadium clock: in Beijing, he’d entered his- tory; here, he wanted to make it. And so he did. The clock showed the time— a new Olympic record. And Jamaica’s pride, his nation’s black, yellow, and green flag draped over his broad back, grinned and danced as he circled the stadium, soaking up its warm lights’ love. For most of the few hundred million around the globe watching on TV, the scene showed what the Olympic Games, Visa-sponsored cor- porate dross aside, could still be. Here was a beautiful human, from a little nation, moving with supernal grace on the world stage.
    [Show full text]
  • The Mixtape: a Case Study in Emancipatory Journalism
    ABSTRACT Title of Dissertation: THE MIXTAPE: A CASE STUDY IN EMANCIPATORY JOURNALISM Jared A. Ball, Doctor of Philosophy, 2005 Directed By: Dr. Katherine McAdams Associate Professor Philip Merrill College of Journalism Associate Dean, Undergraduate Studies During the 1970s the rap music mixtape developed alongside hip-hop as an underground method of mass communication. Initially created by disc-jockeys in an era prior to popular “urban” radio and video formats, these mixtapes represented an alternative, circumventing traditional mass medium. However, as hip-hop has come under increasing corporate control within a larger consolidated media ownership environment, so too has the mixtape had to face the challenge of maintaining its autonomy. This media ownership consolidation, vertically and horizontally integrated, has facilitated further colonial control over African America and has exposed as myth notions of democratizing media in an undemocratic society. Acknowledging a colonial relationship the writer created FreeMix Radio: The Original Mixtape Radio Show where the mixtape becomes both a source of free cultural expression and an anti-colonial emancipatory journalism developed as a “Third World” response to the needs of postcolonial nation-building. This dissertation explores the contemporary colonizing effects of media consolidation, cultural industry function, and copyright ownership, concluding that the development of an underground press that recognizes the tremendous disparities in advanced technological access (the “digital divide”) appears to be the only viable alternative. The potential of the mixtape to serve as a source of emancipatory journalism is studied via a three-pronged methodological approach: 1) An explication of literature and theory related to the history of and contemporary need for resistance media, 2) an analysis of the mixtape as a potential underground mass press and 3) three focus group reactions to the mixtape as resistance media, specifically, the case study of the writer’s own FreeMix Radio: The Original Mixtape Radio Show.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • ARIA TOP 100 ALBUMS CHART 2018 TY TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 100 ALBUMS CHART 2018 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 THE GREATEST SHOWMAN Soundtrack <P>3 ATL/WAR 7567865927 2 ÷ Ed Sheeran <D> ATL/WAR 9029585903 3 A STAR IS BORN Lady Gaga & Bradley Cooper <P> INR/UMA B002872502 4 BEERBONGS & BENTLEYS Post Malone <P> UNI/UMA B002821802 5 BOHEMIAN RHAPSODY (THE ORIGINAL SOUNDTRACK) Queen <G> VIR/UMA 6798870 6 KAMIKAZE Eminem <G> INR/UMA 7704621 7 SCORPION Drake <G> REP/UMA 6787918 8 GREATEST HITS Queen <P>15 UNI/UMA 2758364 9 BEAUTIFUL TRAUMA P!nk <P>4 RCA/SME 88985474692 10 X Ed Sheeran <D> WAR 2564628590 11 REPUTATION Taylor Swift <P>2 BIG/UMA 3003310 12 ? XXXTentacion <G> CAR/UMA 1210673 13 STONEY Post Malone <G> UNI/UMA 5726167 14 LOVE MONSTER Amy Shark <G> WRC/SME LICK021 15 THE PLATINUM COLLECTION Queen <P> UNI/UMA 2772417 16 SWEETENER Ariana Grande UNI/UMA 6783809 17 SHAWN MENDES Shawn Mendes <G> ISL/UMA 6755089 18 NATION OF TWO Vance Joy <G> LIB/UMA LRCD0001 19 GRAFFITI U Keith Urban <G> CAP/EMI 6741357 20 BLACK PANTHER: THE ALBUM Soundtrack <G> INR/UMA 6736430 21 EVOLVE Imagine Dragons INR/UMA 5768084 22 MAMMA MIA! HERE WE GO AGAIN Soundtrack PDR/UMA 6742623 23 + Ed Sheeran <D> WAR 5249864652 24 GUARDIANS OF THE GALAXY: AWESOME MIX VOL. 1 Soundtrack <P>2 HWR/UMA 8731446 25 CURTAIN CALL: THE HITS Eminem <P>6 INR/UMA 9887893 26 GREATEST HITS...SO FAR!!! P!nk <P>9 SME 19075855342 27 24K MAGIC Bruno Mars <P> ATL/WAR 7567866273 28 MOANA Soundtrack <P> WALT/UMA 8734913 29 THE BEST OF COLD CHISEL: ALL FOR YOU Cold Chisel <P>2 CC/UMA CCC002 30 CHRISTMAS Michael Buble <D>2 RPS/WAR 9362494697 31 REVIVAL Eminem INR/UMA B002776202 32 AMERICAN TEEN Khalid <G> RCA/SME 88985414322 33 ASTROWORLD Travis Scott SME G0100039717811 34 INVASION OF PRIVACY Cardi B ATL/WAR 075679873682 35 THE VERY BEST INXS <P>6 PET/UMA 5335934 36 1989 Taylor Swift <D> BIG/UMA 3799890 37 DAMN.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • Our History Is the Future: Mni Wiconi and the Struggle for Native Liberation Nick Estes University of New Mexico - Main Campus
    University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations Fall 11-15-2017 Our History is the Future: Mni Wiconi and the Struggle for Native Liberation Nick Estes University of New Mexico - Main Campus Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons, Indigenous Studies Commons, Political History Commons, and the United States History Commons Recommended Citation Estes, Nick. "Our History is the Future: Mni Wiconi and the Struggle for Native Liberation." (2017). https://digitalrepository.unm.edu/amst_etds/59 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Nick Estes Candidate American Studies Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Jennifer Nez Denetdale, Chairperson Dr. David Correia Dr. Alyosha Goldstein Dr. Christina Heatherton i OUR HISTORY IS THE FUTURE: MNI WICONI AND THE STRUGGLE FOR NATIVE LIBERATION BY NICK ESTES B.A., History, University of South Dakota, 2008 M.A., History, University of South Dakota, 2013 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy PhD, American Studies The University of New Mexico Albuquerque, New Mexico December, 2017 ii DEDICATION For the Water Protectors, the Black Snake Killaz, the Land Defenders, the Treaty Councils, the Old Ones, the Good People of the Earth.
    [Show full text]
  • ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2019 TY TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2019 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 THE GREAT EXPANSE Hilltop Hoods <G> HTH/UMA 7723449 2 A PLACE WE KNEW Dean Lewis <P>2 ISL/UMA 7739314 3 THE KIDS ARE COMING - EP Tones and I BAD/SME 19075979252 4 THE VERY BEST INXS <P>6 PET/UMA 5335934 5 LOVE MONSTER Amy Shark <P> WRC/SME LICK021 6 MY CRIMINAL RECORD Jimmy Barnes BDL/UMA BLOOD50 7 THE BEST OF COLD CHISEL: ALL FOR YOU Cold Chisel <P>4 CC/UMA CCC002 8 LAPS AROUND THE SUN Ziggy Alberts CMA/ORCH 192562787328 9 RUN HOME SLOW The Teskey Brothers IVY/UMA IVY486 10 LIFE Conrad Sewell SME G010004055792K 11 FAREWELL The Seekers DEC/UMA 7747211 12 DRINKING FROM THE SUN, WALKING UNDER STARS REST… Hilltop Hoods <P> HTH/UMA HTH007 13 SONGS FROM THE SOUTH: PAUL KELLY'S GREATEST HITS … Paul Kelly GAWD/EMI GAWD029S 14 WOMEN WEED & WORDPLAY Chillinit 420/DIT 5059033014787 15 THE BEST OF The Wiggles <P> ABC/UMA 4794051 16 SOLACE Rufus Du Sol <G> ROS/SME 19075899412 17 CHIAROSCURO Ocean Alley <G> UNFD/ORCH OA001 18 CARESS YOUR SOUL Sticky Fingers <G> SURS/MGM CW012 19 NATION OF TWO Vance Joy <G> LIB/UMA LRCD0001 20 BACKROAD NATION Lee Kernaghan ABC/UMA 7760261 21 THINGS THAT WE DRINK TO Morgan Evans WAR 9362490549 22 BLOOD MOON Cold Chisel CC/UMA CC018 23 YOURS TO KEEP Sticky Fingers SURS/RKT SURESHAKER009 24 DREAM YOUR LIFE AWAY Vance Joy <P>2 LIB/UMA LMCD0247 25 HILDA Jessica Mauboy SME 19075976102 26 BETWEEN US Hayden James FCL FCL262 27 GRAFFITI U Keith
    [Show full text]
  • Covers: Originals: Autumn Leaves- Ed Sheeran And
    Covers: Originals: Autumn Leaves- Ed Sheeran Too Soon, Too Late And The Boys- Angus and Julia Stone Where It Is You Go Travellin’ Soldier- Dixie Chicks Fairytale From Afar- Vance Joy It’s Not Real Stolen Dance- Milky Chance Say Anything The First Time- Vance Joy Home Space Oddity- David Bowie You Don’t Say just Chasing Cars- Snow Patrol like this How to Save a Life- The Fray Something Purple Bonfire Heart- James Blunt Honey Boys in the Street- Greg Holden It’s Easy The A-team- Ed Sheeran Behind Her Back Nine Crimes- Damien Rice The mail these days I See Fire- Ed Sheeran A life Big Jet Plane- Angus and Julia Stone Alaska Budapest- George Ezra A year Georgia- Vance Joy What have you done to me Colours- Halsey All for me Snaggletooth- Vance Joy A Darker Night Skinny Love- Bon Iver Keep Me In This Love Riptide- Vance Joy Hurts you to hurt me Give Me Love- Ed Sheeran The One That Got Away- Katy Perry Drops of Jupiter/ Soul Sister- Train Latch- Sam Smith Little Lion Man- Mumford and Sons Say Something- A Great Big World Beautiful Lies- Birdy Sweet Arms of a Tune- Missy Higgins Piano Man- Billy Joel Wildfire- Seafret Ophelia- The Lumineers Not About Angels- Birdy Flowers in Your Hair- The Lumineers Fire and the Flood- Vance Joy Rivers and Roads- The Head and The Heart Liability- Lorde If I’m Honest- Missy Higgins NYE- Perry Keyes Little Talks- Of Monsters and Men Like Gold- Vance Joy Valerie- Amy Winehouse Rhiannon- Fleetwood Mac Carry you home- James blunt Rambling man- Laura Marling Born to die- Lana Del Rey Can’t Help Falling in Love- Elvis Presley You and me- lifehouse Hold my girl- George ezra For Emma- Bon Iver Big Yellow Taxi- Joni Mitchel Is This Love- Bob Marly Perfect- Ed Sheeran 1000 years- Christina Perri Nothing Breaks like a heart- Miley Cyrus .
    [Show full text]
  • (Iowa City, Iowa), 2018-03-01
    The Daily Iowan THURSDAY, MARCH 1, 2018 THE INDEPENDENT NEWSPAPER OF THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 DAILY-IOWAN.COM 50¢ News Police find no suspicious activity at Currier To Know After reports of 'loud bangs' near Currier Residence Hall, officers confirmed no shots were fired. 80HOURS INSIDE: The weekend in arts & entertainment Thursday, March 1, 2018 Currier Hall was cleared by officers late the DI, except that an alert was on its way. Event Info Wednesday after reports of “loud bangs” near The UI Public Safety defines Hawk Alerts Baking a mother’s When: Friday-March 18, 7:30 p.m. Thursdays-Saturdays; 2 p.m. Sundays Where: Riverside Theater, 213 N. Gilbert love on death row Cost: $12-$30 the residential building. as: “… triggered by an event that is currently BY SARAH STORTZ | [email protected] Around 11 p.m. Wednesday, Daily Iowan occurring on or imminently threatening the The sweet, crispy scent of an apple pie in a small theater, al- The piece has received critical acclaim since its release, in- most welcoming an audience home with an appetizing meal. cluding winning the Smith Prize from the National New Play In contrast to the popular tradition of the festive dessert, one Network. Shortly after receiving the honor, Fawcett discovered reporters heard from students via texts, UI campus. UI [Public Safety] initiates Hawk mother will mark a final goodbye in her next baking project. that she was pregnant, which immediately changed her per- Riverside Theater, 213 N. Gilbert St, will present the original spective on her work.
    [Show full text]
  • Riptide Piano Sheet Music with Lyrics
    Riptide piano sheet music with lyrics Continue Riptide Sheet Music for Voice Riptide Sheet Music for Guitar Riptide Sheet Music for Alto Saxophone Riptide Music Sheet for Baritone Horne Riptide Music Sheet Music for Baritone Saxophone Riptide Sheet Music for Bass Clef Instrument Riptide Leaf Music for Bass Rip Rip Tide Music Sheet for Bb Instrument Riptide Music Sheet for C Instrument Riptide Music Sheet Music for Cello Riptide Music Sheet for Clarinet Riptide Music Sheet for Double Bass Riptide Music Sheet for Eb Instrument Riptide Music Sheet for Euphonium Riptide Sheet Music For F Instrument Riptide Music Sheet music for Flute Riptide Sheet Music for French Horn Riptide Music Sheet for Gobo Riptide Music Sheet for Piano Accompaniment Riptide Music Sheet for Recorder Riptide Music Sheet for Soprano Saxophone Riptide Sheet Music for Tenor Saxophone Riptt Leaf Music for Treble Clef Instrument Riptide Music Sheet for Trombone Riptide Music Sheet Music for Trumpet Riptide Music Sheet for Tuba Riptide Music Sheet for Ukulele Riptide Music Sheet for Viola Riptide Sheet Music for Violin Riptide The Violin Sheet 1 Riptide Sheet of Music for Violin 2 Riptide is a contemporary song from singer Vance Joy.It originally featured on the artist's first EP, God Loves You When You're Dancing, which was released in 2013, and on his debut album Dream Your Life Away, which was launched a year later, in 2014.The release date of the single was May 21. According to the Australian singer, the inspiration for the song's title came from a real motel, Riptide, which he used to visit with his family as a child.
    [Show full text]
  • U1 Wird Separat Im Umschlag Angeliefert HC20039.Booklet.Albertohemsi.Qxp PH????? Booklet Gamben/Handel 27.05.20 19:56 Seite 2
    HC20039.Booklet.AlbertoHemsi.qxp_PH?????_Booklet_Gamben/Handel 27.05.20 19:56 Seite 1 U1 wird separat im Umschlag angeliefert HC20039.Booklet.AlbertoHemsi.qxp_PH?????_Booklet_Gamben/Handel 27.05.20 19:56 Seite 2 Alberto Hemsi COPLAS SEFARDIES (Chansons Judéo-espagnoles) Alberto Hemsi (1898–1975) CD 1 Volume 3, Op. 13 Volume 1, Op. 7 (Spain 1492 – Saloniki 1932) Coplas Sefardies (Chansons Judéo-Espagnoles) (Spain 1492 – Rhodes 1932) © Edition Orientale de Musique, © Edition Orientale de Musique, Alexandria (Egypt) 1934 CD 1 Alexandria (Egypt) 1932 1 - 6 I. Serie (España 1492 – Rodi 1932) 13. XIII. Una hija tiene el rey 5:12 7 - 12 II. Serie (España 1492 – Rodi 1932) 1. I. Yo tomí una muchacha 5:54 14. XIV. Aquel conde y aquel conde 13 - 18 III. Serie (España 1492 – Salónica 1932) 2. II. Durme, (Mexidéra = Canción de cuna / Total time: 68:39 durme hermosa donzella 5:12 Lullaby) 3:30 3. III. No paséch por la mi sala 5:26 15. XV. Ya salió de la mar CD 2 4. IV. Dicho me avían dicho 5:21 la galana 2:33 1 - 6 IV. Serie (España 1492 – Salónica 1932) 5. V. Mi sposica está en el baño 3:27 16. XVI. Aquel rey de Francia 3:38 7 - 12 V. Serie (España 1492 – Esmirna 1937) 6. VI. Ansí dize la nuestra novia 4:26 17. XVII. Yo me alevantí un lunes 2:57 13 - 18 VI. Serie (España 1492 – Esmirna y Anatolia 1920) 18. XVIII. Ya abaxa la novia 19 - 24 VII. Serie (España 1492 – Esmirna y Anatolia 1920) Volume 2, Op.
    [Show full text]
  • 2021 Song Index
    MAR 27 2021 SONG INDEX 3, 2, 1 (24KGOLDN PUBLISHING, BMI/Artist 101 ASTRONAUT IN THE OCEAN (Harry Michael BIG (Ed Sheeran Limited, PRS/Sony/ATV Music CONGA ROCK (Half Tone Publishing Worldwide, DRUNK (AND I DON’T WANNA GO HOME) (Elle FOR THE NIGHT (Bashar Jackson Publishing Publishing Group, BMI/Songs Of Kobalt Music Publishing Deisginee, APRA/Tyron Hapi Publish- Publishing UK Ltd, PRS/JackBack Publishing BMI/I Like Turtles Music, ASCAP/KMR II Music King Music, BMI/EMI Blackwood Music Inc., Designee, BMI/Alex Petit Publishing Designee, Publishing America, Inc., BMI/Songs Of Univer- ing Designee, APRA/BMG Rights Management Ltd., SACEM/Write Here Music, SACEM/ Royalties II SCSp, ASCAP/Kobalt Songs Music BMI/Real Johnson Publishing, ASCAP/WC BMI/Victor Victor Worldwide Songs, BMI/Songs sal, Inc., BMI/Omer Fedi Music, BMI/Electric (Australia) PTY LTD, APRA) H100 25 ; RBH 14 Shapiro, Bernstein & Co., Inc., ASCAP/Kobalt Publishing LLC, ASCAP/Universal Music Publish- Music Corp., ASCAP), AMP/HL, CS 43 ; RO 16 Of Universal, Inc., BMI/Christoffer Marcussen Feel Music, BMI/Back Hair Music Publishing, ; RS 11 Songs Music Publishing LLC, ASCAP/Effective ing Group (France), SACEM/Third Side Music DUELE (Editora Jago, SESAC/Sony/ATV Bailar, Publishing Designee, BMI/Jess Jackson Publish- BMI/Two Hands And A Bit Publishing, BMI/ AT MY WORST (Artist 101 Publishing Group, Records, PRS/AIX Publishing, ASCAP/BMG Gold Inc, ASCAP), AMP/HL, DES 30 BMI/11Once Music, BMI), HL, LT 39 ing, ASCAP/Warner-Tamerlane Publishing Corp., Revenge Of The Dreamers, ASCAP/TatuMusik,
    [Show full text]